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Alumni Revue! This Issue Was Created Since It Was Decided to Publish a New Edition Every Other Year Beginning with SP 2017
AAlluummnnii RReevvuuee Ph.D. Program in Theatre The Graduate Center City University of New York Volume XIII (Updated) SP 2016 Welcome to the updated version of the thirteenth edition of our Alumni Revue! This issue was created since it was decided to publish a new edition every other year beginning with SP 2017. It once again expands our numbers and updates existing entries. Thanks to all of you who returned the forms that provided us with this information; please continue to urge your fellow alums to do the same so that the following editions will be even larger and more complete. For copies of the form, Alumni Information Questionnaire, please contact the editor of this revue, Lynette Gibson, Assistant Program Officer/Academic Program Coordinator, Ph.D. Program in Theatre, The Graduate Center, City University of New York, 365 Fifth Avenue, New York, NY 10016-4309. You may also email her at [email protected]. Thank you again for staying in touch with us. We’re always delighted to hear from you! Jean Graham-Jones Executive Officer Hello Everyone: his is the updated version of the thirteenth edition of Alumni Revue. As always, I would like to thank our alumni for taking the time to send me T their updated information. I am, as always, very grateful to the Administrative Assistants, who are responsible for ensuring the entries are correctly edited. The Cover Page was done once again by James Armstrong, maybe he should be named honorary “cover-in-chief”. The photograph shows the exterior of Shakespeare’s Globe in London, England and was taken in August 2012. -
1 Production Information in Just Go with It, a Plastic Surgeon
Production Information In Just Go With It, a plastic surgeon, romancing a much younger schoolteacher, enlists his loyal assistant to pretend to be his soon to be ex-wife, in order to cover up a careless lie. When more lies backfire, the assistant's kids become involved, and everyone heads off for a weekend in Hawaii that will change all their lives. Columbia Pictures presents a Happy Madison production, Just Go With It. Starring Adam Sandler and Jennifer Aniston. Directed by Dennis Dugan. Produced by Adam Sandler, Jack Giarraputo, and Heather Parry. Screenplay by Allan Loeb and Timothy Dowling. Based on ―Cactus Flower,‖ Screenplay by I.A.L. Diamond, Stage Play by Abe Burrows, Based upon a French Play by Barillet and Gredy. Executive Producers are Barry Bernardi, Allen Covert, Tim Herlihy, and Steve Koren. Director of Photography is Theo Van de Sande, ASC. Production Designer is Perry Andelin Blake. Editor is Tom Costain. Costume Designer is Ellen Lutter. Music by Rupert Gregson-Williams. Music Supervision by Michael Dilbeck, Brooks Arthur, and Kevin Grady. Just Go With It has been rated PG-13 by the Motion Picture Association of America for Frequent Crude and Sexual Content, Partial Nudity, Brief Drug References and Language. The film will be released in theaters nationwide on February 11, 2011. 1 ABOUT THE FILM At the center of Just Go With It is an everyday guy who has let a careless lie get away from him. ―At the beginning of the movie, my character, Danny, was going to get married, but he gets his heart broken,‖ says Adam Sandler. -
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THE METAL MARKET - "ihh may rrvme- mm a wwiK of m(lfnt rtemirtrri arlvrsnistna: 1 Ittern uml be Slew Tat xlrcr--. n. Nee Vis lea .. Bflrujitg imt$ 37TH YEAR f 30EL PASO, TEXAS. TUESDAY. JANUARY 16, 1917. ENGLISH SECTION--FOURTEE- PAGES. PRICE 5 CENTS MEDIATION CONFERENCE RESULTS IN TRIUMPH FOR MEXICANS LAWSON HURLS BOMB INTO CAMP OF INVESTIGATORS; UNCONDITIONAL RECALL OF - SAYS HENRY TOLD HIM ABOUT STOCK GAMBLING POOL PERSHING EXPEDITION IS Treasury SonrkrLaw President Wilson, Secretary of and of ZIMMERMAN SAYS Mentioned in Inquiry. REliUMMENDED TIJ PRESIDENT SECRETARY NAMED "Leak" M100 ENTENTE REPLY a aBstta9 Carranza Representatives) Convinced Mr. Wilson Will at AMONG PROMINENT MEN IN BARS FURTHER Once Order Withdrawal of American Troop and Send Ambassador to Mexico City. v Ikn. PEACEMOVE. ttttttW Commission Adjourns Without Any Agreement for Adjust BkL SCHEME TO RAID MARKET ment of Questions PeraMhfj, but American Member In Particular It Preclude Any An Decline to Admit Its Complete Failure. nouncement by Berlin of Con ÉtWW Designed to Answer Secretary Tumulty Also Mentioned as Being Among Those sBBBbV atsm diliont. Associated prcas. Terms Set Forth in Answer to New York, Jan. It The Mexican Ameri- Who "Received His Bit" in Connection With Advance can Joint commission which railed to er- President Wilson's Note 01 TRKTAnO f'ONt EVTION TO or Is- Information on President's Peace Note. red an adjustment the queeunn at imVCLl'DE WORK THIS MONTH. ' sue between Mexico and Uie Cnltcd State By Associated press Is Foreign Minister Declares Door after e series tr conference that began Otieretaro. Jan. ir. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
2010 Joint Conference of the National Popular Culture and American Culture Associations
2010 Joint Conference of the National Popular Culture and American Culture Associations March 31 – April 3, 2010 Rennaisance Grand Hotel St. Louis Delores F. Rauscher, Editor & PCA/ACA Conference Coordinator Jennifer DeFore, Editor & Assistant Coordinator Michigan State University Elna Lim, Wiley-Blackwell Editor Additional information about the PCA/ACA available at www.pcaaca.org 2 Table of Contents The 2009 National Conference Popular Culture Association & American Culture Association Area Chairs ___________________ 5 PCA/ACA Board Members _______________________________ 13 Officers _______________________________________________ 13 Executive Officers ______________________________________ 13 Past & Future Conferences _______________________________ 14 Conference Papers for Sale; Benefits Endowment _____________ 15 Exhibit Hours __________________________________________ 15 Business & Board Meetings _______________________________ 16 Film Screenings ________________________________________ 18 Dinners, Get-Togethers, Receptions, & Tours ________________ 23 Roundtables ___________________________________________ 25 Special Sessions ______________________________________________ 29 Schedule Overview ______________________________________ 33 Saturday ____________________________________________________ 54 Daily Schedule _________________________________________ 77 Wednesday, 12:30 P.M. – 2:00 P.M. ____________________________ 77 Wednesday, 2:30 P.M. – 4:00 P.M. ____________________________ 83 Wednesday, 4:30 P.M. – 6:00 P.M. ____________________________ -
Nyc | 2010 Watch It
Presented By SEPTEMBER 15-19 | NYC | 2010 WATCH IT. FEEL IT. REPORTING A half-hour special featuring Steve Harvey. PREMIERES SUNDAY, SEPTEMBER 26 10P/9c CONNECTING Major Guests. Big laughs. Thanks to Mo’Nique, late night feels good again. ALL-NEW EPISODES PREMIERE OcTOBER 4 WEEKNIGHTS 11P/10c REPRESENTING This awards show has the year’s best in hip hop down to a science. Watch the elements ignite. HOSTED BY MIKE EPPS PREMIERES TUESDAY, OcTOBER 12 8P/7c CELEBRATING Don’t miss this one-of-a kind tribute to our phenomenal sisters. SEPTEMBER 15-19 PREMIERES SUNDAY, NOVEMBER 7 8P/7c | NYC | 2010 UW10_ProgrammingAd.indd 1 BET.com 9/8/10 11:31 AM 2010 URBANWORLD FILM FESTIVAL FIVE YEARS LATER. FACING ANOTHER MAN-MADE DISASTER BUT STILL MARCHING ON. Festival Sponsors 4 Founder & Staff 5 Letter From The Executive Producer 6 Letter From The Presenting Sponsor 9 Schedule Of Events 14 Venues Map 15 Urbanworld Digital 16 Live Screenplay Readings 18 Special Screenings 21 Narrative Features 34 Documentary Features 41 Narrative Shorts 46 Documentary Shorts 66 Festival Jurors 72 Screening Schedule 78 Print Source Index 80 Acknowledgements 86 A SPIKE LEE JOINT ® THE FOLLOW-UP TO THE EMMY-WINNING “WHEN THE LEVEES BROKE” SEE IT ANYTIME ON HBO ON DEMAND® © 2010 Home Box Office, Inc. All rights reserved. HBO® and related channels and service marks are the property of Home Box Office, Inc. TABLE OF CONTENTS | 3 2010 URBANWORLD FILM FESTIVAL 2010 URBANWORLD FILM FESTIVAL FESTIVAL AMBASSADOR PRESENTING SPONSOR Kerry Washington FOUNDER Stacy Spikes EXECUTIVE PRODUCER -
Sexy Sensationalism Case Study: the Fascination with Celebrity News
Sexy Sensationalism Case Study: The Fascination with Celebrity News and Why USA Today Caters to the Obsession by Grant Edward Boxleitner A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts School of Mass Communications College of Arts and Sciences University of South Florida Major Professor: Robert Dardenne, Ph.D. Gary Mormino, Ph.D Mike Killenberg, Ph.D. Date of Approval: April 6, 2007 Keywords: gossip, media, ethics, newspapers, competition © Copyright 2007, Grant Edward Boxleitner Table of Contents Abstract............................................................................................................................... ii Chapter One Introduction ....................................................................................................1 Justification and Limitations....................................................................................6 Historical and Cultural Context ...............................................................................9 Literature Review...................................................................................................14 Methodology..........................................................................................................25 Research Goal ........................................................................................................27 Glossary of Terms and Concepts ...........................................................................31 Chapter Two Themes and Findings of In-Depth Interviews -
Michelle Obama's Rhetoric Concerning the Let's Move!
SUGAR, SALT, AND FAT: MICHELLE OBAMA’S RHETORIC CONCERNING THE LET’S MOVE! INITIATIVE, BINARY OPPOSITION, WEIGHT OBSESSION, AND THE OBESITY PARADOX Jenny A. Armentrout A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2011 Committee: Ellen Gorsevski, Advisor Lee Nickoson, Graduate Faculty Representative Radhika Gajjala Lara Lengel ii ABSTRACT Ellen W. Gorsevski, Advisor The goal of this project was to conduct a textual analysis on the social and political implications of First Lady Michelle Obama’s rhetorical artifacts from 2009 to 2011 regarding her childhood obesity campaign and widely-supported initiative entitled Let's Move! The analysis examined the remarks made by Michelle Obama regarding childhood obesity at five separate speaking engagements. The research focused on the rhetorical and social construction of weight, while emphasizing the immediate need for policy-change and a human rights focus in relation to weight discourses. The major objective of this work was to investigate discursive and symbolic themes of empowerment, peace-building, violence, dehumanization, globalization, sustainability, consumption, consumerism, and performativity while drawing on critical rhetorical studies and health communication scholarship to challenge the status quo of binary opposition, weight obsession, and the obesity paradox in lieu of contemporary US weight discourses. iii This is dedicated to Katje, Sarah, and Rachael- For always listening to my incessant rambling, singing, and ridiculous jokes, for putting up with all of my whining, for practically holding my hand and dragging me through the hardest times, for telling me: “I don’t want to hear ‘I can’t’ come out of your mouth!” and for being my trusted, lifelong biological/proverbial sisters/bfffs. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio American Housewife B Positive black-ish Bob Hearts Abishola Breeders Bridge And Tunnel Call Me Kat Call Your Mother Chad Cobra Kai Connecting... The Conners Country Comfort The Crew Dad Stop Embarrassing Me! Dickinson Emily In Paris Everything's Gonna Be Okay The Flight Attendant For The Love Of Jason Frank Of Ireland Genera+ion Girls5eva The Goldbergs grown-ish Hacks Home Economics Kenan The Kominsky Method Last Man Standing Loudermilk Love, Victor Made For Love Master Of None The Mighty Ducks: Game Changers Millennials mixed-ish Mom Moonbase 8 Mr. Iglesias Mr. Mayor My American Family Mythic Quest The Neighborhood Pen15 The Politician Resident Alien Rutherford Falls Saved By The Bell Search Party Shameless Shrill Social Distance Special Staged Superstore Tacoma FD Ted Lasso Teenage Bounty Hunters The Unicorn United States Of Al The Upshaws Woke Young Rock Young Sheldon Younger Zoey's Extraordinary Playlist End of Category Outstanding Drama Series Absentia Age Of The Living Dead Alex Rider The Alienist: Angel Of Darkness All American All Creatures Great And Small (MASTERPIECE) All Rise American Gods Away Batwoman Big Shot Big Sky The Bite The Blacklist Blue Bloods The Bold Type The Boys Brave New World Bridgerton Bull Charmed The Chi Chicago Fire Chicago Med Chicago P.D. Chilling Adventures Of Sabrina City On A Hill Clarice The Crown Cruel Summer Cursed Debris Delilah Doom Patrol Double Cross The Equalizer The Expanse The Falcon And The Winter Soldier FBI FBI: Most Wanted Fear The Walking Dead Firefly Lane The Flash For All Mankind For Life Gangs Of London Ginny & Georgia Godfather Of Harlem The Good Doctor Good Girls Good Trouble Greenleaf Grey's Anatomy The Handmaid's Tale Hanna Helstrom His Dark Materials In The Dark In Treatment Industry The Irregulars Jupiter's Legacy Kung Fu L.A. -
“The Melissa Mccarthy Effect”: Feminism, Body
The Pennsylvania State University The Graduate School “THE MELISSA MCCARTHY EFFECT”: FEMINISM, BODY REPRESENTATION AND WOMEN-CENTERED COMEDIES A Dissertation in Mass Communications by Catherine Bednarz © 2020 Catherine Bednarz Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2020 ii The dissertation of Catherine Bednarz was reviewed and approved by the following: Matthew P. McAllister Professor of Communications Chair of Graduate Programs Dissertation Adviser Co-Chair of Committee Michelle Rodino-Colocino Associate Professor of Communications Co-Chair of Committee Kevin Hagopian Teaching Professor of Communications Lee Ahern Associate Professor of Communications iii Abstract Immediately following its release in 2011, Bridesmaids was met with enormous critical praise as a woman-centered and feminist comedy. This praise was due to the largely female cast of characters in a major film comedy, a rarity in Hollywood. Women face sexism at every level of Hollywood, especially in comedy, so the success of a woman-led movie within the comedy genre was significant. Reviewers described the triumph of Bridesmaids as a game changer, claiming it would open the door to other woman-fronted comedies. This potential was labeled the “Bridesmaids Effect” (Friendly, 2011) by reviewers. However, while some comediennes may have benefitted from the success, I argue that the influence may be more accurately described as a “Melissa McCarthy” effect. This is particularly significant because though there have been several notable and successful female comedians before Melissa McCarthy, very few would be considered fat and feminist. The presence of fat women is not accurately reflected in mass media (Henerson, 2001). -
Research.Pdf
BIRDS AND BACKS: A SCHOLARLY EXPLORATION OF WRITING, PERFORMANCE, AND BODY IMAGE _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by MELISSA JACKSON BURNS Dr. M. Heather Carver, Dissertation Supervisor MAY 2017 © Copyright by Melissa Jackson Burns 2017 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled BIRDS AND BACKS: A SCHOLARLY EXPLORATION OF WRITING, PERFORMANCE, AND BODY IMAGE presented by Melissa Jackson Burns, a candidate for the degree of doctor of philosophy of theatre, and hereby certify that, in their opinion, it is worthy of acceptance. Dr. M. Heather Carver Dr. Kevin Brown Dr. Catherine Gleason Dr. Elaine Lawless For James and Cyndi Lauper. You are my home and my muses. For you, Mom, for the last 35 years of friendship. I hope you like it. ACKNOWLEDGEMENTS My academic journey and writing of this dissertation were made possible and pleasant by several people with whom I have worked over the years. The following people have played important roles in helping me research and write this dissertation. Dr. M. Heather Carver showed me a world of possibilities with her own performance and scholarship, proving that I could do scholarship that is exciting and passionate. She has worked with me and helped me to find my own autoethnographic voice and to make that voice stronger. Dr. Cat Gleason has been a mentor in several ways throughout my doctoral program and writing this dissertation. -
Film Not Found: Current Cinematic Representation of Fat Females and Scripting the Self Amy Pistone
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Virtual Commons - Bridgewater State University Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 5-12-2015 Film Not Found: Current Cinematic Representation of Fat Females and Scripting the Self Amy Pistone Follow this and additional works at: http://vc.bridgew.edu/honors_proj Part of the Film and Media Studies Commons Recommended Citation Pistone, Amy. (2015). Film Not Found: Current Cinematic Representation of Fat Females and Scripting the Self. In BSU Honors Program Theses and Projects. Item 102. Available at: http://vc.bridgew.edu/honors_proj/102 Copyright © 2015 Amy Pistone This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Pistone 1 Film Not Found: Current Cinematic Representation of Fat Females and Scripting the Self Amy Pistone Submitted in Partial Completion of the Requirements for Commonwealth Honors in English Bridgewater State University May 12, 2015 Dr. Lisa Litterio, Thesis Director Dr. Lee Torda, Committee Member Dr. Joyce Rain Anderson, Committee Member Pistone 2 Acknowledgements This thesis has been a lifetime in the making; it needed to be written, despite my fears that reached well beyond just the blank page sitting in front of me. Due to a wonderful support system within my family and my education, I have gained the skills and the confidence to produce this work, for which I am thankful. I’d like to thank my parents for raising me and providing me with everything I’ve ever needed.