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20Th Anniversary Texas Book Fest Schedule! Author Panels, Lit Crawl, Music, Kids’ Activities, Food
For more information, please contact: Brenda Thompson, 512-461-5644 [email protected] Please note: Media credentials are required to cover the Texas Book Festival. Credentialed media receive priority access to author sessions. Please complete and submit the online form located here http://www.texasbookfestival.org/2015-media- credentials. High-res Festival photos, the 2015 poster image, facts, and news releases are also available at the pressroom link. Changes to the Festival schedule will be continually updated and posted here: http://www.texasbookfestival.org/schedule-updates-2015/ September 24, 2015 20th anniversary Texas Book Fest schedule! Author panels, Lit Crawl, music, kids’ activities, food Oct. 17 and 18 at the State Capitol; free and open to the public AUSTIN—The 20th anniversary Texas Book Festival schedule released today includes the largest number of authors in its history (more than 300), dozens of author panels and readings, two days of live music, children’s activities, cooking demonstrations, Lit Crawl Austin, and more. The complete schedule is available at www.texasbookfestival.org. A few standout themes this year: nonfiction and fiction books about music, a panel on crime survivors’ perspectives, top authors who are fans of each other (Jonathan Lethem and Adrian Tomine), former presidential candidates, experts on past presidencies, football, fantasy and paranormal activity, and renowned journalists on topical matters including ISIS, border issues, and race. “This year is especially exciting as we celebrate the Texas Book Festival’s 20th anniversary,” says Marc Winkelman, the chair of the Festival’s board of directors. “We asked volunteers, authors, and attendees to share their stories, and collected 20 of the best to share. -
Opinion Captain Charles Birthers Shut Down? Annual Easter Egg Hunt Hardly
Lighting The Road To The Future Jumping The Broom Data Zone Page 6 “The People’s Paper” April 30 - May 6, 2011 46th Year Volume 1 www.ladatanews.com Scoop Jones - Founder Anthony Bean Wendell Pierce Carol Bebelle Marc Morial William Oliver Page 2 Data Around Town Opinion Captain Charles Birthers Shut Down? Annual Easter Egg Hunt Hardly. Page 7 Page 10 Photos by Victor Holt Page 2 April 30 - May 6, 2011 Cover Story www.ladatanews.com Data News Celebrates Forty-Fifth Anniversary Jerome Smith - Community Activist Non-Violent Coordinating Committee (SNCC) is a man with deep roots in the By Edwin Buggage activist community of New Orleans . “Data News Weekly has always served as the pipeline to Black New Orleans giving us the news that other outlets seemed to ignore,” says Smith . “It has been the paper that has chronicled Forty-five years ago Joseph “Scoop” Jones was a man with a dream of what’s important to our community .” creating a newspaper that would serve as a voice for the voiceless in the New He recounts the early days of Tambourine and Fan in the early 70’s, “When Orleans Community . In 1966 he and several partners started the New Orleans we first took over Hunter’s Field and worked with young people Data News Data News Weekly . Today under the ownership of his son Terry Jones, Data Weekly was the first newspaper to give us coverage ”. Smith feels that Black News Weekly has grown into one of the premier African-American newspa- newspapers are even more essential today in the city’s changing landscape, pers in the country winning awards and garnering praise from the community “I am glad to see Data is still around after forty-five years leading the charge as a news source people have come to trust . -
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
A FAILURE of INITIATIVE Final Report of the Select Bipartisan Committee to Investigate the Preparation for and Response to Hurricane Katrina
A FAILURE OF INITIATIVE Final Report of the Select Bipartisan Committee to Investigate the Preparation for and Response to Hurricane Katrina U.S. House of Representatives 4 A FAILURE OF INITIATIVE A FAILURE OF INITIATIVE Final Report of the Select Bipartisan Committee to Investigate the Preparation for and Response to Hurricane Katrina Union Calendar No. 00 109th Congress Report 2nd Session 000-000 A FAILURE OF INITIATIVE Final Report of the Select Bipartisan Committee to Investigate the Preparation for and Response to Hurricane Katrina Report by the Select Bipartisan Committee to Investigate the Preparation for and Response to Hurricane Katrina Available via the World Wide Web: http://www.gpoacess.gov/congress/index.html February 15, 2006. — Committed to the Committee of the Whole House on the State of the Union and ordered to be printed U. S. GOVERNMEN T PRINTING OFFICE Keeping America Informed I www.gpo.gov WASHINGTON 2 0 0 6 23950 PDF For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512-1800; DC area (202) 512-1800 Fax: (202) 512-2250 Mail: Stop SSOP, Washington, DC 20402-0001 COVER PHOTO: FEMA, BACKGROUND PHOTO: NASA SELECT BIPARTISAN COMMITTEE TO INVESTIGATE THE PREPARATION FOR AND RESPONSE TO HURRICANE KATRINA TOM DAVIS, (VA) Chairman HAROLD ROGERS (KY) CHRISTOPHER SHAYS (CT) HENRY BONILLA (TX) STEVE BUYER (IN) SUE MYRICK (NC) MAC THORNBERRY (TX) KAY GRANGER (TX) CHARLES W. “CHIP” PICKERING (MS) BILL SHUSTER (PA) JEFF MILLER (FL) Members who participated at the invitation of the Select Committee CHARLIE MELANCON (LA) GENE TAYLOR (MS) WILLIAM J. -
Hurricane Katrina and New Orleans: Discursive Spaces of Safety and Resulting Environmental Injustice
HURRICANE KATRINA AND NEW ORLEANS: DISCURSIVE SPACES OF SAFETY AND RESULTING ENVIRONMENTAL INJUSTICE A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Andrew B. Shears August, 2011 Dissertation written by Andrew B. Shears B.S., Ball State University, 2003 M.S., Ball State University, 2005 Ph.D., Kent State University, 2011 Approved by ____________________________________, Chair, Doctoral Dissertation Committee Dr. James A. Tyner ____________________________________, Members, Doctoral Dissertation Committee Dr. Mandy Munro-Stasiuk ____________________________________ Dr. Robert M. SchwartZ ____________________________________ Dr. Scott C. Sheridan Accepted by ____________________________________, Chair, Department of Geography Dr. Mandy Munro-Stasiuk ____________________________________, Dean, College of Arts and Sciences Dr. Timothy Moerland ii TABLE OF CONTENTS LIST OF FIGURES……………………………………………..………………………………………………….iv ACKNOWLEDGEMENTS………………………………………………………………………………………vi DEDICATION……………………………………………………………………………………………………...vii CHAPTER I. INTRODUCTION…………………………………………………………………………………..1 A. DEFINING ENVIRONMENTAL JUSTICE………………………………………….3 B. THE GAME PLAN………………………………………………………………………..19 C. METHODOLOGICAL FRAMEWORK……………………………………………..20 II. ABOUT NEW ORLEANS……………………………………………………………………...29 A. THE HISTORY OF NEW ORLEANS……………………………………………….33 B. NEW ORLEANS IN 2005…………….……………………………………………….85 C. CONCLUSION…………………………………………………………………………...111 III. HURRICANE KATRINA……………………………………………………………………..113 -
160 Emmy Photographs by Tommy Garcia/The Jude Group Grooming by Grace Phillips/State Management
Randy Barbato and Fenton Bailey 160 EMMY PHOTOGRAPHS BY TOMMY GARCIA/THE JUDE GROUP GROOMING BY GRACE PHILLIPS/STATE MANAGEMENT FOR MORE THAN A QUARTER-CENTURY, RANDY BARBATO AND FENTON BAILEY’S WORLD OF WONDER HAS TACKED CLOSELY TO THE CULTURAL ZEITGEIST, EMBRACING — AS BAILEY PUTS IT — “THE UNEXAMINED AND THE UNCONSIDERED.” SAYS BARBATO: “OUR WORK TYPICALLY HAS A CONNECTION TO PEOPLE WHO FEEL MARGINALIZED OR JUDGED.” BY MICHAEL GOLDMAN TelevisionAcademy.com 161 USHING INTO THE CONFERENCE ROOM ON THE TOP FLOOR OF THE 1930S ART DECO BUILDING THEY OWN ON HOLLYWOOD BOULEVARD, RANDY BARBATO AND FENTON BAILEY APOLOGIZE FOR THEIR LATENESS. THEY’VE JUST COME FROM THE EDIT ROOM, WHERE THEY LOCKED THE FINAL CUT OF MENENDEZ: BLOOD BROTHERS, A TV MOVIE THEY COPRODUCED AND CODIRECTED FOR A JUNE DEBUT ON LIFETIME. Blood Brothers is one of hundreds of projects made by World of Won- English television. That show explored the camcorder revolution, building on der, the production company they have jointly operated since 1991. Bailey a theme that helped launch Barbato and Bailey’s producing careers. and Barbato have flourished by crossing genres and media platforms, and by Fascinated by New York public-access television, the duo created their spotlighting extreme and often controversial topics, including tabloid news, first TV show, Manhattan Cable, out of public-access clips in 1991. It was a gender roles, LGBT issues and, more generally, almost all aspects of human hit in the U.K. and led to more programs there, like the one that eventually sexuality. earned Nevins’s attention. She hired them in 1993 to produce HBO’s Shock “Sex is the engine or driving force of who humans are,” Bailey says. -
Tone Parallels in Music for Film: the Compositional Works of Terence Blanchard in the Diegetic Universe and a New Work for Studio Orchestra By
TONE PARALLELS IN MUSIC FOR FILM: THE COMPOSITIONAL WORKS OF TERENCE BLANCHARD IN THE DIEGETIC UNIVERSE AND A NEW WORK FOR STUDIO ORCHESTRA BY BRIAN HORTON Johnathan B. Horton B.A., B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2017 APPROVED: Richard DeRosa, Major Professor Eugene Corporon, Committee Member John Murphy, Committee Member and Chair of the Division of Jazz Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Horton, Johnathan B. Tone Parallels in Music for Film: The Compositional Works of Terence Blanchard in the Diegetic Universe and a New Work for Studio Orchestra by Brian Horton. Doctor of Musical Arts (Performance), August 2017, 46 pp., 1 figure, 24 musical examples, bibliography, 49 titles. This research investigates the culturally programmatic symbolism of jazz music in film. I explore this concept through critical analysis of composer Terence Blanchard's original score for Malcolm X directed by Spike Lee (1992). I view Blanchard's music as representing a non- diegetic tone parallel that musically narrates several authentic characteristics of African- American life, culture, and the human condition as depicted in Lee's film. Blanchard's score embodies a broad spectrum of musical influences that reshape Hollywood's historically limited, and often misappropiated perceptions of jazz music within African-American culture. By combining stylistic traits of jazz and classical idioms, Blanchard reinvents the sonic soundscape in which musical expression and the black experience are represented on the big screen. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
The Signal and the Noise
nieman spring 2013 Vol. 67 no. 1 Nieman Reports The Nieman Foundation for Journalism REPOR Harvard University One Francis Avenue T s Cambridge, Massachusetts 02138 Nieman VOL Reports . 67 67 . To promoTe and elevaTe The sTandards of journalism n o. 1 spring 2013 o. T he signal and T he noise The SigNal aNd The NoiSe hall journalism and the future of crowdsourced reporting Carroll after the Boston marathon murdoch bombings ALSO IN THIS ISSUE Fallout for rupert mudoch from the U.K. tabloid scandal T HE Former U.s. poet laureate NIEMAN donald hall schools journalists FOUNDA Associated press executive editor T Kathleen Carroll on “having it all” ion a T HARVARD PLUS Murrey Marder’s watchdog legacy UNIVERSI Why political cartoonists pick fights Business journalism’s many metaphors TY conTEnts Residents and journalists gather around a police officer after the arrest of the Boston Marathon bombing suspect BIG IDEAS BIG CELEBRATION Please join us to celebrate 75 years of fellowship, share stories, and listen to big thinkers, including Robert Caro, Jill Lepore, Nicco Mele, and Joe Sexton, at the Nieman Foundation for Journalism’s 75th Anniversary Reunion Weekend SEPTEMBER 27–29 niEMan REPorts The Nieman FouNdatioN FoR Journalism at hARvARd UniversiTy voL. 67 No. 1 SPRiNg 2013 www.niemanreports.org PuBliShER Ann Marie Lipinski Copyright 2013 by the President and Fellows of harvard College. Please address all subscription correspondence to: one Francis Avenue, Cambridge, MA 02138-2098 EdiToR James geary Periodicals postage paid at and change of address information to: Boston, Massachusetts and additional entries. SEnioR EdiToR Jan gardner P.o. -
Sheila Nevins Joins MTV Studios to Launch MTV Documentary Films
Sheila Nevins Joins MTV Studios to Launch MTV Documentary Films May 7, 2019 Longtime president of HBO Documentary Films to shepherd new generation of documentary filmmakers exploring issues that impact youth NEW YORK--(BUSINESS WIRE)--May 7, 2019-- MTV, a unit of Viacom (NASDAQ:VIAB), today announced that Sheila Nevins — the legendary producer who redefined modern documentary storytelling and won dozens of Emmy® and Peabody® Awards as President of HBO Documentary Films — will joinMTV to launch MTV Documentary Films. As part of MTV Studios, the new division will develop documentary films and specials for third-party streaming services, premium networks and MTV platforms. Under Nevins’ leadership, MTV Documentary Films will embrace a new generation of filmmakers exploring the social, political and cultural trends and stories important to young people. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20190507005987/en/ “MTV has always been at the forefront of youth culture, and the generation that is growing up now will change the world in ways we can’t even imagine,” said Nevins. “I’m excited to join MTV with electrifying stories that explore the crises and commitments that young people face every day.” “Throughout her stellar career, Sheila has elevated documentaries into one of the most compelling, culturally influentially forms of modern storytelling,” said Chris McCarthy, President of MTV. “As we grow and expand MTV, we’re excited for Sheila to bring a new generation of filmmakers to the forefront and continue to extend our creativity and cultural impact.” Nina L. Diaz, President of Entertainment for MTV, added, “What we started two decades ago with MTV News and Docs continues to inspire today. -
FOR IMMEDIATE RELEASE: May 29, 2019 Peabody Launches New East
FOR IMMEDIATE RELEASE: May 29, 2019 Peabody Launches New East Coast Board of Directors Major leaders from public media companies and private foundations join entertainment industry executives to provide insight and counsel Athens, Ga. – Peabody has established an East Coast division to its board of directors, a group of prominent media industry leaders who provide support for the organization’s initiatives. The board will provide intellectual and idea capital and actively assist with broadening the organization’s relations and visibility with media industries, nonprofits, policy makers and the public. Launched in 2015, the board of directors are separate from the traditional board of jurors that bestows the prestigious Peabody Awards for excellence in broadcasting and digital media. “This new board serves as a complement to our existing West Coast board and brings the totality of what we do into focus,” said Jeffrey Jones, executive director of Peabody. “Their collective experience in journalism, documentary filmmaking, radio and podcasting, nonprofit management, and issue-conscious work reflects the diverse constituencies we partner with and promote. We welcome their participation, and appreciate the board’s guidance and leadership in Peabody’s advocacy for engagement and conversation around transformative media programming year-round.” Board members kicked off their first meeting prior to the 78th Annual Peabody Awards Ceremony on May 18 at Cipriani Wall Street in New York City. East Coast board members are (in alphabetical order): -
Hurricane Katrina/Rita Bibliography 2006
1 HURRICANE KATRINA/RITA BIBLIOGRAPHY 2006 Jefferson Parish Library East Bank Regional Reference Department 504-838-1111 BOOKS AND VIDEOS Amis, Rod. Katrina and the Lost City of New Orleans. La 363.34 AMI 2006 Bacher, Renee, et al. LSU in the Eye of the Storm: a University Model for Disaster Response. La 363.34922 BAC 2005 Berry, Jason, et al. Do You Know What it Means to Miss New Orleans?” 2006 La 976.335 DO Bologna, Jay. The New New Orleans: Katrina, Folly, Rita, Calamity, Outrage, Destiny and the Secret Formula that Will Make Gasoline Obsolete. 2005 Brinkley, Douglas. The Great Deluge: Hurricane Katrina, New Orleans and the Mississippi Gulf Coast La 976.335 BRI 2006 Brown, D.M. Hurricane Katrina: the First Seven Days of America’s Worst Natural Disaster. 2005. 363.34 BRO Collier, Philip. Missing New Orleans. 2005 La 976.335 COL Cooper, Anderson. Dispatches from the Edge. LP 070.92 COO 2006 Cooper, Christopher and Robert Block. Disaster: Hurricane Katrina and the Failure of Homeland Security. La 976 COO 2006 Daniels, Ronald J., et al. On Risk and Disaster: Lessons from Hurricane Katrina. 2006. 363.34 ON Dawn, Laura et al. It Takes a Nation: How Strangers Became Family in the Wake Of Hurricane Katrina. La 976.3 IT 2006 Des Roches, Reginald. Hurricane Katrina: Performance of Transportation Systems. 2006 On Order Dudley, William, ed. Hurricane Katrina. 2006 363.34 HUR 2 Dunbar, Eric. Katrina: in the Aftermath of a Killer. La 363.34 DUN 2005 Dyson, Michael Eric. Come Hell or High Water: Hurricane Katrina and the Color of Disaster.