Borre style metalwork in the material culture of the Birka warriors : an apotropaic symbol Hedenstierna-Jonson, Charlotte Fornvännen 2006(101):5, s. [312]-322 : ill. http://kulturarvsdata.se/raa/fornvannen/html/2006_312 Ingår i: samla.raa.se Art. Hedenstierna-Jonson KH:Layout 1 06-11-28 10.52 Sida 312 Borre style metalwork in the material cul ture of the Birka warriors An apotropaic symbol By Charlotte Hedenstierna-Jonson Hedenstierna-Jonson, C., 2006. Borre style metalwork in the material culture of the Birka warriors. Fornvännen 101. Stockholm. The use of the Borre style in the dress and equipment of the Viking Period war- riors at Birka is presented and discussed. The absence of Borre style metalwork on blade weapons evokes thoughts on the symbolic meaning of the style within a martial society. An apotropaic symbolic role for the style is suggested. Charlotte Hedenstierna-Jonson, Arkeologiska forskningslaboratoriet, Stockholms univer- sitet, SE-106 91 Stockholm
[email protected] Borre was the great Viking Period art style, comp - The Borre style rehensive both in content and in geographical According to David Wilson (1995, p. 91 f; 2001) distribution. It is believed to have been in use the Borre style originated on precious metal. from about AD 830 or 850 to the end of Birka's The decoration with transverse lines frequently floruit about AD 975. The Borre style was one occurring on copper alloy originally imitated of the most vigorous Viking Period styles. It was filigree work. Actual filigree technique was also the most widely spread of the Scandinavian used but on a limited number of objects.