Summary and Discourse 2019
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Curbing Media, Crippling Debate Soft Censorship in Bulgaria
Curbing Media, Crippling Debate Soft Censorship in Bulgaria www.wan-ifra.org Curbing Media, Crippling Debate Soft Censorship in Bulgaria PUBLISHER: SEEMO EDITOR: WAN-IFRA Oliver Vujovic World Association of Newspapers and News Publishers OTHER RESEARCH PARTNERS: 96 bis, Rue Beaubourg International Press Institute (IPI), Vienna 75003 Paris, France International Academy - International Media www.wan-ifra.org Center (IA-IMC), Vienna International Academy (IA), Belgrade WAN-IFRA CEO: Vincent Peyrègne PROJECT PARTNERS: Center for International Media Assistance PROJECT MANAGER: National Endowment for Democracy Mariona Sanz Cortell 1025 F Street, N.W., 8th Floor Washington, DC 20004, USA EDITOR: www.cima.ned.org Thomas R. Lansner Open Society Justice Initiative PRINCIPAL RESEARCHER: 224 West 57th Street South East Europe Media Organisation New York, New York 10019, USA (SEEMO), Vienna www.opensocietyfoundations.org www.seemo.org SUPPORTED BY: SEEMO RESEARCHERS: Open Society Foundations Siobhan Hagan Sladjana Matejevic DESIGN AND PREPRESS: Orlin Spassov Snezana Vukmirovic, Ivan Cosic, Plain&Hill Serbia Kristina Stevancevic © 2016 WAN-IFRA 2 Note on RepoRT ReseaRch and Methodology This report on the existence and extent of soft censorship in Bulgaria is part of the Soft Censorship Global Review, produced by the World Association of Newspapers and News Publishers (WAN-IFRA) in cooperation with the Center for International Media Assistance (CIMA), with the support from the Open Society Foundations. It was prepared by the South East Europe Media Organisation, based on the methodology developed by WAN-IFRA. 3 Curbing Media, Crippling Debate Table of Contents Executive Summary ...................................................................... 5 Key Findings ................................................................................. 7 Key Recommendations ................................................................. 8 Media, Business, and Power in Bulgaria ....................................... -
Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media. -
CHANNEL GUIDE AUGUST 2020 2 Mix 5 Mixit + PERSONAL PICK 3 Fun 6 Maxit
KEY 1 Player 4 Full House PREMIUM CHANNELS CHANNEL GUIDE AUGUST 2020 2 Mix 5 Mixit + PERSONAL PICK 3 Fun 6 Maxit + 266 National Geographic 506 Sky Sports F1® HD 748 Create and Craft 933 BBC Radio Foyle HOW TO FIND WHICH CHANNELS YOU CAN GET + 267 National Geographic +1 507 Sky Sports Action HD 755 Gems TV 934 BBC Radio NanGaidheal + 268 National Geographic HD 508 Sky Sports Arena HD 756 Jewellery Maker 936 BBC Radio Cymru 1. Match your package to the column 1 2 3 4 5 6 269 Together 509 Sky Sports News HD 757 TJC 937 BBC London 101 BBC One/HD* + 270 Sky HISTORY HD 510 Sky Sports Mix HD 951 Absolute 80s 2. If there’s a tick in your column, you get that channel Sky One + 110 + 271 Sky HISTORY +1 511 Sky Sports Main Event INTERNATIONAL 952 Absolute Classic Rock 3. If there’s a plus sign, it’s available as + 272 Sky HISTORY2 HD 512 Sky Sports Premier League 1 2 3 4 5 6 958 Capital part of a Personal Pick collection 273 PBS America 513 Sky Sports Football 800 Desi App Pack 959 Capital XTRA 274 Forces TV 514 Sky Sports Cricket 801 Star Gold HD 960 Radio X + 275 Love Nature HD 515 Sky Sports Golf 802 Star Bharat 963 Kiss FM 516 Sky Sports F1® 803 Star Plus HD + 167 TLC HD 276 Smithsonian Channel HD ENTERTAINMENT 517 Sky Sports Action 805 SONY TV ASIA HD ADULT 168 Investigation Discovery 277 Sky Documentaries HD 1 2 3 4 5 6 + 518 Sky Sports Arena 806 SONY MAX HD 100 Virgin Media Previews HD 169 Quest -
Bulgaria 103
Bulgaria 103 BULGARIA 1. GENERAL INFORMATION ON MEDIA AND MEDIA USE The official statistics show that Bulgaria’s national literacy rate is high. All people over 15 years Literacy and who are able to read and write are defined as ‘literate’. According to Bulgaria’s latest census in education 2001 the literacy rate is 98.2 per cent. That includes 98.7 per cent of its male and 97.7 per cent of its female citizens. Generally the illiterate people are members of the Romany ethnic group who have dropped out of school at an early stage. According to a survey by the Ministry of Education, 57 per cent of the children who have dropped out of school indicated lack of finance as the main problem. However, it is hard to believe this is the only reason for their dropping out since 53 per cent of the children who regularly attend school also face financial problems. Seventy per cent of those who have stopped attending school define themselves as Roma, 15 per cent as Bulgarians and 11 per cent as of Turkish ethnicity. Half of them drop out of school between the ages of 10 and 15, 8 per cent before reaching the age of 10, and 44 per cent after turning 15. One of the fundamental reasons for their failure to attend school is their family. Surveys indicate that 72 per cent of parents have done nothing after discovering their children were not going to school. Research on media consumption shows that TV, radio and newspapers are the preferred media Media landscape sources. -
Codes Used in D&M
CODES USED IN D&M - MCPS A DISTRIBUTIONS D&M Code D&M Name Category Further details Source Type Code Source Type Name Z98 UK/Ireland Commercial International 2 20 South African (SAMRO) General & Broadcasting (TV only) International 3 Overseas 21 Australian (APRA) General & Broadcasting International 3 Overseas 36 USA (BMI) General & Broadcasting International 3 Overseas 38 USA (SESAC) Broadcasting International 3 Overseas 39 USA (ASCAP) General & Broadcasting International 3 Overseas 47 Japanese (JASRAC) General & Broadcasting International 3 Overseas 48 Israeli (ACUM) General & Broadcasting International 3 Overseas 048M Norway (NCB) International 3 Overseas 049M Algeria (ONDA) International 3 Overseas 58 Bulgarian (MUSICAUTOR) General & Broadcasting International 3 Overseas 62 Russian (RAO) General & Broadcasting International 3 Overseas 74 Austrian (AKM) General & Broadcasting International 3 Overseas 75 Belgian (SABAM) General & Broadcasting International 3 Overseas 79 Hungarian (ARTISJUS) General & Broadcasting International 3 Overseas 80 Danish (KODA) General & Broadcasting International 3 Overseas 81 Netherlands (BUMA) General & Broadcasting International 3 Overseas 83 Finnish (TEOSTO) General & Broadcasting International 3 Overseas 84 French (SACEM) General & Broadcasting International 3 Overseas 85 German (GEMA) General & Broadcasting International 3 Overseas 86 Hong Kong (CASH) General & Broadcasting International 3 Overseas 87 Italian (SIAE) General & Broadcasting International 3 Overseas 88 Mexican (SACM) General & Broadcasting -
Performing Right Society Limited Distribution Rules
PERFORMING RIGHT SOCIETY LIMITED DISTRIBUTION RULES PRS distribution policy rules Contents INTRODUCTION...................................................................................... 12 Scope of the PRS Distribution Policy ................................................................................ 12 General distribution policy principles ............................................................................. 12 Policy review and decision-making processes ............................................................. 13 DISTRIBUTION CYCLES AND CONCEPTS ................................................. 15 Standard distribution cycles and frequency .................................................................. 15 Distribution basis ..................................................................................................................... 15 Distribution sections ............................................................................................................... 16 Non-licence revenue ............................................................................................................... 16 Administration recovery rates ............................................................................................ 16 Donation to the PRS Foundation and Members Benevolent Fund ........................ 17 Weightings .................................................................................................................................. 17 Points and point values ......................................................................................................... -
30 Key Influencers in the Performing Arts on the Cover 1
december 2013 MOVERS & SHAKERS 30 Key Influencers in the Performing Arts On The Cover 1. Deborah rutter President Chicago Symphony Orchestra Association 2. timothy o’Leary 1 General Director Opera Theater of Saint Louis 3. matías tarnopoLsky Director Cal Performances 2 3 4 5 4. stéphane Lissner 6 7 General Manager and Artistic Director Teatro alla Scala, Milan 10 11 5. Darren henLey Managing Director Classic FM 6. roger Wright 8 9 Controller BBC Radio 3 Director BBC Proms 7. Limor tomer 15 1 7 General Manager, Concerts and Lectures Metropolitan Museum of Art 12 13 8. marc scorca President and CEO 14 11 6 6 1 8 Opera America 9. brent assink Executive Director San Franciso Symphony 10. Joseph poLisi President and Trustee The Juilliard School 1 9 20 21 22 23 11. roLanD geyer Intendant Theater an der Wien 18. DaViD gockLey 12. heLga rabL-stabLer General Director President San Francisco Opera Salzburg Festival 19. John giLhooLy 13. Janis susskinD Director, Wigmore Hall 24 25 26 27 2829 30 Managing Director Chairman, Royal Boosey & Hawkes Music Publishers Ltd. Philharmonic Society 14. Jenny biLfieLD 20. Jonathan frienD 24. Deborah borDa, President and CEO, Los Angeles Philharmonic President and CEO Artistic Administrator Washington Performing Arts Society Metropolitan Opera 25. anthony freuD, General Director, Lyric Opera of Chicago 15. peter taub 21. kristin Lancino 26. peter geLb, General Manager, Metropolitan Opera Director of Performance Programs Executive Director Museum of Contemporary Art Chicago IMG Artists 27. cLiVe giLLinson, Executive and Artistic Director, Carnegie Hall 16. mark VoLpe 22. DaViD foster 28. kLaus heymann, CEO, Naxos Managing Director President and CEO Boston Symphony Orchestra Opus 3 Artists 29. -
Championing a Sound Investment
A Sound Investment The mixed economy model of UK orchestras Foreword 1 2 The first part of this briefing looks at It has never been more important for If they don’t sustain the quality of their British orchestras are world-leaders. Attracting the best how the mixed economy model works orchestras to demonstrate that they output, then they won’t be invited in detail: really do deliver and add value for the on international tours, or be offered conductors and players, pioneering new music and new sums of money that are invested in them. lucrative recording deals. And it may be • How orchestras use the public Public finances are extremely tight, the more difficult for them to attract private investment they receive to lever approaches to the live experience, developing innovative amount of money available in the private donors. Many smaller orchestras have in significantly more resources from sector is limited, and consumers are exceptionally strong relationships with other sectors. For every one pound education programmes and reaching more people in more understandably choosy about where, their funders and supporters. It is very of taxpayers money invested in British when and how they spend on cultural important for the sector as a whole that orchestras, another £2 is generated areas than ever before, their impact continues to grow. and leisure activities. this philanthropic funding continues to from other sources. find its way through to the widest range The funding model that British orchestras Underpinning their success is a mixed economy model that • How orchestras work with private of orchestras and does not become have developed is flexible enough to givers – individuals, charitable trusts concentrated amongst the bigger players. -
MAPPING DIGITAL MEDIA: BULGARIA Mapping Digital Media: Bulgaria
COUNTRY REPORT MAPPING DIGITAL MEDIA: BULGARIA Mapping Digital Media: Bulgaria A REPORT BY THE OPEN SOCIETY FOUNDATIONS WRITTEN BY Vesislava Antonova and Andrian Georgiev (lead reporters) EDITED BY Marius Dragomir and Mark Thompson (Open Society Media Program editors) Magda Walter (regional editor) EDITORIAL COMMISSION Yuen-Ying Chan, Christian S. Nissen, Dusˇan Reljic´, Russell Southwood, Michael Starks, Damian Tambini The Editorial Commission is an advisory body. Its members are not responsible for the information or assessments contained in the Mapping Digital Media texts OPEN SOCIETY MEDIA PROGRAM TEAM Meijinder Kaur, program assistant; Morris Lipson, senior legal advisor; and Gordana Jankovic, director OPEN SOCIETY INFORMATION PROGRAM TEAM Vera Franz, senior program manager; Darius Cuplinskas, director 1 March 2013 Contents Mapping Digital Media ..................................................................................................................... 4 Executive Summary ........................................................................................................................... 6 Context ............................................................................................................................................. 9 Social Indicators ................................................................................................................................ 11 Economic Indicators ........................................................................................................................ -
Distribution Rules
PERFORMING RIGHT SOCIETY LIMITED DISTRIBUTION RULES Appendices APPENDIX Standard distribution cycle Distribution Source April July October December Reconciliation BBC radio Oct – Dec Jan - Mar Apr - Jun Jul - Sept July BBC TV Sept - Dec Jan - Mar Apr - Jun Jul - Aug July BSkyB TV Sept - Dec Jan - Mar Apr - Jun Jul - Aug October All other TV Re Sept - Dec Jan - Mar Apr - Jun Jul - Aug April po (exc. music TV channels) rti All other radio ng Oct – Dec Jan - Mar Apr - Jun Jul - Sept April (and music TV channels) Pe ri od Public performance * Oct – Dec Jan - Mar Apr - Jun Jul - Sept April Online ** Oct – Dec Jan - Mar Apr - Jun Jul - Sept N/A International Jul-Dec Jan-Jun N/A (agencies) International Varies depending on affiliate society timetable N/A (affiliate societies) *Concerts using the live concert service are distributed outside the four major distributions with a target of within 60 days of the concert **It is not always possible to adhere to this timetable for some online services Broadcast sampling rates Since 2010 new TV and radio services are sampled at the following minimum rates. TV Sampling Threshold Sample Band Days 4 0-15K 10 15-30K 37 30-60K 91 60-100K 181 100-200K 365 200K+ Radio Sampling Threshold Sample Band Days 4 £0-£50K 8 £50-£100K 16 £100-£200K 32 £200-£500K 365 £750K+ At present services that existed before 2010 are still sampled at minimum rates calculated using a complex statistical formula. In practice, because of electronic reporting and the use of music recognition technology, many services have much higher sample rates, bordering on census for non-advertising plays. -
We're Making It Easier to Find Your Favourite Shows
We’re making it easier to find your favourite shows Here’s a quick rundown of the changes we’re introducing: • Documentary channels will be moved up the TV Guide to sit alongside Entertainment channels • +1 channels will be listed in a new menu on the TV Guide • +1s from Entertainment & Documentaries move to new linked channel numbers (e.g, Sky One - 106, Sky One+1 - 206) PAGE 1 Entertainment News, Specialist, Secondary Channels, Movies & Sports & Music International & Adult & Radio & Documentaries Religion, Kids & Shopping Entertainment & Documentaries 101 RTÉ One HD 201 RTÉ One+1 171 Disc.History 271 Disc.History+1 954 BBC One London (AD) 102 RTÉ Two HD 172 Discovery Shed 969 BBC Two Eng (AD) 103 TV3 HD 203 TV3+1 173 BET:BlackEntTv 976 BBC One HD (AD) 104 TG4 HD 174 VH1 994 Sky Atlantic VIP 105 3e HD 175 BEN 995 Sky Atlantic VIP HD 106 Sky One HD 206 Sky One+1 177 Home & Health 277 HomeHealth+1 996 Chl Line-up 107 Sky Living HD 207 Sky Living+1 178 DMAX 278 DMAX+1 998 Sky Intro 108 Sky Atlantic HD 208 Sky Atlantic+1 179 True Ent 279 True Ent+1 999 Channel 999 109 W HD 209 W+1 180 truTV 280 truTV+1 110 GOLD 210 GOLD+1 181 Sony Crime 2 111 Dave HD 211 Dave ja vu 182 GNTV 112 Comedy Central 212 ComedyCent+1 183 VICE 113 Universal 213 Universal+1 184 Horse & Country 114 SYFY HD 214 SYFY+1 185 propeller 116 Be3 187 Blaze 121 SkySp Mix HD 188 Disc.Turbo 288 Disc.Turbo+1 122 Sky Arts HD 189 Property Show 123 Sky Two 190 Animal Planet HD 290 Animal Plnt+1 124 FOX HD 224 FOX+1 191 mytv 125 Discovery 225 Discovery+1 192 Showcase 292 Showcase+1