IRIE RECORDS New Release Catalogue 09-09 #1
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Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work. -
Cd Cd Cd 2Cd Cd Cd
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 153 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/12"/7") D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 22.08.2004 BIS 03.09.2004) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ CD CD CD 2CD CD CD 2CD IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 09/2004 #1 SEITE 2 *** CDs *** ANN & SONIA....................... RISE AGAIN MILLENNIUM......... WORLD SOUNDS... (GBR) (99/99). 20.49EUR LLOYD BROWN......(back in stock).. STRAIGHT NO CHASER............ GROOVE & A QUAR (GBR) (96/96). 19.79EUR BUSH CHEMISTS....(back in stock).. DUB OUTERNATIONAL............. ROIR........... (USA) (95/96). 18.99EUR DON CAMPBELL.....(back in stock).. REGGAE MAX.................... JET STAR....... (GBR) (--/01). 11.99EUR ETERNALS......................... -
Tanya Stephens
Tanya Stephens Mientras el reggae dancehall continúa tomando la lista de éxitos, el mundo está conociendo un estilo que refleja la mentalidad de los jóvenes varones jamaicanos: el reggae es un mundo de hombres. En este estilo dominado por hombres rudos y provocativos, la cantante y deejay (reggae rapper) Tanya Stephens está demostrando con creces que las chicas en el dancehall van más allá del simple rol de coristas decorativas de esos machitos. Rebelde, dura y auténtica, Stephens es la reina indiscutible del hardcore dancehall jamaicano, sin competencia. Su sexto CD, \"Rebelution\", confirma su posición privilegiada en lo más alto en el juego dancehall gracias a su imaginación musical y a su agudeza en las palabras. Ya sea con ritmos de dancehall hardcore, con diatribas contra el \"establishment\" polÃtico o con el \"crooning\" más romántico, todo lo que genera su talento gigante son ráfagas de arte desbocado. La carrera de Vivienne Tanya Stephenson despegó como la de tantos otros \"free-styling\" por las esquinas con su \"crew\". Segunda de siete hermanos, sus influencias musicales fueron determinadas por \"cualesquiera de las que en mi casa escuchaba cada uno\". Fue un equipaje muy mezclado, incluyendo Smokey Robinson, Buddy Holly & The Crickets, R&B americano y \"los calypsonianos que encantaban a mi madre como Lord Kitchener o Mighty Sparrow. Ellos ayudaron a desarrollar mi ingenio\". Tanya insiste, \"descubrà acerca de lo que ellos cantaban a una edad realmente temprana\". Cantar e improvisar en los sound systems locales completaron su educación musical y no tardó mucho en grabar su primer tema en 1993, \"Is This For Real\". -
“Just Ask Mi 'Bout Brooklyn:” West Indian Identities, Transgeographies, and Livin
“JUST ASK MI ’BOUT BROOKLYN:” WEST INDIAN IDENTITIES, TRANSGEOGRAPHIES, AND LIVING REGGAE CULTURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sabia McCoy-Torres August 2015 © 2015 Sabia McCoy-Torres “JUST ASK MI ’BOUT BROOKLYN:” WEST INDIAN IDENTITIES, TRANSGEOGRAPHIES, AND LIVING REGGAE CULTURE Sabia McCoy-Torres, Ph.D. Cornell University 2015 This ethnography explores the symbiotic relationship between the West Indian Diaspora and performance based, Jamaican originated, reggae culture. The field site was Brooklyn, New York. I analyze the intersections of reggae with racial and cultural identity construction, expressions of gender and sexuality, transnationalism, and place making practices. The formation of a local, West Indian led, reggae related economy is also a subject of focus. In order to theorize the impact West Indians have on Brooklyn and their subjectivities, I develop the concepts transgeographies and figurative citizenship. I argue that the West Indian Diaspora creates transgeographic cultural places that specific sociocultural practices and performance help to form. I offer that performance, action, and material alteration coalesce to physically transform space and imbue it with affect and sensory elements that together constitute links to the various nations of the Caribbean. The West Indian geographies of Brooklyn are thereby brought inside the Caribbean space expanding how geography is conceived of as an analytic. Emergent diasporic subjectivities are formed within these transgeographic cultural places, one of them being what I term figurative citizenship. This work also includes analyses of the relationship of West Indians to U.S. -
Moving Dancehall Off the Island: Female Sexuality and Club Culture in Toronto
Karen Flynn: Moving Dancehall Off the Island: Female Sexuality and Club Culture in Toronto Moving Dancehall Off the Island: Female Sexuality and Club Culture in Toronto Karen Flynn Associate Professor University of Illinois, Urbana-Champaign, IL, USA Abstract While there has been an exciting growth in scholarship on dancehall culture, primarily in the fields of cultural and literary studies as they relate to Jamaica, more attention needs to be given to its configuration in other geographical locations and other popular culture arenas. This article explores dancehall culture from a geographic site, in Toronto, which, despite its large Caribbean population, is often a mere footnote in larger diasporic studies. Moving beyond the proclivity of viewing dancehall culture and music from a purely patriarchal misogynistic viewpoint, the article focuses on the redemptive and empowering possibilities that this popular Black expressive form holds. It underscores how dancehall culture and music challenge hegemonic scripts predicated on stereotypes of Black women’s sexuality. Despite the contradictions inherent in the music and the performance of female artists such as Lady Saw and Tanya Stephens, dancehall culture evokes women as active agents who are able to articulate their sexual desires. Keywords: sexuality, dancehall music, Black/Caribbean women, dance 183 www.sta.uwi.edu/crgs/index.asp UWI IGDS CRGS Issue 8 ISSN 1995-1108 Dedication This article is dedicated to KaosKrew (especially Philip Cole), Slim & Trim (Michael Banfield and Leslie Corion) DJ’s Quincy, Bobby B, Mark Anthony, Mike Gibbs, Wayne; my brother DJ Extacy (Dwayne Reynolds), Eddie Williams, Andy Coward, the late Michael Charles and Dorian Major (RIP) and the rest of the Tdot promoters. -
JAMAICA MUSIC COUNTDOWN by Richie B, Host – “HOT MIX” on Hot 102FM FEBRUARY 26, 2010: TOP 25 REGGAE SINGLES
JAMAICA MUSIC COUNTDOWN By Richie B, host – “HOT MIX” on Hot 102FM FEBRUARY 26, 2010: TOP 25 REGGAE SINGLES TW LW WOC TITLE/ARTISTE/LABEL 01 1 17 Ears Hard – Vybrant – Major Links Entertainment (2wks@#1) NM 02 2 15 One More Night – Busy Signal – Turf Music NM 03 3 14 King & Queen – Richie Spice & Alison Hinds –Black Coral NM 04 7 12 The Pill – Junior X – Revolutionary Entertainment U-3 05 5 17 Feel So Good – Barbee – Rare Diamond Productions NM 06 6 15 Heavy Load – Tom Laing – Top Tier/Raw Moon NM 07 4 19 Drive By – Nesbeth – Jan Biggs (3wks@#1) D-3 08 9 9 Love this Lifetime – Sheba feat Bounty Killer – Sonic Dynasty U-1 09 11 7 Hold My Hand – Sean Paul feat Keri Hilson – Fresh Ear U-2 10 8 20 Ruff Times – Nico D feat. Jah Mason – Tad’s Int’l Rec/Kontractor Music/J.A.M. (2wks@#1) D-2 11 13 10 You Make My Day – Sizzla – Minor 7, Flat 5 U-2 12 10 19 Rolling Stones – Spanner Banner – Penthouse (pp#4) D-2 13 14 6 Lose A Friend – I-Octane – Truck Back U-1 14 15 8 Million $ Check – Mojo Morgan – Gedion Soldiers Ent U-1 15 12 13 Be By Your Side – Ras Penco – Uprize Music Production (pp#11) D-3 16 16 23 Revolution – Natural Black – Fifth Element Records (pp#2) NM 17 21 4 Love Contagius – Tarrus Riley – VP Records U-4 18 17 23 Falling for You – Lutan Fire – Renaissance (2wks@#1) D-1 19 19 25 Try Jah Love – Josie Mel & Smokey Benz – Minor 7, Flat 5 (3wks@#1) NM 20 23 2 Johnny – LUST – Born Music U-3 21 22 3 Searching – Peter Lloyd – Black Light Records U-1 22 24 2 Rise Again(Tribute to Haiti) – Shaggy, Sean Paul, Sean Kingston, Tessanne Chin, Etana, Alison Hinds, Kees Dieffenthaller, David Rudder, Belo, Shontelle Layne, Destra Garcia, Edwin Yearwood – Birchill Records U-2 23 18 26 Always on my Mind – George Nooks – Tads Records (pp#3) D-5 24 25 2 Nah Stop Try – Zebilum Tucker – Formula One Productions U-1 25 20 21 You Say – Black Queen – Brukkout Production (pp#7) D-5 _____________________NOTES_____________________________________ Numbers in bracket indicate the number of weeks at the No. -
Download Download
:::::: Pum Pum Rule Jamaican Dance: An Analytic Response to the Inability to Recognize Female Sovereignty in Dancehall Leslie-Ann Fullerton “All I want to be is a Jamaican Dancehall Queen. If this is not possible, I will be satisfied writing about women in Jamaican dancehall.” - Leslie-Ann Fullerton. Leslie-Ann Fullerton was born and raised in a Christian home in Jamaica. She later became a dedicated lover and participant of Jamaican dancehall as a dancehall “mogela” [model], which played an instrumental role in informing this essay. Leslie-Ann is currently a 4th year student at the University of Toronto pursuing a double major in Caribbean Studies and Political Science. She was the 2012-2013 president and is currently the 2013-2014 Co-President of CARSSU. In reading this essay, Leslie-Ann hopes that the reader takes the advice of Chimamanda Adichie and beware of “The Dangers of Telling a Single Story” about a people and its culture. She implores the reader to look at women in Jamaican dancehall from a positive perspective. Jamaican music has had a close relationship with expressing the island’s various socio-economic and political stages. In Chude- Sokeis’s work, POST-NATIONALIS GEORGRAPHIES: Rasta, Reggae, and Reinventing Africa,1 the author traces Jamaica’s societal changes through music. This includes analyzing the relationship between post-nationalism, Rastafarianism, Dancehall, and women response to these phenomenon. Particularly, the emergence of dancehall introduced a rise African women participating in overt sexual expressions that was considered indecent. In this light, dancehall was rejected by the “ideological underpinnings of the elite culture”2 and their desires to mold nationalism in Jamaica into a replica of European model. -
Billboard-1997-07-19
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) IN MUSIC NEWS IBXNCCVR **** * ** -DIGIT 908 *90807GEE374EM002V BLBD 589 001 032198 2 126 1200 GREENLY 3774Y40ELMAVEAPT t LONG BEACH CA 90E 07 Debris Expects Sweet Success For Honeydogs PAGE 11 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT ADVERTISEMENTS RIAA's Berman JAMAICAN MUSIC SPAWNS Hit Singles Is Expected To DRAMATIC `ALTERNATIVES' Catapult Take IFPI Helm BY ELENA OUMANO Kingston -based label owner /artist manager Steve Wilson, former A &R/ Colvin, Robyn This story was prepared by Ad f , Mention "Jamaica" and most people promotion manager for Island White in London and Bill Holland i, think "reggae," the signature sound of Jamaica. "It means alternative to BY CHUCK TAYLOR Washington, D.C. that island nation. what's traditionally Jamaicans are jus- known as Jamaican NEW YORK -One is a seasoned tifiably proud of music. There's still veteran and the other a relative their music's a Jamaican stamp Put r ag top down, charismatic appeal on the music. The light p the barbet Je and its widespread basslines and drum or just enjoy the sunset influence on other beats sound famil- cultures and iar. But that's it. featuring: tfri musics. These days, We're using a lot of Coen Bais, Abrazas N all though, more and GIBBY FAHRENHEIT blues, funk, jazz, Paul Ventimiglia, LVX Nava BERMAN more Jamaicans folk, Latin, and a and Jaquin.liévaao are refusing to subsume their individ- lot of rock." ROBYN COLVIN BILLBOARD EXCLUSIVE ual identities under the reggae banner. -
Complete9,99Sales List
THE BIG IRIE RECORDS 9,99 EURO CD SALE! MORE THAN 600 CDs @ SPECIAL SALE PRICE OF 9,99 EURO (INCL. TAX) THIS OFFER HAS BEEN EXTENDED UNTIL FEBRUARY 28, 2010! Artist Title Format Label Alpha & Omega Spirit Of the Ancient GB-CD INNER SANCTUARY Althea Hewitt Introducing Althea Hewitt USA-CD VP Anthony B Real Revolutionary GB-CD GREENSLEEVES Anthony Cruz Fight With All Your Might USA-CD VP Assassin Gully Sit'n USA-CD VP Page 1 of 22 Artist Title Format Label Assassin Infiltration USA-CD VP Augustus Pablo King David's Melody GB-CD GREENSLEEVES Augustus Pablo One Step Dub GB-CD GREENSLEEVES Augustus Pablo Pablo Presents Rockers International GB-CD GREENSLEEVES Augustus Pablo Rising Sun GB-CD GREENSLEEVES Barrington Levy DJ Counteraction GB-CD GREENSLEEVES Barrington Levy Englishman GB-CD GREENSLEEVES Barrington Levy Here I Come GB-CD GREENSLEEVES Barrington Levy Robin Hood GB-CD GREENSLEEVES Barrington Levy Too Experienced - The Best Of USA-CD VP Barrington Levy Teach The Youth: 1980- 85 At Joe Gibbs USA-CD 17 NORTH PARADE Beenie Man Best Of Beenie Man USA-CD VP Beenie Man Maestro GB-CD GREENSLEEVES Beenie Man Monsters Of Dancehall GB-CD GREENSLEEVES Beres Hammond Lifetime Guarantee GB-CD GREENSLEEVES Beres Hammond Love From A Distance USA-CD VP Beres Hammond Love Has No Boundaries USA-CD VP Beres Hammond Music Is Life USA-CD VP Bounty Killer Down In The Ghetto GB-CD GREENSLEEVES Bounty Killer Ghetto Gramma GB-CD GREENSLEEVES Bounty Killer No Argument GB-CD GREENSLEEVES Bounty Killer Roots, Reality, & Culture USA-CD VP Bounty Killer The Mystery -
Neue Ware Mail-Order Katalog Einzelhandel 07-06 #2
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNG: EINZELHANDEL NEUHEITEN-KATALOG NR. 198 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10"&12"/7"/DVDs) D-48159 MÜNSTER KONTO NR. 35 60 55, (VOM 08.07.2006 BIS 22.07.2006) GERMANY BLZ 400 501 50 TEL. 0251-45106 SPARKASSE MÜNSTERLAND OST SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) FAX. 0251-42675 EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ CD CD CD CD CD CD CD CD CD CD CD CD IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 07/2006 #2 SEITE 2 *** CDs *** AGGROVATORS MEETS THE REVOLUTIONAIRES.................. AT CHANNEL 1 STUDIOS.......... ATTACK......... (GBR) (77/06). 13.99EUR AGGROVATORS....................... RASTA DUB '76................. ATTACK......... (GBR) (76/06). 13.99EUR BASSCAMP.......................... SOUTHERN FACE................. BASSCAMP MUSIC. (NZL) (05/05). 20.99EUR BEENIE MAN/BOUNTY KILLER.......... SLY & ROBBIE PRES. BEENIE/BOUN TAXI........... (JAM) (--/06). 17.99EUR BLACK UHURU ( DIGITALLY RE-MASTERED; + -
Jamaica Journal Index with Abstracts 1990 – 2008
Jamaica Journal Index with abstracts 1990 – 2008 Compiled by : Cheryl Kean and Karlene Robinson University of the West Indies, Mona. Preface Coverage The purpose of this index is to articles that have been published in the Jamaica Journal since 1997. It covers the following issues:- Vol 23 no. 1 (1990) to Volume 31 nos. 1 & 2 (2008). All articles, book reviews, poems and short stories are included in the index. Arrangement The index is arranged in two sections. The first section is a general List of abstracts arranged alphabetically by the first named author or title. This is a list of all articles that are included in this index with an abstract provided for each article with the exception of book reviews, stories and poems. All entries are numbered. The second section is an Author and keyword list. The number that is listed beside each term corresponds to the number that is given to each entry in the general list of abstracts. Library of Congress Subject Headings were used to generate the list of keywords for all the entries in the index with the exception of a few cases where no appropriate terms existed to capture the subject material. List of Abstrtacts 1. The Altamont DaCosta Institute. Jamaica Journal 2000; 27(1):Back cover. Abstract: This article presents a brief biography of Altamont DaCosta, former mayor and custos of Kingston. The Institute was the former dwelling house of Mr. DaCosta and was willed to the people of Jamaica in 1935. 2. The Calabash tree (crescentia cujete). Jamaica Journal 2008; 31(1-2):Back cover. -
EINZELHANDEL NEUHEITEN-KATALOG NR. 128 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/Dvds) D-48159 MÜNSTER KONTO NR
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 128 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/DVDs) D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 01.07.2003 BIS 26.07.2003) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ *** CDs *** ANTHONY B......................... SMOKE FREE.................... BOGALUSA....... (GER) (03/03). 17.99EUR CEDRIC 'IM BROOKS & THE LIGHT OF SABA............................. THE MAGICAL LIGHT OF SABA..... HONEST JON'S... (GBR) (--/03). 23.99EUR 2LP DJ SPOOKY THAT SUBLIMINAL KID (feat. LEE PERRY/MAD PROFESSOR /TWILIGHT CIRCUS/DJ GOO (2x)/ ALTER ECHO DUBTOMETRY/I-SOUND /COLORFORM/ROSEMARY/SEQUENTIA ABSENTIA/NEGATIVLAND/BLEND/ALTER ECHO/PARACHUTES/KARSH KALE)...... DUBTOMETRY (CD INCL. VIDEO TR) THIRSTY EAR.... (USA) (02/03). 17.49EUR PABLO GAD (REMASTERED!)........... BLOOD SUCKERS (+3 DISCO MIXES) CELLULOID...... (FRA) (78/03). 16.99EUR KEITH HUDSON...................... PLAYING IT COOL............... JOINT INTERNATI (GBR) (81/03). 17.49EUR JAMMA (STEEL PAN)................. COOL EVENINGS (STEEL PAN)..... HEARTS AGLOW... (GBR) (03/03). 20.79EUR STEL JAMMA (STEEL PAN)................. RELAXING NIGHTS II (STEEL PAN) HEARTS AGLOW... (GBR) (03/03). 20.79EUR STEL IRIE RECORDS GMBH NEUHEITEN-KATALOG 07/2003 SEITE 2 *** CDs *** JAZZIE B (feat.