Calder and Abstraction: from AVANT-GARDE to Iconic CHECKLIST
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Finding Aid for the William Hill Images of Alexander Calder's La Grande Vitesse Collection 346
Finding aid for the William Hill images of Alexander Calder's La Grande Vitesse Collection 346 This finding aid was produced using the Archivists' Toolkit May 24, 2013 Describing Archives: A Content Standard Grand Rapids Public Library, Grand Rapids History and Special Collections Department 2004 111 Library Street NE Grand Rapids, Michigan, 49503 616-988-5400 [email protected] Finding aid for the William Hill images of Alexander Calder's La Grande Vitesse Table of Contents Summary Information ................................................................................................................................. 3 Biographical/Historical note.......................................................................................................................... 4 Scope and Contents note............................................................................................................................... 5 Administrative Information .........................................................................................................................5 Related Materials ........................................................................................................................................ 6 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 Series I. -
Calder and Sound
Gryphon Rue Rower-Upjohn Calderand Sound Herbert Matter, Alexander Calder, Tentacles (cf. Works section, fig. 50), 1947 “Noise is another whole dimension.” Alexander Calder 1 A mobile carves its habitat. Alternately seductive, stealthy, ostentatious, it dilates and retracts, eternally redefining space. A noise-mobile produces harmonic wakes – metallic collisions punctuating visual rhythms. 2 For Alexander Calder, silence is not merely the absence of sound – silence gen- erates anticipation, a bedrock feature of musical experience. The cessation of sound suggests the outline of a melody. 3 A new narrative of Calder’s relationship to sound is essential to a rigorous portrayal and a greater comprehension of his genius. In the scope of Calder’s immense œuvre (thousands of sculptures, more than 22,000 documented works in all media), I have identified nearly four dozen intentionally sound-producing mobiles. 4 Calder’s first employment of sound can be traced to the late 1920s with Cirque Calder (1926–31), an event rife with extemporised noises, bells, harmonicas and cymbals. 5 His incorporation of gongs into his sculpture followed, beginning in the early 1930s and continuing through the mid-1970s. Nowadays preservation and monetary value mandate that exhibitions of Calder’s work be in static, controlled environments. Without a histor- ical imagination, it is easy to disregard the sound component as a mere appendage to the striking visual mien of mobiles. As an additional obstacle, our contemporary consciousness is clogged with bric-a-brac associations, such as wind chimes and baby crib bibelots. As if sequestered from this trail of mainstream bastardi- sations, the element of sound in certain works remains ulterior. -
Nasaa Assembly 2016
GRAND RAPIDS September 14-17 NASAA ASSEMBLY 2016 Hosted by the Michigan Council for Arts & Cultural Affairs TABLE OF CONTENTS Welcome We’re proud PAGE 3 to support Hotel Floor Plans PAGE 4 the Schedule at a Glance PAGE 6 talented professionals Sessions and Events who enable the PAGE 8 General Information arts PAGE 19 to thrive in our 2016 NASAA communities, Leadership Awards PAGE 20 enrich Thank You! PAGE 22 our minds and beautify our From the President PAGE 24 . Sponsors & lives Acknowledgments PAGE 25 Board and Staff PAGE 26 Proud supporter of the National Assembly of State Arts Agencies WELCOME TO Grand Rapids NASAA ASSEMBLY MICHIGAN 2016 Welcome, NASAA colleagues! The Michigan Council for Arts & Cultural Affairs is thrilled to serve as your host for NASAA Assembly 2016. We want to ensure that you have a great time while you stay in our great state. You will be visiting Michigan’s west side and the community of Grand Rapids, historically known for its contributions to design, and furniture making in particular. West Michigan is home to companies such as Steelcase, Haworth and Herman Miller – it is often said that there isn’t an uncomfortable chair anywhere in Grand Rapids. While that may be something of an exaggeration, it isn’t an exaggeration to say that this is a high-quality “maker community,” and you will see that in everything from the arts to the beer! The maker culture together with a highly walkable downtown make Grand Rapids an ideal setting for NASAA Assembly 2016. The locale strikes the perfect balance of excitement, comfort and creativity conducive to rich learning experiences during the day and fun entertainment in the evening. -
Urban Odysseys
Volume 20, Number 04 20, Number Volume Magazine | Magazine April 2019 April Photo by: Shanna Wolf Urban WELL CONNECTED Plus Odysseys CITY-CHIC The suite of social tech in the Lincoln MKC works to seamlessly connect the world inside your FIVE MIDWESTERN CITIES WITH vehicle to the world outside. Fully integrated with your favorite apps like Waze and Lincoln+Alexa, SIGHTS TO SEE! FASHION and featuring a 4G LTE Wi-Fi hotspot connection for up to 10 devices, so you’re free to move through the world a little easier. Learn more at Lincoln.com Will Run BRAVAmagazine.com for Food APRIL 2019 $3.95 BRAVAMAGAZINE.COM Passing the Torch at UMOJA Magazine Don't-Miss BRAVA Event Guides THRIVE Conference & 2019 Lincoln MKC THRIVE After 55 Expo! DREAMBANK'S APRIL DREAM BIG EVENTS FIND INSPIRATION AND TOOLS FOR GROWTH THIS SPRING. Thursday, April 4, 6:15–7:30 pm Thursday, April 18, 6:15–7:30 pm How to Move from Crazy to Crazy Good Become CEO of Your Life with Cheri Neal with Anna Gouker Thursday, April 11, 6:15–7:30 pm Thursday, April 25, 6:15–7:30 pm Cultivating Healthier Relationships Re-Connecting to Your Creativity for Happiness with Sarah Young with Pelin Kesebir, Ph.D. Monday, April 15, 6:15–7:30 pm Connection & Intention Through For more inspiration visit: Visual Intention Maps AmFam.com/DreamBank with What’s Possible Now, LLC Events that encourage your passions and inspire your dreams. FREE EVENTS | IN THE HEART OF MADISON | OPEN TO ALL | RSVP BY VISITING: amfam.com/dreambank Mon – Thur: 8 am – 8 pm | Fri: 8 am – 5 pm | Sat: 9 am – 4 pm | Sun: Closed 821 East Washington Avenue | Madison, WI 53703 | 608.286.3150 | amfam.com/dreambank American Family Mutual Insurance Company S.I., American Family Insurance Company, 6000 American Parkway, Madison, WI 53783 ©2019 016675 – 3/19 5,000 YEARS OF CIVILIZATION REBORN ALL-NEW 2019 PRODUCTION WITH LIVE ORCHESTRA “I felt like I was in heaven. -
Alexander Calder James Johnson Sweeney
Alexander Calder James Johnson Sweeney Author Sweeney, James Johnson, 1900-1986 Date 1943 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/2870 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art THE MUSEUM OF RN ART, NEW YORK LIBRARY! THE MUSEUM OF MODERN ART Received: 11/2- JAMES JOHNSON SWEENEY ALEXANDER CALDER THE MUSEUM OF MODERN ART, NEW YORK t/o ^ 2^-2 f \ ) TRUSTEESOF THE MUSEUM OF MODERN ART Stephen C. Clark, Chairman of the Board; McAlpin*, William S. Paley, Mrs. John Park Mrs. John D. Rockefeller, Jr., ist Vice-Chair inson, Jr., Mrs. Charles S. Payson, Beardsley man; Samuel A. Lewisohn, 2nd Vice-Chair Ruml, Carleton Sprague Smith, James Thrall man; John Hay Whitney*, President; John E. Soby, Edward M. M. Warburg*. Abbott, Vice-President; Alfred H. Barr, Jr., Vice-President; Mrs. David M. Levy, Treas HONORARY TRUSTEES urer; Mrs. Robert Woods Bliss, Mrs. W. Mur ray Crane, Marshall Field, Philip L. Goodwin, Frederic Clay Bartlett, Frank Crowninshield, A. Conger Goodyear, Mrs. Simon Guggenheim, Duncan Phillips, Paul J. Sachs, Mrs. John S. Henry R. Luce, Archibald MacLeish, David H. Sheppard. * On duty with the Armed Forces. Copyright 1943 by The Museum of Modern Art, 11 West 53 Street, New York Printed in the United States of America 4 CONTENTS LENDERS TO THE EXHIBITION Black Dots, 1941 Photo Herbert Matter Frontispiece Mrs. Whitney Allen, Rochester, New York; Collection Mrs. -
Calder. Gouaches 12 De Septiembre - 22 De Noviembre De 2019
Calder. gouaches 12 de septiembre - 22 de noviembre de 2019 “Me gusta mucho hacer gouaches. Es rápido y uno puede sorprenderse a si mismo” “Siempre me ha gustado la forma en que los elementos se entrelazan.... Es un grafismo vigoroso. Me encanta la dinámica de este asunto, los grandes espacios y el punto de vista”.1 Alexander Calder, Untitled, 1971. Gouache y tinta sobre papel. © 2019 Calder Foundation, New York / VEGAP, Madrid. La Galería Elvira González inaugura la exposición Calder. Gouaches, la segunda muestra individual en la galería del artista estadounidense. Realizada en colaboración con la Fundación Calder de Nueva York, la exposición reúne una cuidada selección de gouaches sobre papel, gran parte de ellos expuestos por primera vez. Aunque más conocido por sus mobiles, stabiles y esculturas monumentales, Calder (1898 – 1976) se traslada a Nueva York en 1923 para estudiar arte y formarse como pintor. Sus primeros óleos abstractos fueron realizados años después, tras una transformadora visita al estudio de Piet Mondrian en octubre de 1930. Calder quedó profundamente impresionado por los cuadros que vio en el estudio y su concepto del espacio, el movimiento y el color en los cuadros de Mondrian, escribiendo poco después que aquella visita “me produjo un shock que inició cosas…” Calder comienza a familiarizarse con la técnica del gouache en los años treinta, pero fue a mediados de los cuarenta cuando este medio se convirtió en un elemento clave de su práctica artística. Como explicaba Jean Lipman en su conocida publicación sobre el artista, “este tipo 1 Lipman, J., Calder’s Universe, “Oil paintings”. -
K I R S T E N S T R
K I R S T E N S T R O M 1116 Calder Art Center Grand Valley State University 616.331.3483; [email protected] EDUCATION Ph.D. University of Iowa, History of Art, 1999 M.A. The School of the Art Institute of Chicago, B.A. University of Illinois at Chicago, History of Art and Architecture, 1993 TEACHING Associate Professor, Grand Valley State University, 2006-Present Assistant Professor, Grand Valley State University, 2000-present Visiting Instructor, Grand Valley State University, 1998-2000 Temporary Assistant Professor, Iowa State University, 1998 Instructor, University of Iowa, 1997-1998 Teaching Assistant, University of Iowa, 1995-1998 Teaching Assistant, School of the Art Institute of Chicago, 1994-1995 PUBLICATIONS BOOKS A Heaven Full of Sparrows: Surrealism, Atheism, and Secular Transcendence (in progress) Making History: Surrealism and the Invention of a Political Culture, Lanham, MD: University Press of America, 2002 ARTICLES AND BOOK CHAPTERS “Wish Fulfillment in Contemporary Art: History, Fiction, and Theory of Mind,” (under consideration) “Popular Anthropology: Dance, Race, and Katherine Dunham,” The Popular Avant- Garde, Renée Silverman, ed, forthcoming from Rodopi Press. “The Ruins Weren’t Always Ruined: Seeing Surrealism Through the Situationist Intermational,” Papers of Surrealism, (online journal published by the Centre for Surrealism Studies: www.surrealismcentre.ac.uk/publications/papers/themes/legacies.html) (forthcoming). “Reinventing Art and Ethnography: Zora Neale Hurston, Katherine Dunham, and Maya Deren in Haiti,” Review of International American Studies, vol. 4.2-4.3, Fall/Winter 2009/2010: http://iasaweb.korora.net/uploads/e5e3e510528f44148386269af5441a64/ RIAS_4_2-3.pdf “’Sometimes I Spit for Pleasure on My Mother’s Portrait’: On the Strategic Uses of Inflammatory Rhetoric in Surrealism,” The Invention of Politics in the European Avant-Garde, 1905-1940, Sascha Bru and Gunther Martens, eds. -
He Museum of Modern Art No
n^ he Museum of Modern Art No. 15 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart FOR REIi^ASE: West Wednesday, February I, I967 PRESS PREVIEW: Tuesday, January 31, I967 11 a .IB. - U p.m. CALDER: I9 GIFTS FROM THE ARTIST, an exhibition of mobiles, stabiles, wood and wire sculptures and jewelry recently given to The Museum of Modern Art by the famous American artist, Alexander Calder, will be on view at the Museum from February 1 through April 5. The works in the exhibition range from Gaidar's early wire por traits of the I92O6, through various other periods and media, to a montanental mobile- stabile made in I96U. The 19 works by Calder, added to those already owned by the Museum, make this the largest and most complete collection by the artist in any museum. Thi# very geoerous gift caoe about in M^y I966 when Calder invited the Museum to make a choice from the contents of his Connecticut studio in recognition of the Museum's having given hin in 19i)3 bis first large retrospective exhibition« The major piece among Gaidar's recent gifts is Sandy's Butterfly, I96U, a great mobile-stabile of stainless steel painted red, white, black and yellow and standing nearly I3 feet high. Too tall to be shown indoors with the rest of the exhibition, this piece stands on the terrace just outside the Museum's Main Hall; it will later be moved to the upper terrace of the Sculpture Garden. Another work of the 1960s in the exhibition is a 2l^inch Model for "Teodelapio", the great steel stabile made in I962 for the Festival of Two Worlds at Spoleto, Italy. -
19 Gifts from the Artist
n^ he Museum of Modern Art No. 15 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart FOR REIi^ASE: West Wednesday, February I, I967 PRESS PREVIEW: Tuesday, January 31, I967 11 a .IB. - U p.m. CALDER: I9 GIFTS FROM THE ARTIST, an exhibition of mobiles, stabiles, wood and wire sculptures and jewelry recently given to The Museum of Modern Art by the famous American artist, Alexander Calder, will be on view at the Museum from February 1 through April 5. The works in the exhibition range from Gaidar's early wire por traits of the I92O6, through various other periods and media, to a montanental mobile- stabile made in I96U. The 19 works by Calder, added to those already owned by the Museum, make this the largest and most complete collection by the artist in any museum. Thi# very geoerous gift caoe about in M^y I966 when Calder invited the Museum to make a choice from the contents of his Connecticut studio in recognition of the Museum's having given hin in 19i)3 bis first large retrospective exhibition« The major piece among Gaidar's recent gifts is Sandy's Butterfly, I96U, a great mobile-stabile of stainless steel painted red, white, black and yellow and standing nearly I3 feet high. Too tall to be shown indoors with the rest of the exhibition, this piece stands on the terrace just outside the Museum's Main Hall; it will later be moved to the upper terrace of the Sculpture Garden. Another work of the 1960s in the exhibition is a 2l^inch Model for "Teodelapio", the great steel stabile made in I962 for the Festival of Two Worlds at Spoleto, Italy. -
13-10136 Annual Report.Indd
2012 Annual Report horticulture 2009 ANNUAL REPORT Frederik Meijer Gardens & Sculpture Park Frederik Meijer Gardens & Sculpture Park Annual Report 2012 Frederik Meijer Gardens & Sculpture Park promotes the enjoyment, understanding and appreciation of gardens, sculpture, the natural environment and the arts. We strive to provide our guests with a “best in class” experience. We believe in Accessibility To accomplish this goal, we believe in these Guiding Principles: we strive to ensure that all visitors can access our facilities, grounds and programs. We believe in a “best in class” guest experience. We believe in Growth and Change We believe in Quality and Great Design and Aesthetics we embrace growth and change as intrinsic elements of we strive to uphold the highest standards of quality of our Frederik Meijer Gardens & Sculpture Park, which draws our facilities, operations, and reputation, as measured by customer guests to return, our members to renew, and all stakeholders satisfaction, our performance against industry standards, and our to recommend us to others. recognition among our peer institutions. We believe in Diversity, Dignity and Respect, We believe in Innovation and we Value Differences we challenge ourselves to discover new and creative ways to we provide an environment that fosters diversity and instills fulfill our mission. professional behavior among all employees, volunteers, board We believe in Leadership members, and committee members. we act as leaders within the cultural, art, and horticultural We believe in the Accumulation of Knowledge communities we serve. and with hard work and smart work we will further our mission. We believe in Learning and Education We believe in Financial Stability and Sustainability we act with a commitment to promote learning through all we must be financially self-perpetuating to assure that the aspects of our visitors’ experience. -
Sache, France Roxbury, CT
Sache, France Roxbury, CT 1 Young Alexander Calder, date, photograph Calder is probably one of the most well-known sculptors of the 20th century. He is credited with creating several new art forms – the MOBILE and the STABILE He was born on July 22, 1989 just outside of Philadelphia. Alexander Calder, known to his friends as Sandy. He was a bear of a man with a good nature, a good heart and a vivid imagination. He always wore a red flannel shirt, even to fancy events. Red was his favorite color, “I think red’s the only color. Everything should be red.” 2 Alexander Calder and his father Alexander Stirling Calder, c. 1944, photograph He came from a family of artists. His mother was a well-known painter and his father and grandfather were also sculptors and were also named Alexander Calder – they had different middle names. 3 Ghost, 1964, Alexander Calder, metal rods, painted sheet metal, 34’ , Philadelphia Museum of Art In Philadelphia you can see sculpture from 3 generations of Calders. o Ghost created by Alexander Calder hangs in the Philadelphia Museum of Art in the Grand Hall. 4 Swann Memorial Fountain in Logan Square, Alexander Stirling Calder, 1924 o Further down the street is the Swann Memorial Fountain in Logan Square created by his father, Alexander Stirling Calder. 5 William Penn, Alexander Milne Calder, 1894, size, Philadelphia City Hall o Even further down the street on the top of Philadelphia’s City Hall is the statue of William Penn made by his grandfather, Alexander Milne Calder. 6 Alexander Milne Calder, date, photograph 1849‐1923 –Calder’s grandfather 7 Circus drawing done on the spot by Calder, in 1923, thanks to his National Police Gazette pass He moved around a lot as a child, but he always had a workshop wherever he lived He played with mechanical toys and enjoyed making gadgets and toy animals out of scraps. -
Calder Plaza
• • • • • • • • • • • • • • • • • • • • • • • • • • • 1 | P a g e 2 | P a g e 3 | P a g e 4 | P a g e 5 | P a g e • • DRAWING INDEX GENERAL 1 TITLE DRAWING 2 CODE COMPLIANCE PLANS AND SUMMARY 3 CODE DETAILS CIVIL CALDER PLAZA 4 EXISTING SITE - SOUTH 5 EXISTING SITE - NORTH 6 REMOVAL PLAN 7 LAYOUT PLAN 8 LAYOUT PLAN 9 GRADING - UTILITY PLAN 10 GRADING - UTILITY PLAN 11 SITE DETAILS PHASE IMPLEMENTATION 12 LANDSCAPE PLAN 1 13 LANDSCAPE PLAN STRUCTURAL GREAT PAVILION 14 PAVILION PLAZA FRAMING PLAN - PART A 15 PAVILION TERRACE FRAMING PLAN 16 PAVILION ROOF FRAMING PLAN 17 3D VIEW CAFE BUILDING WITH UPPER LEVEL SEATING ARCHITECTURAL 18 DEMOLITION PLAN - PARKING LEVELS C (TUNNEL) AND B (MONROE) 19 DEMOLITION PLAN - PARKING LEVEL A (OTTAWA) AND PLAZA LEVEL 20 PARKING LEVEL C (TUNNEL) - PART A 21 PARKING LEVEL C (TUNNEL) - PART B ELEVATOR FROM PARKING DECK TO PLAZA 22 PARKING LEVEL B (MONROE) - PART A 23 PARKING LEVEL B (MONROE) - PART B 24 PARKING LEVEL A (OTTAWA) - PART A 25 PARKING LEVEL A (OTTAWA) - PART B PEDESTRIAN STREETSCAPE ENHANCEMENTS 26 PAVILION PLAZA FLOOR PLAN - PART A 27 PAVILION PLAZA FLOOR PLAN - PART B 28 PAVILION TERRACE FLOOR PLAN 29 PAVILION ROOF PLAN - PART A 30 PAVILION PLAZA REFLECTED CEILING PLAN - PART A EDGE PLANTING IMPROVEMENTS 31 PAVILION TERRACE REFLECTED CEILING PLAN - PART A ISSUANCE 32 PAVILION TERRACE REFLECTED CEILING PLAN - PART B 30% REVIEW 33 EXTERIOR PERSPECTIVES 2/18/2019 34 EXTERIOR PERSPECTIVES - CANOPY 35 EXTERIOR ELEVATIONS 36 BUILDING SECTIONS 37 INTERIOR PERSPECTIVES 38 ENLARGED PLANS AND DETAILS