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Korogard® Wall Protection Protect Your Walls in Style
KOROGARD® WALL PROTECTION PROTECT YOUR WALLS IN STYLE. CONTENTS Applications 3 Systems Approach 5 Colors & Finishes 7 Protective Wallcovering 11 Finishing & Installation 15 Corner Guards 16 KOROGARD WALL PROTECTION Handrails 21 Crash & Bumper Rails 26 Chair Rails 31 Door Protection 35 Environmental 37 Technical Information 41 Support & Resources 42 Korogard Wall Protection is a complete line of products and custom solutions that are based on a systems approach. This allows users to mix and match a diverse array of colors while helping to maintain the beauty and style of a space. Unique products, such as Flex™ Decorative Wall Protection and Traffic Patterns®, offer designers the ultimate combination of aesthetics and performance. 1 2 LIMITLESS APPLICATIONS Protecting the beauty of a vertical surface is critical. Korogard has a full line of wall protection solutions for healthcare, education, hospitality, corporate, retail, and more. Unique products are engineered to save time and money by reducing maintenance and replacement costs. Korogard offers an extensive product line with a variety of colors, finishes, and materials to maintain the beauty and style of a designer’s vision for years to come. Assisted Living Athletics Corporate Education Healthcare Hospitality Retail Transit 3 4 A COHESIVE WALL PROTECTION SYSTEMS APPROACH Categories of Wall Protection products: PROTECTIVE CORNER CRASH & DOOR HANDRAILS CHAIR RAILS WALLCOVERINGSWALLCOVERING GUARDS BUMPER RAILS PROTECTORS Protective wallcoverings offer an Offering everything from standard -
Graded-In Textiles
Graded-In Textiles For a list of each of our partner commpany’s patterns with Boss • Indicate GRADED-IN TEXTILE on your order and Boss Design Design Grades visit www.bossdesign.com. To order memo will order the fabric and produce the specified furniture. samples visit the websites or call the numbers listed below. • Boss Design reserves the right to adjust grades to accommodate price changes received from our suppliers. • Refer to our website www.bossdesign.com for complete pattern memo samples: www.arc-com.com or 800-223-5466 lists with corresponding Boss Design grades. Fabrics priced above our grade levels and those with exceptionally large repeats are indicated with “CALL”. Please contact Customer Service for pricing. • Orders are subject to availability of the fabric from the supplier . • Furniture specified using multi-fabric applications or contrasting welts be up charged. memo samples: www.architex-ljh.com or 800-621-0827 may • Textiles offered in the Graded-in Textiles program are non- standard materials and are considered Customer’s Own Materials (COM). Because COMs are selected by and used at the request of a user, they are not warranted. It is the responsibility of the purchaser to determine the suitability of a fabric for its end use. memos: www.paulbraytondesigns.com or 800-882-4720 • In the absence of specific application instructions, Boss Design will apply the fabric as it is sampled by the source and as it is displayed on their website. memo samples: www.camirafabrics.com or 616 288 0655 • MEMO SAMPLES MUST BE ORDERED DIRECTLY FROM THE FABRIC SUPPLIER. -
Employee Dress Code Policy
EMPLOYEE DRESS CODE POLICY The following are guidelines regarding acceptable business attire for employees of Centenary University. The impression that we, as employees of the University, present to others is as important as serving as role models of professionalism for our students. The University has adopted a business casual dress code Monday through Thursday, and allows jeans to be worn on Friday for Centenary Spirit Day. Employees who prefer to dress in more formal traditional business attire should feel free to do so. Business casual wear encompasses many looks but it really means casual clothing that is appropriate for a professional office environment. It is clothing that allows you to be comfortable at work yet always look neat and professional. It means clothing that is clean, unwrinkled, and not too tight, revealing, or baggy. We ask that you consider each day’s activities when determining what to wear, as there are situations when traditional business attire may be required and is more appropriate. Your supervisor may exercise reasonable discretion to determine appropriateness in employee dress and appearance. Employees who do not meet a professional standard may be sent home to change. Business Casual Attire (Monday through Thursday) Listed below are examples of acceptable business casual attire: • Shirts: Shirts with collars, business casual crewneck or V-neck shirts, blouses, sweaters/cardigans, polo and golf shirts • Pants/skirts: Casual slacks, trousers, dressy Capri pants, skirts/dresses of appropriate length • Footwear: -
National Register of Historic Places Multiple Property Documentation Form
NPS Form 10-900-b (Rev. 01/2009) OMB No. 1024-0018 Buildings Related to the Textile Industry in the Kensington Neighborhood of Philadelphia Pennsylvania Name of Multiple Property Listing State United States Department of the Interior National Park Service National Register of Historic Places Multiple Property Documentation Form This form is used for documenting property groups relating to one or several historic contexts. See instructions in National Register Bulletin How to Complete the Multiple Property Documentation Form (formerly 16B). Complete each item by entering the requested information. For additional space, use continuation sheets (Form 10-900-a). Use a typewriter, word processor, or computer to complete all items X New Submission Amended Submission A. Name of Multiple Property Listing Industrial and Commercial Buildings Related to the Textile Industry in the Kensington Neighborhood of Philadelphia B. Associated Historic Contexts (Name each associated historic context, identifying theme, geographical area, and chronological period for each.) Development of Kensington’s Textile Industry, 1683-1969 C. Form Prepared by name/title Logan I. Ferguson organization Powers & Company, Inc. date May 29, 2012 street & number 211 N. 13th Street, Suite 500 telephone (215) 636-0192 city or town Philadelphia state PA zip code 19107 e-mail [email protected] D. Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this documentation form meets the National Register documentation standards and sets forth requirements for the listing of related properties consistent with the National Register criteria. This submission meets the procedural and professional requirements set forth in 36 CFR 60 and the Secretary of the Interior’s Standards and Guidelines for Archeology and Historic Preservation. -
Slaves to Fashion Ross Ftmat.Qxd 8/25/2004 12:11 PM Page Iii
Ross_Ftmat.qxd 8/25/2004 12:11 PM Page i Slaves to Fashion Ross_Ftmat.qxd 8/25/2004 12:11 PM Page iii Slaves to Fashion Poverty and Abuse in the New Sweatshops Robert J. S. Ross The University of Michigan Press Ann Arbor Ross_Ftmat.qxd 8/25/2004 12:11 PM Page iv Copyright © by the University of Michigan 2004 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free and 50% post-consumer waste paper 2007 2006 2005 2004 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Ross, Robert J. S., 1943– Slaves to fashion : poverty and abuse in the new sweatshops / Robert J. S. Ross. p. cm. Includes bibliographical references and index. ISBN 0-472-10941-3 (cloth : alk. paper) — ISBN 0-472-03022-1 (cloth : alk. paper) 1. Sweatshops. 2. Clothing workers. 3. Clothing trade—Corrupt practices. I. Title. HD2337.R67 2004 331.25—dc22 2004004960 Grateful acknowledgment is made to the following publisher for permission to reprint previously published material: HarperCollins Publishers Inc. for “Shirt,” from The Want Bone by Robert Pinsky (New York: HarperCollins Publishers, 1991). Copyright © 1991 by Robert Pinsky. Reprinted by permission of HarperCollins Publishers, Inc. -
Textiles and Clothing the Macmillan Company
Historic, Archive Document Do not assume content reflects current scientific knowledge, policies, or practices. LIBRARY OF THE UNITED STATES DEPARTMENT OF AGRICULTURE C/^ss --SOA Book M l X TEXTILES AND CLOTHING THE MACMILLAN COMPANY NEW YORK • BOSTON • CHICAGO • DALLAS ATLANTA • SAN FRANCISCO MACMILLAN & CO., Limited LONDON • BOMBAY • CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, Ltd. TORONTO TEXTILES AXD CLOTHIXG BY ELLEX BEERS >McGO WAX. B.S. IXSTEUCTOR IX HOUSEHOLD ARTS TEACHERS COLLEGE. COLUMBIA U>aVERSITY AXD CHARLOTTE A. WAITE. M.A. HEAD OF DEPARTMENT OF DOMESTIC ART JULIA RICHMAX HIGH SCHOOL, KEW YORK CITY THE MACMILLAX COMPAXY 1919 All righU, reserved Copyright, 1919, By the MACMILLAN company. Set up and electrotyped. Published February, 1919. J. S. Gushing Co. — Berwick & Smith Co. Norwood, Mass., U.S.A. ; 155688 PREFACE This book has been written primarily to meet a need arising from the introduction of the study of textiles into the curriculum of the high school. The aim has been, there- fore, to present the subject matter in a form sufficiently simple and interesting to be grasped readily by the high school student, without sacrificing essential facts. It has not seemed desirable to explain in detail the mechanism of the various machines used in modern textile industries, but rather to show the student that the fundamental principles of textile manufacture found in the simple machines of primitive times are unchanged in the highl}^ developed and complicated machinerj^ of to-day. Minor emphasis has been given to certain necessarily technical paragraphs by printing these in type of a smaller size than that used for the body of the text. -
B.Des. (Fashion Design)
Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERITY, LUCKNOW FACULTY OF ARCHITECTURE AND PLANNING B.Des. (Fashion Design) Scheme of Teaching, Examination & Syllabus (Session 2020-21) Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERSITY, LUCKNOW B. DES. (Fashion Design) SCHEME OF TEACHING AND EXAMINATIONS B.Des.: I Semester w.e.f. 2020 -2021 Continuous Exam Teaching Exam & Subject Subject Assessments Examination Marks Time Subject Name Credits Sessional Code Category Hours/ Periods Marks (Hr) L Tu St/P Total T P/V Total BD101 PC Theory of Design-I 2 1 3 3 50 50 50 100 3 BD102 CF Ergonomics 2 1 3 3 50 50 50 100 3 BD103 CF Civilization Culture & Fashion 1 1 2 2 50 50 50 100 3 BD104 PD Communication skills 1 1 2 2 60 40 40 100 3 BD105 CF Sketching 1 2 3 3 60 40 40 100 - BD106 CF Visualization and Representation-I 1 4 5 3 60 40 40 100 - BD107 CF Model Making/ Workshop 1 3 4 3 60 40 40 100 - BD108 CF Basic Design-I 2 6 8 5 50 50 50 100 3 Total Credit’s Total 11 4 15 30 24 800 GRAND TOTAL Notes: A semester contains approximately of 16 working weeks (90 workdays) each. The examinations of all subjects are conducted at the end of the semester. The viva-voce and practical examinations of subjects are jointly conducted by two examiners: one internal and one external. Abbreviations: L = Lectures; Tu = Tutorial; St/P = Studio/Practical; T = Theory; P/V = Practical/Viva-voce, PC = Professional Core; CF = Core Foundation; DE = Departmental Elective; PD = Professional Development; HS = Human Sciences; AC = Applied Compulsory Course; BS = Building Sciences; OE = Other Departmental Elective; PE = Professional Elective Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERSITY, LUCKNOW B. -
TEXTILES What Every Homemaker Should Know by Marion Weller, Division of Home Economics
IDqr Jtutnrr.atty nf fltuursnta AGRICULTURAL EXTENSION DIVISION Special Bulletin No. 15 University Farm, St. Paul October 1917 PublisJ.ed hy the University of Minnesota, College of Agriculture, Extension Division, A. D. Wilson, Director, and distributed in furtherance of the purposes of the coOperative agri cultural extension work provided for in the Act of Congress of May 8, 1914. TEXTILES What Every Homemaker Should Know By Marion Weller, Division of Home Economics INTRODUCTION The women of this country are realizing that an intelligent expenditure of the family income is necessary to efficient homemaking. An examination of household budgets, compil ed by investigators-the budgets of individuals and families living on the lowest incomes adequate for physical efficiency-reveals the fact that from 15 to 25 per cent of the income is spent for clothing and home furnishings. It is, moreover, a fact that women are increasingly the I direct retail purchasers; 90 per cent of the money spent for home maintenance , in this country is spent by women. The homemaker who is the purchaser of the clothing and household fabrics should, therefore, know how to buy eco I I nomically, and it is the purpose of this bulletin to give to her such in formation concerning textile fabrics as may be helpful in planning and buying for the household. " There was a time when the production of textiles or woven fabrics for the home was entirely within the home. Women were the creators of these utili ties and ' controlled the quality of the product. They knew when a piece of cloth was all wool and what grade of wool went into it. -
Llnstpaoisocial Circles 1 Mamheimersilks^St^L^T M
ao THE ST. PAUL GLOBIC, SUNDAY- SEPTEMBER 30, 1900. SrjS^*g(?^^SFam^^^S^^'^^ : Department \ p^l|77lir^;^;;:' ;7r;77:77:i::;: M^^i -7V.7 :^!;:;:m $]:Lam : Comet Mllllmvf. + We in C°" I -A __ '' \u25a0' "' are We are proud. of \u0084--• v, \u25bc #* : i_^ stant " reo6*?* of our Millinery? par- : -'? new in this ff^M.% rf r^l.vyfc^. goods lors. 7 And- we want 77... (W^'P-'*^ __> stPaoiSocial Circles §£ department, thus you to call and see /y^Sl' J \u25a0 --P lln >fc £& . - 1 : ' [keeping-our stock our Monday exhibit &£(§&s*£ e|; .^ V^^vaft- and complete. Sixth Streets, 0 Il&t-3_o_iiiiiiiliiiiiiiiiiiiiil&----&&r_^^^ _-> - mUa full \^_^ and Robert St. Paul, Minn. —-the most fashion- ra|P^/§£ >& — able ' V CENTRAL. noon in honor of Miss Alda Fry, who _^: _9^_^%-^'_w_? -^cc our new ace -conceits? f^.-^^^P^-s IN THE PARaUE \u25a0 leaves this week?to spend the winter in A JrnQ&iJll SfiT^y Robes. They are correct? dressers— _©- * rf the Those entertained were: Miss beautiful ex- more? Hats, Twilight after, East.? j\V'-*^ — and more *© falls, arid darkness Haecker, "Miss" ? ? Heeker, **P- ' "<®ik **-*&« '-\u25a0Swiftly"on Southern"air;" Barbara Miss* \u25a0'"__* ' ": elusive. Trimmings, the Jllcheson, Miss Qllman,* Jew'ett;- '^**^j_'%v£ more There is music, light and laughter Miss Miss ?' v-C^S/fel^ 5 -*. In the old Havana sQuare; Buck, Miss Thane, .St.? Pan': Miss "\Vid-* M Novelties .than can * V __> our *all imP j^/5 ::: Caballcro, Cuban maid,-. , . " Miss Benham and Mls>ss Carter, Min- 'Jf/'xxivK ' ortav MamheimerSilks^St^l^tIf you ;' ' nor. -
Type Cast. Button up Your Blazer, Grab Your Backstage Pass, Channel Your Inner Flower Child—No Matter Your Style Persuasion, There’S a Place for You This Season
on trend type cast. BUTTON UP YOUR BLAZER, GRAB YOUR BACKSTAGE PASS, channel your inner flower child—no matter your style persuasion, there’s a place for you this seaSON. WRITTEN AND PRODUCED BY CARA LONG ON TREND TYPE CAST SQUARED AWAY Designer Kevin O’Brien found inspiration in traditional houndstooth and kicked it up a few notches with lavish . velvet and bold jewel tones. Houndstooth Velvet Pillow STUDIO in Peacock and Citron, priced from $233; abchome.com PHOTOGRAPHY CHARLES JONATHAN : PHOTO COVER-UP ARTIST TABLE Lounging about has never looked so chic when cuddled up in this sumptuous throw woven by artisans on COFFEE antique shuttle looms in a historic Maine mill. Plum . Herringbone Throw, $250; serenaandlily.com BULL FRENCH COURTESY : PHOTO X FACTOR CLASS ACT Jewelry designer Jean Schlumberger is behind Tiffany & Co.’s All-American icon Ralph Lauren th PLATES latest designer collection, embodying the 19 -century art of . © brings classic sophistication to paillonné enameling—layered enamel over 18-karat gold leaf— . CO the tabletop with this menswear- & evident in these lively bangles. Croisillon Bracelets in Light inspired crystal decanter flaunting Green, Plum and Azure, $30,000; tiffany.com a chic plaid. Glen Plaid Decanter, TIFFANY $130; ralphlauren.com COURTESY : PHOTO BRACELETS . HOME ABC COURTESY ivy leaguer : PHOTO HOUNDSTOOTH. ARGYLE. PLAID. NOTHING MAKES A HANDSOME STATEMENT QUITE LIKE A PREPPY PERSONA FLAUNTED THROUGH PILLOWS THESE FASHION AND HOME STAPLES. LILY & SERENA VINTAGE BOUND DISH IT Chicness and travel have Fashion forward colors merge with a classic plaid pattern cleverly collided in this resulting in a radiant ensemble of handcrafted flatware; COURTESY perfectly preppy suitcase a stylish fête is sure to ensue. -
Fabric Supplier List
FABRIC SUPPLIER LIST CANADA Kendor Textiles Ltd 1260 Cliveden Ave Delta BC V3M 6Y1 Canada 604.434.3233 [email protected] www.kendortextiles.com Fabrics Available: Fabric supplier. Eco-friendly. Organic. Knits: solids, prints, yarn dyes and warp. Wovens: solids and yarn dyes. End Use: activewear, bottomweights, medical, lingerie, childrenswear, swimwear, rainwear, skiwear and uniform. Natural & eco items include cottons, bamboo's, modals, linens, hemps, organic cottons & organic linens. Technical items include waterproof/breathable soft shells, antibacteric & wicking polyester & recycled polyesters. Is a proud representative of the British Millerain line of waxed cottons and wools, and are able to provide custom souring. Minimums: Carries stock. In-stock minimum: 5 yards/color. Minimum order for production: 10 yards/color. Gordon Fabrics LTD #1135-6900 Graybar Rd. Richmond BC Canada 604.275.2672 [email protected] Fabrics Available: Fabric Supplier. Importer. Jobber. Carries stock. Knits & Wovens: solids, prints, yarn dyes and novelties. End Use: activewear, borromweights, eveningwear/bridal, medical, lingerie and childrenswear. Minimums: In stock minimum 1 yard. Minimum order for production varies. StartUp Fashion Supplier List 2016 – Page 1 CHINA Ecopel (HX) Co., Ltd. China +86 216.767.9686 www.ecopel.cn Fabrics Available: Fake fur and leather garments. End Uses: Childrenswear, Menswear, Other, Womenswear. Minimums: Min. order 50-100 m Hangzhou New Design Source Textile Co., Ltd. China +86 057.182.530528 Fabrics Available: Knits, Polyester/Man-Made, Prints. End Uses: Juniors Fashion, Menswear, Womenswear. Minimums: Min order 50 m. Nantong Haukai Textile Co., Ltd. China +86 513.890.78626 www.huakaitex.com Fabrics Available: Cotton, Linen. End Uses: Corporatewear/Suiting, Menswear, Womenswear. -
Pattern Preference Analysis of Black-And-White Plaid Shirts
sustainability Article Pattern Preference Analysis of Black-and-White Plaid Shirts Qianling Jiang 1 , Li-Chieh Chen 1, Chun Yang 2 and Jie Zhang 3,* 1 The Graduate Institute of Design Science, Tatung University, Taipei 104, Taiwan; [email protected] (Q.J.); [email protected] (L.-C.C.) 2 Graduate School of Design, National Yunlin University of Science & Technology, Yunlin 640, Taiwan; [email protected] 3 Institute of Textiles and Clothing, The Hong Kong Polytechnic University, Hong Kong, China * Correspondence: [email protected]; Tel.: +86-15217014324 Received: 1 September 2018; Accepted: 15 October 2018; Published: 17 October 2018 Abstract: The market economy has shifted the decision-making power of the garment industry from the enterprise to the consumer. Research on consumer clothing preferences is an essential part of sustainable development of the garment industry. Based on data statistics from eight fast fashion brands, black and white are most commonly used in two-color plaid shirts. This paper carried out a psychophysical experiment to investigate factors affecting pattern preferences for black-and-white shirts and the differences and similarities between male and female pattern preferences. Twenty-eight different representative patterns of plaid shirts were selected by five fashion designers together from 190 different black-and-white plaid shirts from eight fast fashion brands, which were then classified into three categories: gingham, tartans, and windowpane. Based on these patterns, 28 male and female shirts were simulated in three dimensions and presented on a calibrated computer display. The simulations were assessed by 42 observers (consisting of 21 males and 21 females) in terms of four semantic scales, including light–dark, delicate–rough, simple–complex, and like–dislike.