Pattern Preference Analysis of Black-And-White Plaid Shirts
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The Balmoral Tartan
The Balmoral Tartan Introduction The Balmoral tartan (Fig 1) is said to have been designed in 1853 by Prince Albert, The Prince Consort, Queen Victoria's husband. It is unique in several respects: it is the only tartan known to have been designed by a member of the Royal Family; has a unique construction; and is reserved for members of the Royal Family. It is worn by HM The Queen and several members of the Royal Family but only with the Queen's permission. The only other approved wearers of the Balmoral tartan are the Piper to the Sovereign and pipers on the Balmoral Estate (estate workers and ghillies wear the Balmoral tweed). Fig 1. Specimen of the original Balmoral Tartan c1865. © The Author. There is some confusion over the exact date of the original design. In 1893 D.W. Stewarti wrote, ''Her Majesty the Queen has not only granted permission for its publication here, but has also graciously afforded information concerning its inception in the early years of the reign, when the sett was designed by the Prince Consort.'' Harrison (1968) ii states that both the Balmoral tartan and Tweed were designed by Prince Albert. Writing of the tartan specimen in Stewart’s Old & Rare Harrison noted that “The illustrations were all woven in fine silk which did not allow of (sic) the reproduction of the pure black and white twist effect of the original. Mr Stewart compromised by using shades of dull mauve as the nearest that his materials allowed. Thus, for generations the Balmoral was looked upon not as a pure grey scheme but as a scheme of very quiet mauves” (Fig 2). -
Kilts & Tartan
Kilts & Tartan Made Easy An expert insider’s frank views and simple tips Dr Nicholas J. Fiddes Founder, Scotweb Governor, Why YOU should wear a kilt, & what kind of kilt to get How to source true quality & avoid the swindlers Find your own tartans & get the best materials Know the outfit for any event & understand accessories This e-book is my gift to you. Please copy & send it to friends! But it was a lot of work, so no plagiarism please. Note my copyright terms below. Version 2.1 – 7 November 2006 This document is copyright Dr Nicholas J. Fiddes (c) 2006. It may be freely copied and circulated only in its entirety and in its original digital format. Individual copies may be printed for personal use only. Internet links should reference the original hosting address, and not host it locally - see back page. It may not otherwise be shared, quoted or reproduced without written permission of the author. Use of any part in any other format without written permission will constitute acceptance of a legal contract for paid licensing of the entire document, at a charge of £20 UK per copy in resultant circulation, including all consequent third party copies. This will be governed by the laws of Scotland. Kilts & Tartan - Made Easy www.clan.com/kiltsandtartan (c) See copyright notice at front Page 1 Why Wear a Kilt? 4 Celebrating Celtic Heritage.................................................................................................. 4 Dressing for Special Occasions.......................................................................................... -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
Graded-In Textiles
Graded-In Textiles For a list of each of our partner commpany’s patterns with Boss • Indicate GRADED-IN TEXTILE on your order and Boss Design Design Grades visit www.bossdesign.com. To order memo will order the fabric and produce the specified furniture. samples visit the websites or call the numbers listed below. • Boss Design reserves the right to adjust grades to accommodate price changes received from our suppliers. • Refer to our website www.bossdesign.com for complete pattern memo samples: www.arc-com.com or 800-223-5466 lists with corresponding Boss Design grades. Fabrics priced above our grade levels and those with exceptionally large repeats are indicated with “CALL”. Please contact Customer Service for pricing. • Orders are subject to availability of the fabric from the supplier . • Furniture specified using multi-fabric applications or contrasting welts be up charged. memo samples: www.architex-ljh.com or 800-621-0827 may • Textiles offered in the Graded-in Textiles program are non- standard materials and are considered Customer’s Own Materials (COM). Because COMs are selected by and used at the request of a user, they are not warranted. It is the responsibility of the purchaser to determine the suitability of a fabric for its end use. memos: www.paulbraytondesigns.com or 800-882-4720 • In the absence of specific application instructions, Boss Design will apply the fabric as it is sampled by the source and as it is displayed on their website. memo samples: www.camirafabrics.com or 616 288 0655 • MEMO SAMPLES MUST BE ORDERED DIRECTLY FROM THE FABRIC SUPPLIER. -
Folk Art Teddy Bear.Wps
Folk Art Teddy Bear by Missy B a lla n c e o f C r a f t y C a r n iv a l h t t p : / / m issyba lla n c e . c o m © 2007 This pattern is intended only for personal use and not for resale. Please do not sell the items you make from this pattern. Su p p lie s: 2 large scraps of darker mohair (each piece should be about 8” tall by 6” wide small scrap of light mohair (2” x 3”) perle cotton matching the two colors of mohair and black (2) 6mm glass shoe button eyes, or similar (plastic safety eyes for a child’s toy or dog toy) poly-fil stuffing (it’s the best…. never use anything but poly-fil!!) ribbon for trim basic sewing supplies comb sharpie marker optional: hemostats for turning and stuffing. jingle bells Please read all the directions before you get started. print the template for the teddy bear onto heavy duty paper such as cardstock, and cut him out Place your two large scraps of mohair with right sides together. The knap of the hair should be pointing down. Using a sharpie or marker, trace the pattern piece onto the mohair. SEW ON THE LINE leaving an opening at teddy’s side for turning and stuffing. Now that he is all sewn up, trim him out leaving about ¼” seam allowance. Clip the corners and curves. Turn teddy right side out. (I like to use hemostats for this. They are a tool that looks like scissors, but they grab instead of cut) Stuff him full of poly fil stuffing using these hemostats to help get the stuffing into the ears and limbs! As you’re stuffing add small jingle bells to his belly area. -
1811 DOLL CLOTHES Fabrics: Broadcloth, Cotton Types, Gingham
. L.LJ -0::: 11 L.LJ 18 DOLL CLOTHES VETEMENTS POUR POUPEES DE 45.Scm (./) (./) • ~~~~~~~~~~~~~~~~~~~~~- zz u:::: L.LJ • Fabrics: Broadcloth , Cotton Types , Gingham , Linen Types. B Shirt also in Tissus: Popeline, Cotonnades, Vichy, Toile de Lin. B Chemise e,n Jersey ~g 36 PIECES Interlock, Jersey. B Hat in Double Knit, Fleece. B Scarf also in Chiffon. Interlock, Jersey fin. B Chapeau en Jersey Double, Molleton. B Echarpe ~ ~ C Overskirt also in Organza. D Bodice Overlay, Shoulder Straps and Slip en Mousse I ine. C Dessus-de-Jupe en Organza aussi. D Dessus de ~ ~ Ruffle in Novelty Sheers. Corsage, Bretelles et Valant du Jupon en Tissus Transparents. ~ ~ ~~~~~~~~~~~~~~~~~~~~~- 2zmo 11 11 A Jacket- %yd. of 45 or 60 ** A Manteau- 0.40m de 115cm ou 150cm** ~~ 11 11 Pants- ~ yd. of 45 or 60 ** Pantalon- 0.40m de 115cm ou 150cm** ~ ~ Apron- %yd. of 45 11 or 60 11 ** purchase same amount for apron lining Tablier- 0.30m de 115cm ou 150cm** achetez la meme quantite que pour ~ ~ Ar la doublure du tablier ~ 8 (./) 11 11 Hat-~ yd. of 45 or 60 ** Chapeau- 0.40m de 115cm ou 150cm** ~ ~ Notions: One pkg. of piping, three small snaps, six %11 buttons,% yd. of Mercerie: Un paquet de lisere, trois petites pressions, six boutons de lcm, ~ ~ 11 11 1 ~ wide elastic, lYs yd. of ~ wide double fold bias tape, one large iron-on 0.60m delastique de 6mm de large , 1.00m de ruban de biais double de ~~ applique, one small iron-on applique. 6mm de large, un grande application acaller au fer, une petite application ~ g: 0 z A aco Iler au fer. -
Twilight Collection 94
WELCOME When selecting a finely made rug, your choice of color and design imparts a unique sense of context to your personal decorating style, transforming any room into an enchanting portrait of elegance. Color and design are important elements, but of equal importance is size. To truly make a statement, the rug should be sized to your living space. With more than three decades of expertise in producing incomparable luxury carpets for the sophisticated home, Nourison brings you their newest program – Fifty to Infinity. A unique offering of high fashion rug collections, each unrivalled for exquisite design, meticulous craftsmanship, and quality… all custom sized to your needs. All of the styles in this book are available in an unprecedented fifty area rug sizes and shapes. Choose from squares, rounds, rectangles, octagons and runners, accent sized to oversized. Need something truly unique? Custom sizes are available as well. Once your selection is made, your rug will be custom cut, serged and finished to your size specifications, all within two weeks of your order. For the discriminating consumer, this book presents an unparalleled design resource for today’s uptrend lifestyle. In these exceptional collections, you will find the perfect pattern and colorway to enrich and enliven any fashion environment. In each distinctive design, you will discover a flawless interplay of select luxury materials and sophisticated production techniques such as sumptuous New Zealand wool for incomparably lavish texture and luminous sheen, custom-spun and dyed yarns to create subtle accents of light and shade, hand carving and sculpting that endow a design with surpassing dimensional appeal and meticulous hand washing to impart the delicate patina that is the signature of the world’s finest carpets. -
Kilts Available F Kilts Available for Hire for Hire
Kilts available for hire This is a list of tartans that are available for hire from Celtic Design. For more information on specific sizes please e -mail [email protected] . Adult Kilts Generic Tartans Generic tartans are often the best choice when outfitting a bridal party or mixed group. These tartans have no family affiliations so you avoid problems of asking people to wear tartans that don ’t apply to their ow n history. These tartans are very popular and we are able to offer a larger number of these kilts in our hire range. They have a range of base colours that can be ea sily matched to various colour schemes. Black Single Black Shadow Black Watch 10 kilts 5 kilts 24 kilts A plain black fabric kilt that can look Black thread woven as a tartan The tartan of the Black Watch army, stylish and modern. Generally best pattern. It is only in the reflection of who have existed in various forms when dressed with other colours the light off the fabric surface that since 1729. This tartan is now introduced with the shirt and/or tie. you can see the tartan patterning. considered a “generic” tartan This is considered a “fashion” tartan This is considered a “fashion” tartan meaning that everyone is allowed to and has no clan affiliations. and has no clan affiliations. wear it. Flower of Scotland Irish National Isle of Skye 6 kilts 8 kilts 6 kilts This tartan was created to honour Roy This tartan was produced by The This tartan was selected as the official Williamson, the author of Scotland’s House of Edgar mill in Pitlochry. -
First Step: Selection of Your Tartan
FIRST STEP: Note your name is affiliated to SELECTION OF YOUR TARTAN clan, so you can wear that tartan. The first step in choosing your Highlandwear outfit is to choose your tartan. Here at Houstons we can You can fast find your tartan by going inform you of the correct tartan for your crest or family name. You can also find tartans, crest histories to www.kiltmakers.com/tartans or if and video clips explaining everything you need to know as well as a 60 page buy brochure with kilt you wish to know you have a tartan, packs, accessories, order details & measurements, with questions and answers on-line at our Web Site: go to www.kiltmakers.com/sept www.kiltmakers.com Scotland has many district, town and clan tartans as well as National tartans for example the Scottish MOST National, Flower of Scotland, Braveheart, Spirit of Scotland, Scotland the Brave, Isle of Skye, Millennium tartan, Monarch of the Glen, Spirit of Bannockburn and our own designs, ‘St Mirren’ TARTANS COME IN ‘Scottish Heather’ and ‘Bute Heather’ collection, Irish Districts, Irish National, Irish Blood, Welsh National, Cornish National, Canadian and some American, like New York and American National ANCIENT designed by Houstons. The beauty of these tartans is that anyone can wear them with pride. Soft lighter colours. MacDonald of Most Scottish clans have their own tartan, if not you will find that they are affiliated to a clan which does. Clan Ranald THE “RIGHT” TO WEAR A TARTAN Often over the years one has heard people explaining they have the right or that they are entitled to wear this or that tartan... -
Slaves to Fashion Ross Ftmat.Qxd 8/25/2004 12:11 PM Page Iii
Ross_Ftmat.qxd 8/25/2004 12:11 PM Page i Slaves to Fashion Ross_Ftmat.qxd 8/25/2004 12:11 PM Page iii Slaves to Fashion Poverty and Abuse in the New Sweatshops Robert J. S. Ross The University of Michigan Press Ann Arbor Ross_Ftmat.qxd 8/25/2004 12:11 PM Page iv Copyright © by the University of Michigan 2004 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free and 50% post-consumer waste paper 2007 2006 2005 2004 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Ross, Robert J. S., 1943– Slaves to fashion : poverty and abuse in the new sweatshops / Robert J. S. Ross. p. cm. Includes bibliographical references and index. ISBN 0-472-10941-3 (cloth : alk. paper) — ISBN 0-472-03022-1 (cloth : alk. paper) 1. Sweatshops. 2. Clothing workers. 3. Clothing trade—Corrupt practices. I. Title. HD2337.R67 2004 331.25—dc22 2004004960 Grateful acknowledgment is made to the following publisher for permission to reprint previously published material: HarperCollins Publishers Inc. for “Shirt,” from The Want Bone by Robert Pinsky (New York: HarperCollins Publishers, 1991). Copyright © 1991 by Robert Pinsky. Reprinted by permission of HarperCollins Publishers, Inc. -
Gingham Chicken Scratch Cat Patterns Free Download Design Your CHICKEN SCRATCH EMBROIDERY Patterns with These 4 Stitches
gingham chicken scratch cat patterns free download Design your CHICKEN SCRATCH EMBROIDERY Patterns with these 4 stitches. Chicken scratch embroidery – the name itself is so curious. Nothing to do with real chicken scratches of course. Unless you count the way you do embroidery or someone else judging it so. Mine does, especially when I tangle my threads midway. This chicken scratch, though, is beautiful and evenly done. The uniformity of stitches is part of the charm of this work. Chicken Scratch embroidery is a type of embroidery done on gingham fabric (Chequered fabric). The even squares of the gingham fabric form a pattern of its own for the work. The chicken scratch embroidery can make your finished gingham fabric look like you have added lace on top of it. There are many types of gingham fabric according to the size of the squares – some with small squares, some big, some with slightly oblong shaped squares. You will have to ensure that the gingham fabric you have has perfect squares for this embroidery to work. 4 stitches used in chicken scratch embroidery. 1. Double cross stitch ( Smyrna cross stitch) This is a cross stitch done twice over. 2 Straight running stitch. These stitches are done over the colored squares, leaving the white squares blank. 3 Woven circle stitch. This stitch is done by weaving thread under the running stitches to create the circle, usually on the white squares. 4 Loop stitch. This is another woven stitch with a straight stitch connecting two stitches. What kind of thread is used for chicken scratch embroidery? Usually, ordinary embroidery floss in white is used to do this embroidery. -
Special Weave Tartans Guide
SPECIAL WEAVE TARTANS GUIDE Houstons can provide special weave tartans not readily available to the market. If you are having trouble finding your desired tartan we can assist and source it for you through the Scottish Tartans Authority. Further to this we can have a tartan designed specifically for you by owner of Houstons, Ken MacDonald to alternatively you can design a tartan yourself using our exclusive „My Tartan‟ design app available to download for free from the Apple App store. They are woven in 16oz heavy weight, 13oz medium weight, 11oz light weight or even silk fabric. You will also be given the option have your tartan Teflon coated which makes it stain proof and even beer proof! If you wish to have a kilt made in one of these tartans you will need to contact us direct. Special Weave tartans will take considerably longer to make. If your chosen tartan is not commercially produced tartan, the tartan must first be designed. If you have chosen to design your own tartan, it will cost more money than a commercially produced tartan. The process of purchasing a special weave tartan that you have designed can often take 1 | P a g e © Houston Traditional Kiltmakers 2013 longer as you will first have to finalise your chosen design with your tartan designer before the cloth can be woven. Once you have finalised your unique tartan design there will be a number of stages to have the cloth woven, finished and made into your bespoke kilt! The time scale for creating a special weave tartan and having it made into a bespoke kilt can be anything from 3 to 6 months.