DOCSLIB.ORG

Richard Hess Mullin-Palmer Tape Restoration Project Collection ARS.0035

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Richard Hess Mullin-Palmer Tape Restoration Project Collection ARS.0035 http://oac.cdlib.org/findaid/ark:/13030/kt5k4036nc No online items Guide to The Richard Hess Mullin-Palmer Tape Restoration Project Collection ARS.0035 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2009 The Board of Trustees of Stanford University. All rights reserved. Guide to The Richard Hess ARS.0035 1 Mullin-Palmer Tape Restoration Project Collection ARS.... Descriptive Summary Title: Richard Hess Mullin-Palmer Tape Restoration Project Collection Dates: 1934-2008 Dates: Bulk, 1946-1950 Collection number: ARS.0035 Creator: Hess, Richard L. Collection Size: 6 linear feet: 110 digital files ; 54 open reel tapes Physical Description: Six boxes of audiotape are held by the Archive of Recorded Sound. The remainder of the collection is digital. Repository: Archive of Recorded Sound Abstract: Tapes and digitally transferred files from the early years of American tape recording. Transfers were done by engineer and researcher Richard L. Hess. Digital files are only available at Stanford Archive of Recorded Sound. Language of Material: English Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Literary rights reside with creators of the documents or their heirs. To obtain permission to publish or reproduce, contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Richard Hess Mullin-Palmer Tape Restoration Project Collection, ARS0035. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Sponsor A portion of this project was funded by a grant from the GRAMMY Foundation. Historical Background The Richard Hess Mullin-Palmer Tape Restoration Project Collection chronicles the widespread dissemination of one of the most important advances in sound recording technology: magnetic recording on tape. In 1945, a U.S. Army Signal Corp soldier named John T. "Jack" Mullin was assigned to recover examples of the latest German technology from the field. In a radio station, Mullin confirmed that the Germans had developed a system of sound recording and reproduction using paper and plastic tape. He returned to the United States with several reels of audio tape and two AEG Magnetophon brand reel-to-reel machines on which to play them. This was not the first time that this country was introduced to the technology (in fact, research was published widely in the 30s), but Mullin's initiative, along with the enterprise of filmmaker Bill Palmer, was essentially the avenue by which tape manufacturing began in the United States. The story of Bing Crosby's involvement is familiar. In the late 1940s, Crosby hosted one of the most popular programs on radio: Philco Radio Time. Mullin and Palmer approached Crosby with their idea, and a company named Ampex, with backing from Crosby, developed its first model of tape recorder, the 200, in 1947 (other companies, among them Brush, Rangertone, Orradio, and Presto, were also experimenting with magnetic recording with some success). Tape provided an ease of editing that appealed to Crosby and his producers, and allowed for more creativity in assembling programs. It was also thought to offer improved fidelity. Because of the risk of tape failing during a live broadcast, shows were still aired from transcription discs; it was the recording and editing that was done with tape. The first program recorded on tape was broadcast October 1st, 1947, the start of the 1947-1948 season. The recordings in this collection consist largely of material used for the Philco program, including performances, outtakes, and advertisements. Among the other stars to be heard on the programs are Dinah Shore, Peggy Lee, Burl Ives, and Claudette Colbert. The Richard Hess Collection is named for recording historian and audio engineer Richard L. Hess who assembled these tapes, transferred them, and provided detailed notes on both the content and its capture. Between 2001 and 2008, Hess drew from both public and private collections to construct a digital representation of the early days of magnetic recording in the United States. Scope and Contents A significant portion of this collection (Reels 1-51) are reels of audio tape which are physically held at the Stanford Archive of Recorded Sound. However, the bulk of the collection consists of digital files, including transfers from those reels, as well as from tapes in several other collections not at Stanford. Prior to accession, each item (whether a physical reel or the digital file that was recorded from the tape) was assigned a reel number. There is also a series for all related Guide to The Richard Hess ARS.0035 2 Mullin-Palmer Tape Restoration Project Collection ARS.... documentation, including obituaries and tape transfer logs. Arrangement This collection is divided into five series. The first four are grouped according to their original donor, and Series 5 assembles most of the textual information concerning the collection. Related Collections Stanford also holds the Ampex Corporation Collection . Some material presented here is also available through the Pavek Museum of Broadcasting. Indexing Terms Allgemeine Elektricitats-Gesellschaft (Germany). Ampex Corporation. Collier, Eve Mullin Crosby, Bing, 1903-1977 Mullin, John T. (Jack), 1913-1999 Ososke, Don Palmer, William A., 1911-1996 Pavek Museum of Broadcasting. Audiotapes Magnetic tape industry Radio programs Series 1. Jack Mullin-Bill Palmer Physical Description: 6 boxes: 4 boxes of 54 open reel tapes, 2 boxes of tape parts, approx. 50 sound files Physical Description: This is the only series in which the content's physical carriers and containers (tape, reels and packaging) are held in addition to the content's digital transfers. Source of Acquisition Jack Mullin and Bill Palmer Agfa 1943 tapes temporarily owned by former Ampex employee Jim Wheeler. Wheeler arranged for their donation to the Archive of Recorded Sound. Content was transferred in 2003. Reels 1-51 Box 4, Reel 1 Reel 1, digitized 2003 (ARS0035_01.wav) Physical Description: 1 12" open reel tape, 1 sound file Scope and Contents Bing Crosby (possibly from ET) ; John Scott Trotter "You Tell Me Your Dream" ; "Haunted Heart" from Inside USA ; "Haunted Heart" from Inside USA ; "Love is so Terrific" ; "Love is So Terrific" (with noticeable splice in the middle) ; "Blue Shadows on the Trail" from Disney movie Melody Time (Crosby makes a wisecrack during a false start) ; "Jeepers Creepers" ; "I Only have Eyes for You" (take 1, incomplete) ; "I Only have Eyes for You" (take 2, incomplete) Format Audio tape, Digital .wav audio file Guide to The Richard Hess ARS.0035 3 Mullin-Palmer Tape Restoration Project Collection ARS.... Series 1. Jack Mullin-Bill Palmer Reels 1-51 Box 4, Reel 2 Reel 2, digitized 2003 (ARS0035_02.wav) Physical Description: 1 12" open reel tape, 1 sound file Scope and Contents Bing Crosby "La Vie en Rose" (take 1) ; "La Vie en Rose" (take 1) ; "La Vie en Rose" (take 2) ; "I May Be Wrong" ; "I Think You're Marvelous" (take 1) ; "I May Be Wrong" (take 2) ; "I May Be Wrong" (take 3) ; Modernaires? "Thousand Islands" ; Modernaires? "Thousand Islands" (take 2) ; "Thousand Islands" (take 3) ; yodeling ; "Let the Song Begin" from the movie Emperor Waltz Format Audiotape, Digital .wav audio file Box 4, Reel 3 Reel 3, digitized 2003 (ARS0035_03.wav) Physical Description: 1 12" open reel tape, 1 sound file Scope and Contents band, classical ; Bing Crosby excerpts ; female singer "Trouble is a Man" Format Audiotape, Digital .wav audio file Box 1, Reel 4 Reel 4, digitized 2003 (ARS0035_04.wav) 1948-12 Physical Description: 1 10.5" open reel tape, 1 sound file Scope and Contents Burl Ives "Twelve days of Christmas" ; spliced up Corinna Mura outtakes (first and last backward) ; Philco 1948 commercial ; next week: Marais and Miranda ; Christmas Seals Format Audiotape, Digital .wav audio file Box 4, Reel 5 Reel 5, digitized 2003 (ARS0035_05.wav) Physical Description: 1 12" open reel tape, 1 sound file Scope and Contents orchestra (distorted, disc recording?) mostly blank. "PARIS" written on the IEC hub Format Audiotape, Digital .wav audio file Box 4, Reel 6 Reel 6, digitized 2003 (ARS0035_06.wav) Physical Description: 1 12" open reel tape, 1 sound file Scope and Contents probably a talk given at the Bohemian Club (Palmer was active member). Note attached to tape: "#2 Al Gordon-China" Format Audiotape, Digital .wav audio file Box 4, Reel 7 Reel 7, digitized 2003 (ARS0035_07.wav) 1948 Physical Description: 1 12" open reel tape, 1 sound file Scope and Contents Philco Radio Show 1948 ; Burl Ives - "Mr. Froggy" (take 1) ; "On Top of Old Smokey" ; Dinah Shore ; Burl Ives, Dinah Shore "Cockle Shells" (end of take 1, start of take 2) ; "Mr. Froggy" Format Audiotape, Digital .wav audio file Guide to The Richard Hess ARS.0035 4 Mullin-Palmer Tape Restoration Project Collection ARS.... Series 1. Jack Mullin-Bill Palmer Reels 1-51 Box 2, Reel 8 Reel 8, digitized 2003 (ARS0035_08.wav) Physical Description: 1 10.5" open reel tape, 1 sound file Scope and Contents Bing Crosby "Story of Sorrento" (start) ; reversed section ; outtakes reel; cowboy song outtake ; "Pop goes the weasel" ; Foley practice ; Bill Palmer voice "Recording, but not doing well" ; last half silence with hundreds of splices Format Audiotape, Digital .wav audio file
Load more

Recommended publications
  • L11ar2tu Represented by Edward Petry 8 Co., Inc
    RTES Plans Time Course THIRTEEN -WEEK course designed for new members of the time -buying and time -selling business will begin Oct. 26 at a luncheon ses- sion in New York at Toots Shor's restaurant and will be held at the same place every Tues- day thereafter. Seminar, sponsored by the Radio and Television Executives Society, will cover such subjects as audience research, agen- cy, network and sales practices and merchan- dising. Speakers are being selected from agen- cy, advertiser, network and station representa- tive fields. Fee for the course is $47.50. NETWORK PEOPLE Garrett E. Hollihan, account executive, KGO San Francisco, appointed sales manager, ABC Pacific Coast Radio Network, headquartered in that city. Jack Smight, director, NBC-TV One Man's Family, appointed producer -director. John Scott Trotter, music director, CBS Radio Bing Crosby Show, to NBC -TV George Gobel Show in similar capacity. Charles Standard, salesman, NBC-TV, Chicago, transfers to sales dept., N. Y. Ernest Sloman, columnist and acting city editor, Pasadena Independent, Pasadena, Calif., to CBS -TV, Hollywood, as publicist. S etu Chuck Thompson, disc m.c., WITH Baltimore, signed by DuMont Tv to do play -by -play on Pro -Football Game of the Week. up Mary Margaret McBride, formerly with ABC, to NBC Radio as conductor, five -minute com- mentary program (Mon.-Fri., 3 -3:05 p.m. EST). the norfolk market H. Malcolm Stuart, account executive, DuMont Tv, appointed to handle sale of all network political telecasts. with a one station buy George P. Herro, promotion and public relations director, midwest operations, MBS, appointed member, Council of Business Management Rep- resentatives to Citizens of Greater Chicago or- ganization.
    [Show full text]
  • The Jack Mullin/Bill Palmer Tape Restoration Project*
    THETHE JACKJACK MULLIN/BILLMULLIN/BILL PPALMERALMER TTAPEAPE RESTORARESTORATIONTION PROJECPROJECTT** Richard L. Hess Glendale, California, USA hat do you do when you are entrusted him with some of the original to do: rise to the technical and logistical presented with three large German tapes that John T. (Jack) Mullin challenge. Wcartons of flangeless reels of and William A. (Bill) Palmer, a San The tapes arrived in three cardboard 50+-year-old tape? There is no meta- Francisco filmmaker, had used for a cartons that looked quite old. Inside was data,1 no list of contents, no tape speed, variety of purposes right after World an amazing array of packaging. As is no A or B wind information, no EQ War II. often the case in a restoration project, we curves—only tape. Where do you These tapes represent the earliest days had the old recordings and a modern begin? of magnetic recording in the United tape reproducer,3 but no knowledge of I recently found myself in this posi- States, including performances, either the original equipment used to tion. It all started innocently enough. As outtakes, and between-take banter by make the tapes or knowledge of the a member of the AES Los Angeles Bing Crosby, Dinah Shore, Peggy Lee, recording conventions common in the Section Committee, I had undertaken Burl Ives, and Claudette Colbert. late 1940s. Some of the initial chal- the organization of a program at one of Perhaps the gem of this collection is a lenges that presented themselves were: the Section’s monthly meetings. Also as portion of Bing Crosby’s 1947 • The tapes were on AEG (Allgemeine- a member of the AES Technical Christmas Eve show.
    [Show full text]
  • 100 Years: a Century of Song 1950S
    100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary
    [Show full text]
  • Ampex Collection Addenda ARS.0109
    http://oac.cdlib.org/findaid/ark:/13030/kt4v19s146 No online items Guide to the Ampex Collection Addenda ARS.0109 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2011 The Board of Trustees of Stanford University. All rights reserved. Guide to the Ampex Collection ARS.0109 1 Addenda ARS.0109 Descriptive Summary Title: Ampex Collection Addenda Dates: 1944-1998 Collection number: ARS.0109 Repository: Archive of Recorded Sound Collection size: 1 box: 1 folder ; 17 open reel tapes (three 5" reels ; nine 7" reels ; four 10.5" reels ; one 12" reel) Abstract: Various smaller collections related to the Ampex Corporation, the development of magnetic recording on tape, and stereophonic sound. Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Ampex Collection Addenda, ARS-0109. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Sponsor This finding aid was produced with generous financial support from the National Historical Publications and Records Commission. Related Collections Stanford University Special Collections holds the Ampex Corporation Records, M1230. The Archive of Recorded Sound holds the Richard Hess Mullin-Palmer Tape Restoration Project Collection, ARS.0035. Scope and Contents This is a group of small collections, assembled from various donors, related to the history of the Ampex Corporation and its role in the development of sound recording on tape and stereophonic sound.
    [Show full text]
  • (Anesthesia) Pulling Teeth Metallica
    (Anesthesia) Pulling Teeth Metallica (How Sweet It Is) To Be Loved By You Marvin Gaye (Legend of the) Brown Mountain Light Country Gentlemen (Marie's the Name Of) His Latest Flame Elvis Presley (Now and Then There's) A Fool Such As I Elvis Presley (You Drive ME) Crazy Britney Spears (You're My) Sould and Inspiration Righteous Brothers (You've Got) The Magic Touch Platters 1, 2 Step Ciara and Missy Elliott 1, 2, 3 Gloria Estefan 10,000 Angels Mindy McCreedy 100 Years Five for Fighting 100% Pure Love Crystal Waters 100% Pure Love (Club Mix) Crystal Waters 1‐2‐3 Len Barry 1234 Coolio 157 Riverside Avenue REO Speedwagon 16 Candles Crests 18 and Life Skid Row 1812 Overture Tchaikovsky 19 Paul Hardcastle 1979 Smashing Pumpkins 1985 Bowling for Soup 1999 Prince 19th Nervous Breakdown Rolling Stones 1B Yo‐Yo Ma 2 Become 1 Spice Girls 2 Minutes to Midnight Iron Maiden 2001 Melissa Etheridge 2001 Space Odyssey Vangelis 2012 (It Ain't the End) Jay Sean 21 Guns Green Day 2112 Rush 21st Century Breakdown Green Day 21st Century Digital Boy Bad Religion 21st Century Kid Jamie Cullum 21st Century Schizoid Man April Wine 22 Acacia Avenue Iron Maiden 24‐7 Kevon Edmonds 25 or 6 to 4 Chicago 26 Miles (Santa Catalina) Four Preps 29 Palms Robert Plant 30 Days in the Hole Humble Pie 33 Smashing Pumpkins 33 (acoustic) Smashing Pumpkins 3am Matchbox 20 3am Eternal The KLF 3x5 John Mayer 4 in the Morning Gwen Stefani 4 Minutes to Save the World Madonna w/ Justin Timberlake 4 Seasons of Loneliness Boyz II Men 40 Hour Week Alabama 409 Beach Boys 5 Shots of Whiskey
    [Show full text]
  • Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
    Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr.
    [Show full text]
  • LA VIE EN ROSE LIVIN’ and LOVIN’ with LOUIS ARMSTRONG
    LA VIE EN ROSE LIVIN’ and LOVIN’ with LOUIS ARMSTRONG Words are completely inadequate when attempting to convey the spirit of Louis Armstrong to anyone unfamiliar with his genius. It is far better to learn about Armstrong, also known as Satchmo, Pops, Papa Dip, through his music. And yet, to define his accomplishment solely through music is to overlook the totality of his unique contributions to the world. There is much to discover when we widen our focus. Through his story, we can examine how technology can be used to document change through the lens of a single person’s life. His long career spans the timeline of developing media: print media, photography, sound recordings, radio and television broadcasting, and film. Even today his legacy is spread through developing new media. With Internet access, any student can get their daily dose of Satchmo through iTunes, YouTube, Facebook, or Twitter. Satchmo used every means possible to create and communicate, and he was truly a pioneer exploring new technologies. Armstrong was constantly recording his story, first with pen and paper, next using with his trusty typewriter to write memoirs, essays and letters. He took to lugging around a reel‐to‐reel tape recorder on tour. He tucked scissors and scotch tape in his pockets to make collages whenever he had a spare moment. He amassed a personal collection of 1,600 recordings, 650 home recorded tapes in hand‐decorated boxes, 5,000 photographs, and 86 scrapbooks. He was often the first African American performer to break through racial barriers — in radio programs, animated shorts, early soundies, television shows, commercial advertisements, and in full‐length feature films — in a time when people of color could not walk through the front door of many public establishments, sit in the front of the bus, or go to an integrated school.
    [Show full text]
  • Unsatisfaction Joni Mitchell, Joan Baez, Patti Smith
    1 Unsatisfaction Joni Mitchell, Joan Baez, Patti Smith de Matilde Acevedo 1 Dulce ángel virginal, dulce amor de mi vida * Un sonido me interrumpe y abro los ojos. ¿Un murmullo?, ¿un silbido?, ¿qué era? Despego la cabeza del piso. Miro a la derecha. A la izquierda. Mantengo el abdominal. Giro la cabeza para ver detrás de mí. Es mi mamá, está sentada en una silla en la terraza. Canta mirando el atardecer. No sé cuánto llevo acostada. Empecé meditando (dizque shabassana, la postura del cadáver), me morí, me dormí, no sé qué pasó. Intento levantarme. Volteo mi cuerpo hacia la derecha y me arropo en posición fetal, estiro los pies y los brazos, luego pongo la mano izquierda sobre el suelo, luego el antebrazo derecho, apoyo rodilla, apoyo un pie, apoyo el otro pie, mis rodillas me van alzando, remonto vértebra por vértebra hasta quedar parada. Avanzo hacia la terraza como si fuera un Dios, decidida y musculosa, como si toda la parsimonia del mundo se me hubiese transferido. Ahora ando firme, sin que mis brazos o cualquier extremidad se balancee. Voy lento y controlo cada movimiento, como si fuera un hombre desnudo y azul, calvo, fuerte, radiante: una estrella en movimiento que se dirige a la terraza. La luz del sol pega directamente sobre mí y me imagino brillante, enceguecedora, pero realmente la ciega soy yo con esta luz y apenas puedo ver a mi mamá. Alcanzo a apreciar el contorno perfilado de una persona sentada, con audífonos puestos (de esos que rodean a la oreja entera y no pierden la oportunidad de hacerse ver), pelo largo, oscuro, y capul.
    [Show full text]
  • X.,"•;• - *,•'.'.,, TV Shows This Week
    EEK' C o 'LETE TELE IN [G !.AMS THE Editorials The Showcase Column Comment ß ..,,. ,• ,., ,,.•.• ,.. • ..%'*' •.'. ,...i,,.. "" ,,.."*. ,•. ?'. '"',• ,,.,,, .• '.•.• ;,,, ,. ,.•,.... , • -?,:• ,, . ., ........... ....... .;. ,..,...:. ,½., •.:...... ß, .... •. :,- ..,./-',: .:•.:•,.,: Editor Speaks ß,. .:,...... .-,.::-.::•.'i:'"•?.;.:. • -", ..:..;:...., ::.•:.}"' .; ,• ' •. '.'-."..•-.,.. ...;i..:.% ......•. :::.... :,,..: .............,•..:............': . • ".':..'.. .:..;: ..:.% ,•,.... ,--,:.: :, :.. ., ..... ß '" -/ .. ;:';i:, . ß...... .:,'" ., .: m:::• ":•:",-.• '"•.:. -..;- ,-'"' ,•,..; :.:;,•.... ..': ....:':::7;:ff..i"...:..-.,., •" ".•" ß 'l' ',,:.•. .............::..,?,"':" "'";• .........:":':............."".. ",-..? ß..... ,•..7:'..-.:.'•'...:•' *..i•'..,.'. .... ...,.:-; r •: ...?:.: :::':'- ; i•.'"" ,. -•,... , ,. .• {;,. • *--;::....:.. ,,:':.,,•. ,..'"½'•.... .......... .. .. ß..,,;:. ...... ., '.. : ,.-%•• ._,,ß ......" ..... ....... ,,,:.•.':i';:.;,,,,•.,...;•,.,.,.,..,•' ,:--..•.....• >-............ .. .• .•-• ,,................... ...... • ...... ....... ;:..•½,•....,..,....,• .-.:....... ,, . ß,,:-:. .,.......... ½,•.... .........•- .. .,, ,::. • . .. ß • ......... :...:..• ...• ...• . .. ,• ..•.,,,,,,• ß .,.•:. .½...... *.:• ....... ,,• ............ ...•,. ,.'. •,,• • ..... ......! :':."• ' ..... •..•:•' ..... '"".,:....:.":';•' .......-:•..,."•':":.' ß,...':-- ':': ,:,..""",--; .' ..;.,4.•-."'•-:'-:' "..;.if: %":-:' "..:' "' •'*,-.•"'• .......... " :'"•....,•.......-.• ..... .... :".;::2..,:".,'.""..::.,, '
    [Show full text]
  • Wall and Deco Lifestyle Projektbuch
    .. ,:;,.. • 1 • } • .,... .. , . -, " .i MARGARETENSTRAßE 93 1 1050 WIEN +43 1 544 83 39 1 GRUENBECK.CO.AT LIFESTYLE BOOK II CWC / CONTEMPORARY WALLPAPER COLLECTION COLLECTION 2017 COLOR PALETTES LIFESTYLE BOOK II 108 118 NEW 2018 AENIGMATICA KYOTO p. 92 COLOR PALETTES ANCETRE 156 LA GORDA 144 ASHES TO ASHES 99 LA ISLA BONITA 160 Etereo Chic ATOMIC 139 LESS IS A BORE 142 -2 55 LESLEY 21 BALLET 111 LOST PARADISE 149 1977 49 61 p. LETTERA 32 12 BIDI 166 LUNA PLENA 107 A TRATTI 40 LIA 88 BOIS D'HIVER 116 MAMMA MIA 164 Vs À VIVRE 23 LIQUIDA 60 Colore BOLSHOI 127 MEDITERRANEAN MARKS 130 Colore AKOS 74 LIVE AT EASE 17 BREEZE 112 METROPOLIS 98 ALBA SALIX 44 LUCIE 48 p. CAVEAU 101 MILKY WAY 126 ALTER EGO 15 LUZ 86 124 CHEETAH 128 MONT BLANC 153 AMBROSIA 63 MAHAI 72 CHERRY BOMB 167 NEBULAE 96 ARCADIA 76 MANY HOLES 75 Magic Box CHILL-OUT 154 NIGHT GARDEN 133 AURORA 73 MATRIX 50 CIRCUS 121 OASIS 95 p. 36 BABILONIA 33 MECCATRONICO 29 COURTSHIP 169 OUVERTURE 106 BESTIARIVM 35 MEMORY OF JM 52 CUCÙ 141 PALE BLUE EYES 150 Punk CARDO MAXIMUS 45 MY WIFE 46 Reloaded DEFILÈ 146 PAVOT 135 CHRONOS 36 NOMADE 14 EAT TO THE BEAT 138 PHYTOGENESIS 123 COLOR FIELD 67 NOVECENTO 28 p. ECHOS 140 PILLS 125 DE PUNTILLAS 78 ORNATE 66 146 FAMILY AFFAIR 110 PNEU 100 DITTAMO 79 PAJLO 64 Chill Out FEMME FATALE 113 POST 143 DORSEL 31 POMMES À CIDRE 85 in Acapulco FISH MAMBO 117 QUAD 159 DOWN NEW ROADS 51 PULVIS 30 FLORENCE 109 RAT PACK 161 p.
    [Show full text]
  • ACT I the 1940S, a Time When All America Was Listening and Dancing to the Same Kind of Music! St
    ITM_017_playbill program.qxp_ITM_017_playbill program 23/12/2015 3:28 pm Page 1 ITM_017_playbill program.qxp_ITM_017_playbill program 23/12/2015 3:28 pm Page 2 ACT I The 1940s, a time when all America was listening and dancing to the same kind of music! St. Louis Blues March (Handy, arr. Gray) Yes, Indeed (Oliver) Well All Right (Faye, Kapp, Raye) In the Mood (Garland) Big Band Medley Swinging On A Star (Van Heusen, Burke) Jeepers Creepers (Warren, Mercer) That Old Feeling (Fain, Brown) Taking a Chance On Love (Duke, Latouche, Fetter) Ain’t We Got Fun (Egan, Kahn, Whiting) Elmer’s Tune (Albrecht, Gallop, Jurgens) Chattanooga Choo Choo (Warren, Gordon) Well, Git It! (Oliver) I’m Getting Sentimental Over You (Bassman) Moonlight Serenade (Miller, Parish) Dream (Mercer) I Can’t Get Started (Duke, I. Gershwin) Begin the Beguine (Porter) Serenade In Blue (Warren, Gordon) Hey! Ba Ba Re Bop (Hamner, Hampton) Skylark/Mood Indigo (Carmichael, Mercer) (Bigard, Mills, Ellington) Say That We’re Sweethearts Again (Brent) Tuxedo Junction (Dash, Feyne, Hawkins, Johnson) ACT II This was the time when music moved the nation’s spirit! It Don’t Mean A Thing (Ellington, Mills) The Sisters and Brothers Medley Over There (Cohan) La Vie En Rose (Piaf, Guigliemi, Eng. Lyrics David) The Last Time I Saw Paris (Kern, Hammerstein II) All the Things You Are (Kern, Hammerstein II) What Do You Do In the Infantry? (Loesser) Boogie Woogie Bugle Boy (Prince, Raye) He’s 1A In The Army, A1 In My Heart (Evans) This Is Worth Fighting For (DeLange, Stepf) Bugle Call Rag (Meyers,
    [Show full text]
  • The Top 7000+ Pop Songs of All-Time 1900-2017
    The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox
    [Show full text]