DOCSLIB.ORG

A Thesis Subniitted in Conformity with the Requirements Ontario Institute

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Thesis Subniitted in Conformity with the Requirements Ontario Institute A CATHOLIC ADHXNISTRATOR'S NARRATIVE3 OF HER SPIRITUAL EDUCATION Maureen Elizabeth Dunne A thesis subniitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Curriculum, Teaching and Learning Ontario Institute for Studies in Education of the University of Toronto @ copyright by Maureen Elizabeth Dunne 1998 National Library Bibliothèque nationale 1+1 ofCamda du Canada Acquisitions and Acquisitions et Bibliographie SeMces services bibliographiques 395 Wellington Street 395. rue Wellington Oftawa ON K1A ON4 OttawaON KIAON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive Licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, Ioan, distn'bute or sell reproduire, prêter, distn'buer OU copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronk formats. la fome de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts from it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation, A Catholic Administrator's Narrative of Her Spiritual Education Maureen Elizabeth Dunne Doctor of Philosophy Department of Curriculum, Teaching and Learning Ontario Institute for Studies in Education/University of Toronto 1998 In this autobiographical narrative thesis 1 seek to understand the awakening of my persona1 spirituality as it unfolds within the institutional authority structures in which 1 have lived and worked in a Roman Catholic school system in the Canadian province of Newfomdland and Labrador. The thesis traces my developing spiritual i ty f rom my childhood to the completion of the thesis and follows a narrative thread of relationship to authority, The chapters are linked by a structural metaphor'and move through a discussion of narrative theory, provincial narrative history, early transcendent images of God, cocreativity in the workplace, interpretation of the authority issues in the educational political turmoil in Newfoundland, synthesis of spiritual meaning and a narrative of the research process itself. The thesis employs a narrative methodology and a reflective consideration of stories of experience to identify the central dialectics operant in my life: the tension between masculine and feminine ways of knowing and being, the moral authority underlying sacred and secular values in education, the interplay between justice and care in moral reasoning, the shifting balance between external authority and interna1 autonomy. The field texts considered include personal journals, papers, poetry, interview transcriptç, provincial government ref orm documents and local newspaper reports. In exploring the tensions in these dialectics. important insights unfolded. Learning occurred as reflection on the stories enabled me to tell new stories about the tensions within dialectics, retellings that restored continuity to my personal narrative. One of my most important learnings was that my development of self was moderated by my objectification of authority figures in 1-It relationship and it was not until 1 experienced an 1-Thou relationship with authority that 1 could claim an inner personal authority that strengthened my spiritual being and sense of self. In so doing, the thesis process inspired an awakening of a new personal spiritual consciousness. one that embraces both the convergences and the wholeness of the dialectics from which it emerged, and one that is begiming to comprehend the interrelatedness of spirituality and story. iii Dedicated to my family, Mom and Dad, Andrea, Kieran, Toby and particularly to Jim With love and gratitude PERSONAL ACKNOWLEDGEMENTS 1 have been blessed throughout my lifetime by the caring presence of many, many people - family, friends, CO-workers, academic colleagues, Without the love and support of these persons, this thesis could never have been completed. It is difficult to know where to begin to express my gratitude. First of all, 1 wish to thank my employers - the trustees and professional staff of the former Roman Catholic School Board for St . John's and later, the Avalon East School Board. In particular, 1 am indebted to Brian Shortall and Thelma Whalen, Chief Executive Officer and Assistant Director of Personnel respectively, for their patient and positive responses to my repeated requests for leave to complete the writing of the thesis. My colleagues at the former board, Tomi Cleal , Harold Stapleton, Brian Galway, David Locke, Roger Laster were enormously supportive and encouraging, Sister Mary Nolasco Mulcahy, the former Chair of the Roman Catholic Board, was always interested in my work and even on her deathbed invited me to review the structure of the thesis and gave me excellent feedback. The staff of my new school have been friendly and welcoming after a long period of waiting for their new principal to take up her new position, 1 am grateful especially for the cornpetence of my assistant principal, Brendan Rumsey, who energized and sustained the school in my absence. The Loretto Sisters and the extended community of Loretto College in Toronto have provided a wonderful environment in which to live and work. Their prayers, remembranees, kind gestures, and liveiy dimer table conversations offered an unfailing positive attitude that sustained me in the loneliest moments of the thesis writing, as 1 laboured far away from home and family, Especially 1 wish to thank Leslie Crawford who was a companion on the thesis journey and a source of wise advice; Sister Rose Marie Goguely who cared for me when 1 was il1 and who gave me the book The Woman Sealed in the Tower which was to become pivota1 in the thesis structure; Gai1 Fox with whom 1 shared a special Newfoundland comection. Thank you to Dorothy and Katherine for friendship shared over nightly cups of tea and thanks also to Sarah, Shelley, Geraldine, Leona, Santou, Floriane, Donna, Lisa, Mary, Tina, Toyleen, Naomi, Patricia, Yannick, Shirley, and other extended community members for the peacefulness of the life we shared. Thank you especially to al1 the Loretto Sisters with whom it has been a privilege to live: Olga, Elizabeth, Lois, Marina, Betty, Marion, Angela, Anne, Anne Marie, Jeanne. They shared their lives and home with us with love and generosity. Their kind hospitality to me and to my family on their frequent visits to the College will always be remembered. There have been many other f riends who have shared the journey with me: the "club girls" at home, Sharon, Sheila, Lorraine, Kay, Jean, Alice, Gerri, and Eileen who have celebrated every step along the way and whose newsy letters brought me great merriment and the comfort that only life-long friendships can bring; Mary and Aiden Craig who frequently brought sweet treats to my family at home and who cared lovingly for us all; Dick and Sydney Dunne for their interest and Bob and Diane CoIford for their frequent dimer invitations to my 'motherless' family; Mary Smart, whose hospitality and generosity and intelligent conversation never failed to delight me; Father Vernon Boyd, S.J. who made special efforts to spend time with me and who was always interested in the development of the thesis; Heather Reeves who entered into the conversation with me, acting as my Newfoundland academic cornpanion. And there were the friends that 1 made through the Centre for Teacher Development whose passion for narrative knowing bonded us al1: Barbara and Deirdre with whom 1 shared a special friendship developed not only through a common research effort but also wonderful conversation, much laughter, and shared meals; JO-an, Ming Fang, Joann, Deborah, Vicki, Manuela, Isabella, Angela. Marion, Rosalie, Florence, Nettie, Bev, Sally, Linda, whose attentiveness to the mission of the Centre built a very strong community, A special note of gratitude to both Marilyn Dickson and Florence Samson for their careful reading and editing of the thesis text . Among my OISE friendships, two in particular have blossomed into relationships that have become experiences of the 'BetweenR, those with Dolores Furlong and Inez Houlihan. Delores assisted me throughout the months of preparation for comprehensive exams and was invaluable in her assistance in helping me locate and name the focus of my educational passions. She has listened patiently to long essays read over the phone and of fered insightful feedback and suggestions; she edited early versions of the thesis drafts. Dolores has a rare insight into the truth of peoples' hearts and has an uncanny ability to draw it out with affirrning love and compassion. When f think about how I might acknowledge Inez, my heart swells with the effort. We have spent endless hours in conversation, Inez always as intensely involved in rny research as in her own. There were countless conversations which began with her saying, "Ifve been thinking about your thesis and ....* Entirely non-judgmental and constantly 'in the storyr, fully understanding an experience in the multiple perspectives of its historical contexts, she offered perceptive insights into my own stories and constantly challenged quick or superficial responses. Both Inez and Dolores are brilliantly insightful and I am incredibly grateful for the presence of two such companions on my thesis journey. The participants in my research, Mr. Fallon and Dr, Fagan. have been wonderful coresearchers. They were open and honest in the interview process and more than generous with their time in reviewing the field texts. 1 am very grateful for their participation and their interest. Special thhanks are owed to Michael McCarthy who supplied me with historical information and dnswered my many questions about historical details. My thesis committee has provided excellent academic and emotional support.
Load more

Recommended publications
  • Spring/Summer 2019
    SPRING/SUMMER 2019 CLASSIC ROLL UP GOSSAMER INTRODUCING THE... B166 B176 4” UPTURN BRIM & ROUND CROWN 3 1/2” MEDIUM BRIM & ROUND CROWN GOSSAMER MINI Adjustable Sweatband, UPF 50+ Sun Protection Adjustable Sweatband, UPF 50+ Sun Protection B1899H 50% Paper, 33% Polypropylene, 17% Polyester 50% Paper, 33% Polypropylene, 17% Polyester 3 1/4” MEDIUM BRIM & ROUND CROWN Auburn Sand, Black, Denim Multi, White: 45% Paper, 35% Polypropylene, 20% Polyester Auburn Sand, Black, Denim Multi, White: SPRING/SUMMER 2019 Adjustable Sweatband, UPF 50+ Sun Protection 45% Paper, 35% Polypropylene, 20% Polyester 50% Paper, 33% Polypropylene, 17% Polyester Auburn Sand, Black, Confetti, Denim Multi, White: 45% Paper, 35% Polypropylene, 20% Polyester OCEAN AUBURN SAND DENIM MULTI BLACK MULTI AUBURN SAND CONFETTI DENIM MULTI AUBURN SAND BLACK BLACK MULTI BLACK BLACK MULTI TROPICAL MULTI ECRU WHITE NATURAL CONFETTI ECRU NATURAL ECRU NATURAL NAVY RATTLESNAKE WHITE DENIM MULTI BLACK RATTLESNAKE RATTLESNAKE TRUE RED WHITE CLASSIC ROLL UP GOSSAMER INTRODUCING THE... B166 B176 4” UPTURN BRIM & ROUND CROWN 3 1/2” MEDIUM BRIM & ROUND CROWN GOSSAMER MINI Adjustable Sweatband, UPF 50+ Sun Protection Adjustable Sweatband, UPF 50+ Sun Protection B1899H 50% Paper, 33% Polypropylene, 17% Polyester 50% Paper, 33% Polypropylene, 17% Polyester 3 1/4” MEDIUM BRIM & ROUND CROWN Auburn Sand, Black, Denim Multi, White: 45% Paper, 35% Polypropylene, 20% Polyester Auburn Sand, Black, Denim Multi, White: Adjustable Sweatband, UPF 50+ Sun Protection 45% Paper, 35% Polypropylene, 20%
    [Show full text]
  • The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2002 The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade Jacqueline Field University of Southern Maine Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Field, Jacqueline, "The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade" (2002). Textile Society of America Symposium Proceedings. 384. https://digitalcommons.unl.edu/tsaconf/384 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade by Jacqueline Field Haskell Silk Company founder, James Haskell, was a native of the Cape Anne, area of Massachusetts.1 In this locale his early career included service in numerous public and business capacities, not least as agent for The Rockport Steam Cotton Company, and as a State Senator.2 He was a man experienced in politics, finance and textile production. He moved to Maine in 1858 when he acquired the cotton mill at Saccarappa Falls, Westbrook.3 Under his management the mill, renamed The Westbrook Manufacturing Company, flourished and expanded. In 1874, his elder son, Frank Haskell, assumed the role of agent. At the same time James took advantage of, by now, well developed machine twist-making technology and launched into the youngest branch of the textile industry--silk.
    [Show full text]
  • The Developing Years 1932-1970
    National Park Service Uniforms: The Developing Years 1932-1970 National Park Service National Park Service Uniforms The Developing Years, 1932-1970 NATIONAL PARK SERVICE UNIFORMS The Developing Years 1932-1970 Number 5 By R. Bryce Workman 1998 A Publication of the National Park Service History Collection Office of Library, Archives and Graphics Research Harpers Ferry Center Harpers Ferry, WV TABLE OF CONTENTS nps-uniforms/5/index.htm Last Updated: 01-Apr-2016 http://npshistory.com/publications/nps-uniforms/5/index.htm[8/30/18, 3:05:33 PM] National Park Service Uniforms: The Developing Years 1932-1970 (Introduction) National Park Service National Park Service Uniforms The Developing Years, 1932-1970 INTRODUCTION The first few decades after the founding of America's system of national parks were spent by the men working in those parks first in search of an identity, then after the establishment of the National Park Service in 1916 in ironing out the wrinkles in their new uniform regulations, as well as those of the new bureau. The process of fine tuning the uniform regulations to accommodate the various functions of the park ranger began in the 1930s. Until then there was only one uniform and the main focus seemed to be in trying to differentiate between the officers and the lowly rangers. The former were authorized to have their uniforms made of finer material (Elastique versus heavy wool for the ranger), and extraneous decorations of all kinds were hung on the coat to distinguish one from the other. The ranger's uniform was used for all functions where recognition was desirable: dress; patrol (when the possibility of contact with the public existed), and various other duties, such as firefighting.
    [Show full text]
  • Textiles and Clothing the Macmillan Company
    Historic, Archive Document Do not assume content reflects current scientific knowledge, policies, or practices. LIBRARY OF THE UNITED STATES DEPARTMENT OF AGRICULTURE C/^ss --SOA Book M l X TEXTILES AND CLOTHING THE MACMILLAN COMPANY NEW YORK • BOSTON • CHICAGO • DALLAS ATLANTA • SAN FRANCISCO MACMILLAN & CO., Limited LONDON • BOMBAY • CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, Ltd. TORONTO TEXTILES AXD CLOTHIXG BY ELLEX BEERS >McGO WAX. B.S. IXSTEUCTOR IX HOUSEHOLD ARTS TEACHERS COLLEGE. COLUMBIA U>aVERSITY AXD CHARLOTTE A. WAITE. M.A. HEAD OF DEPARTMENT OF DOMESTIC ART JULIA RICHMAX HIGH SCHOOL, KEW YORK CITY THE MACMILLAX COMPAXY 1919 All righU, reserved Copyright, 1919, By the MACMILLAN company. Set up and electrotyped. Published February, 1919. J. S. Gushing Co. — Berwick & Smith Co. Norwood, Mass., U.S.A. ; 155688 PREFACE This book has been written primarily to meet a need arising from the introduction of the study of textiles into the curriculum of the high school. The aim has been, there- fore, to present the subject matter in a form sufficiently simple and interesting to be grasped readily by the high school student, without sacrificing essential facts. It has not seemed desirable to explain in detail the mechanism of the various machines used in modern textile industries, but rather to show the student that the fundamental principles of textile manufacture found in the simple machines of primitive times are unchanged in the highl}^ developed and complicated machinerj^ of to-day. Minor emphasis has been given to certain necessarily technical paragraphs by printing these in type of a smaller size than that used for the body of the text.
    [Show full text]
  • The Relationship of Women's Dress to the Social, Economic, and Political Conditions in Knoxville, Tennessee Between the Years 1895 to 1910
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-1971 The Relationship of Women's Dress to the Social, Economic, and Political Conditions in Knoxville, Tennessee Between the Years 1895 to 1910 Carmen Maria Abbott University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Arts and Humanities Commons Recommended Citation Abbott, Carmen Maria, "The Relationship of Women's Dress to the Social, Economic, and Political Conditions in Knoxville, Tennessee Between the Years 1895 to 1910. " Master's Thesis, University of Tennessee, 1971. https://trace.tennessee.edu/utk_gradthes/3869 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Carmen Maria Abbott entitled "The Relationship of Women's Dress to the Social, Economic, and Political Conditions in Knoxville, Tennessee Between the Years 1895 to 1910." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Science, with a major in Retail, Hospitality, and Tourism Management. Anna Jean Treece, Major Professor
    [Show full text]
  • Identifying Textile Types and Weaves 1750-1950 DATS in Partnership with the V&A
    Identifying Textile Types and Weaves 1750-1950 DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Textile Types and Weaves 1750-1950 Text copyright © DATS, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name taught by Sue Kerry and held at Birmingham Museum and Art Gallery Collections Centre on 29th November 2007. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Printed Textiles in Dress 1740 -1890 Identifying Handmade and Machine Lace Front Cover - English silk tissue, 1875, Spitalfields. T.147-1972 , Image © V&A Images / Victoria and Albert Museum 2 Identifying Textile Types and Weaves Contents Page 2. List of Illustrations 1 3. Introduction and identification checklist 3 4. Identifying Textile Types - Fibres and Yarns 4 5. Weaving and Woven Cloth Historical Framework - Looms 8 6. Identifying Basic Weave Structures – Plain Cloths 12 7. Identifying Basic Weave Structures – Figured / Ornate Cloths 17 8.
    [Show full text]
  • Stampin up Retiring Accessories 2014
    GRAPHIC EUR GBP EUR Retail GBP Retail Discount Discount Page Item Product Description Price Price Discount price price Not Available Embellishments 156 129392 Coaster Board Vanilla 6.95 € £ 5.50 -- -- -- 162 129723 Talking Tag Message Labels 9.50 € £ 7.25 50% 4.75 € £ 3.63 166 102023 Dazzling Diamonds Stampin' Glitter* 4.95 € £ 3.75 -- -- -- 167 123223 Melon Mambo Stampin' Emboss Powder 5.50 € £ 3.95 -- -- -- 167 124114 Pewter Stampin' Emboss Powder 5.50 € £ 3.95 25% 4.13 € £ 2.96 167 123106 Tangerine Tango Stampin' Emboss Powder 5.50 € £ 3.95 -- -- -- 167 122950 Tempting Turquoise Stampin' Emboss Powder 5.50 € £ 3.95 -- -- -- 167 123224 Wild Wasabi Stampin' Emboss Powder 5.50 € £ 3.95 -- -- -- 167 120997 Champagne Glass Glitter 4.25 € £ 3.25 30% 2.98 € £ 2.28 167 120995 Silver Glass Glitter 4.25 € £ 3.25 -- -- -- 169 127556 In Color Dahlias 9.50 € £ 7.25 -- -- -- 169 127554 Natural Designer Buttons 5.95 € £ 4.50 -- -- -- 169 130938 In Color Boutique Details 10.95 € £ 8.25 30% 7.67 € £ 5.78 170 121003 Basic 3/8" Glimmer Brads 5.95 € £ 4.50 -- -- -- 170 121006 Brights 3/8" Glimmer Brads 5.95 € £ 4.50 -- -- -- 170 129389 Hung Up Cute Clips 5.95 € £ 4.50 30% 4.17 € £ 3.15 170 118764 Vintage Trinkets Accents & Elemebts 7.25 € £ 5.50 -- -- -- 171 125577 Large Pearl Basic Jewels 5.95 € £ 4.50 -- -- -- 171 129324 Large Rinestone Basic Jewels 5.95 € £ 4.50 30% 4.17 € £ 3.15 171 130966 Delicate Details Lace Tape 11.95 € £ 8.95 30% 8.37 € £ 6.27 171 129314 Gingham Garden Designer Washi Tape 5.95 € £ 4.50 30% 4.17 € £ 3.15 173 122966 Crumb Cake
    [Show full text]
  • A Dictionary of Men's Wear Works by Mr Baker
    LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000
    [Show full text]
  • The Textile Museum Thesaurus
    The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy ..................................................................................
    [Show full text]
  • Spring/Summer 2020 AMERICANA SIZES: S/M, L/XL
    Spring/Summer 2020 AMERICANA SIZES: S/M, L/XL Americana 2 Braids 3 Ribbon Braids 13 Straw 15 Casual 17 Occasion 19 Pantropic 21 All hat sizes are 1SFM, unless otherwise noted. B1609H LAURA II All material contents listed exclude trim. 2 3/8” BRIM • Grosgrain ribbon trim IVORY/BLACK*, • Adjustable sweatband IVORY/NAVY, • LiteStraw® finish S/M, M/L • 100% straw • Made in the USA of globally sourced materials CUSTOMER SERVICE USA CUSTOMER SERVICE BETMAR NEW YORK SHOWROOM & DISTRIBUTION CENTER 411 Fifth Avenue, 2nd Floor 110 E. Main Street, Adamstown, PA 19501 New York, NY 10016 Tel: 800-859-4653 Fax: 888-428-7329 Tel: 212-981-9900 EUROPE CUSTOMER SERVICE Tel: +44(0) 1946 810 312 Fax: +44(0) 1946 811 087 PROUD SPONSOR OF AMERICAN MADE MATTERS® The styles, Laura II & LiteStraw® w/ Faux Leather Obi, are compliant with the standards of the Federal Trade Commission for Made in the USA of globally sourced materials. A portion of the proceeds from UPF 50+ hats will benefit the Colette Coyne Melanoma Awareness Campaign. As per the CCMAC, in order for the hats to qualify as SPF50+ the hat must have a brim minimum of 2 1/2”. Open weave styles do not qualify for SPF. _ _ Laura II Ivory/Navy Betmar® and LiteStraw® are registered trademarks of Bollman Hats. 2 BRAIDS BRAIDS B1899H GOSSAMER MINI B176 GOSSAMER 3” BRIM 3 1/2” BRIM • Medium brim & round crown • Medium brim & round crown • Charcoal adjustable sweatband • Charcoal adjustable sweatband • UPF 50+ Sun Protection • UPF 50+ Sun Protection • 50% paper, 33% polypropylene, 17% polyester • 50% paper,
    [Show full text]
  • Identifying Woven Textiles 1750-1950 Identification
    Identifying Woven Textiles 1750–1950 DATS in partnership with the V&A 1 Identifying Woven Textiles 1750–1950 This information pack has been produced to accompany two one-day workshops taught by Katy Wigley (Director, School of Textiles) and Mary Schoeser (Hon. V&A Senior Research Fellow), held at the V&A Clothworkers’ Centre on 19 April and 17 May 2018. The workshops are produced in collaboration between DATS and the V&A. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying woven textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the wider public and is also intended as a stand-alone guide for basic weave identification. Other workshops / information packs in the series: Identifying Textile Types and Weaves Identifying Printed Textiles in Dress 1740–1890 Identifying Handmade and Machine Lace Identifying Fibres and Fabrics Identifying Handmade Lace Front Cover: Lamy et Giraud, Brocaded silk cannetille (detail), 1878. This Lyonnais firm won a silver gilt medal at the Paris Exposition Universelle with a silk of this design, probably by Eugene Prelle, their chief designer. Its impact partly derives from the textures within the many-coloured brocaded areas and the markedly twilled cannetille ground. Courtesy Francesca Galloway. 2 Identifying Woven Textiles 1750–1950 Table of Contents Page 1. Introduction 4 2. Tips for Dating 4 3.
    [Show full text]
  • The Complete Costume Dictionary
    The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
    [Show full text]