Spring/Summer 2020 AMERICANA SIZES: S/M, L/XL

Total Page:16

File Type:pdf, Size:1020Kb

Spring/Summer 2020 AMERICANA SIZES: S/M, L/XL Spring/Summer 2020 AMERICANA SIZES: S/M, L/XL Americana 2 Braids 3 Ribbon Braids 13 Straw 15 Casual 17 Occasion 19 Pantropic 21 All hat sizes are 1SFM, unless otherwise noted. B1609H LAURA II All material contents listed exclude trim. 2 3/8” BRIM • Grosgrain ribbon trim IVORY/BLACK*, • Adjustable sweatband IVORY/NAVY, • LiteStraw® finish S/M, M/L • 100% straw • Made in the USA of globally sourced materials CUSTOMER SERVICE USA CUSTOMER SERVICE BETMAR NEW YORK SHOWROOM & DISTRIBUTION CENTER 411 Fifth Avenue, 2nd Floor 110 E. Main Street, Adamstown, PA 19501 New York, NY 10016 Tel: 800-859-4653 Fax: 888-428-7329 Tel: 212-981-9900 EUROPE CUSTOMER SERVICE Tel: +44(0) 1946 810 312 Fax: +44(0) 1946 811 087 PROUD SPONSOR OF AMERICAN MADE MATTERS® The styles, Laura II & LiteStraw® w/ Faux Leather Obi, are compliant with the standards of the Federal Trade Commission for Made in the USA of globally sourced materials. A portion of the proceeds from UPF 50+ hats will benefit the Colette Coyne Melanoma Awareness Campaign. As per the CCMAC, in order for the hats to qualify as SPF50+ the hat must have a brim minimum of 2 1/2”. Open weave styles do not qualify for SPF. _ _ Laura II Ivory/Navy Betmar® and LiteStraw® are registered trademarks of Bollman Hats. 2 BRAIDS BRAIDS B1899H GOSSAMER MINI B176 GOSSAMER 3” BRIM 3 1/2” BRIM • Medium brim & round crown • Medium brim & round crown • Charcoal adjustable sweatband • Charcoal adjustable sweatband • UPF 50+ Sun Protection • UPF 50+ Sun Protection • 50% paper, 33% polypropylene, 17% polyester • 50% paper, 33% polypropylene, 17% polyester • BLACK, DENIM MULTI, NATURAl, WHITE • BLACK, DENIM MULTI, NATURAl, WHITE 45% paper, 35% polypropylene, 20% polyester 45% paper, 35% polypropylene, 20% polyester BLACK BLACK BLACK MULTI DENIM MULTI BLACK MULTI DENIM MULTI DESERT/NATURAL ECRU LAVENDER/CHARCOAL LEMON DESERT/NATURAL LAVENDER/CHARCOAL LEMON NATURAL NAVY RATTLESNAKE NATURAL RATTLESNAKE WHITE TROPICAL MULTI TRUE RED WHITE 3 4 BRAIDS BRAIDS B166 CLASSIC ROLL UP 4” BRIM • Up turn brim and round crown • Charcoal adjustable Sweatband • UPF 50+ Sun Protection • 50% paper, 33% polypropylene, 17% polyester • BLACK, NATURAl, WHITE 45% paper, 35% polypropylene, 20% polyester B1944H CATHERINE 3 1/4” BRIM • Round crown medium brim B1945H MARIE • Round crown wide brim 3 1/2” BRIM MULBERRY MULTI*, • Charcoal adjustable • Pleated grosgrain ribbon NAVY*, TAN PINK MULTI sweatband trim • UPF 50+ sun protection • Charcoal adjustable • 50% paper, sweatband 30% polypropylene, • UPF 50+ sun protection 20% polyester • 79% paper, 12% polypropylene, 9% polyester BLACK BLACK MULTI DESERT/NATURAL B1947H MARTINE B1948H FRANOISE FRONT: 2 1/4” BRIM • Round crown short brim FRONT: 3” BRIM • Round crown short brim BACK: 2” BRIM • Pearl & gold embellishments BACK: 1 3/4” BRIM • Gold embellishments NATURAL/BLACK*, • Charcoal adjustable BLACK/GOLD*, • Charcoal adjustable NAVY/LT. GREY sweatband NATURAL/GOLD sweatband • 68% paper, • 56% paper, ECRU LAVENDER/CHARCOAL NATURAL 18% polypropylene, 17% polypropylene, 14% polyester 14% metallic, 13% polyester B1950H BEATRICE B1951H CLAUDINE 4 1/4” BRIM • Wide striped brim 3 1/4” BRIM • Medium brim boater BLACK MULTI, • Charcoal adjustable BLACK, • Grosgrain & bow trim BURGUNDY MULTI*, NATURAL* RATTLESNAKE WHITE sweatband • Charcoal adjustable RATTLESNAKE MULTI • UPF 50+ sun protection sweatband • 37% polypropylene, • UPF 50+ sun protection 37% polyester, 26% paper • 87% paper, 13% polyester Catherine Marie Martine Franoise _______ Beatrice _______ Claudine 5 Pink Multi Tan Navy/Lt. Grey Natural/Gold Black Multi Rattlesnake Multi Black 6 BRAIDS BRAIDS B1914H KIKI B124 DUNEWOOD VISOR B1910H RIVERIA B1096H TRICIA FRONT BRIM: 3” 3 3/4” PEAK • Round crown cloche 4” BRIM • Wheat braid flat crown 2 1/2” BRIM • Round crown cloche BACK BRIM: 1 3/4” BLACK, • Grosgrain bow trim • Charcoal adjustable BLACK, • Grosgrain ribbon trim BLACK MULTI, • Grosgrain ribbon HONEY*, NATURAL/BLACK, • Terry sweatband sweatband NATURAL* • Charcoal adjustable ECRU MULTI*, band & bow NATURAL NATURAL, • 100% straw • 100% paper straw sweatband NATURAL MULTI • UPF 50+ sun protection NATURAL/WHITE* • UPF 50+ sun protection • 100% polypropylene • 100% straw B1812H ST. TROPEZ B1902H PALMA B1701H SELENA B1134H RAMONA 4 1/4” BRIM • Wide brim round crown 5 1/4” WIDE BRIM • Round crown wide brim 3 3/4” FLOPPY BRIM • Wide brim round crown 4 1/2” FLOPPY BRIM • Wide brim round crown IVORY MULTI*, • Color block under brim NATURAL/BLUE*, • Charcoal adjustable BLACK, • Self band & horsebit trim LIGHT GREY MULTI*, • Faux leather band NATURAL MULTI, • Charcoal adjustable WHITE sweatband NATURAL*, • Charcoal adjustable NATURAL MULTI , • Charcoal adjustable NAVY MULTI sweatband • UPF 50+ sun protection WHITE sweatband NAVY MULTI, sweatband • 90% paper, 10% polyester • 100% paper straw • UPF 50+ sun protection RATTLESNAKE, • 88% paper, • 88% paper, 12% polyester TANGERINE MULTI 12% polyester B1431H DEMETRIA B1703H PORTO B1811H BARRET 5” BRIM • Wide brim round crown 3 1/2” BRIM • Color block wide brim fedora 4” BRIM • Wide brim round crown WHITE/BLACK, • Cord trim NATURAL/BLACK, • Charcoal adjustable BLACK/BROWN*, • Grosgrain band trim WHITE/NATURAL , NATURAL/CORAL*, • Charcoal adjustable sweatband NATURAL/WHITE • UPF 50+ sun protection _____ Porto ______ WHITE/NAVY* sweatband WHITE/NATURAL • UPF 50+ sun protection • 80% paper, 20% polyester • UPF 50+ sun protection • 50% paper, 17% polyester, • 88% paper, 12% polyester 33% polypropylene Natural/Black White/Natural Kiki ______ Dunewood Visor ______ _____ St. Tropez ____ Palma _____ Demetria _____ Riveria _____ Tricia _____ _____ Selena _____ ______________ Ramona _____________ Barret Natural Black Natural Natural/Black Navy Multi Natural Multi White White/Black White/Natural Black Black Multi Natural Multi Black White Tangerine Multi Natural Multi Navy Multi Rattlesnake Natural/White 7 8 BRAIDS BRAIDS B1900H BLANCHET B1552H JASMINE B1735H AUDREY 3 1/2” BRIM • Medium brim fedora 3 3/4” BRIM • Medium brim 5 1/4” BRIM • Wide brim hat AUBURN SAND*, • Knotted trim CHARCOAL/SKY*, • Ribbon trim NATURAL/BLACK, • Grosgrain band & bow DENIM MULTI, • Charcoal adjustable sweatband IVORY/BLACK, • Charcoal adjustable NAVY/BLACK*, • Adjustable sweatband NATURAL • 45% paper, 35% polypropylene, NATURAL/MULBERRY sweatband WHITE/NATURAL • UPF 50+ sun protection 20% polyester • UPF 50+ sun protection • 30% paper, 30% polyester • 80% paper, 20% polyester 40% polypropylene B1449H JOANNE B1557H LORA B1815 ELLERY 1 3/4” SNAP BRIM • Snap back braid fedora 5 1/4” BRIM • Color block braid 3” BRIM • Wide brim fedora IVORY MULTI, • Grosgrain ribbon NATURAL/TURQUOISE*, • Charcoal adjustable BLACK, • Looped trim & hardware NATURAL, • Side bow trim NAVY/NATURAL, sweatband BROWN MULTI, • Charcoal adjustable RATTLESNAKE* • 55% paper, 45% polyester WHITE/NATURAL, • UPF 50+ sun protection NATURAL* sweatband • 100% paper • UPF 50+ sun protection • 80% Paper, 20% Polyester B687H MARIBEL B1809H MANCHESTER B1946H CHRISTINE 3 1/4” BRIM • Crochet round crown 3 1/2” BRIM • Boater hat BLACK/SAND* • Houndstooth beret NATURAL/BLACK* • Upturn braid brim NAVY MULTI* • Grosgrain ribbon trim S/M, L/XL • Charcoal adjustable • Charcoal adjustable • Charcoal adjustable sweatband sweatband sweatband • 97% paper, 3% polyester • 95% paper, 5% polyester • UPF 50+ sun protection • 75% paper, 25% polyester ____ ____ ___ ___ ___ ___ ____ ____ ____ ____ ___ ___ Blanchet Clara Joanne Lora Audrey Ellery Denim Multi Natural Ivory/Black Natural/Mulberry Natural Ivory Multi Navy/Natural White/Natural Natural/Black White/Natural Black Brown Multi 10 9 RIBBON BRAIDS RIBBON BRAIDS B1718H CORSICA B880H DONNA B3261 COCONUT RING SAFARI 4 1/2” BRIM • Wide brim round crown 5” BRIM • Asymmetrical brim 4” BRIM • Wide brim round crown NATURAL/WHITE, • Charcoal adjustable BLACK MULTI*, • Self bow trim BLACK, FUCHSIA, • Coconut ring trim NAVY/WHITE* sweatband SAND MULTI • Charcoal adjustable NATURAL*, • Grosgrain sweatband • UPF 50+ sun protection sweatband PERIWINKLE, • UPF 50+ sun protection • 50% paper, 50% polyester • UPF 50+ sun protection WHITE • 100% polyester • 60% paper, 40% polyester B1820H MORGANE B1841H MALTA B213 CLASSIC SUNSHADE 4 1/2” BRIM • Round crown 3” BRIM • Round crown 4” BRIM • Upturn brim & round crown WHITE* • Knotted grosgrain trim NAVY*, POPPY, • Back bow trim BLACK, • Grosgrain sweatband • Charcoal adjustable SUNSHINE • Charcoal adjustable BRIGHT CORAL*, • UPF 50+ sun protection sweatband sweatband NAVY, WHITE • 100% polyester • UPF 50+ sun protection • 100% Polyester • 100% Polyester B1906H ATLANTIS B1915H REVERSIBLE ROLL UP 4” BRIM • Ribbon braid & round crown 3 1/2” BRIM • Reversible ribbon braid NAVY* • Grosgrain sweatband NAVY FLORAL, • UPF 50+ sun protection • UPF 50+ sun protection WHITE* • Grosgrain sweatband • 100% polyester • 83% polyester, 17% cotton ____ ____ ____ ____ _______ _______ __ __ ___________ ___________ _______ _______ Corsica Donna Malta Rev.Roll Up Coconut Ring Safari Classic Sunshade Navy/White Natural/White Black Multi Sand Multi Navy Poppy Sunshine Navy Floral Navy Floral (rev.) Black White Periwinkle Fuschia Natural Black Bright Coral Navy White 13 14 STRAW B1830H TULUM B1705H MONACO 5” BRIM • Flat crown wide brim 3” BRIM • Medium brim fedora MULTI* • Grosgrain & tassels trim IVORY/BLACK* • Grosgrain side bow • Charcoal adjustable • Charcoal adjustable sweatband sweatband • 100% paper straw • 100% paper straw B1907H ABBEY 5 1/4” BRIM • Crochet round crown HONEY, LINEN* • Upturn braid brim • Grosgrain ribbon
Recommended publications
  • Spring/Summer 2019
    SPRING/SUMMER 2019 CLASSIC ROLL UP GOSSAMER INTRODUCING THE... B166 B176 4” UPTURN BRIM & ROUND CROWN 3 1/2” MEDIUM BRIM & ROUND CROWN GOSSAMER MINI Adjustable Sweatband, UPF 50+ Sun Protection Adjustable Sweatband, UPF 50+ Sun Protection B1899H 50% Paper, 33% Polypropylene, 17% Polyester 50% Paper, 33% Polypropylene, 17% Polyester 3 1/4” MEDIUM BRIM & ROUND CROWN Auburn Sand, Black, Denim Multi, White: 45% Paper, 35% Polypropylene, 20% Polyester Auburn Sand, Black, Denim Multi, White: SPRING/SUMMER 2019 Adjustable Sweatband, UPF 50+ Sun Protection 45% Paper, 35% Polypropylene, 20% Polyester 50% Paper, 33% Polypropylene, 17% Polyester Auburn Sand, Black, Confetti, Denim Multi, White: 45% Paper, 35% Polypropylene, 20% Polyester OCEAN AUBURN SAND DENIM MULTI BLACK MULTI AUBURN SAND CONFETTI DENIM MULTI AUBURN SAND BLACK BLACK MULTI BLACK BLACK MULTI TROPICAL MULTI ECRU WHITE NATURAL CONFETTI ECRU NATURAL ECRU NATURAL NAVY RATTLESNAKE WHITE DENIM MULTI BLACK RATTLESNAKE RATTLESNAKE TRUE RED WHITE CLASSIC ROLL UP GOSSAMER INTRODUCING THE... B166 B176 4” UPTURN BRIM & ROUND CROWN 3 1/2” MEDIUM BRIM & ROUND CROWN GOSSAMER MINI Adjustable Sweatband, UPF 50+ Sun Protection Adjustable Sweatband, UPF 50+ Sun Protection B1899H 50% Paper, 33% Polypropylene, 17% Polyester 50% Paper, 33% Polypropylene, 17% Polyester 3 1/4” MEDIUM BRIM & ROUND CROWN Auburn Sand, Black, Denim Multi, White: 45% Paper, 35% Polypropylene, 20% Polyester Auburn Sand, Black, Denim Multi, White: Adjustable Sweatband, UPF 50+ Sun Protection 45% Paper, 35% Polypropylene, 20%
    [Show full text]
  • The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2002 The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade Jacqueline Field University of Southern Maine Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Field, Jacqueline, "The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade" (2002). Textile Society of America Symposium Proceedings. 384. https://digitalcommons.unl.edu/tsaconf/384 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. The Haskell Silk Company: Manufacturers of Staple Silks Recognized As a "Standard" in the Trade by Jacqueline Field Haskell Silk Company founder, James Haskell, was a native of the Cape Anne, area of Massachusetts.1 In this locale his early career included service in numerous public and business capacities, not least as agent for The Rockport Steam Cotton Company, and as a State Senator.2 He was a man experienced in politics, finance and textile production. He moved to Maine in 1858 when he acquired the cotton mill at Saccarappa Falls, Westbrook.3 Under his management the mill, renamed The Westbrook Manufacturing Company, flourished and expanded. In 1874, his elder son, Frank Haskell, assumed the role of agent. At the same time James took advantage of, by now, well developed machine twist-making technology and launched into the youngest branch of the textile industry--silk.
    [Show full text]
  • The Developing Years 1932-1970
    National Park Service Uniforms: The Developing Years 1932-1970 National Park Service National Park Service Uniforms The Developing Years, 1932-1970 NATIONAL PARK SERVICE UNIFORMS The Developing Years 1932-1970 Number 5 By R. Bryce Workman 1998 A Publication of the National Park Service History Collection Office of Library, Archives and Graphics Research Harpers Ferry Center Harpers Ferry, WV TABLE OF CONTENTS nps-uniforms/5/index.htm Last Updated: 01-Apr-2016 http://npshistory.com/publications/nps-uniforms/5/index.htm[8/30/18, 3:05:33 PM] National Park Service Uniforms: The Developing Years 1932-1970 (Introduction) National Park Service National Park Service Uniforms The Developing Years, 1932-1970 INTRODUCTION The first few decades after the founding of America's system of national parks were spent by the men working in those parks first in search of an identity, then after the establishment of the National Park Service in 1916 in ironing out the wrinkles in their new uniform regulations, as well as those of the new bureau. The process of fine tuning the uniform regulations to accommodate the various functions of the park ranger began in the 1930s. Until then there was only one uniform and the main focus seemed to be in trying to differentiate between the officers and the lowly rangers. The former were authorized to have their uniforms made of finer material (Elastique versus heavy wool for the ranger), and extraneous decorations of all kinds were hung on the coat to distinguish one from the other. The ranger's uniform was used for all functions where recognition was desirable: dress; patrol (when the possibility of contact with the public existed), and various other duties, such as firefighting.
    [Show full text]
  • Textiles and Clothing the Macmillan Company
    Historic, Archive Document Do not assume content reflects current scientific knowledge, policies, or practices. LIBRARY OF THE UNITED STATES DEPARTMENT OF AGRICULTURE C/^ss --SOA Book M l X TEXTILES AND CLOTHING THE MACMILLAN COMPANY NEW YORK • BOSTON • CHICAGO • DALLAS ATLANTA • SAN FRANCISCO MACMILLAN & CO., Limited LONDON • BOMBAY • CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, Ltd. TORONTO TEXTILES AXD CLOTHIXG BY ELLEX BEERS >McGO WAX. B.S. IXSTEUCTOR IX HOUSEHOLD ARTS TEACHERS COLLEGE. COLUMBIA U>aVERSITY AXD CHARLOTTE A. WAITE. M.A. HEAD OF DEPARTMENT OF DOMESTIC ART JULIA RICHMAX HIGH SCHOOL, KEW YORK CITY THE MACMILLAX COMPAXY 1919 All righU, reserved Copyright, 1919, By the MACMILLAN company. Set up and electrotyped. Published February, 1919. J. S. Gushing Co. — Berwick & Smith Co. Norwood, Mass., U.S.A. ; 155688 PREFACE This book has been written primarily to meet a need arising from the introduction of the study of textiles into the curriculum of the high school. The aim has been, there- fore, to present the subject matter in a form sufficiently simple and interesting to be grasped readily by the high school student, without sacrificing essential facts. It has not seemed desirable to explain in detail the mechanism of the various machines used in modern textile industries, but rather to show the student that the fundamental principles of textile manufacture found in the simple machines of primitive times are unchanged in the highl}^ developed and complicated machinerj^ of to-day. Minor emphasis has been given to certain necessarily technical paragraphs by printing these in type of a smaller size than that used for the body of the text.
    [Show full text]
  • The Relationship of Women's Dress to the Social, Economic, and Political Conditions in Knoxville, Tennessee Between the Years 1895 to 1910
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-1971 The Relationship of Women's Dress to the Social, Economic, and Political Conditions in Knoxville, Tennessee Between the Years 1895 to 1910 Carmen Maria Abbott University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Arts and Humanities Commons Recommended Citation Abbott, Carmen Maria, "The Relationship of Women's Dress to the Social, Economic, and Political Conditions in Knoxville, Tennessee Between the Years 1895 to 1910. " Master's Thesis, University of Tennessee, 1971. https://trace.tennessee.edu/utk_gradthes/3869 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Carmen Maria Abbott entitled "The Relationship of Women's Dress to the Social, Economic, and Political Conditions in Knoxville, Tennessee Between the Years 1895 to 1910." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Science, with a major in Retail, Hospitality, and Tourism Management. Anna Jean Treece, Major Professor
    [Show full text]
  • Identifying Textile Types and Weaves 1750-1950 DATS in Partnership with the V&A
    Identifying Textile Types and Weaves 1750-1950 DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Textile Types and Weaves 1750-1950 Text copyright © DATS, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name taught by Sue Kerry and held at Birmingham Museum and Art Gallery Collections Centre on 29th November 2007. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Printed Textiles in Dress 1740 -1890 Identifying Handmade and Machine Lace Front Cover - English silk tissue, 1875, Spitalfields. T.147-1972 , Image © V&A Images / Victoria and Albert Museum 2 Identifying Textile Types and Weaves Contents Page 2. List of Illustrations 1 3. Introduction and identification checklist 3 4. Identifying Textile Types - Fibres and Yarns 4 5. Weaving and Woven Cloth Historical Framework - Looms 8 6. Identifying Basic Weave Structures – Plain Cloths 12 7. Identifying Basic Weave Structures – Figured / Ornate Cloths 17 8.
    [Show full text]
  • Stampin up Retiring Accessories 2014
    GRAPHIC EUR GBP EUR Retail GBP Retail Discount Discount Page Item Product Description Price Price Discount price price Not Available Embellishments 156 129392 Coaster Board Vanilla 6.95 € £ 5.50 -- -- -- 162 129723 Talking Tag Message Labels 9.50 € £ 7.25 50% 4.75 € £ 3.63 166 102023 Dazzling Diamonds Stampin' Glitter* 4.95 € £ 3.75 -- -- -- 167 123223 Melon Mambo Stampin' Emboss Powder 5.50 € £ 3.95 -- -- -- 167 124114 Pewter Stampin' Emboss Powder 5.50 € £ 3.95 25% 4.13 € £ 2.96 167 123106 Tangerine Tango Stampin' Emboss Powder 5.50 € £ 3.95 -- -- -- 167 122950 Tempting Turquoise Stampin' Emboss Powder 5.50 € £ 3.95 -- -- -- 167 123224 Wild Wasabi Stampin' Emboss Powder 5.50 € £ 3.95 -- -- -- 167 120997 Champagne Glass Glitter 4.25 € £ 3.25 30% 2.98 € £ 2.28 167 120995 Silver Glass Glitter 4.25 € £ 3.25 -- -- -- 169 127556 In Color Dahlias 9.50 € £ 7.25 -- -- -- 169 127554 Natural Designer Buttons 5.95 € £ 4.50 -- -- -- 169 130938 In Color Boutique Details 10.95 € £ 8.25 30% 7.67 € £ 5.78 170 121003 Basic 3/8" Glimmer Brads 5.95 € £ 4.50 -- -- -- 170 121006 Brights 3/8" Glimmer Brads 5.95 € £ 4.50 -- -- -- 170 129389 Hung Up Cute Clips 5.95 € £ 4.50 30% 4.17 € £ 3.15 170 118764 Vintage Trinkets Accents & Elemebts 7.25 € £ 5.50 -- -- -- 171 125577 Large Pearl Basic Jewels 5.95 € £ 4.50 -- -- -- 171 129324 Large Rinestone Basic Jewels 5.95 € £ 4.50 30% 4.17 € £ 3.15 171 130966 Delicate Details Lace Tape 11.95 € £ 8.95 30% 8.37 € £ 6.27 171 129314 Gingham Garden Designer Washi Tape 5.95 € £ 4.50 30% 4.17 € £ 3.15 173 122966 Crumb Cake
    [Show full text]
  • A Dictionary of Men's Wear Works by Mr Baker
    LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000
    [Show full text]
  • The Textile Museum Thesaurus
    The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy ..................................................................................
    [Show full text]
  • Identifying Woven Textiles 1750-1950 Identification
    Identifying Woven Textiles 1750–1950 DATS in partnership with the V&A 1 Identifying Woven Textiles 1750–1950 This information pack has been produced to accompany two one-day workshops taught by Katy Wigley (Director, School of Textiles) and Mary Schoeser (Hon. V&A Senior Research Fellow), held at the V&A Clothworkers’ Centre on 19 April and 17 May 2018. The workshops are produced in collaboration between DATS and the V&A. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying woven textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the wider public and is also intended as a stand-alone guide for basic weave identification. Other workshops / information packs in the series: Identifying Textile Types and Weaves Identifying Printed Textiles in Dress 1740–1890 Identifying Handmade and Machine Lace Identifying Fibres and Fabrics Identifying Handmade Lace Front Cover: Lamy et Giraud, Brocaded silk cannetille (detail), 1878. This Lyonnais firm won a silver gilt medal at the Paris Exposition Universelle with a silk of this design, probably by Eugene Prelle, their chief designer. Its impact partly derives from the textures within the many-coloured brocaded areas and the markedly twilled cannetille ground. Courtesy Francesca Galloway. 2 Identifying Woven Textiles 1750–1950 Table of Contents Page 1. Introduction 4 2. Tips for Dating 4 3.
    [Show full text]
  • The Complete Costume Dictionary
    The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
    [Show full text]
  • Sale-A-Bration 2010 Stampin' Supplies 2A – Thank You Card
    Sale‐A‐Bration 2010 Stampin’ Supplies 2A – Thank You Card: Happy Moments set; Bermuda Bay, Kraft, Old Olive, and Soft Suede card stock; Welcome Neighbor Designer Series paper pad; watercolor paper; Bermuda Bay and Old Olive Classic Stampin’ Pads; Jet Black StazOn pad; Old Olive 1/4″ grosgrain and Bermuda Bay 1/2″ polka‐dot grosgrain ribbon; linen thread; Playground Designer buttons; Stampin’ Dimensionals; Aqua Painter; Scallop Trim Border punch; sewing machine and thread 2B – For You Box: Vintage Labels set; Kraft, Old Olive, and Whisper White card stock; Soft Suede textured card stock; Welcome Neighbor Designer Series paper pad; Close to Cocoa, Old Olive, and Soft Suede Classic Stampin’ Pads; Soft Suede Stampin’ Write marker; Kraft 3/8″ taffeta ribbon; Pretties Kit; Stampin’ Dimensionals; Color Spritzer Tool; paper‐piercing tool; Scallop Circle and 1″ Circle punches; Sizzix Big Shot; Fancy Favor Bigz XL die 4A – Best Wishes Card: Vintage Labels set; Bashful Blue, Certainly Celery, Kraft, and Whisper White card stock; Welcome Neighbor Designer Series paper pad; On Board So Tweet; Close to Cocoa and Pumpkin Pie Classic Stampin’ Pads; Stampin’ Dimensionals; Boho Blossoms, Curly Label, and My Way punches; hole punch; sewing machine and thread 4B – Happy Birthday Card: Happy Moments set; Certainly Celery, Kraft, Pumpkin Pie, So Saffron, and Whisper White card stock; Regal Rose textured card stock; Certainly Celery, Pumpkin Pie, Regal Rose, and So Saffron Classic Stampin’ Pads; Jet Black StazOn pad; Silver brads; Circle Aluminum Metal Edge
    [Show full text]