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DVD MAGAZINE Outstanding animation, VFX and motion graphics for design and advertising 08 �������������������� ������������������������������������������������������������������������������� ��������������������������������������������������������������������������������� ������������������������������������������������������������������������������ �������� ������� �������� ������������ ������� ��������������� ������� ��� �������� ������������������������������������������������������������������������������ ������������������������������������������������ �������������������������������������������������������������������������������� ��������������������������������������������������������������������������������� ������������������� ������������������������������������������������������������������������������� ������������������������������������������������������������������������������������ ���������������������������������������������������������������������������������� �������������������������������������������������������������������������������� ������������������������������������������������������������������������������ �������������������������������������������������������������������������������������� ������������������������ ��������������������������������������������������������������������� �������������������������� ���������������������������������� �������������������� ����������������������������������������� ���������������������������������������� ������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������� Vegas6_FullPage_STASH.indd 1 3/10/05 2:46:51 PM 2D3105.qxd 3/9/04 16:39 Page 1 Arms Stash From the pioneers in automatic visual arts Trusted by all the high calibre studios: AAV, technology comes a new grade of affordable Asylum Visual Effects, BBC, BSkyB, CBC, CBS camera tracking software. Animation, Cinesite, Double Negative, ESC Entertainment, Frantic Films, Fuel, Fuji TV, Giant Killer Fast and accurate whatever you shoot, boujou Robots, Hammerhead, Hayes Davidson, Illusion Arts, bullet incorporates all the features of the original, JAK (Lucas Film), Jim Henson's Creature Shop, adding an easier interface at an affordable price. Mainframe Entertainment, Meteor Studios, Moving Expand your arsenal of tools with the world's Picture Company, NBC, Nice Shoes, The Orphanage, first automatic 3D & 2D tracker software. Peerless, Rhinocerous FX, Rhythm & Hues, Ring of Fire, Sony Pictures Imageworks, Toyota, WETA Price: $2500 Available Now! Digital, Yleisradio Oy For the bullet proof, find out more at www.2d3.com www.2d3.com The virtual interchangeable with the real I don’t like writing this page. Mainly because, unlike many real editors, I have no great musings for the masses or brilliant insights as to why, stash for instance, clients want more but expect to pay less or how 10,000 DVD MAGAZINE 08 animation and design graduates a year armed with cheap computers and pirated software will affect the industry except to reason that this exerts STASH MEDIA INC. pressure on the existing companies who are, as I mentioned, producing Editor: STEPHEN PRICE more for less money and in less time. Is that pressure good or bad? Publisher: GREG ROBINS Seems like the wrong question. Like asking if geo-thermal pressure is Associate editor: HEATHER GRIEVE good or bad. New molten rock is coming up the pipe. It always will. Some DVD production: M1 DIGITAL, NY advice: get fire-proof shoes or get out of the way. Web site: ERIC WANG, lorez.net Animation: KYLE SIM, TOPIX, Toronto And by way of example you’ll find lots of asbestos footwear and fresh Toolkit: 3DS Max, Inferno magma in this issue – director Frank Budgen leads off with a Kafka-fest Music: TREVOR MORRIS, for Mercedes, Shynola return after a hitch hiking jaunt in the movies, Media Ventures, Santa Monica director Spike Jonze is back for Adidas and cult stars Tokyo Plastic Montage editor: STEVE PERRY blossom on our cover and in our back page interview. As usual there is Thanks: CHEYENNE, CAROLINE, too much stuff and not enough room to write about it all. MAYA, NICOLE, JASON, TYLER Cover Image: TOKYO PLASTIC I thought you didn’t like writing this page. Contains 67% eye candy by volume. ISSN 1712-5928 It’s growing on me. SUBSCRIBE, BUY BACK ISSUES, SUBMIT, ADVERTISE, OR JUST FIND OUT MORE ABOUT STASH: www.stashmedia.tv Stephen Price New York April 05 Legal things: Stash Magazine and Stash DVD are published 12 times per year by Stash [email protected] Media Inc. All rights reserved and contents copyright Stash Media Inc. No part of this booklet nor the Stash DVD may be copied P.S. – Don’t forget the deadline for the Global Student Animation Awards without express written permission from is June 1st. Get all the info you need at www.stashmedia/GSAA. the publisher. Stash Media Inc. does not promote or endorse products, services or events advertised by third party advertisers in this publication. Submissions are welcome. Please refer to the Submissions information in this book or online. Subscrptions available from www.stashmedia.tv. Contact us at: Stash Media Inc., 207 W. Hastings St., Suite 506, Vancouver, BC V6B 1H7 Canada stash 08.01 MERCEDES BENZ “SPACE TO THINK” TVC :30 Agency: For Gorgeous Enterprises CAMPBELL DOYLE DYE Producer: Alicia Bernard Director: DP: Alwin Kuchler FRANK BUDGEN For Alteration Services Production: Flame: Tom Sparks GORGEOUS ENTERPRISES For The Quarry Post: Editor: Paul Watts ALTERATION SERVICES For Soundtree Music Mercedes has the antidote for Composer: Peter Raeburn your spine-sucking job at Kafka Inc. - the new A-Class. With the goal of maintaining as optical a look as possible, Alteration Services layered and combined the nightmarish images gathered by director Budgen and his DP Alwin Kuchler. Rumor has it over 40 minutes of highspeed/slow- shutter footage shot with a custom multi-camera rig never made it into the final cut. Read more about this project at www.stashmedia.tv/08_01. For Campbell Doyle Dye Creatives: Tom Ewart, Dave Sullivan Producer: Natalie Bright stash 08.02 ADIDAS “HELLO TOMORROW” TVC :90 For Gorgeous Enterprises Agency: Producer: Alicia Bernard TBWA\CHIAT\DAY DP: Alwin Kuchler Director: For Alteration Services SPIKE JONZE Flame: Tom Sparks Production: For The Quarry MJZ Editor: Paul Watts VFX/animation: SEA LEVEL For Soundtree Music www.sealevelvenice.com Composer: Peter Raeburn Director Spike Jonze breaks Adidas out of the star athlete rut with this sleep-running adventure of a normal guy and his self-lacing, light-emitting, microchip-hiding shoes. Sea Level VFX super Ben Gibbs, who worked with Jonze on Levi’s “Crazy Legs” and Fatboy For TBWA\Chiat\Day For Sea Level Slim’s “Weapon of Choice” ECD: Chuck McBride VFX super: Ben Gibbs among others, says Jonze got CD: Joe Kayser Lead Inferno: Brian Buongiorno the Venice VFX house involved EP: Jennifer Golub 2D artist: Christel Hazard before the script or treatment CG artist: Steffen Schubert had been solidified, “It was a very For MJZ VFX producer: Amy Russo collaborative process, which has Director: Spike Jonze EP: Celeste Gilbert always been the case with the DP: Ellen Kuras projects that Spike and I have Producer: David Zander, Vince Toolkit worked on. I like that.” Landay Inferno, Combustion, Onyx 2, Macintosh Read more about this project For Spot Welders at www.stashmedia.tv/08_02. Editor: Haines Hall For Company 3 Colorist: Stefan Sonnenfeld stash 08.03 MOUNTAIN DEW “CHANGE/GIRL” TVC :30 Agency: BBDO Director: TRAKTOR Production: TRAKTOR VFX: METHOD www.methodstudios.com In case you haven’t heard; the key fob is the new magic lamp. The cars in this spot were all shot live in position with their 3D doppelgangers pressed For Method into service for the exploding Lead VFX super: Alex Frisch transitions. One nice low tech VFX artists: Joan Cruz, Alex touch; when possible the vehicles Kolasinski where released off a car jack to Lead 3D artist: Hatem Benabdallah provide the right bounce at the end 3D Artists: Eric Ebling, Pasha of a transition. Ivanov, Chris Smallfield, Chris Strauss For BBDO CG CD: Laurent Ledru AD: Mike Boulia CG tech super: Gil Baron CD: Bill Bruce Junior artists: Zach Lo, Kyle Obley Producer: Hyatt Choate VFX shoot supers: Alex Frisch, Gil Copy: Brian Donovan Baron For Company 3 EP: Neysa Horsburgh Colorist: Stefan Sonnenfeld Producer: Sue Troyan Toolkit Maya, Inferno, boujou, Elastic Reality stash 08.04 PEPSI “MAZE” TVC :30 Agency: BBDO Director: THIERRY POIRAUD Production: PARANOID PROJECTS: TOOL VFX: For Paranoid Projects: Tool BUF DP: Philippe Rousselot www.buf.com EPs: Phillip Detchmendy, Claude Filmed in Los Angeles over two Letessier, Jennifer Siegel days, BUF’s team spent four HOP: Amy DeLossa weeks modeling, animating, Producer: Mark Fetterman rendering and tracking the rat For Method Post super: Ema Soupa heads and set extensions of the Lead VFX super: Alex Frisch For BUF maze. According to Karine Binaux, VFX artists: Joan Cruz, Alex Production super: Olivier Gilbert BUF’s project VFX producer, Kolasinski VFX supers: Jam Abelanet, the team’s biggest challenge Lead 3D artist: Hatem Benabdallah Jef d’Izarny was creating realistic modeling 3D Artists: Eric Ebling, Pasha VFX producer: Karine Binaux and rendering that conveyed Ivanov, Chris Smallfield, Chris VFX coordinator: Rahel Makonnen convincing rat expressions and Strauss Graphic artists: Xavier Loic
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  • Cartoon Business Erlands) (Neth Echt Utr 16, 20 Ch Ar 3 M -2 21

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    Cartoon Business erlands) (Neth echt Utr 16, 20 ch ar 3 M -2 21 Conference > New Emerging Business Models in Animation www.cartoon-media.eu pitching event for animated transmedia projects www.cartoon-media.eu Pub-MAS-15-Digit-programme-3.indd 1 16/02/16 13:51 Partners CARTOON BUSINESS IS ORGANISED BY WITH THE SUPPORT OF IN COLLABORATION WITH CARTOON IS SPONSORED BY 3 NFF: THE GO-TO FESTIVAL FOR DUTCH CINEMA INSPIRATION CO-PRODUCTION MARKET FOR 20 EUROPEAN FEATURE LENGTH PROJECTS CALL FOR ENTRIES 15 MARCH – 15 JUNE FILMFESTIVAL.NL/PROFESSIONALS Willemien van Aalst Gerben Schermer Festival Director - NFF Festival Director - HAFF Dear participants, elcome! We are delighted to meet you in the city that both the Netherlands Film Festival (NFF) and Holland Animation Film Festival (HAFF) operate from. We are proud to host the Cartoon W Business seminar in tandem with our solid partners. Annually in late September, the Netherlands Film Festival (NFF) is a vibrant event for connecting both filmmakers and audiences. The NFF, with the concurrent Holland Film Meeting, is the authoritative festival for Dutch cinema, fostering the interests of the Dutch film and film culture by drawing wide attention to it and by deepening and broadening knowledge about the discipline. We are very happy to see our great city brighten up with scores of animation enthusiasts and professionals in March at HAFF and now at Cartoon Business as well. HAFF is one of the leading international animation festivals and official partner of Cartoon d’Or. It is important to have these events celebrate the art and build on sustaining it.