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From Pin-Ups to Postfeminism (FLM020X332A Or FLM020X332S) | University of Roehampton 09/25/21 Screen Women: From Pin-ups to Postfeminism (FLM020X332A or FLM020X332S) | University of Roehampton Screen Women: From Pin-ups to View Online Postfeminism (FLM020X332A or FLM020X332S) 1. Laura, M. ‘Visual Pleasure and Narrative Cinema’. in Feminist film theory: a reader 58–69 (Edinburgh University Press, 1975). 2. Mulvey, Laura. ‘Afterthoughts on Visual Pleasure and Narrative Cinema’. in Feminist film theory: a reader 130–122 (Edinburgh University Press, 1999). 3. Oria, Beatriz. Talking Dirty on Sex and the City. (ROWMAN & LITTLEFIELD, 2014). 4. Society for Education in Film and Television. ‘Film and the Masquerade - Theorising the Female Spectator’. Screen 23, 74–88 (1982). 5. Doane, Mary Ann, Mellencamp, Patricia, Williams, Linda & American Film Institute. Re-vision: essays in feminist film criticism. vol. American Film Institute monograph series (University Publications of America, 1984). 6. Doane, Mary Ann. Femmes fatales: feminism, film theory, psychoanalysis. (Routledge, 1/7 09/25/21 Screen Women: From Pin-ups to Postfeminism (FLM020X332A or FLM020X332S) | University of Roehampton 1992). 7. Erens, Patricia. Issues in Feminist Film Criticism. (Indiana U.P., 1990). 8. Gledhill,C. ‘Recent Developments in Feminist Criticism’. in Film theory and criticism: introductory readings (Oxford University Press, 1985). 9. Kuhn, Annette. The power of the image: essays on representation and sexuality. (Routledge, 1992). 10. Mayne, Judith. Feminist Film Theory and Criticism. Signs 11, 81–100 (1985). 11. Rose, J. ‘The Cinematic Apparatus-Problems in Current Theory’. in Sexuality in the field of vision 199–213 (Verso, 1986). 12. The Screen Editorial Collective. The Sexual subject: a Screen reader in sexuality. (Routledge, 1992). 13. Silverman. Subject of Semiotics. http://site.ebrary.com/lib/roehampton/docDetail.action?docID=10476941. 2/7 09/25/21 Screen Women: From Pin-ups to Postfeminism (FLM020X332A or FLM020X332S) | University of Roehampton 14. Silverman, Kaja. The acoustic mirror: the female voice in psychoanalysis and cinema. vol. Theories of representation and difference (Indiana University Press, 1988). 15. Thornham, Sue. Passionate detachments: an introduction to feminist film theory. (Arnold, 1997). 16. Thornham, Sue. Feminist film theory: a reader. (Edinburgh University Press, 1999). 17. Williams, Linda. ‘When the Woman Looks’. in Re-vision: essays in feminist film criticism vol. American Film Institute monograph series (University Publications of America, 1984). 18. Hamad, Hannah. Postfeminism and paternity in contemporary US film : framing fatherhood: 28. (Routledge, 2014). 19. Kaklamanidou, Betty. Genre, gender and the effects of neoliberalism : the new millennium Hollywood rom com. (Routledge, 2013). 20. Alberti, John. Masculinity in the contemporary romantic comedy: gender as genre. vol. Routledge advances in film studies (Routledge, 2013). 21. 3/7 09/25/21 Screen Women: From Pin-ups to Postfeminism (FLM020X332A or FLM020X332S) | University of Roehampton Female celebrity and ageing : backin the spotlight. (Routledge, 2014). 22. Gravagne, Pamela H. Becoming of age : cinematic visions of mind, body and identity in later life. (McFarland & Company, Inc., Publishers, 2013). 23. Feasey, Rebecca & ebrary, Inc. From happy homemaker to desperate housewives: motherhood and popular television. (Anthem Press, 2012). 24. Taylor, Anthea. Single women in popular culture : the limits of postfeminism. (Palgrave Macmillan, 2012). 25. Stoddard, Karen M. Saints and Shrews: Women and Agingin American Popular Film. (Praeger, 1983). 26. Aging femininities : troubling representations. (Cambridge Scholars Publishing, 2012). 27. Gullette, Margaret Morganroth. Declining to decline: cultural combat and the politics of the midlife. vol. Age studies (University Press of Virginia, 1997). 28. Female celebrity and ageing: back in the spotlight. (Routledge, 2013). 4/7 09/25/21 Screen Women: From Pin-ups to Postfeminism (FLM020X332A or FLM020X332S) | University of Roehampton 29. HBO’s Girls: Questions of Gender, Politics, and Millennial Angst [Hardcover]. (Cambridge Scholars Publishing (1 Mar 2014)). 30. King, J. Discourses of ageing in fiction and feminism: the invisible woman. (Palgrave Macmillan, 2012). 31. Cobb, S. Adaptation, authorship, and contemporary women filmmakers. (Palgrave Macmillan, 2014). 32. Lindsay Steenberg. Forensic Science in Contemporary American Popular Culture: Gender, Crime, and Science. (Routledge, 2013). 33. Dillman, J. C. Women and death in film, television, and news: dead but not gone. (Palgrave Macmillan, 2014). 34. Women, celebrity and cultures of ageing: freeze frame. (Palgrave Macmillan, 2015). 35. MacDowell, J. Happy endings in Hollywood cinema: cliche ́ , convention and the final couple. (Edinburgh University Press, 2014). 36. 5/7 09/25/21 Screen Women: From Pin-ups to Postfeminism (FLM020X332A or FLM020X332S) | University of Roehampton Fabulous Fashionistas. 37. Mum and me. 38. Twigg, J. Fashion and age: dress, the body and later life. (Bloomsbury, 2013). 39. Girls - Season 1-3 [DVD] [2015]. 40. Advanced Style [DVD]. 41. Iris [DVD]. 42. Jacey, H. & Batty, C. Writing and selling romantic comedy screenplays. (Creative Essentials, 2014). 43. Go Fish ( Ely & Max ). 44. Thornham, S. What if I had been the hero?: investigating women’s cinema. (Palgrave Macmillan, 2012). 6/7 09/25/21 Screen Women: From Pin-ups to Postfeminism (FLM020X332A or FLM020X332S) | University of Roehampton 45. Munford, R. & Waters, M. Feminism & popular culture: investigating the postfeminist mystique. (I.B. Tauris, 2014). 46. Aging, media, and culture. (Lexington Books, 2014). 47. Thinking through fashion : a guideto key theorists. (I.B. Tauris, 2016). 7/7.
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