Commuters Will Sue Ask Equal Protection
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MOST CHAMPIONSHIP TITLES T O Following are the records for championships achieved in all of the five major events constituting U R I N the U.S. championships since 1881. (Active players are in bold.) N F A O M E MOST TOTAL TITLES, ALL EVENTS N T MEN Name No. Years (first to last title) 1. Bill Tilden 16 1913-29 F G A 2. Richard Sears 13 1881-87 R C O I L T3. Bob Bryan 8 2003-12 U I T N T3. John McEnroe 8 1979-89 Y D & T3. Neale Fraser 8 1957-60 S T3. Billy Talbert 8 1942-48 T3. George M. Lott Jr. 8 1928-34 T8. Jack Kramer 7 1940-47 T8. Vincent Richards 7 1918-26 T8. Bill Larned 7 1901-11 A E C V T T8. Holcombe Ward 7 1899-1906 E I N V T I T S I OPEN ERA E & T1. Bob Bryan 8 2003-12 S T1. John McEnroe 8 1979-89 T3. Todd Woodbridge 6 1990-2003 T3. Jimmy Connors 6 1974-83 T5. Roger Federer 5 2004-08 T5. Max Mirnyi 5 1998-2013 H I T5. Pete Sampras 5 1990-2002 S T T5. Marty Riessen 5 1969-80 O R Y C H A P M A P S I T O N S R S E T C A O T I R S D T I S C S & R P E L C A O Y R E D R Bill Tilden John McEnroe S * All Open Era records include only titles won in 1968 and beyond 169 WOMEN Name No. -
Chapter 11), Making the Events That Occur Within the Time and Space Of
CHAPTER I INTRODUCTION: IN PRAISE OF BABBITTRY. SORT OF. SPATIAL PRACTICES IN SUBURBIA Kenneth Jackson’s Crabgrass Frontiers, one of the key histories of American suburbia, marshals a fascinating array of evidence from sociology, geography, real estate literature, union membership profiles, the popular press and census information to represent the American suburbs in terms of population density, home-ownership, and residential status. But even as it notes that “nothing over the years has succeeded in gluing this automobile-oriented civilization into any kind of cohesion – save that of individual routine,” Jackson’s comprehensive history under-analyzes one of its four key suburban traits – the journey-to-work.1 It is difficult to account for the paucity of engagements with suburban transportation and everyday experiences like commuting, even in excellent histories like Jackson’s. In 2005, the average American spent slightly more than twenty-five minutes per day commuting, a time investment that, over the course of a year, translates to more time commuting than he or she will likely spend on vacation.2 Highway-dependent suburban sprawl perpetually moves farther across the map in search of cheap available land, often moving away from both traditional central 1 In the introduction, Jackson describes journey-to-work’s place in suburbia with average travel time and distance in opposition to South America (home of siestas) and Europe, asserting that “an easier connection between work and residence is more valued and achieved in other cultures” (10). 2 One 2003 news report calculates the commuting-to-vacation ratio at 5-to-4: “Americans spend more than 100 hours commuting to work each year, according to American Community Survey (ACS) data released today by the U.S. -
Register of Sports Contacts with South Africa, I January 1988
Register of Sports Contacts with South Africa, I January 1988 - 31 December 1989 and Consolidated List of Sportsmen and Sportswomen Who Participated in Sports Events in South Africa, 1 September 1980 - 31 December 1989 http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.nuun1990_11 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Register of Sports Contacts with South Africa, I January 1988 - 31 December 1989 and Consolidated List of Sportsmen and Sportswomen Who Participated in Sports Events in South Africa, 1 September 1980 - 31 December 1989 Alternative title Notes and Documents - United Nations Centre Against ApartheidNo. -
New Mexico Daily Lobo, Volume 088, No 6, 8/ 26/1983 University of New Mexico
University of New Mexico UNM Digital Repository 1983 The aiD ly Lobo 1981 - 1985 8-26-1983 New Mexico Daily Lobo, Volume 088, No 6, 8/ 26/1983 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1983 Recommended Citation University of New Mexico. "New Mexico Daily Lobo, Volume 088, No 6, 8/26/1983." 88, 6 (1983). https://digitalrepository.unm.edu/daily_lobo_1983/88 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1981 - 1985 at UNM Digital Repository. It has been accepted for inclusion in 1983 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. ~(~\cno..dc 318. 789 Ur\ ·~QLW NEW MEXICO ClL1'1 . ~ l.c 983 \___D_a_ily Lobo Vol. a·a No. 6 Friday, August 26, 1983 BEF Authorizes Proposal For Employee Pay Raise By Eric Maddy passed on to the people somewhere. The other option would be to raise The state Board of Educational tuition." Finance has authorized its staff to Aragon said the American public submit a proposal for a two-step 20 seems to forget that the quality of percent raise for post-secondary education is affected by funding. ''If education employees over an 18- you pay $45,000 for a Mercedes, month period beginning Jan. 1. you expect to get a better product,'' BEF member Bob Rodriguez, said Aragon. who made the motion for the in "But I get embarrassed when I crease, emphasized that the proposal have to face my faculty and tell them is strictly for "figuring purposes" that the average public school and the Legislature, and ultimately teacher in Jal, New Mexico, is mak the Board of Regents of each school, ing almost $26,000 per year and we would determine how much of a average about $23,000. -
Tricks of the Light
Tricks of the Light: A Study of the Cinematographic Style of the Émigré Cinematographer Eugen Schüfftan Submitted by Tomas Rhys Williams to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Film In October 2011 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 1 Abstract The aim of this thesis is to explore the overlooked technical role of cinematography, by discussing its artistic effects. I intend to examine the career of a single cinematographer, in order to demonstrate whether a dinstinctive cinematographic style may be defined. The task of this thesis is therefore to define that cinematographer’s style and trace its development across the course of a career. The subject that I shall employ in order to achieve this is the émigré cinematographer Eugen Schüfftan, who is perhaps most famous for his invention ‘The Schüfftan Process’ in the 1920s, but who subsequently had a 40 year career acting as a cinematographer. During this time Schüfftan worked throughout Europe and America, shooting films that included Menschen am Sonntag (Robert Siodmak et al, 1929), Le Quai des brumes (Marcel Carné, 1938), Hitler’s Madman (Douglas Sirk, 1942), Les Yeux sans visage (Georges Franju, 1959) and The Hustler (Robert Rossen, 1961). -
The Dial 1929
'O^W-s4^ 3RMyu ^ V LIBRARY ^ s ^VGHAM^ STATE NORMAL SCHOOL FRAMINGHAM MASSACHUSETTS —— — PROLOGUE "The golden opportunity Is never offer'd twice, seize then the hour When fortune smiles and duty points the way; Nor shrink aside to 'scape the spectre Fear, Nor pause though pleasure beckon from her bower But bravely bear thee onward to the goal." OLD PLAY. 370-7 11*1 I M"S/cv i DEDICATION The Class of 1929 affectionately si£ dedicates the Dial am (Si I to I 1 their good friend and teacher I Corinne E. Hall i3 whose interest and spirit I has made us realize the worth of i i Our Chosen Profession. WHITTEMOR13 LIBRARY Fra; -ge Framingham, Massachusetts MISS CORINNE E. HALL To the Class of 1929 "'The finest things of life can seldom be meas- ured by a tape line or weighed by a pair of scales. Xo scientist can determine how much is added to human happiness by the fragrance of a rose, the beauty of a sunset or the glory of the stars. In like manner poets and painters have exhausted their talents in trying to portray the meaning of home. The elements that enter into its make-up are of such stuff as dreams are made of for home is a matter of feeling, not reasoning. It is the place where one belongs, where one fits in, where one has a right to be because in a peculiar sense it is one's - own. ' QUOTED FROM DEAN RUSSELL. BY MISS HALL. JAMES CHALMERS, A.B., Ph.D., D.D., L.L.D., Principal ' *l£o (..V^ I have selected as most appropriate to your clientele, Chaucer's description of the Oxford student. -
Teams by Year
World TeamTennis - teams by year 1974 LEAGUE CHAMPIONS: DENVER RACQUETS EASTERN DIVISION Atlantic Section Baltimore Banners: Byron Bertram, Don Candy, Bob Carmichael, Jimmy Connors, Ian Crookenden, Joyce Hume, Kathy Kuykendall, Jaidip Mukerjea, Audrey Morse, Betty Stove. Boston Lobsters: Pat Bostrom, Doug Crawford, Kerry Melville, Janet Newberry, Raz Reid, Francis Taylor, Roger Taylor, Ion Tiriac, Andrea Volkos, Stephan Warboys. New York Sets: Fiorella Bonicelli, Carol Graebner, Ceci Martinez, Sandy Mayer, Charlie Owens, Nikki Pilic, Manuel Santana, Gene Scott, Pam Teeguarden, Virginia Wade, Sharon Walsh. Philadelphia Freedoms: Julie Anthony, Brian Fairlie, Tory Fretz, Billie Jean King, Kathy Kuykendall, Buster Mottram, Fred Stolle. COACH: Billie Jean King Central Section Cleveland Nets: Peaches Bartkowicz, Laura DuPont, Clark Graebner, Nancy Gunter, Ray Moore, Cliff Richey, Pat Thomas, Winnie Wooldridge. Detroit Loves: Mary Ann Beattie, Rosie Casals, Phil Dent, Pat Faulkner, Kerry Harris, Butch Seewagen, Lendward Simpson, Allan Stone. Pittsburgh Triangles: Gerald Battrick, Laura DuPont, Isabel Fernandez, Vitas Gerulaitis, Evonne Goolagong, Peggy Michel, Ken Rosewall. COACH: Ken Rosewall Toronto/Buffalo Royals: Mike Estep, Ian Fletcher, Tom Okker, Jan O’Neill, Wendy Overton, Laura Rossouw. WESTERN DIVISION Gulf Plains Section Chicago Aces: Butch Buchholz, Barbara Downs, Sue Eastman, Marcie Louie, Ray Ruffels, Sue Stap, Graham Stilwell, Kim Warwick, Janet Young. Florida Flamingos: Mike Belkin, Maria Esther Bueno, Mark Cox, Cliff Drysdale, Lynn Epstein, Donna Fales, Frank Froehling, Donna Ganz, Bettyann Stuart. Houston EZ Riders: Bill Bowrey, Lesley Bowrey, Cynthia Doerner, Peter Doerner, Helen Gourlay- Cawley, Karen Krantzcke, Bob McKinley, John Newcombe, Dick Stockton. Minnesota Buckskins: Owen Davidson, Ann Hayden Jones, Bob Hewitt, Terry Holladay, Bill Lloyd, Mona Guerrant Wendy Turnbull. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
David Lloyd (GBR) Gentlemen's Doubles
David Lloyd (GBR) Gentlemen's Doubles Code->Event From To Participations Matches Won/Lost Walkovers W/L Total 1966 1983 16 30 14 / 16 0 / 0 MD->Gentlemen's Doubles 1966 1983 14 24 10 / 14 0 / 0 QD->Qualif. Men's Doubles 1968 1983 3 6 4 / 2 0 / 0 Year Opponent's Name Seed Rnd Result Score 1966 David Lloyd (GBR) partnered with Gerald Battrick (GBR) MD Graham Stilwell (GBR) and Keith Wooldridge (GBR) 1 L 4/6 8/6 4/6 2/6 1967 David Lloyd (GBR) partnered with Gerald Battrick (GBR) MD Michel Leclercq (FRA) and Bernard Montrenaud (FRA) 1 W 6/3 6/8 8/10 6/2 6/2 MD Peter Curtis (GBR) and Graham Stilwell (GBR) 2 L 7/9 2/6 2/6 1968 David Lloyd (GBR) partnered with John Clifton (GBR) QD Patrick Proisy (FRA) and Battegay (FRA) 1 W 4/6 6/4 6/3 7/5 QD Frank Tutvin (CAN) and John Bartlett (AUS) 2 L 0/6 1/6 6/4 3/6 1969 David Lloyd (GBR) partnered with John Clifton (GBR) MD Ingo Buding (GER) and Mike Sangster (GBR) 1 W 0/6 7/9 8/6 7/5 10/8 MD Jean-Claude Barclay (FRA) and Bobby Wilson (GBR) 2 L 3/6 2/6 3/6 1970 David Lloyd (GBR) partnered with John Clifton (GBR) MD Bob Lutz (USA) and Stan Smith (USA) 5 1 L 6/8 2/6 12/14 1972 David Lloyd (GBR) partnered with John Paish (GBR) MD Dick Dell (USA) and Butch Seewagen (USA) 1 L 6/2 8/9 7/5 2/6 4/6 1973 David Lloyd (GBR) partnered with John Paish (GBR) MD Doug Crawford (USA) and Fort (USA) 1 W 7/5 9/7 4/6 6/4 MD Deon Joubert (RSA) and Bernie Mitton (RSA) 2 W 4/6 6/3 6/2 8/6 MD Dick Bohrnstedt (USA) and Bill Brown (USA) 3 W 8/6 4/6 8/9 6/4 6/4 MD Peter Curtis (GBR) and Roger Taylor (GBR) Q W 4/6 2/6 6/1 6/3 9/7 -
British Newspapers and Films in the Interwar Period: a History and a Review
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output The representation of London nights in British popu- lar press and film, 1919-1939 https://eprints.bbk.ac.uk/id/eprint/40490/ Version: Public Version Citation: Arts, Mara (2020) The representation of London nights in British popular press and film, 1919-1939. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email The Representation of London Nights in British Popular Press and Film, 1919-1939 Candidate name: Mara Arts Submitted for the degree of Doctor of Philosophy Birkbeck, University of London 1 Declaration of original work I hereby confirm that the work presented in this thesis is my own. 2 Abstract This thesis explores the representation of night-time activities in the capital in popular British newspapers and films of the period. It argues that, whilst an increasingly democratised night allowed for more opportunities for previously marginalised groups, popular media of the period largely promoted adherence to the status quo. The thesis draws on extensive primary source material, including eighty British feature films and newspaper samples of the Daily Mail, Daily Express and Daily Mirror to systematically analyse the representation of London’s nightlife in the British interwar period. This period saw the consolidation of the popular daily newspaper industry and, after government intervention, an expansion of the domestic film industry. The interwar period also saw great social change with universal suffrage, technological developments and an economic crisis. -
Full Graphic Version
Page 4 Thursday, February 11, 1999 The Westfield Leader and THE TIMES of Scotch Plains – Fanwood A WATCHUNG COMMUNICATIONS, INC. PUBLICATION The Westfield Leader THE TIMES POPCORN of Scotch Plains – Fanwood — Established 1890 — — Established 1959— Shes All That: The Official Newspaper of the Town of Westfield Official Newspaper of the Borough of Fanwood and the County of Union and the Township of Scotch Plains Andy Hardy Gets Jiggy With It Member of: Member of: By Michael S. Goldberger New Jersey Press Association New Jersey Press Association National Newspaper Association National Newspaper Association One Popcorn, Poor • Two Popcorns, Fair • Three Popcorns, Good • Four Popcorns, Excellent BURLESQUE Westfield Area Chamber of Commerce Scotch Plains Business & Professional Association 2 popcorns whistle that only Fido and Fluffy can Prepare yourself for the bare facts Periodicals – Postage Paid at Westfield, New Jersey Periodicals – Postage Paid at Scotch Plains, New Jersey on burlesque, a word with an ety- P.O. Box 250 • 50 Elm Street P. O. Box 368 • 1906 Bartle Avenue Mirror, mirror on the wall, whos the hear. Variation on a theme though Shes geekiest high school girl of them all? mological rating that ranges from Westfield, N.J. 07091 All That may be, its THEIR variation on Scotch Plains, N.J. 07076 Though hippie throwback Laney Boggs a theme, their identifying harbinger of GP to X and beyond, depending Tele: (908) 232-4407 • E-mail: [email protected] • Web: www.goleader.com • Fax: (908) 232-0473 (Rachael Leigh Cook), the only bohe- youth. Respect must be paid. on which of its several meanings you POSTMASTER: Send address changes to the offices of the newspapers at mian residing in tres upscale Pacific Making this motion picture pilgrim- elect to infer. -
Spring Film Focus
Spring Film Focus Film Spring VOLUME 26 | NUMBER 2 | SPRING/SUMMER 2010 | $10.00 Deriving from the German weben—to weave—weber translates into the literal and figurative “weaver” of textiles and texts.Weber (the word is the same in singular and plural) are the artisans of textures and discourse, the artists of the beautiful fabricating the warp and weft of language into ever-changing pattterns. Weber, the journal, understands itself as a tapestry of verbal and visual texts, a weave made from the threads of words and images. Shaw on the Screen Few members of the turn-of-the-century literary intelligentsia were more interested in film than George Bernard Shaw (1856-1950). As a playwright making a living with spoken words, and as a writer as voluble as the characters in his plays, it came naturally to him to have opinions about a new medium that would soon emancipate itself into a new art form, even as it took its first artistic prompts from the stage. Shaw was an original subscriber to the Film Society of 1925, a coterie of British and often left-leaning intellectuals that included Julian Huxley, John Maynard Keynes, and Roger Fry, among others. The group set itself the task of screening artistic films—frequently from the Soviet Union—which were not widely available in central Europe, with a view toward generating artistic and George Bernard Shaw political discussion. In 1928, one year before he would make his own first appearance in a sound film, after already having appeared in several silent short features, Shaw became outspoken on the subject of not-only-cinematic censorship.