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Chapter 11), Making the Events That Occur Within the Time and Space Of
CHAPTER I INTRODUCTION: IN PRAISE OF BABBITTRY. SORT OF. SPATIAL PRACTICES IN SUBURBIA Kenneth Jackson’s Crabgrass Frontiers, one of the key histories of American suburbia, marshals a fascinating array of evidence from sociology, geography, real estate literature, union membership profiles, the popular press and census information to represent the American suburbs in terms of population density, home-ownership, and residential status. But even as it notes that “nothing over the years has succeeded in gluing this automobile-oriented civilization into any kind of cohesion – save that of individual routine,” Jackson’s comprehensive history under-analyzes one of its four key suburban traits – the journey-to-work.1 It is difficult to account for the paucity of engagements with suburban transportation and everyday experiences like commuting, even in excellent histories like Jackson’s. In 2005, the average American spent slightly more than twenty-five minutes per day commuting, a time investment that, over the course of a year, translates to more time commuting than he or she will likely spend on vacation.2 Highway-dependent suburban sprawl perpetually moves farther across the map in search of cheap available land, often moving away from both traditional central 1 In the introduction, Jackson describes journey-to-work’s place in suburbia with average travel time and distance in opposition to South America (home of siestas) and Europe, asserting that “an easier connection between work and residence is more valued and achieved in other cultures” (10). 2 One 2003 news report calculates the commuting-to-vacation ratio at 5-to-4: “Americans spend more than 100 hours commuting to work each year, according to American Community Survey (ACS) data released today by the U.S. -
Tricks of the Light
Tricks of the Light: A Study of the Cinematographic Style of the Émigré Cinematographer Eugen Schüfftan Submitted by Tomas Rhys Williams to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Film In October 2011 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 1 Abstract The aim of this thesis is to explore the overlooked technical role of cinematography, by discussing its artistic effects. I intend to examine the career of a single cinematographer, in order to demonstrate whether a dinstinctive cinematographic style may be defined. The task of this thesis is therefore to define that cinematographer’s style and trace its development across the course of a career. The subject that I shall employ in order to achieve this is the émigré cinematographer Eugen Schüfftan, who is perhaps most famous for his invention ‘The Schüfftan Process’ in the 1920s, but who subsequently had a 40 year career acting as a cinematographer. During this time Schüfftan worked throughout Europe and America, shooting films that included Menschen am Sonntag (Robert Siodmak et al, 1929), Le Quai des brumes (Marcel Carné, 1938), Hitler’s Madman (Douglas Sirk, 1942), Les Yeux sans visage (Georges Franju, 1959) and The Hustler (Robert Rossen, 1961). -
The Dial 1929
'O^W-s4^ 3RMyu ^ V LIBRARY ^ s ^VGHAM^ STATE NORMAL SCHOOL FRAMINGHAM MASSACHUSETTS —— — PROLOGUE "The golden opportunity Is never offer'd twice, seize then the hour When fortune smiles and duty points the way; Nor shrink aside to 'scape the spectre Fear, Nor pause though pleasure beckon from her bower But bravely bear thee onward to the goal." OLD PLAY. 370-7 11*1 I M"S/cv i DEDICATION The Class of 1929 affectionately si£ dedicates the Dial am (Si I to I 1 their good friend and teacher I Corinne E. Hall i3 whose interest and spirit I has made us realize the worth of i i Our Chosen Profession. WHITTEMOR13 LIBRARY Fra; -ge Framingham, Massachusetts MISS CORINNE E. HALL To the Class of 1929 "'The finest things of life can seldom be meas- ured by a tape line or weighed by a pair of scales. Xo scientist can determine how much is added to human happiness by the fragrance of a rose, the beauty of a sunset or the glory of the stars. In like manner poets and painters have exhausted their talents in trying to portray the meaning of home. The elements that enter into its make-up are of such stuff as dreams are made of for home is a matter of feeling, not reasoning. It is the place where one belongs, where one fits in, where one has a right to be because in a peculiar sense it is one's - own. ' QUOTED FROM DEAN RUSSELL. BY MISS HALL. JAMES CHALMERS, A.B., Ph.D., D.D., L.L.D., Principal ' *l£o (..V^ I have selected as most appropriate to your clientele, Chaucer's description of the Oxford student. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Commuters Will Sue Ask Equal Protection
55th Year, No. 23 GEORGETOWN UNIVERSITY WASHINGTON, D.C. Friday, April 4, 1975 Commuters Will Sue AskEqual Protection by Lisa S. Smith Commuter representative on the Ralston cabinet Barbara Jackson is seeking free legal counsel m order to bring suit against Georgetown University in DC federal court to alot more freshman commuter beds, Jackson consulted the Georgetown Legal Aid Society which felt that the commuters had a strong case. The law film Covington and Burling was also interested in the case. The Wilmer Cutler and Pickenng firm would take the case only if the commuters could find legal precedence for their claim, and Jackson admits that precedence is one of the major obstacles to obtaining counsel, as few law firms are willing to take a case pro bono (without charge) which has no legal precedence. A legal brief prepared for the of the United States Constitu tion of this case because "it looks commuters by the legal aid tion's 14th amendment of equal like an inside battIt' and not a society argued that "Georgetown protection." While it is true that question of civil rights." University students, by admission Georgetown is a private university At the same time, Adrninistra :...__............£_l to the University, are entitled to Jackson contends that Georgetown tive Vice President Daruei Alto the same quality of education receives enough federal funding to bello expressed confidence that without regard to their personal be considered under the equal the University could win this cas .. residence, and the housing policy protection amendment. But this should' It ever come to trial. -
British Newspapers and Films in the Interwar Period: a History and a Review
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output The representation of London nights in British popu- lar press and film, 1919-1939 https://eprints.bbk.ac.uk/id/eprint/40490/ Version: Public Version Citation: Arts, Mara (2020) The representation of London nights in British popular press and film, 1919-1939. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email The Representation of London Nights in British Popular Press and Film, 1919-1939 Candidate name: Mara Arts Submitted for the degree of Doctor of Philosophy Birkbeck, University of London 1 Declaration of original work I hereby confirm that the work presented in this thesis is my own. 2 Abstract This thesis explores the representation of night-time activities in the capital in popular British newspapers and films of the period. It argues that, whilst an increasingly democratised night allowed for more opportunities for previously marginalised groups, popular media of the period largely promoted adherence to the status quo. The thesis draws on extensive primary source material, including eighty British feature films and newspaper samples of the Daily Mail, Daily Express and Daily Mirror to systematically analyse the representation of London’s nightlife in the British interwar period. This period saw the consolidation of the popular daily newspaper industry and, after government intervention, an expansion of the domestic film industry. The interwar period also saw great social change with universal suffrage, technological developments and an economic crisis. -
Spring Film Focus
Spring Film Focus Film Spring VOLUME 26 | NUMBER 2 | SPRING/SUMMER 2010 | $10.00 Deriving from the German weben—to weave—weber translates into the literal and figurative “weaver” of textiles and texts.Weber (the word is the same in singular and plural) are the artisans of textures and discourse, the artists of the beautiful fabricating the warp and weft of language into ever-changing pattterns. Weber, the journal, understands itself as a tapestry of verbal and visual texts, a weave made from the threads of words and images. Shaw on the Screen Few members of the turn-of-the-century literary intelligentsia were more interested in film than George Bernard Shaw (1856-1950). As a playwright making a living with spoken words, and as a writer as voluble as the characters in his plays, it came naturally to him to have opinions about a new medium that would soon emancipate itself into a new art form, even as it took its first artistic prompts from the stage. Shaw was an original subscriber to the Film Society of 1925, a coterie of British and often left-leaning intellectuals that included Julian Huxley, John Maynard Keynes, and Roger Fry, among others. The group set itself the task of screening artistic films—frequently from the Soviet Union—which were not widely available in central Europe, with a view toward generating artistic and George Bernard Shaw political discussion. In 1928, one year before he would make his own first appearance in a sound film, after already having appeared in several silent short features, Shaw became outspoken on the subject of not-only-cinematic censorship. -
Lar Press and Film, 1919-1939
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbeck’s Research Degree output The representation of London nights in British popu- lar press and film, 1919-1939 https://eprints.bbk.ac.uk/id/eprint/40490/ Version: Public Version Citation: Arts, Mara (2020) The representation of London nights in British popular press and film, 1919-1939. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email The Representation of London Nights in British Popular Press and Film, 1919-1939 Candidate name: Mara Arts Submitted for the degree of Doctor of Philosophy Birkbeck, University of London 1 Declaration of original work I hereby confirm that the work presented in this thesis is my own. 2 Abstract This thesis explores the representation of night-time activities in the capital in popular British newspapers and films of the period. It argues that, whilst an increasingly democratised night allowed for more opportunities for previously marginalised groups, popular media of the period largely promoted adherence to the status quo. The thesis draws on extensive primary source material, including eighty British feature films and newspaper samples of the Daily Mail, Daily Express and Daily Mirror to systematically analyse the representation of London’s nightlife in the British interwar period. This period saw the consolidation of the popular daily newspaper industry and, after government intervention, an expansion of the domestic film industry. The interwar period also saw great social change with universal suffrage, technological developments and an economic crisis. -
Lincoln A. Behr Theater Program Collection
McLean County Museum of History Lincoln A. Behr Theater Program Collection Processed by William Lawrence Collection Information Volume of Collection: 1 Box Collection Dates: 1907-1914 Restrictions: None Provenance: Donated by Martha Behr Miller Reproduction Rights: Permission to reproduce or publish material in this collection must be obtained in writing from the McLean County Museum of History Location: Archives Notes: None Brief History Lincoln A. Behr was born in Bloomington June 18, 1896. Behr enjoyed going to the theater as a form of entertainment. Behr and Lyle Barber, a noted pianist, were good friends and often traveled to Chicago to see plays and shows. He lived in Bloomington until 1948 when he relocated to St. Louis, Missouri. He was an employee of the Gulf, Mobile, and Ohio Railroad until he retired in 1956. He and his wife Charlotte moved to Florida where he died on January 1, 1964. Scope Note This collection contains theater and concert programs from several Bloomington theaters including the Chatterton, the Majestic, and the Castle. The collection was donated by his daughter Martha Behr Miller, a former volunteer. 1 Box 1: Chatterton Opera House (flat box) Folder 1: Programs April and Fall, 1910 1.1.1 Opening Program, April 7, 1910, entertainment was Miss Lina Abarbanell in “Madam Sherry” (2 copies) 1.1.2 “1910-1911 Season,” “The Isle of Spice,” (before September 12, 1910) 1.1.3 “1910-1911 Season,” “My Cinderella Girl,” (September 30, 1910?) 1.1.4 “The Time, The Place, and The Girl,” ca. Fall of 1910 1.1.5 “The Commuters,” ca. -
Reactions to Streakers Uncovered
(ftmutwttntt iatlg (Umpua Serving Storrs Since 1896 VOL. LXXII NO. 80 STORRS. CONNECTICUT TUESDAY. FEBRUARY 12, 1974 5 CENTS OFF CAMPUS Russell resigns post; cites bookstore aims By STEVE HULL Russell said in his office after the Ban Russell, Federation of Student announcement that student government ;uid Service Organizations (FSSO) won't be able to make "real changes" Central Committee Chairman submitted • ntil ' the University considers the his resignation Monday nigh l to an students as adults." He recommended an unsuspecting group of Central ilternative student government which Committee members. In a letter, lie would make "unilateral decisions" with distributed to the Committee, Russell .ill elements of the UConn community. said he was resigning to direct his Russell said student support lor energies towards a resolution of the government will begin when the Bookstore issue. Students get the "representative vote The resignation will take effect next they deserve ." Monday Russell said. Larry Lope/., "To!xnism has been the rule,ami it's vice-chairman of the Central Committee for the birds," lie said. will replace him as chairman. Russell said he respects UConn In the letter Russell said he would President C.lenn W. Ferguson because be remain available to work on "writing has come forward when students wanted and implementing" a student help to implement legitimate proposals. government proposal with provisions lor I he reactions to Russell's seating a proportionate number of announcement were mixed. John ,|. students on all decision making bodies Mantling Jr., associate dean for student at the University. affairs, said he was "not surprised" by Russell's resignation represented the Russell's resignation. -
When Brute Force Fails: Strategic Thinking for Crime Control
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: When Brute Force Fails: Strategic Thinking for Crime Control Author(s): Mark A.R. Kleiman Document No.: 211204 Date Received: September 2005 Award Number: 2001-IJ-CX-0033 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. WHEN BRUTE FORCE FAILS: Strategic Thinking for Crime Control By: Mark A.R. Kleiman School of Public Affairs University of California at Los Angeles March 31, 2005 This research was supported under award #2001-IJ-CX-0033 from the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Findings and conclusions of the research reported here are those of the author and do not reflect the official position or policies of the U.S. Department of Justice, or of the University of California. This report would not have been completed without the devoted assistance of Kenna Ackley, Elizabeth Dodd, Paul Fishbein, Karen Friedman, Lowry Heussler, Sherol Michaeli, Owen Paun, Nicole Saloun, and Jeannie Wilkinson. -
Herman Ritzau Found Not Guilty by Court
BED BANK 411 the New* of An Ideal Place u, Ur« BED BANK Located on the Beautiful und Surrounding Town» Shrewsbury IMver one hour fold Fearlessly and Without Dial from New York and provid- RED BANK TER ing every city convenience l.iuod WwkJy, Entaril u S«cond-Clasi Mutter at the Foit- Subicrlptlon Pricei Ons ¥e»r $2.00. VOLUME LVIII, NO. 16. offiu lit IUd Bunk, N. J., under the Act of March 8, 1870. RED BANK, N. J., THURSDAY, OCTOBER 10, 1935. SI* Months J1.00. Slnjlo Copy !c. PAGES 1 TO 14. Colored Elks New Parking Space - FHEEHOLDEKS THANKED. Amaranth Honors Complaint About BIG STING KAY CAUGHT. Muyor and Council Express Apprecl- An Unusual Fish Landed By Albert Herman Ritzau Found Closed Two Days For Theater Goers ullun fur Improving Broad Street. State, Of ficers Soft Coal Smoke Mnxson In ICurltan Buy. At the meeting of tho mayor and What la said to have been the council of lied Hank Monday night largest sting ray ever caught In Har- Thil Punishment Inflicted on Red Monmouth Parking Company a motion was unanimously passed Dinner and Reception Saturday- John Street Folks Say TTiey Will Not Guilty By Court Lease* Old Spinning Property Itan bay waa captured In the pound Bank Lodge Because Slot Ma- to send a letter of appreciation to Night for Mm. Lulu Clark of Have Donald Matthews Ar- nets of Albert Maxson of Port Mon- chines Were Used at Its Home on Monmouth Street—Board" the board of county freeholders for Highland Park and Amory P.