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August 21, 2021
Traditional Worship Service THIRTEENTH SUNDAY AFTER PENTECOST SATURDAY, AUGUST 21, 2021 Worship Series: “Family Ties” GATHERING Prelude “Earth and All Stars,” arr. Michael Burkhardt “Beautiful Savior,” arr. Charles Ore Welcome to Worship Th anksgiving for Baptism Our Savior’s Lutheran Church (ELCA) • 909 West 33rd Street, Sioux Falls, SD 57105 PASTORS Randall Gehring, Timothy Lemme, and Justin Kosec VISITATION MINISTERS Pr. Rolfe Johnstad and Maribeth Anderson OFFICE 336-2942 • FAX 334-0671 • OSLCHURCH.COM +Hymn – ELW, No. 532, “Gather Us In,” sts. 1–3 +Greeting +Canticle of Praise – ELW, No. 622, “Neither Death nor Life,” st. 2 +Prayer of the Day WORD Anthem – “Welcome Table,” arr. Mark Hayes Reading – Ephesians 6:10–20 +Gospel Acclamation – ELW, page 198 +Gospel – John 6:56–69 Sermon Hymn of the Day – ELW, No. 638, “Blessed Assurance” +Apostles’ Creed +Prayers of Intercession MEAL Offering Invitation Video – My Generosity Story: Sandy Henry Off ering Prayer +Great Th anksgiving Dialog Preface Holy Words of Institution Lord’s Prayer Invitation to the Meal Holy Communion Lamb of God Communion Hymn – ELW, No. 474, “Bread of Life from Heaven” Prayer aft er the Meal SENDING Sending Hymn – ELW, No. 726, “Light Dawns on a Weary World” Announcements Sending Postlude – “Benedicamus Domino,” Christopher Uehlein WORSHIP LEADERS Presiding and Preaching Minister: Pastor Randy Gehring Piano: Jon Mattheis Cantor: Martha Rossing Reader: Don Lang Media: Josh Matzner Sound: Bob Nelson Mission: Our Savior’s is a people forgiven in Christ whose mission is to proclaim Christ and nurture faith that connects with everyday life. Our beliefs and mission shape our values and our values shape how we live. -
(1) Western Culture Has Roots in Ancient and ___
5 16. (50) If a 14th-century composer wrote a mass. what would be the names of the movement? TQ: Why? Chapter 3 Kyrie, Gloria, Credo, Sanctus, Agnus Dei. The text remains Roman Liturgy and Chant the same for each day throughout the year. 1. (47) Define church calendar. 17. (51) What is the collective title of the eight church Cycle of events, saints for the entire year services different than the Mass? Offices [Hours or Canonical Hours or Divine Offices] 2. TQ: What is the beginning of the church year? Advent (four Sundays before Christmas) 18. Name them in order and their approximate time. (See [Lent begins on Ash Wednesday, 46 days before Easter] Figure 3.3) Matins, before sunrise; Lauds, sunrise; Prime, 6 am; Terce, 9 3. Most important in the Roman church is the ______. am; Sext, noon; Nones, 3 pm; Vespers, sunset; Mass Compline, after Vespers 4. TQ: What does Roman church mean? 19. TQ: What do you suppose the function of an antiphon is? Catholic Church To frame the psalm 5. How often is it performed? 20. What is the proper term for a biblical reading? What is a Daily responsory? Lesson; musical response to a Biblical reading 6. (48) Music in Context. When would a Gloria be omitted? Advent, Lent, [Requiem] 21. What is a canticle? Poetic passage from Bible other than the Psalms 7. Latin is the language of the Church. The Kyrie is _____. Greek 22. How long does it take to cycle through the 150 Psalms in the Offices? 8. When would a Tract be performed? Less than a week Lent 23. -
The Latin Mass Society
Ordo 2010 Compiled by Gordon Dimon Principal Master of Ceremonies assisted by William Tomlinson for the Latin Mass Society © The Latin Mass Society The Latin Mass Society 11–13 Macklin Street, London WC2B 5NH Tel: 020 7404 7284 Fax: 020 7831 5585 Email: [email protected] www.latin-mass-society.org INTRODUCTION +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Omnia autem honeste et secundum ordinem fiant. 1 Cor. 14, 40. This liturgical calendar, together with these introductory notes, has been compiled in accordance with the Motu Proprio Rubricarum Instructum issued by Pope B John XXIII on 25th July 1960, the Roman Breviary of 1961 and the Roman Missal of 1962. For the universal calendar that to be found at the beginning of the Roman Breviary and Missal has been used. For the diocesan calendars no such straightforward procedure is possible. The decree of the Sacred Congregation of Rites of 26th July 1960 at paragraph (6) required all diocesan calendars to conform with the new rubrics and be approved by that Congregation. The diocesan calendars in use on 1st January 1961 (the date set for the new rubrics to come into force) were substantially those previously in use but with varying adjustments and presumably as yet to re-approved. Indeed those calendars in use immediately prior to that date were by no means identical to those previously approved by the Congregation, since there had been various changes to the rubrics made by Pope Pius XII. Hence it is not a simple matter to ascertain in complete and exact detail the classifications and dates of all diocesan feasts as they were, or should have been, observed at 1st January 1961. -
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1 I Saw Three Ships Come Sailing In Simon Preston 2.05 15 I Sing of a Maiden Arnold Bax 4.19 Soloists: Emilia Morton soprano, Christopher Watson tenor 16 No Small Wonder Paul Edwards 2.42 2 There Is No Rose Simon Preston 2.54 17 There Is No Rose Jonathan Lane 2.39 3 Tomorrow Shall Be My Dancing Day John Gardner 2.31 18 Come Rock His Cradle Richard Knight 4.27 4 Love Came Down at Christmas Richard Lloyd 2.32 Soloist: Stephen Kennedy baritone 5 Rejoice and Be Merry Christopher Robinson 1.55 19 I Sing of a Maiden Alec Redshaw 2.10 6 The Birds Richard Hickox 1.55 20 Balulalow John Gardner 2.37 Soloist: Grace Davidson soprano Soloist: Katie Trethewey soprano 7 Benedicamus Domino Peter Warlock 1.21 21 Mary Walked Through a Wood of Thorn Philip Radcliffe 2.01 Soloists: Grace Davidson soprano, Christopher Watson tenor 8 Adam lay ybounden Peter Warlock 1.20 22 A Gallery Carol John Gardner 2.13 9 I Saw a Fair Maiden Peter Warlock 3.47 10 Balulalow Peter Warlock 2.05 Total Timing 55.35 Soloist: Grace Davidson soprano 11 As Dew in Aprylle Peter Warlock 1.52 12 Adam lay ybounden Philip Ledger 2.01 Soloist: Nicholas Madden tenor 13 On Christmas Day Simon Preston 3.49 Soloist: Joanna Forbes L’Estrange soprano 14 On Christmas Night Philip Ledger 2.16 www.tenebrae-choir.com www.tenebrae-choir.com 2 3 Introduction from Nigel Short Love is always at the heart of the Christmas message the length and breadth of the country by either and it became clear to all of us involved with this providing beautiful music for choirs to sing My love of Christmas music stems from my own recording that all of the composers represented or by devoting themselves in some way to experience as a chorister, singing all the traditional had/have a deep felt love for both their subject choirs singing beautifully. -
The Music and Musicians of St. James Cathedral, Seattle, 1903-1953: the First 50 Years
THE MUSIC AND MUSICIANS OF ST. JAMES CATHEDRAL, SEATTLE, 1903-1953: THE FIRST 50 YEARS CLINT MICHAEL KRAUS JUNE 2009 TABLE OF CONTENTS List of figures................................................................................................................... iii List of tables..................................................................................................................... iv Introduction.......................................................................................................................1 Chapter 1 – Music at Our Lady of Good Help and St. Edward’s Chapel (1890- 1907)..................................................................................................................5 Seattle’s temporary cathedrals......................................................................5 Seattle’s first cathedral musicians ................................................................8 Alfred Lueben..................................................................................................9 William Martius ............................................................................................14 Organs in Our Lady of Good Help ............................................................18 The transition from Martius to Ederer.......................................................19 Edward P. Ederer..........................................................................................20 Reaction to the Motu Proprio........................................................................24 -
Proper Prayers of the Mass in the Extraordinary Form Dómine, De Morte Transíre Ad Death to That Life, Which Thou Didst Promise Vitam
this day. Grant them, O Lord, to pass from memóriam fácimus: fac eas, Proper Prayers of the Mass in the Extraordinary Form Dómine, de morte transíre ad death to that life, which thou didst promise vitam. * Quam olim Abráhæ All Souls Day of old to Abraham and to his seed. promisísti et sémini ejus. SECRET BE FAVORABLE, O Lord, to our supplication PROPITIÁRE, Dómine, suppli- The Second Mass cantiónibus nostris, pro ani- for the souls of Thy servants and hand- mábus famulórum famula- maidens, for whom we offer to Thee the rúmque tuárum, pro quibus INTROIT (4 Esdr. 2. 34, 35) Sacrifice of praise: that Thou wouldst tibi offérimus sacrifícium laudis: ut eos Sanctórum tour- RÉQUIEM ætérnam dona eis, ETERNAL rest give unto them, O Lord; and vouchsafe to grant them fellowship with Thy um consórtio sociáre dignéris. Dómine: et lux perpétua lúceat let perpetual light shine upon them. Ps. 64. Saints. Through our Lord … Per Dóminum nostrum … eis. Psalm. Te decet hymnus, 2-3. A hymn, O God, becometh Thee in Deus, in Sion, et tibi reddétur Sion; and a vow shall be paid to Thee in PREFACE FOR THE DEAD votum in Jerúsalem: exáudi oratiónem meam, ad te omnis Jerusalem: hear my prayer; all flesh shall IT IS truly meet and just, right and for our VERE dignum et justum est, ǽquum et salutáre, nos tibi caro véniet. — Réquiem … come to Thee. — Eternal rest … salvation, that we should at all times and in semper, et ubíque grátias all places give thanks to Thee, holy Lord, ágere: Dómine sancte, Pater COLLECT Father almighty, eternal God, through Christ omnípotens, ætérne Deus, per DEUS, indulgentiárum Dómine: O GOD, Lord of forgiveness, grant to Thy Christum Dóminum nostrum. -
The Aquitanian Sacred Repertoire in Its Cultural Context
THE AQUITANIAN SACRED REPERTOIRE IN ITS CULTURAL CONTEXT: AN EXAMINATION OF PETRI CLA VIGER! KARl, IN HOC ANNI CIRCULO, AND CANTUMIRO SUMMA LAUDE by ANDREA ROSE RECEK A THESIS Presented to the School ofMusic and Dance and the Graduate School ofthe University of Oregon in partial fulfillment ofthe requirements for the degree of Master of Arts September 2008 11 "The Aquitanian Sacred Repertoire in Its Cultural Context: An Examination ofPetri clavigeri kari, In hoc anni circulo, and Cantu miro summa laude," a thesis prepared by Andrea Rose Recek in partial fulfillment ofthe requirements for the Master ofArts degree in the School ofMusic and Dance. This thesis has been approved and accepted by: Dr. Lori Kruckenberg, Chair ofth xamining Committee Committee in Charge: Dr. Lori Kruckenberg, Chair Dr. Marc Vanscheeuwijck Dr. Marian Smith Accepted by: Dean ofthe Graduate School 111 © 2008 Andrea Rose Recek IV An Abstract ofthe Thesis of Andrea Rose Recek for the degree of Master ofArts in the School ofMusic and Dance to be taken September 2008 Title: THE AQUITANIAN SACRED REPERTOIRE IN ITS CULTURAL CONTEXT: AN EXAMINATION OF PETRI CLA VIGER! KARl, INHOC ANNI CIRCULO, AND CANTU MIRa SUMMA LAUDE Approved: ~~ _ Lori Kruckenberg Medieval Aquitaine was a vibrant region in terms of its politics, religion, and culture, and these interrelated aspects oflife created a fertile environment for musical production. A rich manuscript tradition has facilitated numerous studies ofAquitanian sacred music, but to date most previous research has focused on one particular facet of the repertoire, often in isolation from its cultural context. This study seeks to view Aquitanian musical culture through several intersecting sacred and secular concerns and to relate the various musical traditions to the region's broader societal forces. -
Canto Fratto Repertoire of Benedicamus Domino in the Manuscript Cantionales from the Convent of Bernardine Nuns in Kraków
Kwartalnik Młodych Muzykologów UJ No. 36 (1/2018), pp. 33–52 DOI 10.4467/23537094KMMUJ.18.015.9018 www.ejournals.eu/kmmuj Andrzej Edward Godek Jagiellonian University in Kraków Canto fratto Repertoire of Benedicamus Domino in the Manuscript Cantionales from the Convent of Bernardine Nuns in Kraków Abstract The Archive of St Joseph’s Convent in Kraków contains a collection of musical manuscripts, which have not been studied before. Among books of liturgical use, such as graduals and antiphonaries, there are also small cantionales, full of canto fratto repertoire. The majority of these sources originate from the Convent of Bernardine Nuns in Kraków; however, there are also at least two manuscripts from the Convent in Wilno. The aim of this paper is to present canto fratto repertoire of Benedicamus Domino found in the 18th and 19th century liturgical manuscripts from the Convent of Bernardine Nuns in Kraków. The author indicates sources of studied melodies based on the wide range of liturgical manuscripts from the 18th and 19th centuries—especially from convents of Bernardine Nuns in Poland, as well as from the Convent of Benedictine Friars in Staniątki—and compares it to the dispersal of canto fratto settings of ordinarium missae. Finally, the paper presents complete index of Benedicamus Domino melodies in the annex. Keywords Canto fratto, Benedicamus Domino, Bernardines, liturgical manuscripts 33 Kwartalnik Młodych Muzykologów UJ, No. 36 (1/2018) 18th-century monody in the area of Poland is a broad issue, but extraor- dinarily not represented in the contemporary musicological studies. Exceptional attempts to examine canto fratto repertoire are strictly con- nected with the incomplete knowledge of sources (especially in terms of Eastern Borderlands).1 The term “canto fratto” refers to monody composed and performed since the end of the 17th century to the 19th century, which has different features than the style that is typical for plainchant. -
Pastor Hal LESSONS and THEMES for the LIVING OUR MONTH of FEBRUARY BAPTISM…
Dear Friends: of the Roman Catholic Church. It provides both a structure to our Last month we worship and an important meaning. began our While the ELW has ten different series on “settings” offering a variety of musical liturgy and and lyrical forms the basic order or Luther’s comments regarding the Mass. structure follows that of the mass. The Mass has its origin in the practice Here is a side-by-side comparison. The Latin Mass . The German Mass Introit / Psalm …………………………… Spiritual Song (or Psalm in German) Kyrie eleison…..…………………………. Kyrie eleison (three times) Gloria in excelsis Prayer (or collect).. ………………………Collect Epistle ……………………………………..Epistle Gradual (two verses) ………………….. .German Hymn (by choir) Alleluia Sequence Gospel ……………………………………..Gospel (read facing the people) Nicene Creed………………………… …..Creed (sung in German) Sermon ………………………………… …Sermon (on the Gospel) Preparation of bread & wine […] ………………………………………….Paraphrase of Lord’s Prayer Preface […] …………………………………………..Exhortation to communicants Blessing of bread & wine ……………. …..Consecration of bread … i.e., Words of institution […] ……………………………………………Elevation of Body of Christ […] ……………………………………………Distribution of Body of Christ Sanctus …………………………………….. Sanctus (in German) […] ……………………………………………Consecration of wine […] ……………………………………………Distribution of Blood of Christ […] ……………………………………………Sanctus (in German) Benedictus Lord’s Prayer Peace Agnus Dei Post-communion collect …………… ……...Thanksgiving Collect Salutation … i.e., “The Lord be with you,” etc. Benedicamus domino Benediction …………………………. ………Aaronic Benediction While the above comparison between the Latin and German Mass may seem, now a bit confusing, and some of the terms, not ones you have seen before, rest assured the explanation and meaning will be revealed in the upcoming months. Pastor Hal LESSONS AND THEMES FOR THE LIVING OUR MONTH OF FEBRUARY BAPTISM….. Five gifts of discipleship. -
Singing Monastic Vespers Webinar
Singing Monastic Vespers: a 4-part Webinar Dom Benedict Andersen, OSB Dr. Jennifer Donelson-Nowicka Priest-monk of Silverstream Priory Associate Professor and Director of Sacred Music County Meath, Ireland St. Joseph’s Seminary (Dunwoodie), New York CenacleOSB.org JenniferDonelson.com Sponsored by the Sacred Arts Guild of Alberta – Alane Boudreau, moderator Overview 5:00-5:40 - Lesson 5:40-6:10 - Sing Vespers Hang around for Q and A afterwards if you’d like 4 Parts Psalms and Psalm Tones Antiphons and Complex Psalm Tone Endings Hymns, Responsories, and Magnifcats How to sing different feasts and seasons after the webinar ends Overview Today 5:00-5:40 Spiritual refection Overview of the Structure of Vespers Some Preliminary Resources More will be shared in the 4th session of the webinar How Psalm Tones Work Singing Psalm Tone 2, 8G, and 7c2 Some Spiritual Considerations Rule of Saint Benedict, chapter 19: Psallite sapienter — Cum tremore — In conspectu Angelorum (Ps. 46, Ps. 2, Ps. 137) The context of Temple worship: cosmic, model of creation “Lights to divide the day and the night” (Gen. 1:14): Day four, the menorah “The light shines in the darkness … “In him was life, and the life was the light of men … The Word was made fesh and pitched his tent among us” (Jn. 1) “He camest, Bridegroom of the Bride / As drew the world toward eventide…” (Creator alme siderum) “My prayer as incense … the lifting up of my hands, an evening sacrifce” (Ps. 140) “The Theotokos, the Mother of the Light” (Byzantine Orthros): Mary/Cross/Incarnation Monastic Vespers: Structure The Opening Versicles “Deus in adjutorium meum intende …” “Gloria Patri” and “Sicut erat” “Alleluia” or when forbidden, in its place: “Laus tibi Domine Rex æternæ gloriæ” Pater, Ave According to a longstanding tradition, before the hour begins, the Pater and Ave are said silently. -
Musica Sacra
MUSICA SACRA C anno domini MMXIII Ash Wedensday 13 February 2013 through The Resurrection of the Lord 31 March 2013 NO . V CATHEDRAL OF SAINT PAUL NATIONAL SHRINE OF THE APOSTLE PAUL SAINT PAUL, MINNESOTA LAWRENCE W. LAWYER, ACTING DIRECTOR OF SACRED MUSIC 1 2 LEGEND Sacred Music Plan in Chronological Order. Consecutive identical liturgies are listed with both times indicated. List for a liturgy is not split between pages. Different liturgies for the same day may. BFW BY FLOWING WATERS GM GREGORIAN MISSAL GR GRADUALE ROMANUM GT GRADUALE TRIPLEX LU LIBER USUALIS TMP THE MUNDELEIN PSALTER SEP SIMPLE ENGLISH PROPERS SNC SAINT NOËL CHABANEL W WORSHIP III Music lists for the Mass of the Dead and the Sacrament of Marriage may be found at the end of the chronology. 3 CATHEDRAL OF SAINT PAUL SAINT PAUL, MINNESOTA USA FEBRUARY 2013 TEMPUS QUADRIGESIMÆ YEAR C1 Wednesday 13 0700 Mass Cantor , **Choristers of the Cathedral Choir School, *Cathedral Choir WEEK IV FERIA QUARTA 1215 Introit Misereris GM 229 CINERUM 1715* Psalm 51 Be merciful, O Lord, for we have sinned. SNC 1900 Acclamation Mass XI, Missa orbis factor, adapted W 290 Impositionem Take away, O God, my wickedness. BFW 55 *Miserere mei Gregorio Allegri Offertory Exaltabo te SEP 56 **In te speravi, Domine Richard Proulx Sanctus Holy, holy, holy Lord God of hosts Roman Missal Mysterium Save us, Savior of the World Roman Missal Agnus Dei Missa VIII, de Angelis Kyriale Communio Qui meditabitur GM 237 Antiphon **Parce Domine W 414 Motet *Attende Domine Mode V, arr, Richard Proulx Hymn Forty Days and Forty Nights HEINLEIN W 419 0800 Lauds The Mundelein Psalter n.b., WEEK III Hymn 1308 JESU DULCIS MEMORIA Psalms 794 Proper 241 Hymn Ave, Regina Cælorum Thursday 14 0800 Lauds The Mundelein Psalter WEEK IV FERIA QUINTA Hymn 1308 JESU DULCIS MEMORIA POST CINERES Psalms 851 SS. -
Bulletin for Palm Sunday, April 05, 2020
The Cathedral Church of Saint Michael and All Angels The Diocese of Barbados Diocesan Bishop The Right Rev’d Michael B. St. J. Maxwell, MA, Dean The Very Rev’d Dr. Jeffrey D. Gibson Precentor The Rev’d Canon George Knight, B.Min. Assistant Priest The Rev’d Dr. Marcus Lashley Assistant Curate The Rev’d Richard Kellman, L.Th. Organist/Choirmaster Mr. John F. Bryan, B.Sc., BMus. Administrative Assistant Ms. Armel Marshall, B.Sc., Cert SM: Cert HRM Verger Mrs. Chloe Grant Assistant Verger Ms. Harriet Lowe SUNDAY, APRIL 5tH, 2020 “ 1 SUNDAY OF THE PASSON: Palm Sunday SUNDAY, APRIL 5TH, 2020 “Embracing All Persons” The Cathedral is closed; however, members are asked to pray the Office of Morning Prayer, at home with their household. ORDER OF WORSHIP Opening Sentence Lent page 33(BCP, CPWI) The Sacrifice of God is a broken spirit; a broken and contrite heart O God, You will not despise. Psalm 51:18 Versicles & Responses V. Blessed be the Lord our God, R. By whose grace we are yet alive. V. Blessed be His Son Jesus Christ, R. By whose rising we are set free. V. Blessed be the Spirit of God, R. In whom is our hope and our joy 2 Prayer of Intent Let us pray Father, we come together in the Name of your Son Jesus Christ, our Redeemer, to offer you our worship, praise and thanksgiving. To you belong all power and glory. You are the source of all goodness. Let our worship bear witness to your peace and saving power.