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Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2016 A Comparison of Four Selected American Flute Method Books from the 20th and Early 21st Centuries: Ernest F. Wagner, William Kincaid with Claire Polin, Robert Dick, and Patricia George with Phyllis Avidan Louke Olivia Suzanne Boatman Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A COMPARISON OF FOUR SELECTED AMERICAN FLUTE METHOD BOOKS FROM THE 20TH AND EARLY 21ST CENTURIES: ERNEST F. WAGNER, WILLIAM KINCAID WITH CLAIRE POLIN, ROBERT DICK, AND PATRICIA GEORGE WITH PHYLLIS AVIDAN LOUKE By OLIVIA SUZANNE BOATMAN A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music 2016 © 2016 Olivia Suzanne Boatman Olivia Suzanne Boatman defended this treatise on November 1, 2016. The members of the supervisory committee were: Eva Amsler Professor Directing Treatise Richard Clary University Representative Eric Ohlsson Committee Member Deborah Bish Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii To My Family iii ACKNOWLEDGMENTS I am grateful to have had the support and encouragement of friends, family, and mentors for the completion of this document. I would like to begin by thanking my supervisory committee composed of Dr. Deborah Bish, Dr. Eric Ohlsson, and Professor Richard Clary for their help through my academic career. I would also like to recognize my advisor and committee chair, Eva Amsler for her advice and support during my time at Florida State University. Through their guidance, my dream of completing this document has come to fruition. I am grateful to have had the opportunity to perform and study at Florida State University. In addition to my studies at FSU, I am deeply thankful for the support I continue to receive from my previous flute instructors. To my first teacher Sophie Kershaw, I am forever grateful for her sincere inspiration. It was through her example I fell in love with the flute. I am thankful for the encouragement from Dr. Carol Dale. She taught me to aim for the best and has always been my biggest supporter. To Dr. Lana Johns, I am thankful for her kindness and dedication to improving my musical abilities. Finally, I am honored to have studied with Joe Bonner a teacher who helped me grow into a professional flutist. I will forever be grateful and in their debt as they have influenced me personally and professionally. Furthermore, I am lucky to have had many wonderful mentors both in and outside of music that still support me to this day. Finally I would like to acknowledge my friends and family who have comforted and assisted me through my education. Your love and support has been felt during each step of the process. Each person has impacted and molded me to be the woman I am today. Thank you for the continued guidance and love through all the ups and downs. Most importantly I am forever in debt to my Heavenly Father who has given me the gift of music. I desire to encourage others through the powerful strength of music. iv TABLE OF CONTENTS List of Tables ................................................................................................................................ vii Abstract ........................................................................................................................................ viii 1. INTRODUCTION ...................................................................................................................... 1 Purpose ....................................................................................................................................... 1 Brief Overview of American Flute Culture ............................................................................... 2 2. BIOGRAPHY OF AUTHORS .................................................................................................. 6 Ernest F. Wagner ........................................................................................................................ 6 William Kincaid ......................................................................................................................... 7 Claire Polin ............................................................................................................................... 10 Robert Dick .............................................................................................................................. 11 Patricia George ......................................................................................................................... 12 Phyllis Avidan Louke ............................................................................................................... 14 3. SURVEY OF FLUTE METHOD BOOKS .............................................................................. 16 Purpose of Method Books ........................................................................................................ 16 Foundation to Flute Playing ............................................................................................... 16 The Art and Practice of Modern Flute Technique (Volume 1 – 3) ..................................... 16 The Other Flute (2nd edition) ............................................................................................... 17 Flute 101, Flute 102, and Flute 103: Mastering the Basics ................................................ 18 Method Contents ...................................................................................................................... 19 Foundation to Flute Playing ............................................................................................... 19 The Art and Practice of Modern Flute Technique (Volume 1 – 3) ..................................... 20 The Other Flute (2nd edition) ............................................................................................... 22 Flute 101, Flute 102, and Flute 103: Mastering the Basics ................................................ 23 4. COMPARISON EXAMPLES FROM METHOD BOOKS .................................................... 27 Breathing/Posture ..................................................................................................................... 27 Foundation to Flute Playing ............................................................................................... 28 The Art and Practice of Modern Flute Technique (Volume 1 – 3) ...................................... 28 The Other Flute (2nd edition) ................................................................................................ 29 Flute 101, Flute 102, and Flute 103: Mastering the Basics ................................................. 30 Tone/Embouchure .................................................................................................................... 31 Foundation to Flute Playing ............................................................................................... 32 The Art and Practice of Modern Flute Technique (Volume 1 – 3) ..................................... 32 The Other Flute (2nd edition) ............................................................................................... 33 Flute 101, Flute 102, and Flute 103: Mastering the Basics ................................................ 34 Technique ................................................................................................................................. 35 v Foundation to Flute Playing ............................................................................................... 36 The Art and Practice of Modern Flute Technique (Volume 1 – 3) ..................................... 36 The Other Flute (2nd edition) ............................................................................................... 37 Flute 101, Flute 102, and Flute 103: Mastering the Basics ................................................ 38 Musicality ................................................................................................................................. 39 Foundation to Flute Playing ............................................................................................... 40 The Art and Practice of Modern Flute Technique (Volume 1 – 3) ..................................... 40 The Other Flute (2nd edition) ............................................................................................... 42 Flute 101, Flute 102, and Flute 103: Mastering the Basics ................................................ 42 5. CONCLUSION ........................................................................................................................ 45 APPENDICES .............................................................................................................................. 49 A. FLUTE METHOD BOOKS DISCUSSED IN THIS TREATISE ........................................... 49 B. ADDITIONAL PUBLICATIONS BY SELECTED AUTHORS ............................................ 50 C. STATEMENT FROM THE IRB ............................................................................................. 51 D. CORRESPONDENCE WITH PATRICIA GEORGE ............................................................. 52 E. CORRESPONDENCE WITH