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SUOMI – FINLAND 100 A CENTURY OF FINNISH CLASSICS SUOMI – FINLAND 100 A CENTURY OF FINNISH CLASSICS CD 1 74:47 FINNISH ORCHESTRAL WORKS I Jean Sibelius (1865–1957) 1 Andante festivo (1922, orch. Jean Sibelius, 1938) 3:44 Helsinki Philharmonic Orchestra & Leif Segerstam, conductor Robert Kajanus (1856–1933) 2 Overtura sinfonica (1926) 9:10 Helsinki Philharmonic Orchestra & Leif Segerstam, conductor Leevi Madetoja (1887–1947) 3 Sunday Morning (Sunnuntaiaamu) from Rural Pictures (Maalaiskuvia), Op. 77 (1936) [From music to the filmBattle for the House of Heikkilä] 4:20 Tampere Philharmonic Orchestra & John Storgårds, conductor Ernest Pingoud (1887–1942) 4 Chantecler (1919) 7:33 Finnish Radio Symphony Orchestra & Sakari Oramo, conductor Väinö Raitio (1891–1945) 5 Fantasia poetica, Op. 25 (1923) 10:00 Finnish Radio Symphony Orchestra & Jukka-Pekka Saraste, conductor 2 Uuno Klami (1900–1961) 6 Karelian Rhapsody (Karjalainen rapsodia), Op. 15 (1927) 14:24 Finnish Radio Symphony Orchestra & Sakari Oramo, conductor Erkki Melartin (1875–1937) Music from the Ballet The Blue Pearl (Sininen helmi), Op. 160 (1928–30) 7 II. Entrée avec pantomime 4:00 8 VIII. Scène (Tempête) 2:32 9 XIV. Pas de deux 3:07 Finnish Radio Symphony Orchestra & Hannu Lintu, conductor Aarre Merikanto (1893–1958) 10 Intrada (1936) 5:40 Helsinki Philharmonic Orchestra & Leif Segerstam, conductor Uuno Klami (1900–1961) 11 The Forging of the Sampo (Sammon taonta) from the Kalevala Suite (1943) 7:24 Helsinki Philharmonic Orchestra & John Storgårds, conductor Einar Englund (1916–1999) 12 The Reindeer Ride (Poroajot) (1952) Music from the filmThe White Reindeer (Valkoinen Peura) (1952) 1:24 Helsinki Philharmonic Orchestra & Leif Segerstam, conductor 3 CD 2 66:42 FINNISH ORCHESTRAL WORKS II Heikki Aaltoila (1905–1992) 1 Wedding Waltz of Akseli and Elina (Akselin ja Elinan häävalssi) (1968) 3:53 Music from the filmUnder the North Star (Täällä Pohjantähden alla) Tampere Philharmonic Orchestra & John Storgårds, conductor Aulis Sallinen (b. -
Leevi Madetoja (1887–1947) Symphony No
Leevi Madetoja (1887–1947) Symphony No. 2 / Kullervo / Elegy 1. Kullervo, Symphonic Poem, Op. 15 14:13 Symphony No. 2, Op. 35 2. I. Allegro moderato – 13:23 LEEVI MADETOJA II. Andante 13:36 SYMPHONY NO. 2 III. Allegro non troppo – 9:39 KULLERVO IV. Andantino 4:53 ELEGY 3. Elegy, Op. 4/1 (First movement from the Symphonic Suite, Op. 4) 5:53 –2– Leevi Madetoja To be an orchestral composer in Finland as a contemporary of Sibelius and nevertheless create an independent composer profile was no mean feat, but Leevi Madetoja managed it. Though even he was not LEEVI MADETOJA completely immune to the influence of SYMPHONY NO. 2 his great colleague, he did find a voice for KULLERVO ELEGY himself where the elegiac nature of the landscape and folk songs of his native province of Ostrobothnia merged with a French elegance. Madetoja’s three symphonies did not follow the trail blazed by Sibelius, and another mark of his independence as a composer is that his principal works include two operas, Pohjalaisia (The Ostrobothnians, 1924) and Juha (1935), a genre that Sibelius never embraced. Madetoja emerged as a composer while still a student at the Helsinki Music Institute, when Robert Kajanus conducted his first orchestral work, elegy (1909) for strings, in January 1910. The work was favourably received and was given four further performances in Helsinki that spring. It is a melodically charming and harmonically nuanced miniature that betrays the influence of Tchaikovsky in its achingly tender tones. Later, Madetoja incorporated Elegia into his four-movement Sinfoninen sarja (Symphonic Suite, 1910), but even so it is better known as a separate number. -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Immigrants I Through K
I Iager, John, Switzerland, came to the county in 1865, in Newton County 1882 Atlas, patrons, from Missouri Pioneers Volume XVI Iberg, Jacob, Switzerland, 81, in the 1900 Federal Census of Newton CO, MO, Neosho Township Iburg, Herman C., Germany, 54, in the 1910 Federal Census of St. Clair CO, MO, Jackson Township. Also, Herman C. Iburg, Oenhousen [Oeynhausen ?], Germany, born February 23, 1855 [MO death certificate] died October 3, 1910, in St. Clair County, father John Iburg, mother Christina Daniels, informant Mrs. Herman C. Iburg Ihde, William, Petersdorf Cris Templen, Germany, from a 1915 petition for naturalization, McDonald County, Missouri, from Missouri Pioneers Volume XXVIII. Also, William Ihde, Germany, 59, in the 1920 Federal Census of McDonald CO, MO, Cyclone Ikenruth, Adam, Germany, 52, in the 1910 Federal Census of Cedar CO, MO, Linn Township Iker, Joseph, Baden, Germany, 37, in the 1870 Federal Census of Hickory CO, MO, Montgomery Township Iles, Thomas, England, 60, in the 1910 Federal Census of Dade CO, MO, Grant Township. [On son William Carl Iles’ MO death certificate from Dade County father is listed as Thomas Iles born in England and mother Ellen Perr__man[?] ] Imme, Adolph, Germany, 55, in the 1900 Federal Census of Jasper CO, MO, Webb City Immel, John, Germany, born January 28, 1834 [MO death certificate] died August 24, 1917, in Joplin, Jasper County. And, 68, in the 1900 Federal Census of Jasper CO, MO, Joplin Immel, Mrs. Katherine, Germany, born October 7, 1849 [MO death certificate] died June 1, 1933, in Joplin, Jasper County, father Christian Miller, mother Marie Hoffman, husband [deceased] John Immel Inch, Jack, England, 32, born May, 1868, in the 1900 Federal Census of Lawrence CO, MO, Vineyard Township Indermuehle, Gottlieb, Canton Bern, Switzerland, born March 14, 1830 [MO death certificate] died March 4, 1912, in Laclede County, father Christain Indermuehle, informant J. -
A Celebration of Heritage
Opening Gala A Celebration of Heritage Mise Éire (Orchestral Suite) I Roisín Dubh II Boolavogue III Roisin Dubh/Druim Fhionn Donn Dílis IV Sliabh na mBan V Roisín Dubh Seán Ó Riada (1931-71) Cornucopia for Horn and Orchestra (1969/70) Prelude - Rondo In February of this year, Cork (and indeed, Ireland) lost one of the most intelligent and charismatic musicians to ever grace our shores. Aloys Fleischmann (1910-92) Alan Cutts had a huge influence on the education of literally hundreds of musicians - young and old - and he dedicated his time and expertise in the most humble and selfless manner imaginable. Intimations of Immortality for Tenor, Chorus and Orchestra, Op. 29 His rich wealth of knowledge was matched by his modesty and those of us who were lucky enough to study with and learn from him - be it Gerald Finzi (1901-56) in a junior choir or amateur orchestra; as a BMus or MA student at the Cork School of Music; as a member of Madrigal ’75, Wexford Opera Chorus, Irish Youth Choir, Fleischmann Choir; or as part of his many other activities including his appearances at the Cork International Choral Festival - will never forget his wisdom and charm. Cormac Ó hAodáin (French Horn) All of us on stage tonight wish to dedicate this concert to the memory Robin Tritschler (Tenor) of our friend, mentor and colleague, Alan. He is sorely missed but will forever be in our thoughts. Fleischmann Choir Cork School of Music Symphony Orchestra The 2015/2016 season of the Fleischmann Choir is also dedicated Maria Ryan (Leader) to Tadge O’Mullane and James Stevens. -
A Festival of Fučík
SUPER AUDIO CD A Festival of Fučík Royal Scottish National Orchestra Neeme Järvi Lebrecht Music & Arts Photo Library Photo Music & Arts Lebrecht Julius Ernst Wilhelm Fučík Julius Ernst Wilhelm Fučík (1872 – 1916) Orchestral Works 1 Marinarella, Op. 215 (1908) 10:59 Concert Overture Allegro vivace – [ ] – Tempo I – Andante – Adagio – Tempo I – Allegro vivo – Più mosso – Tempo di Valse moderato alla Serenata – Tempo di Valse – Presto 2 Onkel Teddy, Op. 239 (1910) 4:53 (Uncle Teddy) Marche pittoresque Tempo di Marcia – Trio – Marcia da Capo al Fine 3 Donausagen, Op. 233 (1909) 10:18 (Danube Legends) Concert Waltz 3 Andantino – Allegretto con leggierezza – Tempo I – Più mosso – Tempo I – Tempo di Valse risoluto – 3:06 4 1 Tempo di Valse – 1:48 5 2 Con dolcezza – 1:52 6 3 [ ] – 1:25 7 Coda. [ ] – Allegretto con leggierezza – Tempo di Valse 2:08 8 Die lustigen Dorfschmiede, Op. 218 (1908) 2:34 (The Merry Blacksmiths) March Tempo di Marcia – Trio – [ ] 9 Der alte Brummbär, Op. 210 (1907)* 5:00 (The Old Grumbler) Polka comique Allegro furioso – Cadenza – Tempo di Polka (lentamente) – Più mosso – Trio. Meno mosso – A tempo (lentamente) – Più mosso – Meno mosso – Più mosso – Meno mosso – Più mosso – [Cadenza] – Più mosso 4 10 Einzug der Gladiatoren, Op. 68 (1899) 2:36 (Entry of the Gladiators) Concert March for Large Orchestra Tempo di Marcia – Trio – Grandioso, meno mosso, tempo trionfale 11 Miramare, Op. 247 (1912) 7:47 Concert Overture Allegro vivace – Andante – Adagio – Allegro vivace 12 Florentiner, Op. 214 (1907) 5:20 Grande marcia italiana Tempo di Marcia – Trio – [ ] 13 Winterstürme, Op. -
Ayr Choral Union 1876-2016
2 Acknowledgements Acknowledgements are due firstly to past recorders of ACU - the careful writers of revealing minutes of meetings, the “Keepers of the Box”, the hoarders of programmes, letters, news clips and minutiae, and previous Archivists. Tony Kerrigan gave enormous assistance with photographs. Staff at the Ayrshire Archive and Carnegie Library in Ayr have also been most helpful. David Cassels, who produced a 1976 History of ACU, largely based on a 1905 Bazaar programme, provided an excellent starting point. Above all thanks must go to the late Ronnie Brash, historian, enthusiast, tenor, and ACU archivist until 2012, to whom this book is dedicated. Much of the content in this version is taken verbatim from Minutes, reflecting the voices of ACU, and may not always be strictly accurate or objective. October 15th 1976 Ayr Choral Union Centenary Dinner Back row left to right: Colonel Bryce Knox (Hon Vice-President), Angus Rae (Vice-President), David Cassels (President), Professor Robin Orr CBE* (Speaker), Provost Paton, Ex-Provost Lineham (Hon Vice- President), Victor McLeonard (Secretary) Front row left to right: Mrs Rae, Mrs Bryce Knox, Mrs Paton, Mrs Lanham, and Mrs Cassels. *Robin Orr was a noted first Chairman of Scottish Opera, and Professor of Music first at Glasgow, then Cambridge Universities, as well as a being a composer and active supporter of a wide range of musical activities. He died in 2006. 3 CONTENTS Page 1. Introduction 5 2. Beginnings 6 3. 1876-1914 Beginnings to World War 1 8 4. 1914-1939 Word War 1 to World War 2 15 5. 1939-1976 World War 2 to the Centenary 23 6. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
Leadership That Lifts Us All Recognizing Outstanding Philanthropy 2017 - 2018
Leadership That Lifts Us All Recognizing Outstanding Philanthropy 2017 - 2018 uwswpa.org Thank you to our 2017 sponsors: Premier Gold Dear Friends, As philanthropic leaders who, through their generous gifts of time and treasure, demonstrate their commitment to tackling our community’s most pressing problems, we should be proud of the impact we make on the lives of people who need our help. Through our gifts – Tocqueville Society members contributed nearly $10 million to the United Way 2017 Campaign – the most vulnerable members of our community are getting much-needed support: Dan Onorato • local children like Alijah (page 18) are matched with caring mentors who are helping them plan to continue their education after high school; • seniors like Jean (page 4) are receiving support that helps them remain in the homes they love; • people with disabilities like Kenny (page 9) are getting the opportunity to find 1 meaningful work; and • women like Sarah (page 43) are able to overcome challenges in order to gain greater financial stability. On behalf of our community, thank you for your support. Your gift helps United Way put solutions into action, making a difference and encouraging hope for a better David Schlosser tomorrow for everyone. With warmest regards Dan Onorato David Schlosser 2017 Tocqueville Society Co-Chair 2017 Tocqueville Society Co-Chair 2017 Top Tocqueville Corporations The Tocqueville Society Tocqueville Society Membership Growth United Way recognizes these United Way’s Tocqueville Society is corporations that had the largest comprised of philanthropic leaders 2011 430 number of Tocqueville Society and volunteer champions who donors for the 2017 campaign, give $10,000 or more annually to regardless of company size or United Way, creating a profound 2012 458 overall campaign total. -
Names of Scientists Associated with Discoveries of Elements of Periodic Table
Dr. John Andraos, http://www.careerchem.com/NAMED/Elements-Discoverers.pdf 1 NAMES OF SCIENTISTS ASSOCIATED WITH DISCOVERIES OF ELEMENTS OF PERIODIC TABLE © Dr. John Andraos 2002 - 2005 Department of Chemistry, York University 4700 Keele Street, Toronto, ONTARIO M3J 1P3, CANADA For suggestions, corrections, additional information, and comments please send e-mails to [email protected] http://www.chem.yorku.ca/NAMED/ Z, Element Symbol Discoverer Dates Nationality Place and Date of Discovery 1. Hydrogen H Cavendish, 1731 - 1810 British (b. Nice, France) 1766 Henry London, England 2. Helium He Janssen, Pierre 1824 - 1907 French 1868 Jules Cesar (b. Paris, France) Ramsay, Sir 1852 - 1916 Scottish 1895 William (b. Glasgow, Scotland) London, England 3. Lithium Li Arfvedson, 1792 - 1841 Swedish (b. Skagerholms- 1817/1818 Johann August Bruk, Skaraborgs-Län, Stockholm, Sweden Sweden) Dr. John Andraos, http://www.careerchem.com/NAMED/Elements-Discoverers.pdf 2 4. Beryllium Be Vauquelin, Louis 1763 - 1829 French (b. Saint-André 1797 Nicolas d'Héberôt, Calvados, Paris, France France) 5. Boron B Gay-Lussac, 1778 - 1850 French (b. St. 1808 Joseph Louis Léonard, Haute Paris, France Vienne, France) London, England Thénard, Louis 1777 - 1857 French (b. Louptière, Jacques France) Davy, Sir 1778 - 1829 British Humphry (b. Penzance, Cornwall, England) 6. Carbon C N/A N/A N/A pre-history 7. Nitrogen N Rutherford, 1749 - 1819 Scottish 1772 Daniel (b. Edinburgh, Scotland) Edinburgh, Scotland 8. Oxygen O Priestley, Joseph 1733 - 1804 British 1774 (b. Fieldhead, near Leeds, Leeds, England England) Scheele, Carl 1742 - 1786 Swedish Uppsala, Sweden Wilhelm (b. Stralsund, Pomerania, now in Germany) 9. Fluorine F Moissan, Henri 1852 - 1907 French (b. -
Marco Polo – the Label of Discovery
Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father. -
The Development of the Russian Piano Concerto in the Nineteenth Century Jeremy Paul Norris Doctor of Philosophy Department of Mu
The Development of the Russian Piano Concerto in the Nineteenth Century Jeremy Paul Norris Doctor of Philosophy Department of Music 1988 December The Development of the Russian Piano Concerto in the Nineteenth Century Jeremy Paul Norris The Russian piano concerto could not have had more inauspicious beginnings. Unlike the symphonic poem (and, indirectly, the symphony) - genres for which Glinka, the so-called 'Father of Russian Music', provided an invaluable model: 'Well? It's all in "Kamarinskaya", just as the whole oak is in the acorn' to quote Tchaikovsky - the Russian piano concerto had no such indigenous prototype. All that existed to inspire would-be concerto composers were a handful of inferior pot- pourris and variations for piano and orchestra and a negligible concerto by Villoing dating from the 1830s. Rubinstein's five con- certos certainly offered something more substantial, as Tchaikovsky acknowledged in his First Concerto, but by this time the century was approaching its final quarter. This absence of a prototype is reflected in all aspects of Russian concerto composition. Most Russian concertos lean perceptibly on the stylistic features of Western European composers and several can be justly accused of plagiarism. Furthermore, Russian composers faced formidable problems concerning the structural organization of their concertos, a factor which contributed to the inability of several, including Balakirev and Taneyev, to complete their works. Even Tchaikovsky encountered difficulties which he was not always able to overcome. The most successful Russian piano concertos of the nineteenth century, Tchaikovsky's No.1 in B flat minor, Rimsky-Korsakov's Concerto in C sharp minor and Balakirev's Concerto in E flat, returned ii to indigenous sources of inspiration: Russian folk song and Russian orthodox chant.