Wildlife Wildlife

Total Page:16

File Type:pdf, Size:1020Kb

Wildlife Wildlife SCOTLAND & NORTHEAST ENGLAND JUNE/JULY art • craft • design 2017 ANATOMY OF Wildlife A PAINTING EXAMINING A MASTERPIECE Art BRUSH WITH NATURE ART ARTTRAVEL BOOKS &VINTAGE BORDEAUX READ ALL ABOUT IT! Art News 10th KEEPING YOU IN THE PICTURE ANNIVERSARY ISSUE! WIN! A NIGHT’S B&B FOR 2 AT KNOCK CASTLE HOTEL & SPA IN PERTHSHIRE! H E L E N F L O C K H A R T I N T H E M O R N I N G I T I S G R E E N P. V. 08. 06. 17 09. 06. 17 - 27. 06. 17 GALLERY W W W . A R U S H A G A L L E R Y . C O M I N F O @ A R U S H A G A L L E R Y . C O M 0 1 3 1 5 5 7 1 4 1 2 Pittartsfest Artmag page June 2017 out.indd 1 19/05/2017 23:28 Pittartsfest Artmag page June 2017 out.indd 1 19/05/2017 23:28 Painting Sculpture Printmaking Moving Image Graphics IllustrationPhotographyJewellery Contemporary ArtCommunication Practice Design Product Design FashionThree and Dimensional Textile Design Design Ceramics and Glass www.rgu.ac.uk/degreeshow 17 TH 24 GRAY’S SCHOOL OF ART TH DEGREE SHOW 2017 OPEN TO PUBLIC 17 / 24 JUNE WEEKDAYS 10 AM - 8 PM WEEKENDS 10 AM - 5 PM supported by BP 29 FEATURES ART NEWS KEEPING YOU IN THE PICTURE 8 CRAFT & DESIGN 41 HAND-MADE FOR YOU AND YOUR HOME 13 ANATOMY OF A PAINTING EXAMINING A MASTERPIECE 14 AUCTION HOUSES TOP SALE DATES 17 ART & TRAVEL VINTAGE BORDEAUX 18 WILDLIFE ART BRUSH WITH NATURE 22 ART BOOKS READ ALL ABOUT IT! 53 REGIONAL NEWS ABERDEEN & NORTHEAST SCOTLAND 27 39 AYRSHIRE & ARRAN 29 BORDERS 31 DUMFRIES & GALLOWAY 33 DUNDEE & ANGUS 35 EDINBURGH & LOTHIANS 37 FIFE 41 GLASGOW & GREATER GLASGOW 43 HIGHLANDS & ISLANDS 45 CONTENTS PERTHSHIRE 48 STIRLINGSHIRE & CLACKMANNANSHIRE 50 45 NORTHEAST ENGLAND 51 ART SUPPLIES/SERVICES & COURSES/CLASSES/WORKSHOPS GET CREATIVE! 55 SHOWCASE 31 ARTISTS & CRAFTMAKERS DIRECTORY 56 WIN! A NIGHT’S B&B FOR 2 AT 47 KNOCK CASTLE HOTEL & 43 SPA IN PERTHSHIRE! WIN! JUNE/JULY 2017 5 ASIAN ART Wednesday 12 July Tuesday 5 December Edinburgh An invitation to consign We are now inviting entries for our forthcoming Asian Art sales in Edinburgh, London and Hong Kong. ENQUIRIES AND Bonhams APPOINTMENTS 22 Queen Street 0131 240 2299 Edinburgh EH2 1JX ian.glennie@ bonhams.com A PAIR OF BLUE AND WHITE BEAKER VASES From a Scottish Collection Sold in London for £27,500 bonhams.com/edinburgh Prices shown include buyer’s premium. Details can be found at bonhams.com ON THE COVER #EDINTFEST PASSIONATE ACTS � Macbeth Verdi’s dark operatic thriller of ruthless ambition and murder Teatro Regio Torino conducted by Gianandrea Noseda Helen Flockhart, ‘Plucking Pomegranates’, and directed by Emma Dante oil on board, 40 x 26cm, 2017. This work will be shown at Flockhart’s first solo show in Edinburgh since 1991; ‘In the morning it is La bohème green’ which opens at Arusha Gallery on June 8th. www.arushagallery.com Opera’s greatest love story set to Puccini’s sumptuous score Teatro Regio Torino conducted by Gianandrea Noseda and directed by Àlex Ollé READ ARTMAG ONLINE FOR Don Giovanni THE LATEST NEWS & ADDITIONAL ARTICLES! Mozart’s darkly comic masterpiece about seduction and betrayal WWW.ARTMAG.CO.UK Budapest Festival Orchestra conducted and directed by Iván Fischer and starring Christopher Maltman PUBLISHED BY Instant Publications Ltd., T 0131 661 0765, 07968 191032 PUBLISHER Christie Dessy, [email protected] EDITOR Ian Sclater, [email protected] CONTRIBUTORS Alice Fischer, Greek Claire Halavage, Dr Julie Hansen SOCIAL MEDIA & WEBSITE MANAGER Camilla Baier, camilla.artmag@gmail. Turnage’s blazing operatic take on the Oedipus myth com PROOFREADER Tina Rose FOOD EDITOR & ART BLOGGER Malcolm McGonigle, [email protected] Scottish Opera conducted by Stuart Stratford EDITORIAL DESIGN & PRODUCTION Lisa Douglas and directed by Joe Hill-Gibbins ADVERTISING DESIGN Amo Bassan WEBMASTER David Marek, [email protected] ART BLOGGERS Adam Barclay (Edinburgh), Carol Byers (Borders), Andrew Etherington (Newcastle) WEBSITE CONTRIBUTOR Vivien Devlin DISTRIBUTION ENQUIRIES Scotland: T 0131 337 4455, Northeast England: T 07984 344254 © 2017 Instant Publications. Reproduction in whole 5–27 AUGUST or in part is forbidden without the written permission of the Publisher. Instant Publications does not accept BOOK NOW Charity No SC004694 responsibility for unsolicited material. Printed in the UK on paper sourced from sustainably managed forests EIF.CO.UK using a solvent-free printing method. 93% of all wastes generated during the production process are either reused or recycled. 0131 473 2000 ADVISORY Readers are advised to check all listed information before attending an exhibition or event. JUNE/JULY 2017 7 ART NEWS ARTSPEAK“ ART NEWS TALK ABOUT GIVING ART A BAD NAME. (NAMES WITHHELD” TO PROTECT THE GUILTY.) ‘THE GALLERY WAS ESTABLISHED TO ACT AS A CATALYST FOR DISCOURSE AND TO CREATE A COMMUNITY WHERE WE CAN SUPPORT ALL ART FORMS WITH A CLEAR HAPPY BIRTHDAY TO US! FOCUS’ ON SHOWING THE This issue of Artmag marks our 10th anniversary. Publisher Christie Dessy and Editor Ian HIDDEN METHODOLOGIES OF Sclater would like to thank all the advertisers and subscribers whose financial support THE ARTIST.’ makes the magazine possible and all the freelance contributors, paid and otherwise, whose hard work behind the scenes has helped us to develop Artmag into the largest circulation art magazine in Scotland and Northeast England. We look forward to many more years of covering the best in art, craft and design. If you enjoy the magazine, you will always find THIS EXHIBITION additional content on our website. www.artmag.co.uk WILL ANIMATE THE CONFLICT ‘(THE ARTIST) BETWEEN CREATES ENCOUNTERS ON MINIMAL SKIN ART AN INDIVIDUAL ARCHITECTONIC The beauty of our body’s cells has been LEVEL, THE STRUCTURES appreciated under the microscope by POSSIBILITY THAT RESPOND scientists and medical practitioners for years. OF A SHARED TO THE SOCIAL, Now, European Dermatology London will VISION AND THE POLITICAL AND turn these images into your own personalised IMPOSSIBILITY PSYCHOLOGICAL piece of ‘skin art’ with Inner Portraits. Costing OF A UNIVERSAL, USE OF SPACE.’ ABSOLUTE WAY OF around £1800, the process takes four to six SEEING. weeks and is straightforward and painless. Under local anaesthetic a small skin sample is taken from which the microscopic images My…art practice is informed are created. A graphic artist manipulates the by the spectacular and the images and generates a number of variations “mundane in equal measure…I from which you select your favourite. The artist can also work to your colour scheme to suit ’ your decor. Finally, the image is enlarged and mounted. www.eudelo.com am interested in actions and gestures that have cross-cultural meanings, such as activities relating to higher values and daily rituals. CHATTY FEET Chatty Feet, makers of socks with witty names, have introduced the Artists Socks collection, including - wait for it - Andy Sockhole, David Sock-knee and Frida Callus. ” www.chattyfeet.com WHILE DESIGNING (HER PIECES), SHE SEEKS TO ENGAGE THE AUDIENCE IN THE STORYTELLING PROCESS, ALLOWING THE JEWELLERY TO BECOME THE INSTRUMENT THROUGH WHICH THEY CAN EXPLORE THEIR OWN FEELINGS AND MEMORIES. 8 JUNE/JULY 2017 ART NEWS OPEN STUDIOS ARRAN EDINBURGH & LOTHIANS HIGHLANDS & ISLANDS Book your ferry and head for Arran Coburg House Open Studios showcases The Bute Studio Trail highlights work Open Studios, which this year sees 39 work by over 80 artists and makers who by members of the Isle of Bute’s Artists’ participants welcome visitors to “Scotland call the former granary home. Aug 4-6, Collective (IBAC), who live and work only in miniature”. Aug 11-14, www.coburghouseartstudios.co.uk 33 miles from Glasgow as the crow flies, www.arranopenstudios.com but a world away in atmosphere. Jul 22 & Organised by the newly formed East 23, www.butestudiotrail.com BORDERS Coast Arts, the first ever East Lothian Open Studios showcases artists and CERAMICIST Quiltmaker Pauline Burbridge and artist/ LORRAINE sculptor Charlie Poulson host their makers from Musselburgh to North ROBSON Berwick. Based on two routes - coast and (FORTH Allanbank Mill Steading Open Studio VALLEY ART with invited artist, Northumberland-based country - the event is pairing up with Fringe BEAT) sculptor Colin Rose. Aug 4-7, by the Sea in North Berwick with an art www.allanbankmillsteading.co.uk trail around the local shops. Aug 5-8, www.eastcoastarts.co.uk CENTRAL SCOTLAND FIFE Covering a large area spreading out from Stirling, Forth Valley Art Beat includes Follow the red balloons along the East installations, temporary public artworks, Neuk Open Studios Art Trail, which pop-up shows, performances and takes in over 30 studios and workshops exhibitions in galleries and community throughout that beautiful corner of Fife, spaces. Jun 10-18, stretching from Upper Largo to Boarhills www.forthvalleyopenstudios.com via St Monans and Cellardyke. Jun 24-25 & Jul 1-2, www.eastneukopenstudios.org EDINBURGH & LOTHIANS the Garnethill Campus and in the Tontine One of the UK’s biggest celebrations of Building. Jun 10-17, www.gsa.ac.uk DEGREE SHOWS new commercial photography, Exposed HIGHLANDS showcases Edinburgh College HND and This year’s BA (Hons) Fine Art and BA (Hons) BA Photography students. Jun 7-15, Out Fine Art Textiles degree shows at Moray ABERDEEN of the Blue Drill Hall, www. School of Art in Elgin cover a range of Previous graduates of Gray’s School of Art edinburghcollegephotography.co.uk media, including painting, photography, film, who have gone on to great things include The Chippendale International School assemblage, installation and textiles. Jun 19- Callum Innes, Eric Auld, Alberto Morrocco of Furniture Graduate Exhibition (Jun 12 & 24, www.moray.uhi.ac.uk and Joyce Cairns.
Recommended publications
  • Principal Job Pack
    The Leith School of Art 25 North Junction Street Edinburgh EH6 6HW Telephone: 0131 554 5761 Web: www.LeithSchoolofArt.co.uk Email: [email protected] Leith School of Art – appointment of Principal A welcome from the Chair of the Board of Directors Thank you for your interest in Leith School of Art and in our search for a new Principal. As you delve into the following pages I hope you will gain a sense of what makes Leith School of Art unique and this vacancy so special. Leith School of Art is held in great respect by artists far and wide and in genuine affection by all who are associated with it. Leith means a great deal in different ways to different people of course, but if two things stand out it is the excellence of the teaching and the sense of community and support that surrounds it. There are many who can describe the experience of studying at Leith as life-changing, whether as a springboard to an artistic career or privately as a way to find, or rediscover, fulfilment, self-connection and expression. Our means-tested Assisted Places and Community Classes open the door to many for whom the opportunity to learn about art and design would be beyond reach on cost grounds. With the forthcoming retirement of our current Principal, we are at a highly significant transition in the story of Leith School of Art, and this is a very exciting opportunity for an artist with a passion and vision for art education to play a leading role in shaping the next chapter.
    [Show full text]
  • Education Scotland Report June 2016
    Review of private Further Education colleges and English Language Schools Leith School of Art 1 June 2016 The review process This review report follows the quality framework for the review arrangements for private further education colleges and English language Schools in Scotland, April 2012. The review normally lasts for three days. Over the three-day period, the review team: engage with learners; observe episodes of learning and teaching and provide feedback to each member of teaching staff or other learning facilitator on strengths and areas for further development; conduct interviews and undertake other activity required to determine the extent of concordance between documentary evidence and practice; evaluate evidence against the 11 reference quality indicators; and identify key strengths and areas for further development for the organisation. Education Scotland is an approved educational oversight body authorised by the Home Office to inspect private further education colleges and English language Schools in Scotland. Reviews are arranged under three high-level questions which Education Scotland is adopting for evaluative purposes: How well are learners progressing and achieving relevant, high quality outcomes? How effective are the organisation’s learning and teaching processes? How effective are the organisation’s leadership and quality culture? Education Scotland reviews are designed to: support and promote quality enhancement in organisations to provide the best possible experience for the learner; provide information to the Home Office, when required, on the quality of organisations and the learning experience they provide; provide an independent evaluation to assist organisations in informing prospective and current learners of the quality of the organisation’s and services; evaluate organisations against the Education Scotland quality framework, March 2012; and complement organisation-led internal review and self-evaluation.
    [Show full text]
  • Prospectus 21/22
    PROSPECTUS 21/22 A LEADING SCOTTISH ART SCHOOL IN EDINBURGH CONTENTS 2.WELCOME 4. REASONS TO STUDY WITH US 6. STUDENT GALLERY 8. LEVELS OF STUDY 10. FOUNDATION COURSE 16. PAINTING COURSE 20. DRAWING COURSE 24. CONTEMPORARY ART PRACTICE 26. FIGURE COURSE 28. LANDSCAPE COURSE 30. ONE DAY PAINTING COURSE 32. PRINTMAKING COURSE 34. GRADUATE RESIDENCIES 36. APPLYING 37. ABOUT EDINBURGH 38. STUDENT SUPPORT 39. FEES, FUNDING & OVERSEAS STUDENTS 31 WELCOME Welcome to Leith School of Art - a creative community in Scotland’s on to a degree course, a graduate looking capital city Edinburgh. to launch your career or someone who has always enjoyed art and wants to find To engage with art is a wonderful and a way to make it a more serious part of enriching process and here at Leith your life. School of Art we provide you with the support you need to further your career We have a proven track record of in the visual arts. With intensive, high enabling people to realise their quality teaching, access to equipment ambitions, and our alumni are successful and materials provided, you will be able in every area of the creative and cultural to develop the skills you need to engage industries as artists, designers and with life as a creative practitioner. makers. Leith School of Art is not just about the work; we are a community We believe in teaching and nurturing of artists and we pride ourselves on our each individual. Every course has caring and lively environment. While been carefully designed to encourage we encourage our students to study individual creativity, develop your ability hard and be ambitious, we emphasise and further your understanding of the the importance of working together creative process.
    [Show full text]
  • Tessa Lynch, She Knows What to Do, from a Series of Lino Prints by Patricia Fleming, Glasgow
    12 March 2021 Issue 154 Tessa Lynch, She knows what to do, from a series of lino prints by Patricia Fleming, Glasgow. See ARTS NEWS. The 140th Annual Exhibition of the Royal Scottish Society of Painters in Watercolour 19 Feb - 19 April YEAR-LONG COURSES www.rsw.org.uk/digital-exhibition Apply online for courses starting September 2021 Browse more than 70 works by some of FOUNDATION | PAINTING | DRAWING Scotland’s top artists in the RSW’s first online exhibition. CONTEMPORARY ART PRACTICE | FIGURE | LANDSCAPE Cuban Mist George Donald ONE DAY PAINTING | PRINTMAKING SUMMER SCHOOL Enjoy a creative week with high-quality teaching - 12 July - 20 August 2021 BEGINNERS | DRAWING & PAINTING | JEWELLERY CONTEMPORARY WATERCOLOUR | PORTFOLIO PRINTMAKING | YOUNG ARTISTS www.LeithSchoolofArt.co.uk | [email protected] Leith School of Art, 25 North Junction Street, Edinburgh, EH6 6HW 2 | 12 March 2021 | Issue 154 12 March 2021 | Issue 154 | 3 ARTS NEWS o celebrate International Women’s Day on March 8, Glasgow’s Patricia Fleming gallery released a new, limited edition of seven lino prints by Tessa Lynch in which she has swapped the historic image of the witch to that of a wise woman. Entitled Wise Women, the series is presented on one flat plain in a story- telling sequence. Lynch depicts the faces of the women as they were presented in medieval imagery – serene, contemplative and undisturbed from their inner thoughts. Produced during lockdown, the works were made in the artist’s home with a kitchen table, clamp presses, pegs and a washing line substituting for studio facilities. Says Lynch: “In my thoughts were all the women who have been disproportionately affected by the pandemic.
    [Show full text]
  • SSAH Will Continue to Grow and Develop Its Role As One of the Pre-Eminent Vehicles of Art from the Chair Historical Research in Scotland
    Newsletter No. 21 Autumn/Winter 2005 During that time the SSAH will continue to grow and develop its role as one of the pre-eminent vehicles of art From the Chair historical research in Scotland. Our 2005 Journal is a particularly rich and varied publication and we are now st lthough not exactly a ‘coming of age’, the 21 exploring opportunities for more extensive distribution birthday of the SSAH has offered a marvellous and online publishing. More news of this will follow. We opportunity to review both our past and our are delighted to have contributions from several scholars A st future. Our past was essentially the theme of our 21 and writers working outwith Scotland and hope this is a anniversary colloquium in April - Art & Scotland: the last harbinger of a growing internationalism, both for our 21 years - but this was no exercise in self-indulgent Society, but also for the study and appreciation of Scottish congratulation or navel-gazing. Instead a succession of art and for the study of art in Scotland. stimulating papers and discussions served to emphasise how vibrant and energising the issue of art continues to Robin Nicholson be in a nation now mystifyingly re-branded as the ‘best small country in the world’. Certainly none can deny that Scotland always has punched above its weight and the colloquium was Notices launched with Duncan Macmillan’s challenging thesis that the international influence of Scots artists might be signifi- cantly more extensive than previously thought. Obliquely AGM this set a theme for the following day’s debates which The Annual General Meeting of the Scottish Society for constantly returned to questions of Scottish culture, Art History will take place on Saturday December 3rd in identity and outlook.
    [Show full text]
  • Newsletter 08-11
    Newsletter No 37 Autumn 2011 at Glasgow School of Art, where he first studied in From the Chair the Department of Painting and Drawing in the 1990s. He has subsequently had a sustained interest I’m happy to report that after the notable dip in our in the 20 th and 21 st century American and European membership figures following the recession, our art. His research interests lie in the relationship numbers are begin to grow again, and I’d like to between aesthetic theory and modern and extend a special welcome to all our new members. contemporary art, and in particular the tropes of the However we still have a way to go before we reach avant-garde in aesthetic politics. He is currently our previous heights again, so please do keep writing a book on the work of the American artist spreading the word and encouraging new members Vito Acconci. He has been active in the past year to join. This year we’ve tried hard to increase the presenting recent research, at both the First European number and variety of events on offer, and I’m Conference on Aesthetics at the Prado Museum, Madrid writing this fresh from a very enjoyable (if somewhat and the French Theory: reception in the visual arts in the damp!) tour of Jupiter Artland, which will be United States between 1965 and 1995 conference at reviewed next issue. Our forthcoming visit to Wiels in Brussels. Wilhelmina Barns-Graham’s house at Balmungo was booked up almost immediately and we’re very grateful to Helen Scott for arranging a second tour SSAH Research Grants later the same day, which is also now fully booked.
    [Show full text]
  • S.J. PEPLOE Scotland's First Modernist
    S.J. PEPLOE SCOtland’s FIRST MODERNIST S.J. PEPLOE (1871-1935) SCOtland’s FIRST MODERNIST 8 OCTober – 3 NOVEMBER 2012 2 FOREWORD “In his painting he tried to find the essentials This exhibition marks the beginning of by persistent trial. He worked all the time another public surge of interest in the from nature but never imitated it. He often work of Samuel John Peploe, prior to took a long time to make contact with the opening of a major exhibition at the a place and was discouraged by failure. Scottish National Gallery of Modern Art He wanted to be sure before he started (November 2012 – June 2013) and in and seemed to believe that you could be conjunction with a new, updated book sure. I don’t think he wanted to have a written by his grandson, Guy Peploe. struggle on the canvas: he wanted to be Included in this exhibition are sensitive sure of a thing and do it. That gave his examples from his early career, liquid picture something.” painting like By Firelight of 1908, a portrait of one of his favourite models Peggy Macrae; Îsle de Bréhat of 1911 which is JD Fergusson quintessentially modern and White Roses Memories of Peploe (Scottish Art Review, and Fruit of c.1922, a perfect example of his 1962) mature syntheses of design and dazzling colour. It is a hundred years since Peter McOmish Dott, (the son in Aitken Dott & Son), who had been Peploe’s first great advocate, took fright at SJ’s radically modern palette and cancelled his show.
    [Show full text]
  • A New Sort of Arts Outlet in Edinburgh Mackintosh 150 in Glasgow : : Battlefield Battles Artwork 203 May/June 2018 Page 2 Artwork 203 May/June 2018 Page 3
    The North*s Original Free Arts Newspaper + www.artwork.co.uk Number 203 Pick up your own FREE copy and find out what’s really happening in the arts May/June 2018 Artist at work on a five tonne newsprint sculpture. David Mach takes a break from installing the work in Cass Art in Glasgow. Inside this issue, Mach talks to ArtWork about his journey from his native Fife. Photograph Iain Clark INSIDE: A new sort of arts outlet in Edinburgh Mackintosh 150 in Glasgow : : Battlefield battles artWORK 203 May/June 2018 Page 2 artWORK 203 May/June 2018 Page 3 Residency with Studio The Picking Shed, Voe, The Shetland Isles TRADE COUNTER www.pickingshed.co.uk ROZELLE HOUSE MUSEUM & GALLERIES Prices:- £200 per week ‘Back to the Gaiety’ the story so far Saturday, 19 May - Sunday, 17 June £600 per month Sharing the heritage of The Gaiety Theatre and their new digital archive. Day o’ the Dames - Festival of Museums Saturday, 19 May & Sunday, 20 May From 1st November to 25th April Come along and meet the Cinderella Dames, see our website for details. The rest of the year holiday rates Ayrshire College - end of year Show Sunday, 24 June - Sunday, 5 August e: [email protected] Visual Arts, photography, art and design. THE MACLAURIN ART GALLERIES Drawing with Scissors: Matisse Sunday, 29 April - Sunday, 1 July A Hayward Gallery Touring exhibition Peter Howson: Devil’s Chorus Sunday, 20 May - Sunday, 1 July The Maclaurin Gallery Patron’s new work, drawings and pastels. Both open: Mon-Sat 10am-5pm, Sun 12noon-5pm, Monument Road, Ayr, KA7 4NQ.
    [Show full text]
  • Love, Loss and Landscape Published by Aberdeen University Press
    JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 10, Issue 2 Love, Loss and Landscape Published by Aberdeen University Press in association with The Research Institute of Irish and Scottish Studies ISSN 1753-2396 Contents ‘James Lindsay – a late nineteenth-century Edinburgh art collector’ Per Kværne 1 James Joyce’s Labyrinths of Love and Desire in Exiles Saman Zoleikhaei 19 ‘The Quest through the Real’ Amir Barazande 49 ‘“It does not mak siccar you ken aboot weemin”: The Fight to be Heard in the Poetry of Joan Ure’ Richie McCaffery 56 ‘“An unbewildered poet”: The Ontological ‘Sense of Place’ in Seamus Heaney’s Prose’ Joanna Jarząb-Napierała 70 ‘On the move between shore and shore’: Scotland and Ireland’s history-makers, artists and the ‘Future State’ Craig Richardson 93 ‘“Out from Underneath Control” – A Conversation with David Greig’ Paula Sledzinska 114 List of Contributors 127 Editorial It was Joan Ure that captured something of the weight of the work examined here in writing, ‘This is a story that only seems sad at the end / but it is not sad because it is not a story but a /parable.’ Richie McCaffery quotes this passage in his excavation of Ure’s poetic enterprise, showing how she deployed verse to shape a space for her political and aesthetic ambitions as a writer. In this issue of the Journal of Irish and Scottish Studies we bring together a set of occasional papers that refl ect on the creative arts from the late nineteenth century to the contemporary scene. They have taken some time to gather together and I am grateful to the authors for their patience and kind responses to editorial queries.
    [Show full text]
  • Download a PDF of the Catalogue Here
    CONVERGE 2016 1 VISUAL ARTS SCOTLAND CONVERGE 2016 ANNUAL EXHIBITION OF FINE AND APPLIED ARTS David Watson. Cocaine Coffee Table Barry McGlashan. The Exile, detail VISUAL ARTS SCOTLAND CONVERGE 2016 SCOTLAND CONVERGE ARTS VISUAL 2 3 CONTENTS CONVERGE 2016 4 OPEN SELECTION 6 INVITED ARTIST: STEVEN MACIVER 16 INVITED ARTIST: SAM JOHNSON 20 INVITED ARTIST: ANDREW MACKENZIE 24 CORDIS PRIZE 28 GRADUATE SHOWCASE 34 AWARDS 40 MEMBERS 41 ACKNOWLEDGEMENTS 42 , detail Drawing 02 Drawing VISUAL ARTS SCOTLAND CONVERGE 2016 SCOTLAND CONVERGE ARTS VISUAL Gosia Walton. 4 5 CONVERGE 2016 ONVERGE is a statement of intent. We want our Over 14,000 visitors engaged with our 2015 show 2016 annual exhibition to be a place where disorder, VAS:T which received strong critical acclaim nationally. rt is often seen as apart from the everyday – special, conception, places it in that tradition: a tradition that Cthe disparate and the disjointed converge, a place where We introduced unfamiliar artists and designers to rarefied, occupying a world of its own, to be defined rejects the dualistic view that opposes mind to matter we can make fresh connections and engender new insight Scottish audiences, some of whom impressed Craft byA its opposition to the practical and to the mundane and which thinks of the idea or the word as original into the practices of artists, designers and makers. Scotland enough to be invited to show at SOFA Chicago preoccupations of commerce, work and leisure. But there and execution as secondary and mechanical. Instead it What we could not have predicted was just how 2015. We are thrilled that Craft Scotland has chosen to is an alternative tradition.
    [Show full text]
  • LEITH SCHOOL of ART RESILIENCE FUND Foundation Course Student 2020/21
    LEITH SCHOOL OF ART RESILIENCE FUND Foundation Course student 2020/21 A unique art community nestled in the heart of Leeka’s Story, Schools Outreach & Foundation Course Graduate Leith, Edinburgh, Leith School of Art was founded in 1988 by the late Lottie and Mark Cheverton with a vision of excellence in art teaching, an inclusive Leeka moved to Edinburgh with her family when she was 11 years caring ethos, and a strong sense of community at its old, after growing up in The Gambia with her grandmother. heart. In the first few years, Leeka found it difficult settling into high school – it was so different to where she came from – and she The same artistic, charitable and spiritual aims attended several schools before arriving at Craigroyston continue to inspire Leith School of Art today. It remains central to our vision to widen access to a Community High. This is where Leeka met art teacher Emma distinctive, life-enhancing range of art education Boyd and began to develop a passion for art. Emma, who had opportunities for all, regardless of background and studied at Leith School of Art herself, saw great promise in Leeka financial means. and recommended that she join the Schools Outreach Over the decades, Leith School of Art has made a programme. profound impact on the lives of thousands of artists During her year with the outreach project, Leeka showed across the country. It continues to be a vibrant exceptional talent, so she applied for LSA’s Foundation Course artistic community, where both traditional and and was accepted with a fully funded place through the Assisted contemporary practice is encouraged and nurtured.
    [Show full text]
  • Community Art
    Community Art So you want to be an artist: I always knew I wanted to be an artist, however, I enrolled in an Art History/English academic degree, and ended up leaving before I graduated as I needed to follow my heart with being an artist... Then I built up a portfolio at Leith School of Art and applied to art college.I did a foundation couse at Newcastle School of Art, followed by a degree in Fine Art at Staffordshire University, which focuses on sculpture and painting. It used to be free, but now only the Scottish Colleges are free. Scottish art colleges are: Edinburgh College of Art Glasgow School of Art Gray’s School of Art Duncan and Jordanstone These courses are 4 years or with an MA, 5 years. The English system is different: one year foundation course, and then a 3 year degree. Fine Artist: Sculpture, Painting, Intermedia, Photography. There are many other art courses. From curating to digital technologies, or those in Design. Designer: Animation Design Design Informatics Fashion Film and TV Glass Graphic Design Illustration Interior Design Interior Design and Architecture Jewellery and Silversmithing Performance Costume Product Design Textiles I learn by doing, taking courses, but also by self teaching, making mistakes and learning from them. Community/ Participatory artist How to make a living as an artist: 1.Teach: Learning how to teach my techniques to other people- at Edinburgh ​ Sculpture Workshop in Newhaven which led eventually to a job teaching Sculpture at Edinburgh College of Art Community Art 2. Freelance educator/ facilitator/ maker etc2 ​ 3.
    [Show full text]