The Imlay Foundation Recipient List 1
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The Imlay Foundation Recipient List
THE IMLAY FOUNDATION RECIPIENT LIST 100 Black Men of Atlanta, Inc. ArtsNOW, Inc. Automotive Training Center 3Keys, Inc. (fka Project Ashantilly Center Inc. Ayrshire Cancer Support (Scotland) Interconnections) Asian American Resource Center The Bachelor’s Club & 51st Highland Division Trust Assistance League of Atlanta Souter Cottage ABF The Soldier’s Charity Association for the Protection of BackPack Blessings, Inc. Abbotsford Trust Rural Scotland (UK) Ballethnic Dance Company, Inc. Aberlour Child Care Trust Atlanta Ballet Baruch College Fund Access at Ardgowen Atlanta Botanical Garden BDSRA (Batten Disease ACF Stakeholders Atlanta Celebrates Photography Support & RA) Achievement Rewards College Atlanta Center for Self Sufficiency Bearings Bike Shop, Inc. Scientists (fka Samaritan House Atlanta) Bethany Christian Trust (Scotland) Action Discipleship Ministries Atlanta Chamber Players Bield Housing Trust Action Ministries Atlanta Children’s Shelter, Inc. Big Brothers/Big Sisters Action on Hearing Loss Atlanta College of Art Biggar Museum Trust (Scotland) Action for Sick Children Atlanta Committee for the Olympic Blaze Sports America Actor’s Express Inc. Games (ACOG) Bloom Our Youth ADAPSO Foundation Atlanta Community Food Bank Blue Skies Ministries The Adaptive Learning Center Atlanta Community Tool Bank, Inc. Bobby Dodd Institute Advertising Council, Inc. Atlanta Concert Band Bobby Jones Golf Course and Park Agape Community Center Atlanta Contemporary Art Center Boys & Girls Clubs Agnes Scott College Atlanta Day Shelter for Women Boys & Girls Foundation AHMEN Housing Atlanta Girls’ School Boy Scouts of America - Pack 509 Ahimsa House Atlanta Habitat for Humanity Brain Injury Association of Georgia AID Atlanta Atlanta History Center Breakthru House Airborne Initiative (Scotland) Atlanta Hospital Hospitality House Brenau University Albert T. -
Objectivity, Interdisciplinary Methodology, and Shared Authority
ABSTRACT HISTORY TATE. RACHANICE CANDY PATRICE B.A. EMORY UNIVERSITY, 1987 M.P.A. GEORGIA STATE UNIVERSITY, 1990 M.A. UNIVERSITY OF WISCONSIN- MILWAUKEE, 1995 “OUR ART ITSELF WAS OUR ACTIVISM”: ATLANTA’S NEIGHBORHOOD ARTS CENTER, 1975-1990 Committee Chair: Richard Allen Morton. Ph.D. Dissertation dated May 2012 This cultural history study examined Atlanta’s Neighborhood Arts Center (NAC), which existed from 1975 to 1990, as an example of black cultural politics in the South. As a Black Arts Movement (BAM) institution, this regional expression has been missing from academic discussions of the period. The study investigated the multidisciplinary programming that was created to fulfill its motto of “Art for People’s Sake.” The five themes developed from the program research included: 1) the NAC represented the juxtaposition between the individual and the community, local and national; 2) the NAC reached out and extended the arts to the masses, rather than just focusing on the black middle class and white supporters; 3) the NAC was distinctive in space and location; 4) the NAC seemed to provide more opportunities for women artists than traditional BAM organizations; and 5) the NAC had a specific mission to elevate the social and political consciousness of black people. In addition to placing the Neighborhood Arts Center among the regional branches of the BAM family tree, using the programmatic findings, this research analyzed three themes found to be present in the black cultural politics of Atlanta which made for the center’s unique grassroots contributions to the movement. The themes centered on a history of politics, racial issues, and class dynamics. -
Download Curriculum Vitae
C O R R I N A S E P H O R A 1200 Foster St NW Studio B11W, Box 39 Atlanta, GA 30318 678-523-9969 [email protected] corrinasephora.com Education 2005 MFA Sculpture, Georgia State University, Atlanta, GA 1995 BFA Metals & Sculpture, Massachusetts College of Art and Design, Boston, MA Solo/ Duo Exhibitions 2021 Solo Exhibition, Spalding Nix Fine Art, Atlanta, GA *forthcoming 2020 Blood of the Earth II, Sewell Mill Library & Cultural Center, Marietta, GA *forthcoming 2019 Alchemical Divide, Madison-Morgan Cultural Center, Madison, GA Blood of the Earth, Sinclair Gallery, ArtsXChange, East Point, GA Between the Deep Blue Sea and the Universe, Mason Fine Arts, Atlanta, GA 2017 On Waters of Time, Callanwolde Fine Arts Gallery, Atlanta, GA 2017 Voyages Unforeseen, Kibbee Gallery, Atlanta, GA (Duo) 2015 Emergence from the Waters, Gallery 72, Mayor’s Office of Cultural Affairs, Atlanta, GA 2014 Nautical Observations, Art Partners, High Museum of Art, Atlanta, GA 2013 Soaring on the Surface of the Waters, Norcross Cultural Arts Center, Norcross, GA 2012 Flowing as Water, Rodriguez Room, Goat Farm Arts Center, Atlanta, GA 2008 Rescue Vehicles and Souls of the South, House of Colors, Atlanta, GA Exhibitions 2020 Group Exhibition, Spalding Nix Fine Art, Gallery Residences, Atlanta, GA *forthcoming 2019 Flicker, South River Art Studios, Atlanta, GA Ensemble, Spalding Nix Fine Art, Atlanta, GA Losing Control: Guns, Government, and Group-Think, ATHICA: Athens Institute for Contemporary Art, Athens, -
Addendum: University of Nottingham Letters : Copy of Father Grant’S Letter to A
Nottingham Letters Addendum: University of 170 Figure 1: Copy of Father Grant’s letter to A. M. —1st September 1751. The recipient of the letter is here identified as ‘A: M: —’. Source: Reproduced with the kind permission of the Department of Manuscripts and Special Collections, University of Nottinghan. 171 Figure 2: The recipient of this letter is here identified as ‘Alexander Mc Donell of Glengarry Esqr.’. Source: Reproduced with the kind permission of the Department of Manuscripts and Special Collections, University of Nottinghan. 172 Figure 3: ‘Key to Scotch Names etc.’ (NeC ¼ Newcastle of Clumber Mss.). Source: Reproduced with the kind permission of the Department of Manuscripts and Special Collections, University of Nottinghan. 173 Figure 4: In position 91 are the initials ‘A: M: —,’ which, according to the information in NeC 2,089, corresponds to the name ‘Alexander Mc Donell of Glengarry Esqr.’, are on the same line as the cant name ‘Pickle’. Source: Reproduced with the kind permission of the Department of Manuscripts and Special Collections, University of Nottinghan. Notes 1 The Historians and the Last Phase of Jacobitism: From Culloden to Quiberon Bay, 1746–1759 1. Theodor Fontane, Jenseit des Tweed (Frankfurt am Main, [1860] 1989), 283. ‘The defeat of Culloden was followed by no other risings.’ 2. Sir Geoffrey Elton, The Practice of History (London, [1967] 1987), 20. 3. Any subtle level of differentiation in the conclusions reached by participants of the debate must necessarily fall prey to the approximate nature of this classifica- tion. Daniel Szechi, The Jacobites. Britain and Europe, 1688–1788 (Manchester, 1994), 1–6. -
High Museum of Art
About the High Museum of Art The High Museum of Art is the leading art museum in the Southeastern United States. Located in Atlanta’s Midtown arts and business district, the High has more than 14,000 works of art in its permanent collection. The Museum has an extensive anthology of 19th- and 20th-century American and decorative art; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, folk art, photography, and African art. The High is also dedicated to supporting and collecting works by Southern artists, and in 1996 the Museum launched its “Picturing the South” program to commission emerging and established photographers to create new work inspired by the Southern landscape. Established in 1905 as the Atlanta Art Association, the Museum’s first permanent home came in 1926, with the donation by Mrs. Joseph M. High of her family’s residence on Peachtree Street. In 1955, the Museum moved to a new brick structure adjacent to the old High house. After 122 Georgia art patrons died in a plane crash on a Museum-sponsored European tour in 1962, the Atlanta Arts Alliance was founded in their memory, and the Atlanta Memorial Arts Center opened in 1968—constructed around the existing Museum. In 1979, Coca-Cola magnate Robert W. Woodruff offered a $7.5 million challenge grant to build a new facility; Museum officials matched and exceeded the grant, generating a total of $20 million. The High Museum of Art’s building designed by noted architect Richard Meier opened to worldwide acclaim in 1983, and it has received many design awards, including a 1991 citation from the American Institute of Architects as one of the “ten best works of American architecture of the 1980s.” Meier’s 135,000-square-foot facility, now known as the Stent Family Wing, tripled the Museum’s space, enabling the institution to mount more comprehensive displays of its collections. -
Archives ARCS® Atlanta Chapter Newsletter
ARChiveS ARCS® Atlanta Chapter Newsletter Volume No. IX, Issue No.1 Fall, 2007 Dr. Mary Brown Bullock to Address ARCS Scholars Luncheon Upcoming Events The annual Scholars’ Lunch- Colleges and Universities, 11/15 Scholars’ Luncheon eon will be held Thursday, and chaired the Women’s November 15, at the Ritz- College Coalition. She is a 12/5 Board Meeting Carlton, Atlanta. Liz Troy, director of the American 1//23 General Member- Scholars Luncheon Chair- Council on Education and ship Meeting & Luncheon man, has announced that Dr. vice chair of the Atlanta Re- Mary Brown Bullock, former gional Consortium for 2/15 Dues Deadline president of Agnes Scott Higher Education. In 2006, College, will be the keynote Dr. Bullock was named a 3/19 Board Meeting speaker. Dr. Bullock is cur- policy fellow at the Wood- 5/14 Annual Meeting & rently at Emory University as row Wilson International Luncheon Visiting Distinguished Profes- Center for Scholars. sor of China Studies. 6/4-7 National Annual Dr. Bullock is a member of Meeting & 50th Anniver- During Dr. Bullock’s 11-year The Carter Center Board of sary Celebration in tenure at Agnes Scott, en- Councilors, National Survey Pasadena, CA A 1966 Phi Beta Kappa rollment increased by more of Student Engagement’s 6/11 New Board/Old than 50 percent, the faculty National Advisory Board, graduate of Agnes Scott, Dr. Board Meeting grew by one third, fundrais- and Southern Global Strate- Bullock continued her educa- ing reached record levels, gies Council. She serves on tion at Stanford University and a the board of directors for where she earned her mas- $120 million capital improve- SunTrust Bank and Atlanta ter’s degree (1968) and doc- ment program was com- Genuine Parts Company. -
CENTER for PUPPETRY ARTS M I L L M O O N S Wcuc
CENTER FOR PUPPETRY ARTS p re se n ts m i l l ..new... MOONS Dili](NO ONE UNDER! 4 ADMITTED] OFFICIAL RADIO STATION wcuc PINOKIO UNCENSORED THE VILLAGE CHILD September 17-20 March 1 8 - April 3 Theatre DRAK, Czechoslovakia By Sandglass Theatre "I've always loved the work of DRAK Puppet Theatre. "For Bass, puppetry combines all art forms and They are among the most highly innovative is cinematic without being film itself." and theatrical puppetry companies in the world. " — Fay Bright, — Jim Henson, ATLANTA JEWISH TIMES Creator of the Muppets Sym bolic of the re cent freedom gained in the Euro pean Iron Curtain countries, this avant- garde version of Pinocchio uses as- tonisKingly dramatic lighting and special effects. Performed in English, live actors sing original songs and create theatri cal magic! Photo by Jeff Baird Critically-aclaimed Eric Bass, one of the prominent international puppetry Theatre DRAK, known artists who frequents the Center, returns to present this world-wide among humorous work which explores a family relationship on aficionados of the three levels. The actors' and puppets' visions and atre, has built an © Signum Josef Ptacek dreams make .captivating and thought-provoking im outstanding international reputation for visually pro ages. Each show is more stunning than the last, and like vocative theatre and original use of music. all great art, is a constellation of humorous touches and tenderness. EVERYTHING AND ALL November5 - 21 Three works by future award-winning artists, including Suzy Ferriss, Jeff Mather and Maggie Hayes, create bold sounds and images which challenge all the human senses. -
9 Decorative Pottery at Prestongrange
9 Decorative Pottery at Prestongrange Jane Bonnar This analysis is complemented by the Prestoungrange Virtual Pottery Exhibition to be found on the Internet at http://www.prestoungrange.org PRESTOUNGRANGE UNIVERSITY PRESS http://www.prestoungrange.org FOREWORD This series of books has been specifically developed to provided an authoritative briefing to all who seek to enjoy the Industrial Heritage Museum at the old Prestongrange Colliery site. They are complemented by learning guides for educational leaders. All are available on the Internet at http://www.prestoungrange.org the Baron Court’s website. They have been sponsored by the Baron Court of Prestoungrange which my family and I re-established when I was granted access to the feudal barony in 1998. But the credit for the scholarship involved and their timeous appearance is entirely attributable to the skill with which Annette MacTavish and Jane Bonnar of the Industrial Heritage Museum service found the excellent authors involved and managed the series through from conception to benefit in use with educational groups. The Baron Court is delighted to be able to work with the Industrial Heritage Museum in this way. We thank the authors one and all for a job well done. It is one more practical contribution to the Museum’s role in helping its visitors to lead their lives today and tomorrow with a better understanding of the lives of those who went before us all. For better and for worse, we stand on their shoulders as we view and enjoy our lives today, and as we in turn craft the world of tomorrow for our children. -
High Museum of Art Premieres North American Tour of Iris Van Herpen’S Innovative Haute Couture Designs
FOR IMMEDIATE RELEASE HIGH MUSEUM OF ART PREMIERES NORTH AMERICAN TOUR OF IRIS VAN HERPEN’S INNOVATIVE HAUTE COUTURE DESIGNS Major exhibition to feature recent works, including imaginative sculptural designs crafted using 3D-printing technology ATLANTA, Nov. 5, 2015 – The High Museum of Art is the first U.S. museum to present a major exhibition of work by visionary Dutch fashion designer Iris van Herpen, a cutting-edge artist inspired by diverse influences in the arts, sciences, music and philosophy. Marking the High’s first presentation of fashion design, “Iris van Herpen: Transforming Fashion” features one-of-a-kind haute couture—acclaimed for its combination of traditional craftsmanship and futuristic, innovative techniques—and includes some of the world’s first examples of 3D-printed fashion. The exhibition is co-organized with the Groninger Museum (the Netherlands) and debuts at the High, where it will be on view from Nov. 7, 2015, through May 15, 2016, before continuing on a North American tour. “Iris van Herpen’s work is an incredible fusion of artistic expression, craftsmanship and creativity,” said Sarah Schleuning, curator of decorative arts and design at the High. “The marriage of traditional, handcrafted designs and 21st-century technology makes her work innovative, dynamic and a signifier of a bold, new future for fashion design. With this presentation, the High continues to champion the outstanding visionaries who design the world around us.” Iris van Herpen has garnered international acclaim for her couture designs, which interweave traditional handwork with groundbreaking 3D-printing technology, computer modeling and engraving constructed in collaboration Iris van Herpen (Dutch, born with architects, engineers and digital design specialists. -
Raise the Curtain
JAN-FEB 2016 THEAtlanta OFFICIAL VISITORS GUIDE OF AtLANTA CoNVENTI ON &Now VISITORS BUREAU ATLANTA.NET RAISE THE CURTAIN THE NEW YEAR USHERS IN EXCITING NEW ADDITIONS TO SOME OF AtLANTA’S FAVORITE ATTRACTIONS INCLUDING THE WORLDS OF PUPPETRY MUSEUM AT CENTER FOR PUPPETRY ARTS. B ARGAIN BITES SEE PAGE 24 V ALENTINE’S DAY GIFT GUIDE SEE PAGE 32 SOP RTS CENTRAL SEE PAGE 36 ATLANTA’S MUST-SEA ATTRACTION. In 2015, Georgia Aquarium won the TripAdvisor Travelers’ Choice award as the #1 aquarium in the U.S. Don’t miss this amazing attraction while you’re here in Atlanta. For one low price, you’ll see all the exhibits and shows, and you’ll get a special discount when you book online. Plan your visit today at GeorgiaAquarium.org | 404.581.4000 | Georgia Aquarium is a not-for-profit organization, inspiring awareness and conservation of aquatic animals. F ATLANTA JANUARY-FEBRUARY 2016 O CONTENTS en’s museum DR D CHIL ENE OP E Y R NEWL THE 6 CALENDAR 36 SPORTS OF EVENTS SPORTS CENTRAL 14 Our hottest picks for Start the year with NASCAR, January and February’s basketball and more. what’S new events 38 ARC AROUND 11 INSIDER INFO THE PARK AT our Tips, conventions, discounts Centennial Olympic Park on tickets and visitor anchors a walkable ring of ATTRACTIONS information booth locations. some of the city’s best- It’s all here. known attractions. Think you’ve already seen most of the city’s top visitor 12 NEIGHBORHOODS 39 RESOURCE Explore our neighborhoods GUIDE venues? Update your bucket and find the perfect fit for Attractions, restaurants, list with these new and improved your interests, plus special venues, services and events in each ’hood. -
Principal Job Pack
The Leith School of Art 25 North Junction Street Edinburgh EH6 6HW Telephone: 0131 554 5761 Web: www.LeithSchoolofArt.co.uk Email: [email protected] Leith School of Art – appointment of Principal A welcome from the Chair of the Board of Directors Thank you for your interest in Leith School of Art and in our search for a new Principal. As you delve into the following pages I hope you will gain a sense of what makes Leith School of Art unique and this vacancy so special. Leith School of Art is held in great respect by artists far and wide and in genuine affection by all who are associated with it. Leith means a great deal in different ways to different people of course, but if two things stand out it is the excellence of the teaching and the sense of community and support that surrounds it. There are many who can describe the experience of studying at Leith as life-changing, whether as a springboard to an artistic career or privately as a way to find, or rediscover, fulfilment, self-connection and expression. Our means-tested Assisted Places and Community Classes open the door to many for whom the opportunity to learn about art and design would be beyond reach on cost grounds. With the forthcoming retirement of our current Principal, we are at a highly significant transition in the story of Leith School of Art, and this is a very exciting opportunity for an artist with a passion and vision for art education to play a leading role in shaping the next chapter. -
2017-2018 Lagrange College Bulletin
VOLUME CLXXVI AUGUST 2017 LAGRANGE COLLEGE BULLETIN LAGRANGE, GEORGIA 2017-2018 1 CONTENTS Communications Directory 3 LaGrange College Mission, History, Accreditation 4 and other Sessions The LaGrange College Campus 8 Admission and Enrollment 13 Financial Information 25 Financial Aid 31 Student Engagement 44 Athletic Program 66 Information Technology and Academic Support 68 Academic Policies 73 Academic Programs 89 Academic Departments, Programs, and Courses 107 Faculty 314 Board of Trustees and Administrative Officers 324 Administrative Staff 327 CHANGE OF REGULATIONS The College reserves the right to make modifications in the degree requirements, courses, schedules, calendar, regulations, fees, and other changes deemed necessary or conducive to the efficient operation of the College. Such changes become effective as announced by the proper College authorities. BULLETIN EFFECTIVE DATE: August 23, 2017, for current (2017-2018) academic year Note: For information, regulations, and procedures for graduate study, see the Graduate Bulletin. For information, regulations, and procedures for evening study, see the Evening College Bulletin. 2 COMMUNICATIONS DIRECTORY LaGrange College 601 Broad Street LaGrange, Georgia 30240-2999 706.880.8000 http://www.lagrange.edu/ For prompt attention, please address inquiries as indicated below: LaGrange College (general information) 706.880.8000 Office of the President 706.880.8240 Vice President for Academic Affairs 706.880.8236 Registrar 706.880.8997 Vice President for Student Engagement 706.880.8976 Director of Career Development Center 706.880.8185 Director of Communications and Marketing 706.880.8246 Director of Financial Aid 706.880.8249 Senior Director of Information Technology 706.880.8050 Vice President for External Relations 706.880.8223 Vice President for Enrollment Management 706.880.8253 Vice President for Finance and Operations 706.880.8223 The administrative offices in Banks Hall are open 8:00 a.m.