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The Publication History of Spohr's Clarinet Concertos
THE PUBLICATION HISTORY OF SPOHR'S CLARINET CONCERTOS by Keith Warsop N DISCUSSING the editions used for the recording by French clarinettist paul Meyer of Spohr's four concertos for the instrument on the Alpha label (released as a two-CD set, ALPHA 605, with the orchestre de Chambre de Lausanne), reviewers in the November 2012 issues of the Gramophone and,Internotional Record Review magazines came to some slightly misleading conclusions about this subject so that it has become important to clarify matters. Carl Rosman, writing in 1RR, ,authentic, said: "Meyer has also taken steps towards a more text fbr these concertos. While the clarinet works of Mozart, Brahms and Weber have seen various Urtext editions over the years, Spohr's concertos circulate only in piano reductions from the late nineteenth century ... Meyer has prepared his own editions from the best available sources (the manuscripts of all but No.4 have been lost but there are contemporary manuscript copies of the others held at the Louis Spohr Society in Kassel); this has certainly giu., him lreater freedom in the area of articulation, and also allowed him to adopt some more-flowing temios than the late nineteenth-century editions specify.', In the Gramophone, Nalen Anthoni stated: "Hermstedt demanded exclusive rights and, presumably, kept the autographs. Only that of No.4 was found, in 1960. The other works have been put together from manuscript copies. Paul Meyer seems largely attuned to the solo parts edited by stanley Drucker, the one-time principal ciarinettist of the New york philharmonic. Michael Collins [on the Hyperion label] is of similar mind, though both musicians add their own individual touches phrasing to and articulation. -
Issued by the Britain-Tanzania Society No 104 Jan - April 2013
Tanzanian Affairs Text 1 Issued by the Britain-Tanzania Society No 104 Jan - April 2013 Big Progress in Transport Death of a Journalist A Tale of Two Museums Meaning in Miscellanea Faith News BIG PROGRESS IN TRANSPORT New ‘no frills’ airline launched A new ‘no frills’ airline called ‘Fastjet’, modelled on the Easyjet airline which has revolutionised air travel in Europe, was launched in Africa on November 29th. The famous entrepreneur Sir Stelios Haji Ioannou, who started Easyjet, has joined with Lonrho’s airline, which flies in West Africa to establish the new group. Significantly, Fastjet chose to begin in Tanzania and Dar es Salaam airport will be its first African hub. It has already leased two planes, has 15 more on order (all Airbus A319s with a capacity for up to 156 passengers), and plans to build up to a fleet of 40. Tanzania’s dynamic Minister of Transport, Dr Harrison Mwakyembe, spoke about the unusually speedy implementation of this vast project when he addressed a crowded AGM of the Britain Tanzania Society in London in mid November. Fastjet plans to expand from Tanzania into Kenya in 2013 and then to Ghana and Angola which are already served by the Lonrho airline. It is advertising for pilots, passenger services agents, cabin crew and crew managers and also for retail sales agents in the East African media. ‘Taking the country by storm.’ The Citizen wrote that the launch had taken the country by storm, as the airline transported 900 passengers in eight flights from Dar to Mwanza and Kilimanjaro and back on its first day! The airline’s management told investors that demand for seats on these routes far outstripped supply. -
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. -
Monograph-Ana Catalina Ramirez
COSTA RICAN COMPOSER CARLOS ESCALANTE MACAYA AND HIS CONCERTO FOR CLARINET AND STRINGS A Monograph Submitted to the Temple University Graduate Board In partial fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS by Ana Catalina Ramírez Castrillo May, 2014 Examining Committee Members: Dr. Cynthia Folio, Advisory Chair, Music Studies Department (Music Theory) Dr. Charles Abramovic, Piano Department, Keyboard Department (Piano) Dr. Emily Threinen, Instrumental Studies Department (Winds and Brass) Dr. Stephen Willier, Music Studies Department (Music History) ABSTRACT The purpose of this monograph is to promote Costa Rican academic music by focusing on Costa Rican composer Carlos Escalante Macaya and his Concerto for Clarinet and Strings (2012). I hope to contribute to the international view of Latin American composition and to promote Costa Rican artistic and cultural productions abroad with a study of the Concerto for Clarinet and Strings (Escalante’s first venture into the concerto genre), examining in close detail its melodic, rhythmic and harmonic treatment as well as influences from different genres and styles. The monograph will also include a historical context of Costa Rican musical history, a brief discussion of previous important Costa Rican composers for the clarinet, a short analysis of the composer’s own previous work for the instrument (Ricercare for Solo Clarinet) and performance notes. Also, in addition to the publication and audio/video recording of the clarinet concerto, this document will serve as a resource for clarinet soloists around the world. Carlos Escalante Macaya (b. 1968) is widely recognized in Costa Rica as a successful composer. His works are currently performed year-round in diverse performance venues in the country. -
German Open 2019
German Open 2019 2.Waage German Open 2019 Day: 2 German Open 2019 Day: 2 NOC Pos. Name, First Name. Bib No. Club Country Unterschrift Code 1 Johansen, Magnus Emil, (141) J Am-48 50,40 OK 2 Albertslund Taekwondo Klub (dk 2 Gazez, Nurbek, (592) J Am-48 50,40 OK 2 Almaty City Taekwondo Team 3 Demhasaj, Jeton, (975) J Am-78 81,90 OK 2 Aries Taekwondo Schaffhausen 4 Symeonidis, Dimitris, (527) J Bm-37 38,85 OK 2 Athletic Club Menemenis 5 Safaryn, Piotr, (729) J Bm-49 51,45 OK 2 Azs Awf Warszawa 6 Kaspruk, Emilia, (739) J Aw-55 57,75 OK 2 Azs Os Poznan 7 Valentino, Viviana, (227) J Aw-63 66,15 OK 2 Bayerische Taekwondo Union 8 Tammila, Valtteri, (201) J Am-51 53,55 OK 2 Budokwai Taekwondo 9 Meistininkaite, Gerda, (547) J Aw-49 51,45 OK 2 Champion Taekwondo Ireland 10 Sahament, Jinin, (169) J Aw-55 57,75 OK 2 Hwarang Rødovre Tkd 11 Yelshibay, Yelzhan, (607) J Am-51 53,55 OK 2 Kazakhstan Junior National Tea 12 Dolat, Piotr, (759) J Am-59 61,95 OK 2 Ks Azs Uwm Olsztyn 13 Brink, Kevin, (924) J Bm-61 64,05 OK 2 Kumgang Sweden 14 Calik, Enis, (264) J Bm-37 38,85 OK 2 Landeskader Hamburg 15 Gauger, Finn, (267) J Am-51 53,55 OK 2 Landeskader Hamburg 16 Angell, Zak, (501) J Bm-45 47,25 OK 2 Lion Taekwondo 17 Attout, Lhéna, (220) J Bw-41 43,05 OK 2 Lyon Métropole Taekwondo 18 Christy, Beth, (508) J Bw-47 49,35 OK 2 Manchester Aces 19 BÖhm, Hannah Ida, (284) J Bw-37 38,85 OK 2 Moo Rim San 20 Lemmens, Maarten, (47) J Am-45 47,25 OK 2 Nong Jang Smiley 21 Keskin, Aysel, (288) J Aw-55 57,75 OK 2 Nwtu Team Germany 22 Yousufi, Mohammad, (291) J Am-59 61,95 OK 2 Nwtu Team Germany Report created:30.03.201922:38:48 Page: 1 Deltapool Games Management Systems, Hamburg (Germany) Copyright 1994 - 2018 by Hamid Rahimi German Open 2019 2.Waage German Open 2019 Day: 2 German Open 2019 Day: 2 NOC Pos. -
SHAPING the ENERGY TRANSITION MAIN TOPIC Editorial
2019/20 Issue AUSGABE 2019/20 THE UNIVERSITY OF OLDENBURG’S RESEARCH MAGAZINE FORSCHUNGSMAGAZIN 6464 SHAPING THE ENERGY TRANSITION MAIN TOPIC Editorial Dear readers, 2011 was the year of the nuclear di- Years later it is lagging behind: in mense challenges. And yet the energy saster in Fukushima. In Germany it the 2018 global Energy Transition In- transition, the task of the century, is marked the beginning of a new era. On dex of the World Economic Forum, well underway. Many green techno- 9 June 2011, three months after a severe Germany landed in sixteenth position. logies are already competitive, and in- earthquake hit the east coast of Japan, And it was only with great difficulty novative solutions are just waiting to triggering the tsunami that caused the that the current grand coalition go- be implemented. core meltdown in three reactor blocks vernment was able to pass its “Climate at the nuclear power plant Fukushima Protection Programme 2030”. The plan Oldenburg researchers are also bus- I, Chancellor Angela Merkel announ- envisages a price tag for polluting CO2 ily researching topics related to the ced Germany’s new “path to the energy emissions, subsidy schemes and, as its energy transition. In this issue of EIN- of the future” in her government policy key element, the “constant and reliable BLICKE we introduce a few examples: statement. expansion of renewables.” For most ex- from energy informatics, wind physics perts, the plan does not go far enough: and energy meteorology to economic The key points of the plan: nucle- the carbon pricing policy is ineffective, policy, sustainable production, inno- ar power usage was to be phased out the expansion of wind energy across vation sociology and sustainability in Germany by 2022 and renewables the country is being hindered more research. -
Dissertation 3.19.2021
Cultivating the Contemporary Clarinetist: Pedagogical Materials for Extended Clarinet Techniques Caitlin Beare A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2021 Reading Committee: Timothy Salzman, Chair David Rahbee Benjamin Lulich Program Authorized to Offer Degree: Music © Copyright 2021 Caitlin Beare University of Washington Abstract Cultivating the Contemporary Clarinetist: Pedagogical Materials for Extended Clarinet Techniques Caitlin Beare Chair of the Supervisory Committee: Timothy Salzman School of Music The exploration and implementation of new timbral possibilities and techniques over the past century have redefined approaches to clarinet performance and pedagogy. As the body of repertoire involving nontraditional, or “extended,” clarinet techniques has grown, so too has the pedagogical literature on contemporary clarinet performance, yielding method books, dissertations, articles, and online resources. Despite the wealth of resources on extended clarinet techniques, however, few authors offer accessible pedagogical materials that function as a gateway to learning contemporary clarinet techniques and literature. Consequently, many clarinetists may be deterred from learning a significant portion of the repertoire from the past six decades, impeding their musical development. The purpose of this dissertation is to contribute to the pedagogical literature pertaining to extended clarinet techniques. The document consists of two main sections followed by two appendices. The first section (chapters 1-2) contains an introduction and a literature review of extant resources on extended clarinet techniques published between 1965–2020. This literature review forms the basis of the compendium of materials, found in Appendix A of this document, which aims to assist performers and teachers in searching for and selecting pedagogical materials involving extended clarinet techniques. -
Clarinet Lesson/Clinic Sheet
Clarinet Resources Jonathan Bouchard | jonbouchard.com Beginner Level and Second Level – Method Books Practice Tools - Clarinet Method (Galper) - Mirror - So You Want to Play The Clarinet (Paula Corley) - Tuner - Clarinet Basics (Paul Harris) - metronome - Clarinet For Beginners (Galper) - Essential Elements 2000: Bb clarinet Book Mouthpieces - Standard of Excellence (Bruce Pearson) - D'Addario Reserve As students advance here are some options to think about: - Selmer Concept Scale Books: - Vandoren B45 - Royal Conservatory of Music Clarient Technique - 24 Varied Scale Exercises for Clarinet (J.B. Albert) Reeds - Clarinet Scales and Arpeggios (Galper) Vandoren 2.5-3.5 D’Addario Reserve 2.5-3.5 Etudes - Starter Studies (Philip Sparke) Clarinets - Skillful Studies (Philip Sparke) Yamaha, Selmer Henri - 60 Rambles (Leon Lester) Paris, and Buffet are good - Duettist Folio (Voxmann) and reliable instrument - Royal Conservatory Preparatory – Grade 4 Etudes manufacturers - Starter Duets (Philip Sparke) - Skillful Duets (Philip Sparke) Classical Clarinetists Jazz Clarinetists - Improve Your Sight Reading (Paul Harris) Martin Frost Paquito D’rivera - Velocity Studies for the Clarinet (Opperman) Sabine Meyer Anat Cohen Suggested Repertoire Julian Bliss Benny Goodman Richard Stoltzman Artie Shaw - Clarinet Solos (Nylo Hovie) Sharon Kam Victor Goines - Solos for Clarinet Playing (Christmen) - Gypsy Moods - Clasical Album (Arthur Wilner) Recommended Listening - Rubank Book of Classical Solos Mozart: Clarinet Concerto in A major, K622 - Original Clarinet -
Clarinet Concertos Clarinet
Clarinet 14CD Concertos 95787 ClaRINet Concertos 14CD CD1 Molter Concertos Nos. 1–5 CD9 Mercadante Concertino Concertos Nos. 1 & 2 CD2 Spohr Concertos Nos. 1 & 4 Sinfonia concertante No.3 CD3 Spohr Concertos Nos. 2 & 3 CD10 Hoffmeister Concerto CD4 Mozart Concerto in A K622 Sinfonie concertanti Nos. 1 & 2 Bruch Clarinet & Viola Concerto CD11 Baermann Concertstück in G minor CD5 Weber Concertino Clarinet Concertinos Opp. 27 & 29 Concertos Nos. 1 & 2 Sonata No.3 in D minor/F Busoni Concertino CD12 Finzi Concerto CD6 Crusell Concertos Nos. 1–3 Stanford Concerto Copland Concerto (1948 version) CD7 Krommer Concerto Op.36 Double Concertos Opp. 35 & 91 CD13 Nielsen Concerto Tansman Concerto Stamitz CD8 Concerto No.1 Hindemith Concerto Double Concerto Clarinet & Bassoon Concerto CD14 Rietz Concerto Rossini Introduction, theme & variations Mendelssohn Concert Pieces Opp. 113 & 114 Performers include: Davide Bandieri · Kevin Banks · Kálmán Berkes · Per Billman Jean-Marc Fessard · Henk de Graaf · Sharon Kam · Dieter Klöcker · Sebastian Manz Oskar Michallik · Robert Plane · Giuseppe Porgo · Giovanni Punzi · David Singer Tomoko Takashima · Maria du Toit · Kaori Tsutsui · Eddy Vanoosthuyse C 2018 Brilliant Classics DDD/ADD STEMRA Manufactured and printed in the EU 95787 www.brilliantclassics.com Clarinet 14CD Concertos 95787 Clarinet Concertos historical interest. The solo writing – composed for a high clarinet in D – suggests the virtuosity of Most musical instruments in use today derive from very ancient ancestors. The oboe, for example, a coloratura soprano. may be traced back to the shawm, an instrument with a double-reed and wooden mouthpiece, Louis Spohr (1784–1859), born in Brunswick, established a reputation as a violinist and conductor, used from the 12th century onwards. -
TRIO Kam Porat
TRIO KaM PORaT MI 13.11.2019 THEaTERfORuM PRoGRAMM MITTWocH 13. NoVEMBER 2019 DIE AUSFüHRENDEN WOlfGaNG aMaDEus MOZaRT [1756 – 1791] sHaRON KaM, Klarinette 1998 für ihre Weber-Aufnahme mit dem Gewandhausorchester Trio Es-Dur für Klarinette, Viola und Klavier KV 498, „Kegelstatt Trio“ (1786) Direkt nach der Sharon Kam gehört zu den weltweit führenden Klarinettistinnen Leipzig unter Kurt Masur sowie 2006 für ihre cD mit dem MDR Andante | Menuetto – Trio | Rondo. Allegretto Veranstaltung schreibt und arbeitet mit den bedeutendsten orchestern in den USA, Sinfonieorchester und Werken von Spohr, Weber, Rossini und der Musikjournalist Europa und Japan. Bereits mit 16 Jahren interpretierte sie Mendelssohn. Die Aufnahme „American classics“ mit dem Lon - ROBERT sCHuMaNN [1810 – 1856] Reinhard Palmer eine Mozarts Klarinettenkonzert in ihrem orchesterdebüt mit dem don Symphony orchestra unter der Leitung ihres Ehemannes „Märchenerzählungen“ für Klarinette, Viola und Klavier op. 132 (1853) Kritik zum Konzert. Israel Philharmonic orchestra unter Zubin Mehta, wenig später Gregor Bühl bekam den Preis der Deutschen Schallplattenkritik. Lebhaft, nicht zu schnell | Lebhaft und sehr markiert | Ruhiges Tempo mit zartem Ausdruck | Sie können diese bereits Mozarts Klarinettenquintett mit dem Guarneri Quartet in New 2013 folgte ihre gefeierte „opera!“-cD für Klarinette und Lebhaft, sehr markiert am nächsten Mittag York. Zu Mozarts 250. Geburtstag spielte sie das Klarinetten - Kammerorchester mit Transkriptionen italienischer Arien. PAUSE unter konzert im Ständetheater in Prag, vom Fernsehen live in 33 Zum 100. Todestag von Max Reger veröffentlichte Sharon Kam www.theaterforum.de Länder übertragen. Beide Werke nahm sie mit der Bassett- die Klarinettenquintette von Reger und Brahms. In der Saison JOHaNNEs BRaHMs [1833 – 1897] bzw. -
Závěrečné Práce
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra dechových nástrojů Hra na klarinet Umělec pedagog Charles Neidich a jeho vliv na vývoj americké klarinetové školy Diplomová práce Autor práce: Jakub Hrdlička Vedoucí práce: doc. Milan Polák Oponent práce: doc. Vít Spilka Brno 2015 Bibliografický záznam HRDLIČKA, Jakub. Umělec a pedagog Charles Neidich a jeho vliv na vývoj americké klarinetové školy [Artist educator Charles Neidich and his influence on the American Clarinet school] Brno: Janáčkova akademie múzických umění v Brně, Hudební fakulta, Katedra dechových nástrojů, 2015 doc. Milan Polák s. [69] Anotace Diplomová práce Umělec a pedagog Charles Neidich a jeho vliv na vývoj americké klarinetové školy pojednává o osobnosti Charlese Neidicha. Práce je rozdělena do několika částí, ve kterých se zaměřuji na americkou klarinetovou školu, Ch. N. jako umělce a pedagoga a v další fázi analýzu a popis jeho metodiky a rozhovor s nejúspěšnějšími žáky. Annotation Diploma thesis „Artist educator Charles Neidich and his influence on the American Clarinet school” deals with personality of Charles Neidich. The work is divided into several sections in which I focus on American Clarinet school, Ch. N. as an artist and educator and in the next phase analyze and description of his pedagogical methods and interview with the most renowned students. Klíčová slova Americká klarinetová škola, Charles Neidich, umělec, pedagog Keywords American clarinet school, Charles Neidich, artist, educator Prohlášení Prohlašuji, že jsem předkládanou práci zpracoval samostatně a použil jen uvedené prameny a literaturu. Jakub Hrdlička V Brně dne 14. 8. 2015 Poděkování Na tomto místě bych rád poděkoval docentu Milanu Polákovi za laskavou spolupráci při tvorbě této práce a také umělcům Mate Bekavac, Sharon Kam, Kari Kriikku za poskytnutí rozhovorů. -
John Bruce Yeh
Vol. 48 • No. 1 December 2020 JOHN BRUCE YEH ICA Plays On! Anna Hashimoto Clarinet Works by Black Composers Krzysztof Penderecki’s Clarinet Works TO DESIGN OUR NEW CLARINET MOUTHPIECE WE HAD TO GO TO MILAN “I am so happy to play the Chedeville Umbra because it is so sweet, dark, so full of colors like when you listen to Pavarotti. You have absolutely all kind of harmonics, you don’t have to force or push, and the vibration of the reed, the mouthpiece, the material, it’s connected with my heart.” Milan Rericha – International Soloist, Co-founder RZ Clarinets The New Chedeville Umbra Clarinet Mouthpiece Our new Umbra Bb Clarinet Mouthpiece creates a beautiful dark sound full of rich colors. Darker in sound color than our Elite model, it also has less resistance, a combination that is seldom found in a clarinet mouthpiece. Because it doesn’t add resistance, you will have no limits in dynamics, colors or articulation. Each mouthpiece is handcrafted at our factory in Savannah Georgia Life Without Limits through a combination of new world technology and old world craftsmanship, and to the highest standards of excellence. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Jessica Harrie [email protected] hope this finds you well and staying safe as we continue EDITORIAL BOARD to navigate these truly extraordinary times. I also hope Diane Barger, Heike Fricke, Denise Gainey, that you are finding or creating opportunities to make Jessica Harrie, Rachel Yoder music, whether it be on your own, socially distanced MUSIC REVIEWS EDITOR Iwith others or through a computer screen.