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Samuel Clemens Carriage House) 351 Farmington Avenue WABS Hartford Hartford County- Connecticut
MARK TWAIN CARRIAGE HOUSE HABS No. CT-359-A (Samuel Clemens Carriage House) 351 Farmington Avenue WABS Hartford Hartford County- Connecticut WRITTEN HISTORICAL AND DESCRIPTIVE DATA REDUCED COPIES OF THE MEASURED DRAWINGS PHOTOGRAPHS Historic American Buildings Survey National Park Service U.S. Department of the Interior Washington, D.C. 20013-7127 m HISTORIC AMERICAN BUILDINGS SURVEY MARK TWAIN CARRIAGE HOUSE HABS NO. CT-359-A Location: Rear of 351 Farmington Avenue, Hartford, Hartford County, Connecticut. USGS Hartford North Quadrangle, Universal Transverse Mercator Coordinates; 18.691050.4626060. Present Owner. Occupant. Use: Mark Twain Memorial, the former residence of Samuel Langhorne Clemens (better known as Mark Twain), now a house museum. The carriage house is a mixed-use structure and contains museum offices, conference space, a staff kitchen, a staff library, and storage space. Significance: Completed in 1874, the Mark Twain Carriage House is a multi-purpose barn with a coachman's apartment designed by architects Edward Tuckerman Potter and Alfred H, Thorp as a companion structure to the residence for noted American author and humorist Samuel Clemens and his family. Its massive size and its generous accommodations for the coachman mark this structure as an unusual carriage house among those intended for a single family's use. The building has the wide overhanging eaves and half-timbering typical of the Chalet style popular in the late 19th century for cottages, carriage houses, and gatehouses. The carriage house apartment was -
The 2012 Chapin Middle School Reading List for Girls Entering Class 4
The 2012 Chapin Middle School Reading List for Girls Entering Class 4 CLASSICS ............................................................................................................... 2 REALISTIC FICTION .......................................................................................... 3 MYSTERIES AND ADVENTURE STORIES ..................................................... 6 FANTASY ................................................................................................................ 9 HISTORICAL FICTION ..................................................................................... 13 NONFICTION ...................................................................................................... 14 POETRY ................................................................................................................ 17 All descriptions for the books on this list were either created by the LS Librarian, the Follett Company (Chapin’s OPAC ) or the NYPL’s annual children’s book list (100 Titles for Reading and Sharing). Classics Aiken, Joan. Wolves of Willoughby Chase. Two young girls are sent to live on an isolated country estate where they find themselves in the clutches of an evil governess. Alcott, Louisa May Little Women Follow the lives of four sisters in nineteenth-century New England. Baum, L. Frank. The Wizard Of Oz. An elegant and rich story about a girl, her friends, and a humbug wizard. Burnett, Frances Hodgson. The Secret Garden. A young orphan named Mary is sent to live at a creepy English estate -
The Letters of Mark Twain, Complete by Mark Twain (Samuel Clemens)
The Letters Of Mark Twain, Complete By Mark Twain (Samuel Clemens) 1 VOLUME I By Mark Twain MARK TWAIN'S LETTERS I. EARLY LETTERS, 1853. NEW YORK AND PHILADELPHIA We have no record of Mark Twain's earliest letters. Very likely they were soiled pencil notes, written to some school sweetheart --to "Becky Thatcher," perhaps--and tossed across at lucky moments, or otherwise, with happy or disastrous results. One of those smudgy, much-folded school notes of the Tom Sawyer period would be priceless to-day, and somewhere among forgotten keepsakes it may exist, but we shall not be likely to find it. No letter of his boyhood, no scrap of his earlier writing, has come to light except his penciled name, SAM CLEMENS, laboriously inscribed on the inside of a small worn purse that once held his meager, almost non-existent wealth. He became a printer's apprentice at twelve, but as he received no salary, the need of a purse could not have been urgent. He must have carried it pretty steadily, however, from its 2 appearance--as a kind of symbol of hope, maybe--a token of that Sellers-optimism which dominated his early life, and was never entirely subdued. No other writing of any kind has been preserved from Sam Clemens's boyhood, none from that period of his youth when he had served his apprenticeship and was a capable printer on his brother's paper, a contributor to it when occasion served. Letters and manuscripts of those days have vanished--even his contributions in printed form are unobtainable. -
Literary Destinations
LITERARY DESTINATIONS: MARK TWAIN’S HOUSES AND LITERARY TOURISM by C2009 Hilary Iris Lowe Submitted to the graduate degree program in American studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. _________________________________________ Dr. Cheryl Lester _________________________________________ Dr. Susan K. Harris _________________________________________ Dr. Ann Schofield _________________________________________ Dr. John Pultz _________________________________________ Dr. Susan Earle Date Defended 11/30/2009 2 The Dissertation Committee for Hilary Iris Lowe certifies that this is the approved version of the following dissertation: Literary Destinations: Mark Twain’s Houses and Literary Tourism Committee: ____________________________________ Dr. Cheryl Lester, Chairperson Accepted 11/30/2009 3 Literary Destinations Americans are obsessed with houses—their own and everyone else’s. ~Dell Upton (1998) There is a trick about an American house that is like the deep-lying untranslatable idioms of a foreign language— a trick uncatchable by the stranger, a trick incommunicable and indescribable; and that elusive trick, that intangible something, whatever it is, is the something that gives the home look and the home feeling to an American house and makes it the most satisfying refuge yet invented by men—and women, mainly by women. ~Mark Twain (1892) 4 TABLE OF CONTENTS ACKNOWLEDGEMENTS 5 ABSTRACT 7 PREFACE 8 INTRODUCTION: 16 Literary Homes in the United -
Presented to the Graduate Council of the North Texas State University In
/37Q/c /vo. THE CAPTAIN STORMFIELD CHARACTER IN THE PUBLISHED AND UNPUBLISHED WORKS OF MARK TWAIN DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Helen Hanicak, B. A., M. A. Denton, Texas May, 1976 Hanicak, Helen A., The Captain Stormfield Character in the Published and Unpublished Works of Mark Twain. Doctor of Philosophy (English) December, 1975, 148 pp., bibliography, 77 titles. Captain Stormf ield, the main character in Mark Twain's last book, Extract from Captain Stormfield's Visit to Heaven (1909), and in Dixon Wecter's restored posthumous edition of this work, entitled "Captain Stormfield's Visit to Heaven" (1952), appears numerous times--under either the Stormfield name or some other--in Twain's published and unpublished works. His presence throughout the Twain canon--from soon after 1868 when Twain sailed from San Francisco to Panama with Stormfield's original, Captain Edgar (Ned) Wakeman, until 1909, the publication date of Extract from Captain Stormfield's Visit to Heaven--demon- strates Twain's preoccupation with this important character. Works, listed by real or approximate date of composition, as diverse as Roughing It (1872), the "Simon Wheeler Sequence" (c. 1870), Simon Wheeler: Amateur Detective (1878-c. 1898), "Some Random Notes on an Idle Excursion" (1877), "The Great Dark" (1897), and another posthumous work, "Refuge of the Derelicts" (1905-1906), all have 2 Stormfieldian characters, and they all reflect the complex personality of Mark Twain. Most important, Stormfield and represents Twain's ambivalence toward theological philosophical questions of existence. -
The Beginning of His Last Years: Mark Twain's Joan of Arc and His Attempt to Deal with Transgressions
The Beginning of His Last Years: Mark Twain’s Joan of Arc and His Attempt to Deal with Transgressions Ryoko Okubo Mark Twain’s last finished novel, Personal Recollections of Joan of Arc (1896), is his only full-length novel to focus on a female character. Comprising the life of Joan of Arc shortly after her birth in Domremy, France, in 1412, up until her death at the stake in 1431, Personal Recollections of Joan of Arc, as a matter of course, can be categorized among Mark Twain’s historical novels. However, when compared to other historical novels, such as The Prince and the Pauper (1881) and A Connecticut Yankee in King Arthur’s Court (1889), this novel is often regarded as a “serious” historical novel. Because Mark Twain feared that people would not take this novel “seriously” if he attached his name to it, Mark Twain arranged for Harper’s Magazine to publish it anonymously in monthly installments that began in April 1895 and continued through April 1896 (Rasmussen 262, LeMaster 569). Critics have also determined that this is a less creative, more faithful to history, and more genteel and sentimental novel; thus, “the most incongruous product of Mark Twain’s imagination” and “the least known and least read of Twain’s major novels” (Stone 204), even though this work may prove his interest in history and his ability to write “serious” novels. Although this work is anonymously published, Mark Twain hints at -25- his identity by an elaborately worked-out narrative structure. He presents the book as Jean François Alden’s modern translation—“Alden” apparently named after H. -
Download the Boys' Life of Mark Twain
The Boys' Life of Mark Twain by Albert Bigelow Paine The Boys' Life of Mark Twain by Albert Bigelow Paine This etext was produced by Pat Castevans THE BOYS' LIFE OF MARK TWAIN By Albert Bigelow Paine CONTENTS PREFACE I. THE FAMILY OF JOHN CLEMENS II. THE NEW HOME, AND UNCLE JOHN QUARLES'S FARM III. SCHOOL IV. EDUCATION OUT OF SCHOOL V. TOM SAWYER AND HIS BAND VI. CLOSING SCHOOL-DAYS VII. THE APPRENTICE VIII. ORION'S PAPER IX. THE OPEN ROAD page 1 / 339 X. A WIND OF CHANCE XI. THE LONG WAY To THE AMAZON XII. RENEWING AN OLD AMBITION XIII. LEARNING THE RIVER XIV. RIVER DAYS XV. THE WRECK OF THE "PENNSYLVANIA" XVI. THE PILOT XVII. THE END OF PILOTING XVIII. THE SOLDIER XIX. THE PIONEER XX. THE MINER XXI. THE TERRITORIAL ENTERPRISE XXII. "MARK TWAIN" XXIII. ARTEMUS WARD AND LITERARY SAN FRANCISCO XXIV. THE DISCOVERY OF "THE JUMPING FROG" XXV. HAWAII AND ANSON BURLINGAME XXVI. MARK TWAIN, LECTURER XXVII. AN INNOCENT ABROAD, AND HOME AGAIN XXVIII. OLIVIA LANGDON. WORK ON THE "INNOCENTS" XXIX. THE VISIT TO ELMIRA AND ITS CONSEQUENCES XXX. THE NEW BOOK AND A WEDDING XXXI. MARK TWAIN IN BUFFALO XXXII. AT WORK ON "ROUGHING IT" XXXIII. IN ENGLAND XXXIV. A NEW BOOK AND NEW ENGLISH TRIUMPHS XXXV. BEGINNING "TOM SAWYER" XXXVI. THE NEW HOME XXXVII. "OLD TIMES, "SKETCHES," AND "TOM SAWYER" page 2 / 339 XXXVIII. HOME PICTURES XXXIX. TRAMPING ABROAD XL. "THE PRINCE AND THE PAUPER" XLI. GENERAL GRANT AT HARTFORD XLII. MANY INVESTMENTS XLIII. BACK TO THE RIVER, WITH BIXBY XLIV. -
1910-04-27 [P ]
^w^^appMBi P^T^^PP^^^^^^^^^^^^P^^^^^ and therein lies the soul of politeness. Often The Kidneys Are :^ - Those obsessed by the notion that it was impossible for Mark Twain, to Weakened by Over-Work. open his mouth without saying some thing funny should revise their im Unhealthy Kidneys Make Impure Blood. pressions of him. In the course of his Weak and unhealthy kidneys are re . nennmssen Comprehensive Estimate of Tribute Paid to the Ability, last visit to his boyhood home at Han *™m<3?$K* * sponsible for much sickness andsuffering, 'America's Late Literary Gen Kindly Philosophy, Droll Fun nibal in the summer of 1902 he said therefore, if kidney If solemn things in the most dignified trouble is permitted to ius, Whose Pen Swayed the and Pathos of the Nan Whose | continue, serious re manner possible. Several times he was sults are most likely Heart of the World. * 0 Optimism Cheered Millions. so deeply touched by the pathos of the : to follow. Your other occasion, his meeting with boyhood Insurance, Real Estate^?S^^^" l organs may need at friends then grown old like himself, tention, but your kid , By ROBERTUS LOVE. father be the author of "Tom Sawyer^., his visit to the graves of his parents, : neys most, because that his voice quavered and broke, and they do most and ARK TWAIN is dead! than all of his own works. '^C f~£>* "-?M\':' Xoans and Boiffidl" should have attention "The Innocents Abroad," of course, the inevitable tears trickled down his The king is dead—long live face. He was overcome with emotion, first. -
Twain Erratasheet Feb11 2015
Mark Twain’s America Errata Sheet The Library of Congress has determined and regrets that our regular and rigorous review processes were not followed in the editing of the recent publication "Mark Twain's America." The following credits and corrections have resulted from an ongoing cover-to-cover examination of the book. Should other errors be identified, they will be added to this list. “A Personal Chronology,” Timeline, pages 6 – 15: The principal source for this information, used without attribution, is R. Kent Rasmussen, Mark Twain A to Z: The Essential Reference to His Life and Writings (New York: Facts on File, 1995) Page 15, column 1: The birth date of Nina Gabrilowitsch, Twain’s granddaughter should be August 18, 1910, not April 18. Chapter One – River of Dreams Page 17 (picture caption): “... Clemens first saw the capital, in the 1850s ...” Clemens’s first visit was in 1854; it was a short visit of about 4 days. Page 22 (col. 2, lines 8-11): These lines should read: “Sam’s mother, Jane Lampton Clemens, had two daughters, Pamela and Margaret, and four other sons, Orion, Pleasant, Benjamin, and Henry. Margaret died at age nine and Benjamin at age ten; Pleasant lived only three months.” Page 22 (picture caption): Hannibal Journal should be Hannibal Journal and Western Union Page 27 (line 24) Joseph Arment should be Joseph Ament Page 27 (lines 31-32): Hannibal Journal should be Hannibal Journal and Western Union Page 32 (col. 2, picture caption): Sam persuaded his brother to join him as a mud clerk (more accurate than a “lowly worker”) on the Pennsylvania 1 Page 35 (col. -
Virtual Tour
Mark Twain Boyhood Home & Museum Virtual Tour Hannibal, Missouri Created by the First Mark Twain Young Authors Workshop, June 25-29, 2007 Created by the First Mark Twain Young Authors Workshop Participants June 25-29, 2007 Hannibal, Missouri Co-sponsored by the HATS Program at Stetson University in DeLand, Florida and the Mark Twain Boyhood Home & Museum in Hannibal, Missouri The Mark Twain Young Authors: • Jonathan Agvent • Breanna Hembree • Madeleine Britton • Aliza Razell Hoover • Kelsey Connor • Emily Hunter •Brooke Davis • Ky Viet D. Quach • Joseph Genovese • Alex Parodi-Light • Jack Harvey- • Alic Szecsei Camillone Including two entries from chaperones Catherine McCray,a graduate of Stetson University, and Lynn Kramer, an education major at Stetson. Wish you were here! But, since you’re not, please join us for this virtual tour of the Mark Twain Boyhood Home & Come by and see for yourself! Museum. This tour includes ~The Mark Twain just a few of the hundreds of artifacts on display at Young Authors the museum. A note about this project… Twelve young writers from around the country won a scholarship to spend one week in Hannibal learning about the real life adventures of Samuel Clemens and how he came to write about these adventures. The children worked on several writing projects of their own during the week. One of the first included a special after- hours “behind the scenes” tour of the museum. As curator Henry Sweets told the stories about various museum artifacts, the young writers took detailed notes. Each was assigned two artifacts and asked to “bring them to life.” (Continued…) Note (cont.) The challenge presented to the young authors was to speak in the voice of the artifacts, or anthropomorphize them. -
The Death of Jean Mark Twain
The Death Of Jean Mark Twain The death of Jean Clemens occurred early in the morning of December 24, 1909. Mr. Clemens was in great stress of mind when I first saw him, but a few hours later I found him writing steadily. "I am setting it down," he said, "everything. It is a relief to me to write it. It furnishes me an excuse for thinking." At intervals during that day and the next I looked in, and usually found him writing. Then on the evening of the 26th, when he knew that Jean had been laid to rest in Elmira, he came to my room with the manuscript in his hand. "I have finished it," he said; "read it. I can form no opinion of it myself. If you think it worthy, some day--at the proper time--it can end my autobiography. It is the final chapter." Four months later--almost to the day--(April 21st) he was with Jean. Albert Bigelow Paine. Stormfield, Christmas Eve, 11 A.M., 1909. JEAN IS DEAD! Has any one ever tried to put upon paper all the little happenings connected with a dear one--happenings of the twenty- four hours preceding the sudden and unexpected death of that dear one? Would a book contain them? Would two books contain them? I think not. They pour into the mind in a flood. They are little things that have been always happening every day, and were always so unimportant and easily forgettable before--but now! Now, how different! how precious they are, now dear, how unforgettable, how pathetic, how sacred, how clothed with dignity! Last night Jean, all flushed with splendid health, and I the same, from the wholesome effects of my Bermuda holiday, strolled hand in hand from the dinner-table and sat down in the library and chatted, and planned, and discussed, cheerily and happily (and how unsuspectingly!)--until nine--which is late for us--then went upstairs, Jean's friendly German dog following. -
Tone” – Mark Twain’S Attitudes About Childhood
Understanding “Tone” – Mark Twain’s Attitudes About Childhood 60 minutes English- Middle/High School DESIRED RESULTS What are the “big ideas” that drive this lesson? Great writers craft their descriptions of characters and settings to affect a particular emotional response toward their subjects. This element of writing is called “tone,” and although it is an important factor in understanding literature, it is often difficult for students to recognize unless they can attribute to an author’s words and phrases more than just their literal meaning. What are the “essential questions” that students must answer in order to understand the “big ideas?” How is an author’s “tone” conveyed by his use of words and phrases? How does Mark Twain use “tone” to vary his descriptions of childhood? What are Mark Twain’s views of childhood? CORE UNDERSTANDINGS Identify what students will know and/or be able to do. Students will analyze selected passages from Mark Twain’s works and identify phrasing that conveys a particular “tone” concerning the subject of childhood. Students will emulate Twain’s use of “tone” in their own original composition of descriptive passages concerning childhood in the 21st century. LIST SUGGESTED ASSESSMENT(S) Each student will write two original descriptions of at least 600 words that exemplify two distinct “tones” concerning the subject of childhood; Each student will revise their work until deemed to be competent according to the writing rubric (see attachments). LEARNING EXPERIENCES What are the specific activities and sequence of instruction that will be used to engage students in this lesson? Distribute, read, and discuss the introduction handout titled: “For the Student.” Distribute handouts “Selection 1-3,” and explain to the class that they come from two works of fiction and one of non-fiction written by Mark Twain, who uses key phrasing to convey three different “tones” concerning the childhood of fictional characters Tom Sawyer and Huckleberry Finn, as well as his real life daughter, Susy Clemens.