Different Love Stories in Different Cultures. a Comparative Analysis Of
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CENTRAL EURASIAN STUDIES REVIEW (CESR) Is a Publication of the Central Eurasian Studies Society (CESS)
The CENTRAL EURASIAN STUDIES REVIEW (CESR) is a publication of the Central Eurasian Studies Society (CESS). CESR is a scholarly review of research, resources, events, publications and developments in scholarship and teaching on Central Eurasia. The Review appears two times annually (Winter and Summer) beginning with Volume 4 (2005) and is distributed free of charge to dues paying members of CESS. It is available by subscription at a rate of $50 per year to institutions within North America and $65 outside North America. The Review is also available to all interested readers via the web. Guidelines for Contributors are available via the web at http://cess.fas.harvard.edu/CESR.html. Central Eurasian Studies Review Editorial Board Chief Editor: Marianne Kamp (Laramie, Wyo., USA) Section Editors: Perspectives: Robert M. Cutler (Ottawa/Montreal, Canada) Research Reports: Jamilya Ukudeeva (Aptos, Calif., USA) Reviews and Abstracts: Shoshana Keller (Clinton, N.Y., USA), Philippe Forêt (Zurich, Switzerland) Conferences and Lecture Series: Payam Foroughi (Salt Lake City, Utah, USA) Educational Resources and Developments: Daniel C. Waugh (Seattle, Wash., USA) Editors-at-Large: Ali Iğmen (Seattle, Wash., USA), Morgan Liu (Cambridge, Mass., USA), Sebastien Peyrouse (Washington, D.C., USA) English Language Style Editor: Helen Faller (Philadelphia, Penn., USA) Production Editor: Sada Aksartova (Tokyo, Japan) Web Editor: Paola Raffetta (Buenos Aires, Argentina) Editorial and Production Consultant: John Schoeberlein (Cambridge, Mass., USA) Manuscripts and related correspondence should be addressed to the appropriate section editors: Perspectives: R. Cutler, rmc alum.mit.edu; Research Reports: J. Ukudeeva, jaukudee cabrillo.edu; Reviews and Abstracts: S. Keller, skeller hamilton.edu; Conferences and Lecture Series: P. -
Arts D'orient Vendredi 29 Juin 2012
Arts d’Orient Vendredi 29 juin 2012 - Drouot Richelieu Arts d’Orient Cette vente sera inscrite dans le cadre de la vente Tableaux, Mobilier et Objets d’Art à partir du lot n° 101 vendredi 29 juin 2012 à 15 heures drouot richelieu - salle 5 9 rue Drouot - 75009 Paris tél. : +33(0)1 48 00 20 05 expositions publiques : jeudi 28 juin 2012 de 11 h à 18 h vendredi 29 juin 2012 de 11 h à 12 h expert Membre de la Chambre Nationale des Experts Spécialisés CNES 5 rue des deux Ponts 75004 PARIS tél./fax : +33[0]1 44 07 33 02 tél. : +33[0]6 80 37 74 00 [email protected] www.alexisrenard.com Nous remercions M. Armen Tokatlian pour son aide à la rédaction des notices des pages de miniature et des pages de manuscrit du catalogue. Commissaires-Priseurs habilités : Isabelle Boisgirard et Pierre-Dominique Antonini 1 rue de la grange-Batelière - 75009 Paris - tél. : +33(0)1 47 70 81 36 - fax : +33(0)1 42 47 05 84 mail : [email protected] www.boisgirard.com SVV Boisgirard et Associés - N° agrément 2001-002 - RCS B 441 779 196 p2 | Arts d’Orient 101 Coupe en lustre Ilkhanide Céramique siliceuse à décor de lustre métallique Décorée en lustre métallique brun sur glaçure opaque blanche d’un rondeau de palmettes entrecoupées de bandes rayonnantes et d’une frise concentrique d’inscriptions pseudo-coufiques. Motifs en « virgules » et points au revers. Pièce complète, fissures Iran, art ilkhanide de Kashan, 13e siècle Diamètre : 19,7 cm 2 000/3 000 € 101 102 Bol à décor de personnage Pâte siliceuse à décor peint sous glaçure incolore. -
To:$M.R$Ahmad$Shahid$ Special$Rapporteur$On$The
To:$M.r$Ahmad$Shahid$ Special$Rapporteur$on$the$human$rights$situation$in$Iran$ $ Dear%Sir,% % such%as%equal%rights%to%education%for%everyone,%preventing%the%dismissal%and%forced%retirements%of% dissident%university%professors,%right%of%research%without%limitations%in%universities%and%to%sum%up% expansion%of%academic%liberties.%Student%activists%have%also%been%pursuing%basic%rights%of%the%people% such%as%freedom%of%speech,%press,%and%rallies,%free%formation%and%function%of%parties,%syndicates,%civil% associations%and%also%regard%of%democratic%principles%in%the%political%structure%for%many%years.% % But%unfortunately%the%regime%has%rarely%been%friendly%towards%students.%They%have%always%tried%to%force% from%education,%banishments%to%universities%in%remote%cities,%arrests,%prosecutions%and%heavy%sentences% of%lashing,%prison%and%even%incarceration%in%banishment,%all%for%peaceful%and%lawful%pursuit%of%the% previously%mentioned%demands.%Demands%which%according%to%the%human%rights%charter%are%considered% the%most%basic%rights%of%every%human%being%and%Islamic%Republic%of%Iran%as%a%subscriber%is%bound%to% uphold.% % The%government%also%attempts%to%shut%down%any%student%associations%which%are%active%in%peaceful%and% lawful%criticism,%and%their%members%are%subjected%to%all%sorts%of%pressures%and%restrictions%to%stop%them.% Islamic%Associations%for%example%which%have%over%60%years%of%history%almost%twice%as%of%the%Islamic% republic%regimeE%and%in%recent%years%have%been%the%only%official%criticizing%student%associations%in% universities,%despite%their%massive%number%of%student%members,%have%been%shut%down%by%the% -
The Scarlet Stone: Retelling the Tale of National Identity (English)
Bijan Khalili Iranshahr Magazine, Los Angeles, CA. August 21, 2015. Translated by Hooman Rahimi (EN 15038 and ISO 17100 certified translator) Los Angeles Awaiting The Scarlet Stone’s Premier “The Scarlet Stone”, Retelling the Tale of National Identity The Scarlet Stone is the title of a drama that will be brought to stage on August 29th, 2015 at UCLA’s Royce Hall. It is a show that has caught the attention of the Iranian community of art enthusiasts located in Southern California from long ago. Shahrokh Yadegari has adapted the script for The Scarlet Stone based on a poem with the same title by Siavash Kasrai. However, this work of art has gone beyond the distinguished poem of Siavash Kasrai by telling a story as long as the history of Iran itself through an amazing return to the Ferdowsi’s Shahnameh, and in the process, adding in a new form to the Iranian art history in diaspora. The Scarlet Stone is an allegory of the emblem given to Tahmineh by Rostam, the Iranian mythological hero, so that if their child was born a girl, she would tie the emblem to their daughter’s hair and to his arm if the child was a boy. In this way, the warrior father could identify his child. Rostam and Sohrab is one of the most importnat stories of the Shahnameh. Alas! Rostam recognizes the scarlet stone tied to the arm of his thriving son too late --- the moment when no elixir is effective against the father’s imposed deep wound on the son’s lifeless body. -
FEZANA Journal Do Not Necessarily Reflect the Feroza Fitch of Views of FEZANA Or Members of This Publication's Editorial Board
FEZANA FEZANA JOURNAL ZEMESTAN 1379 AY 3748 ZRE VOL. 24, NO. 4 WINTER/DECEMBER 2010 G WINTER/DECEMBER 2010 JOURJO N AL Dae – Behman – Spendarmad 1379 AY (Fasli) G Amordad – Shehrever – Meher 1380 AY (Shenshai) G Shehrever – Meher – Avan 1380 AY (Kadimi) CELEBRATING 1000 YEARS Ferdowsi’s Shahnameh: The Soul of Iran HAPPY NEW YEAR 2011 Also Inside: Earliest surviving manuscripts Sorabji Pochkhanawala: India’s greatest banker Obama questioned by Zoroastrian students U.S. Presidential Executive Mission PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 24 No 4 Winter / December 2010 Zemestan 1379 AY 3748 ZRE President Bomi V Patel www.fezana.org Editor in Chief: Dolly Dastoor 2 Editorial [email protected] Technical Assistant: Coomi Gazdar Dolly Dastoor Assistant to Editor: Dinyar Patel Consultant Editor: Lylah M. Alphonse, [email protected] 6 Financial Report Graphic & Layout: Shahrokh Khanizadeh, www.khanizadeh.info Cover design: Feroza Fitch, 8 FEZANA UPDATE-World Youth Congress [email protected] Publications Chair: Behram Pastakia Columnists: Hoshang Shroff: [email protected] Shazneen Rabadi Gandhi : [email protected] 12 SHAHNAMEH-the Soul of Iran Yezdi Godiwalla: [email protected] Behram Panthaki::[email protected] Behram Pastakia: [email protected] Mahrukh Motafram: [email protected] 50 IN THE NEWS Copy editors: R Mehta, V Canteenwalla Subscription Managers: Arnavaz Sethna: [email protected]; -
The Study of Mythical Semiotics of Matriarchy in Shahnameh
International Journal of Education and Research Vol. 2 No. 8 August 2014 The study of mythical semiotics of matriarchy in Shahnameh Eshagh Toghyani, a lecturer & a faculty member of social sciences of University of Isfahan- Iran, Persian literature group. Email:[email protected] Tel: +989131097523 Khodayar Mokhtari, PhD student of lyrical literature, University of Isfahan-Iran. Office addresses: Esfahan University of Technology & Esfahan University of Farhangian. Emai:[email protected] Tel: +989132294900 Abstract-Ferdosi's Shahnameh is the history of Iranian people fiction .What we read from Shahnameh is undoubtedly a subtle hint of a secret, mystery, sign and allusion. Accordingly, one of the most important issues in this venerable work is signs that represent evolution of social institutions. Therefore, the history of changes in matriarchy, forming a family and some points about the prominent role of women in society can be deduced from its stories. In this study the authors have considered Barthe, Culler and Ekou's theories to analyze the signs like females' authority, their right of ownership, their position and their characters. Key words: Ferdosi’s Shahnameh, signs, myth, matriarchy, position, ownership. I. Introduction Language is a system of signs and is formed from the combination of a cause (outlook) and an effect (mind and meaning).The connection between them is made through a contraction, a rule or an agreement that are accepted in the society. The form of language is considered very important since it can lead us to understand its infinite hidden meanings. The constituents of the language along with their signs should be studied to grasp the meanings. -
EUROPEAN CENTER for SCIENCE EDUCATION and RESEARCH EUROPEAN JOURNAL of LANGUAGE and LITERATURE STUDIES January-April 2016 Volume
EUROPEAN CENTER FOR SCIENCE EDUCATION AND RESEARCH EUROPEAN JOURNAL OF LANGUAGE AND LITERATURE STUDIES January-April 2016 Volume 4, Nr. 1 ISSN 2411-9598 (Print) ISSN 2411-4103 (Online) EUSER EUROPEAN CENTER FOR SCIENCE EDUCATION AND RESEARCH EUROPEAN JOURNAL OF LANGUAGE AND LITERATURE STUDIES January-April 2016 Volume 4, Nr. 1 Every reasonable effort has been made to ensure that the material in this book is true, correct, complete, and appropriate at the time of writing. Nevertheless the publishers, the editors and the authors do not accept responsibility for any omission or error, or for any injury, damage, loss, or financial consequences arising fro m the use of the book. The views expressed by contributors do not necessarily reflect those of the European Center for Science Education and Research. Typeset by EUSER Printed by EUSER EUROPEAN CENTER FOR SCIENCE EDUCATION AND RESEARCH January-April 2016 Copyright © 2015 EUSER © All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher or author, except in the case of a reviewer, who may quote brief passages embodied in critical articles or in a review . European Center for Science Education and Research Web: http://euser.org, E-Mail: [email protected] ISSN 2411-9598 (Print) ISSN 2411-4103 (Online) Key title: European journal of language and literature studies Abbreviated key title: Eur. j. lang. lit. stud. International Editorial and Advisory Board Prof. Dr. Catalin Zamfir, Director, ICCV, Academia Romana Prof. Dr. Emilian Dobrescu, Academia Romana Prof Dr. -
Comparison of the General Structure of Shahnameh Ferdowsi and Garshaspname Asadi Toosi and Iliad and Odyssey
COMPARISON OF THE GENERAL STRUCTURE OF SHAHNAMEH FERDOWSI AND GARSHASPNAME ASADI TOOSI AND ILIAD AND ODYSSEY Zarnosh Mushtaq*, Phd student Persian language and literature ,Imam khomeini international university, Qazvin, Iran *Corresponding author email : [email protected] Dr. Maryam.Ghaforyan, Staff members in Persian language and literature ,Imam khomeini international university, Qazvin, Iran. Abstract. The article reviews and compares the stylistic styles of the Shahnameh's symbols of Ferdowsi and Garshaspname Asadi Toosi and Iliad and Odyssey of Homer in literary and intellectual terms. Also, in this research, we will examine the characterization and imaging and weighting in Garshasbnameh, Iliad, Odyssey and Shahnameh. The results showed that the use of artistic traits in filling the weight of the poems of Iliad and Odyssey Homer and Shahmanah or Garshasbnameh was used by the well-known authors of this work as well as adjectives to complete the weight of the poetry. They formulate a combination of trait and personality name formula that fulfills the weighting requirements of the poem by applying them. On the other hand, in Ferdowsi's Shahnameh, replacing the artistic trait, instead of the name of the people, serves a different structure of the womb that this structure not only helps in observing the weight of his poem but also provides a variety of vocabulary to express precise and precise details in the story. In the form of the content of Shahnameh and the Iliad and the epic Odyssey, there is a logical realm of urgency that ends with the rule of Ghazireh. Epic humans are signs of paradox. They are humble in their superiority and are victorious. -
The "New Woman" on the Stage: the Making of a Gendered Public Sphere in Interwar Iran and Egypt
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History 11-14-2008 The "New Woman" on the Stage: The Making of a Gendered Public Sphere in Interwar Iran and Egypt Fakhri Haghani Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Part of the History Commons Recommended Citation Haghani, Fakhri, "The "New Woman" on the Stage: The Making of a Gendered Public Sphere in Interwar Iran and Egypt." Dissertation, Georgia State University, 2008. https://scholarworks.gsu.edu/history_diss/19 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE “NEW WOMAN” ON THE STAGE: THE MAKING OF A GENDERED PUBLIC SPHERE IN INTERWAR IRAN AND EGYPT by FAKHRI HAGHANI Under the Direction of Donald M. Reid ABSTRACT During the interwar period in Iran and Egypt, local and regional manifestation of tajadod/al-jidida (modernity) as a “cultural identity crisis” created the nationalist image and practice of zan-e emrouzi-e shahri/al-mar’a al-jidida al-madani (the urban/secular “New Woman”). The dynamics of the process involved performance art, including the covert medium of journalism and the overt world of the performing arts of music, play, and cinema. The image of the “New Woman” as asl/al-asala (cultural authenticity) connected sonnat/al-sunna (tradition) with the global trends of modernism, linking pre-nineteenth century popular forms of performing arts to new genres, forms, and social experiences of the space of the performing arts. -
A Chronicle of Parsis in Mombasa
HAMAZORsponsored - byISSUE a Zarathushti 3 2009 A Persian depiction of Gordafarid (at left) clashing with Sohrab, p 50. C o n t e n t s 04 The Zoroastrian Migration to India - rukshana nanji 11 Concert for the WZO Education Fund - soonu engineer reports 12 WZO Annual Seminar - shahin bekhradnia reports 13 WZO Trusts’ India bids farewell - dinshaw tamboly reports 14 Of Gathalogues & Gathologistics - farrokh vajifdar reports 17 Thank you WZO! - pia & tara sutaria 19 Dance - a recognised therapy - dilshad patel 21 The Asha Centre - zerbanoo gifford 25 The Great Hedge of India - yesmin madon 27 A Chronicle of Parsis in Mombasa - dara patel 30 Bai Virbaiji Soparivala Parsi High School - mehelli dinshaw 38 The modern Zoroastrian ‘Pheto’ - sam kerr 42 The Bapsy Bequests - soonu engineer COVER 45 Women in Ancient Iran - dina mcintyre BVS School - 150 48 “Shir-Zan” - the Persian Lioness - rashid mehin years of excellence 52 Would you permit me? - jamsheed kanga PHOTOGRAPHS 53 National Harmony celebrations - jasmine dastoor reports 54 Culinary links - niloufer mavalvala Courtesy of individuals 56 Communique whose articles appear in the magazine or as 58 Trio & City of Thieves - review mentioned 60 Cushrow Bagh, Bombay WZO WEBSITE 61 Life in a Parsi Bagh - shernaaz engineer 63 Membership Form with details www.w-z-o.org 1 HAMAZOR - ISSUE 3 2009 I n t e r n a t i o n a l B o a r d M e m b e r s London, England Mr Sam H Dr Sam Kerr Mr Dadi B Engineer Mr Darius Mistry Bhiwandiwalla Unit 5, ‘Agincourt’ President, WZO India Auckland Chairman 10 Larkin -
A Figura Do Negro No Teatro Português Do Século Xvi E No Teatro Tradicional Iranianio Do Século Xx
UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS A FIGURA DO NEGRO NO TEATRO PORTUGUÊS DO SÉCULO XVI E NO TEATRO TRADICIONAL IRANIANIO DO SÉCULO XX SABRI ZEKRI Dissertação orientada pelo Prof. Doutor José António Camões, especialmente elaborada para a obtenção do grau de Mestre em Estudos de Teatro. 2017 RESUMO Este trabalho estuda a figura teatral do Negro nos contextos do teatro tradicional iraniano e do teatro português do século XVI, abordando os diversos traços que caracterizam a personagem: as marcas raciais, o uso da língua, o estatuto social. A comparação entre os dois universos teatrais dará conta de características comuns, ao mesmo tempo que interroga a sobrevivência da figura no teatro iraniano e o seu progressivo desaparecimento no teatro português. Palavras-chave: Teatro, Negro, Figura, Gil Vicente, Língua, Irão ABSTRACT This work endeavours to study the character of the Black Man in the context of both the traditional Iranian theatre and the Portuguese theatre from the sixteenth century, addressing several traits that define this character: racial traits, language, and social status. The comparison between the two theatrical universes will account for common characteristics, while discussing the survival of the character in the Iranian theatre and its progressive disappearance in the Portuguese theatre. Keywords: Theatre, Black Man, Character, Gil Vicente, Language, Iran Agradecimentos Ao Instituto do Camões pelo apoio ao desenvolvimento deste trabalho durante o ano lectivo 2016-17, através da concessão de uma bolsa de investigação. Ao Instituto de Cultura e Língua Portuguesa da FLUL por me ter dado a possibilidade de estudar a língua portuguesa durante um ano. Ao meu professor, orientador e incentivador, Prof. -
Investigating the Manifestations of Greed in the Epical and Mythical Characters of Ferdowsi’S Shahnameh
Investigating the manifestations of greed in the epical and mythical characters of Ferdowsi’s Shahnameh Leila Ahmadi Nasr 1*, Ali Eshghi Sardehi 2, Saeed Ruzbahani 2 1 PhD students, Persian literature and language, Islamic Azad University, Sabzevar Branch, Sabzevar, Iran; 2 Assistant professor, Persian literature and language, Islamic Azad University, Sabzevar Branch, Sabzevar, Iran. Correspondence: Leila Ahmadi Nasr, PhD students, Persian literature and language, Islamic Azad University, Sabzevar Branch, Sabzevar, Iran. Email: [email protected] ABSTRACT Based on Iranian myths, there has always been a confrontation between two Ahurai and Ahrimeni forces in progress. This issue has caused the human nature to be inflicted with such a situation. One of the works wherein the manifestation of myth, epic and history can be seen in the form of the confrontation between the good and evil is Ferdowsi’s Shahnameh which is an identity-bestowing book that besides this characteristic, contains many ethical and instructional concepts, as well. One of these concepts is avarice that creeps into the ego of the ideal and honorable characters in Shahnameh and adversely influences them and makes them encounter many ethical challenges. In this work, avarice has been depicted in the form of an ogre that is unequaled amongst the evils and deemed to be the most harmful. The investigation of the embodiments of this immorality in Shahnameh shows that Afrasiab Turani is the greediest person whose greedy behaviors cause the people from Iran and Turan to be repeatedly afflicted with financial and life problems and the blood of many innocent persons has been shed on the ground from the two sides.