Smashing Pumpkins Annunciano L'uscita Di Due Album in Un Anno

Total Page：16

File Type：pdf, Size：1020Kb

LUNEDì 20 OTTOBRE 2014 Gli Smashing Pumpkins annunciano l'uscita di due album in un anno. Il primo Monuments To An Elegy uscirà il 9 dicembre 2014, il secondo Day For Night nel 2015. Smashing Pumpkins: on air il primo singolo Being Beige, da Entrambi i lavori, in accordo con Billy Corgan cantante e chitarrista della venerdì 24 ottobre band, saranno pubblicati da BMG Rights Management (Italy) con distribuzione Self. Usciranno due album in un anno. Il primo Anticipato dal lancio del primo singolo Being Beige, nelle radio da Monuments To An Elegy il 9 dicembre 2014, il venerdì 24 ottobre, Monuments To An Elegy è stato registrato a Chicago secondo Day For Night nel 2015. con Jeff Schroeder chitarrista degli Smashing Pumpkins che fa parte della band dal 2007. Ospite nel nuovo lavoro Tommy Lee (Mötley Crüe) che ha suonato la batteria in tutti i brani del disco. CRISTIAN PEDRAZZINI Monuments To An Elegy è stato prodotto da Howard Willing (che ha lavorato con i Pumpkins per Adore), Corgan e Schroeder. E 'stato mixato da David Bottrill e masterizzato da Howie Weinberg, che avevava [email protected] lavorato ai dischi più rappresentativi dei Pumpkins negli anni '90. SPETTACOLINEWS.IT Monuments To An Elegy è "un album all'interno di un album," parte del work in progress Teargarden By Kaleidyscope (con Day for Night, come ultima opera del progetto). "A differenza di me, Howard vive nel mondo reale, " spiega Billy Corgan "E così il suo ruolo nel disco era simile a quello di un poliziotto che dirige il traffico. Lui è riuscito a far emergere i punti dove il suono dei Pumpkins aveva bisogno di spingersi oltre, e per questo io gli sono riconoscente, perché non è mai stata un'idea della band quella di vivere nel passato nè tantomeno di diventare una macchina di sentimenti. E come tutte le buone falci del rock and roll, siamo tornati per tagliare in avanti ". Gli Smashing Pumpkins hanno creato una delle più acclamate discografie nella storia della musica ed hanno venduto più di 30 milioni di album e vinto diversi Grammy Awards. Molti successi del gruppo sono stati fondamentali nel definire l'era della musica alternativa e continuano a risuonare sulle moderne radio rock, influenzando un'intera nuova generazione. Nel giugno 2012, la band ha pubblicato l'acclamato album Oceania uscito per Martha's Music/EMI Label Services/Caroline Distribution. Il disco è entrato nella Billboard Top 200 Albums chart al # 4; guadagnato il posto # 1 nella Independent Albums Chart ; e Rolling Stone l'ha accolto come uno dei migliori album dell'anno. Pag. 1 / 2 Formatisi a Chicago nel 1988, pubblicarono nel 1991 Gish il loro album di debutto (disco di platino), al quale hanno fatto seguito diversi dischi, tra cui il nove volte platino Mellon Collie And The Infinite Sadness e il quattro volte platino Siamese Dream, così come Adore disco di platino nel 1998 album che ha visto una ristampa 107-track nel 2014. Il disco d'oro Machina/The Machines of God verrà ristampato nel 2015 ? ? Pag. 2 / 2.

Copy Link

Recommended publications

Julia, Imagen Givenchy Su Esposo La Asesinó Caída De
EXCELSIOR MIÉRCOLES 10 DE DICIEMBRE DE 2014 [email protected] Resumen. Pharrell Williams encabeza la lista de @Funcion_Exc popularidad de Billboard. Y los escándalos del año>6 y 13 MAÑANA SE ESTRENA EN DOS MIL 400 SALAS UNA ÚLTIMA Los actores queAVENTURA participaron en El Hobbit: La batalla de los cinco ejércitos mostraron su satisfacción de poder participar en la tercera entrega de la saga dirigida por Peter Jackson >8 y 9 Fotos: Cortesía Warner Bros. Foto: Tomada de Instagram Givenchy Foto: Tomada de YouTube Foto: AP JULIA, IMAGEN GIVENCHY CAÍDA DE ELTON, VIRAL SU ESPOSO LA ASESINÓ PARÍS.- La actriz estadunidense Julia Roberts será la Más de un millón de visitas en sólo 24 horas alcanzó La actriz y modelo Stephanie Moseley, protagonista del nueva imagen de la casa francesa de moda Givenchy el video en el que se ve al cantante Elton John en una reality televisivo Hit The Floor, fue asesinada a tiros por para su campaña de primavera/verano 2015. aparatosa caída al presenciar un partido de tenis. Earl Hayes, quien era su esposo. El hombre se quitó la En las imágenes en blanco y negro, la actriz mues- El músico de 67 años asistió a un evento en el vida después de haberla matado. tra un aspecto andrógino, ataviada con una blusa ne- Royal Albert Hall de Londres, donde alentaba a su Trascendió que se habían separado hace dos años, gra con mangas transparentes. equipo contra el de la exjugadora profesional Billie Jean luego de un supuesto amorío con el músico Trey Songz, La sesión fue realizada por la importante empresa King, pero al intentar sentarse se suscitó el incidente.
[Show full text]
2013 Pure Seed Book Dear Gardening Friends, We Are Excited to Bring You Our 15Th Annual Seed Catalog, the Largest and We Hope the Best Yet
Baker Creek Heirloom Seeds uwww.rareseeds.com 2013 Pure Seed Book Dear Gardening Friends, We are excited to bring you our 15th annual seed catalog, the largest and we hope the best yet. This year it contains 212 pages and 1450 varieties of rare and unique vegetables, flowers and herbs from over 70 countries, bringing you the largest selection of heirloom varieties offered in the Ameri- cas and probably the most diverse collection of ed- ibles on the planet. It is our goal to preserve these unique genetic treasures: seeds that have been passed down through the generations, savored, saved and honored as part of each culture. They tell a still-living story of a culinary and horticultural past. This is a past that is filled with amazing seeds and stories—stories that are just as colorful as the fragrant flowers and vintage vegetables that are now filling our gardens again. Heirloom seeds bring history alive and connect past, present and future together like nothing else can. For me personally, when I grow and eat Mexi- can chiles each summer, I remember my Mexican grandmother toiling in the garden all day, with me running along beside her and watching as she lov- ingly honored the soil and seeds, and then in the kitchen cooking the same foods that were passed down to her. As I plant each variety each spring, I am instantly transplanted back to cultures of the past, to the gardens of our forefathers, including my grandparents. Now I hope to plant a dream of good food and soil into our little daughter Sasha, who al- ready is captivated by the miracles of seed and soil.
[Show full text]
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers.
[Show full text]
“When I Listen to Gish,” Billy Corgan Says Today
“When I listen to Gish,” Billy Corgan says today, “what I hear is a beautiful naïveté.” They say you never forget the first time, and even twenty years later, the 1991 debut album by Smashing Pumpkins –– guitarist and vocalist Corgan, drummer Jimmy Chamberlin, bassist D’arcy Wretzky and guitarist James Iha –– remains the unforgettable start of a musical conversation that continues to resonate with millions of fans all around the world. In retrospect, Gish can clearly be heard as a groundbreaking album in the history of what would soon become more much widely known as alternative rock. Gish was, after all, the promising debut of a band that would help alternative rock quickly become part of a new, grungier mainstream. But back in the beginning, Gish was simply the memorable opening salvo by a band from Chicago that really didn’t fit in anywhere in the rock world –– that is, until bands like Smashing Pumpkins helped change the rock world once and for all. To hear Corgan tell it now, Smashing Pumpkins came by their beautiful naïveté naturally. “We’d had very little exposure to the national stage,” he explains. “There’s no way that if we had been exposed to all of what was going on in New York and L.A. earlier, we would have made Gish. This is one of those weird albums that sounds like it came from some guy who crawls up out of the basement holding a record in his hands proudly –– a little like the first time we heard Dinosaur Jr. You think, ‘who the hell is this? And where did that come from?’ ” According to Corgan, the album originally came from Smashing Pumpkins’ early vow of poverty.
[Show full text]
Smashing Pumpkins Debut in Chicago Adore
0 items Help | About Us Choose a station & listen now! Search by Artist Your favorite music - Browse by genre - Cheap Trick on sonicnet.com Subscribe to Cheap Trick: Click here for free customized e-mails with news, concert dates and more. ARTIST INFO MUSIC NEWS Today's Music News » MAIN BIOGRAPHY ALBUMS Smashing Pumpkins Debut BUY DOWNLOADS Adore In Chicago AUDIO CLIPS CYBERCASTS After performing Adore material live for the MUSIC NEWS first time, Pumpkins leader Corgan joined WEB SITES Cheap Trick for two songs. Cheap Trick, in this case sans Pumpkins leader Billy ALBUM REVIEWS Corgan, go about Corgan theirbusiness Sunday night SIMILAR ARTISTS CHICAGO -- Smashing Pumpkins leader Billy Corgan fulfilled a boyhood dream Saturday nightnight when he took in Chicago. BULLETIN BOARDS the stage with the band he has long raved about: SUBSCRIBE Cheap Trick. SEARCH BY ARTIST GO Dressed like Trick guitarist Rick Nielsen, in a baseball cap with brim up-turned, Corgan took up one of Nielsen's checkerboard guitars and proceeded to jam on "Mandocello" and "Just Got Back." All the while, he mimicked Nielsen's moves to everyone's amusement: SUBSCRIBE to The leaping, flicking guitar picks and all. "He's kind-of like Smashing Pumpkins my young bastard son," Nielsen said. Free News and Info Updates via email! CLICK HERE "[Billy EMAIL THIS ARTICLE TO A Corgan]'s FRIEND kind-of Meanwhile, Pumpkins touring drummer Kenny Aronoff joined in on maracas for like my "You're All Talk," and bassist D'Arcy Wretzky sang backing vocals, young in all her cat-like splendor, on "If You Want My Love." "This was bastard the best birthday present ever," said Wretzky, who turned 30 the day before.
[Show full text]
Hitchiker's Guide to the Galaxy
MUSIC: Cultural music Full makes its way to L.A. MOVIE: Ice Cube displays his multi talent in ‘XXX’ FASHION: Broke students EFFECTTitan Entertainment Guide can bargin shop in style Coachella 2005 Page 3 Hitchiker’s Guide to the Galaxy A zany trip to outer space Page 4 M a y 0 5, 2 0 0 5What’S Inside CONTENTS 02 News Briefs—The Buzz 03 Music—Coachella brings best of indie to festival Sex—Liven your relationship by doing it BY NIYAZ PIRANI outdoors Daily Titan Assistant News Editor 04 Movie—Adaption takes viewers to another galaxy The boys of Yellowcard have been hard at work on the follow-up ‘Interpreter’ translates into suspensful thriller to their debut record Ocean Avenue. Tanner clan kept us laughing Since January, singer Ryan Key 05 Movie—Sequel follows same action flick and bassist Pete Mosely have been formula in New York penning new songs YellowCard Music—Zion improves musical vision for the disc. The band will reunite in Orlando later this month to start 06 Run Run Run could do better the recording process … Legend- Hanks will become the band’s gui- bum, TheFutureEmbrace, on June Band not too shy about rocking ary UK band Gang of Four has a tarist and they will search for a 21. Among collaborations with Raggeton impacts L.A. music scene remix record in the works. Guests new bassist … Staind have set an former Pumpkins drummer Jimmy 07 Style Scout—Those on a budget can who will appear on the record in- Aug. 9 release date for their next Chamberlain, the disc will feature remain in style clude Futureheads, the Dandy War- album, Chapter V.
[Show full text]
Smashing Pumpkins Pull Off Set with Flawless, Dynamic Precision
REVIEW: Smashing Pumpkins pull off set with flawless, dynamic precision luchameleon.com /2012/10/review-smashing-pumpkins-pull-off-set-with-flawless-dynamic-precision/ luchameleon By Sean Keenehan Section Editor The Smashing Pumpkins took the stage for a homecoming performance on Friday, October 19th at the Allstate Arena in Rosemont, IL. The band performed their entire new album, Oceania, and a wide variety of earlier Pumpkins material in a commanding two-and-a-half-hour set. Photo By Sean Keenehan/The Chameleon. The Smashing Pumpkins held a homecoming concert Oct 19 at the Allstate Arena in Rosemont, IL. With a stage production that included a large, inflatable, cylindrical LED screen suspended above the band, the Pumpkins pulled off Oceania with flawless, dynamic precision, both sonically and visually. The round, three-dimensional ball acted as part projector/part new media art installation, surrounded by a flashing light production that gave the screen the impression of a planet floating in outer space. Singer and guitarist Billy Corgan fronted the current Smashing Pumpkins lineup confidently and comfortably. He playfully traded licks with guitarist Jeff Schroeder (including a back-to-back harmony during the guitar solo of “Ava Adore”), executed perfect pitch, harmonized vocal exchanges with bassist Nicole Florentino (as well as humorous, between-song dialogues) and locked into the groves of 22-year old drummer, Mike Byrne (who also came from behind the drum set to play keyboards). Song highlights from Oceania included “Panopticon,” “Pinwheels,” “The Chimera” and the minimalistic, last song from Oceania, “Wildflower,” on which Schroeder, Florentino and Byrne all played keyboards while Corgan’s lone guitar tones wailed and soared throughout the arena.
[Show full text]
Smashing Pumpkins Disarm Mp3, Flac, Wma
Smashing Pumpkins Disarm mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Disarm Country: UK Released: 1994 Style: Alternative Rock MP3 version RAR size: 1130 mb FLAC version RAR size: 1479 mb WMA version RAR size: 1952 mb Rating: 4.6 Votes: 714 Other Formats: AAC MMF VOX MP4 DXD AA WMA Tracklist Hide Credits Disarm A 3:16 Mixed By – Alan Moulder, Billy Corgan, Butch Vig B Siamese Dream 2:36 Companies, etc. Copyright (c) – Virgin Records America, Inc. Phonographic Copyright (p) – Virgin Records America, Inc. Licensed To – VC Records Ltd. Published By – MCA Music Ltd. Credits Artwork, Written-By – Billy Corgan Producer – Billy Corgan, Butch Vig Notes Record Label Info: Made in UK ℗ 1994 Virgin Records America, Inc. Track A: ℗ 1993 Virgin Records America, Inc. © 1994 Virgin Records America, Inc. Sleeve Info: Printed in the UK ℗ & © 1994 Virgin Records America, Inc. Barcode and Other Identifiers Barcode: 7 24389 23097 0 Label Code: LC 3098 Other (Distribution Code): F: PM 102 Rights Society: BIEM/MCPS Matrix / Runout (Run-out Side A): HUT · 43 A1 Matrix / Runout (Run-out Side B): HUT. 43· B1 Other versions Category Artist Title (Format) Label Category Country Year Hut HUTDX 43, 7243 Smashing Disarm (CD, HUTDX 43, 7243 Recordings, Europe 1994 8 92310 2 1 Pumpkins* Single, CD2) 8 92310 2 1 Virgin Smashing Disarm (CD, dpro-14196 Virgin dpro-14196 US 1994 Pumpkins* Single, Promo) Hut HUTCE 43, 7243 Smashing Disarm (CD, HUTCE 43, 7243 Recordings, Europe 1994 8 92324 2 4 Pumpkins* Single, CD1) 8 92324 2 4 Virgin 8923102, 7243 8 Smashing
[Show full text]
What Hip Reindeer Will Be Playing This Christmas!
What Hip Reindeer Will Be Playing This Christmas! Bittles‘ Magazine | Record Review You have to be very brave to release an album of new material in December! Any money that people have is being spent on presents, protection money to Santa, or on getting as drunk as humanely possible. So let us raise a glass and give a warm round of applause to those who have brought out new records in this most festive, yet culturally void of months. By JOHN BITTLES The Smashing Pumpkins are back with the traditional American rock sound of Monuments to An Elegy, Baaz has shown how to make a great house album with the gorgeously deep Red Souvenirs and Lawrence gives us sunshine-infused ambience with A Day In The Life. Oh, and pop puppets Take That may or may not have a new LP out. But really, for depressive weirdos, and grunge survivors everywhere we can begin with only one band. After the reissue of Adore earlier this year allowed us all to recall just how great a band The Smashing Pumpkins are, this month sees Billy Corgan and co return with some brand new sounds. Monuments to An Elegy may sound like the title of an old Muse cast-off, yet it is actually the second part of the terrifying pretentiously named Teargarden by Kaleidyscope series. Stung by criticism of the first part, 2012’s sprawling Oceania, Monuments sees the Pumpkins return to the short, sharp three minute rock song format so beloved by skinny jean wearing bores everywhere. The album is short at 32 minutes, and during some of the songs you really get the impression that Billy Corgan’s heart just isn’t in it.
[Show full text]
Old Wives' Tales
b-sides Jay Brandt retains a minority interest in Brandt’s and will continue to book Brandt bands, maintain the Web site, and serve as consultant and “host emeritus,” mak- ing the five-and-a-half-hour drive from New Day Cincinnati to St. Louis about once a he name “Brandt’s” has been part of month. He says Brandt’s will continue to T the Loop streetscape for years, but present longtime jazz favorites like over the past two decades the space at Whalum, Wheeler and Jeanne Trevor, 6525 Delmar Boulevard has undergone but also hopes to entice younger patrons more makeovers than Madonna. “I by bringing new musicians into the mix, started out with a natural-food store and such as fusion-jazz guitarist Todd Mos- wound up with a jazz club,” laughs Jay by, bassist Tom Kennedy’s trio, acid- Brandt, who in 1985 took over the store- jazz/remix duo Mo and Dawn, and front previously occupied by his dad’s singer-songwriters Cat Sansone and package-liquor store. Jesse Gannon. “If you go to most jazz Now Brandt is stepping back from the venues in St. Louis, it’s an older crowd,” business he shepherded from health- says Jay Brandt. “Brandt’s wants to be Jazz hands: RIck food grocery store to deli to sit-down the jazz room for the younger crowd.” Fessler (background) restaurant, just a couple of years after a — DEAN C. MINDERMAN and Adam Brandt major renovation gave birth to the Red JENNIFER SILVERBERG Carpet Lounge, a retro-flavored night- spot reusing the name (and recalling the vibe) of his parents’ club in the sto- ried Gaslight Square district.
[Show full text]
Cool Kids Never Have the Time: the Music of the Smashing Pumpkins and Youth of the 1990S
STARKIE, ZACHARY J., M.M. Cool Kids Never Have the Time: The Music of the Smashing Pumpkins and Youth of the 1990s. (2008) Directed by Dr. Guy Capuzzo. 105 pp. The purpose of this thesis is to examine the connection between youth of the 1990s and the music of the Smashing Pumpkins. The introduction is used to provide the reader with pertinent background information on youth, the 1990s, alternative music, and the Smashing Pumpkins. Following that, Chapters 1 and 2 feature analyses of two songs by the Smashing Pumpkins, “Here Is No Why” and “Tales of a Scorched Earth.” The analyses of both songs focus on text enhancement and musical contrasts in each song. At the end of Chapter 2, the qualities of each song are compared. Chapter 3 examines two styles of music that were influential on the band, progressive rock and heavy metal, and examines their place in “Here Is Now Why” and “Tales of a Scorched Earth.” Chapter 3 also examines how the differences between these two styles are evident in the Smashing Pumpkins’ music. Finally, Chapter 4 examines the band’s newest recording, Zeitgeist, and assesses its use of the musical aspects evident in “Here Is No Why” and “Tales of a Scorched Earth.” COOL KIDS NEVER HAVE THE TIME: THE MUSIC OF THE SMASHING PUMPKINS AND YOUTH OF THE 1990S by Zachary J. Starkie A Thesis Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Music Greensboro 2008 Approved by _____________________________ Committee Chair © 2008 Zachary James Starkie APPROVAL PAGE This thesis has been approved by the following committee of the Faculty of the Graduate School at The University of North Carolina at Greensboro.
[Show full text]
Speaking in Rhyme and Riddle: Hybridity in Billy Corgan's
SPEAKING IN RHYME AND RIDDLE: HYBRIDITY IN BILLY CORGAN’S MACHINA by ADAM MICHAEL WARE (Under the Direction of Carolyn Jones Medine) ABSTRACT The present study examines MACHINA , a hybrid multimedia narrative composed and performed by Billy Corgan and the Smashing Pumpkins. Through a disjunctive use of media to tell the story of a fractured, hybrid hero named GLASS, Corgan reveals himself to be an inheritor of William Blake’s attitudes toward creative media as evidenced in his experiments in illuminated engraving. GLASS, the focus of the chards of narrative and performance, represents one variant of Joseph Campbell’s hero as suited to the needs of Corgan’s disaffected audience. In the act of co-creating the narrative with Corgan, his audience helps to enter themselves into a liminal state and a sense of communitas as developed by anthropologist Victor Turner, again with variations made to suit the fractured, conflicted nature of Billy Corgan’s audience. More than a concept album, MACHINA reworks a number of existing notions about religious responses to narrative and performance. INDEX WORDS: Hybridity, Billy Corgan, William Blake, Hero Journey, Joseph Campbell, Victor Turner, communitas SPEAKING IN RHYME AND RIDDLE: HYBRIDITY IN BILLY CORGAN’S MACHINA by ADAM MICHAEL WARE Master of Arts, University of Georgia, 2007 Bachelor of Science, University of Georgia, 2004 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2007 © 2007 Adam Michael Ware All Rights Reserved SPEAKING IN RHYME AND RIDDLE: HYBRIDITY IN BILLY CORGAN’S MACHINA by ADAM MICHAEL WARE Major Professor: Carolyn Jones Medine Committee: William Power Nelson Hilton Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2007 DEDICATION I would like to dedicate this thesis to my grandfather, Andy Joe Ware, who inspired in me a love of ideas which can never be satisfied.
[Show full text]