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Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-7-2018 12:30 PM Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse Renee MacKenzie The University of Western Ontario Supervisor Nolan, Catherine The University of Western Ontario Sylvestre, Stéphan The University of Western Ontario Kinton, Leslie The University of Western Ontario Graduate Program in Music A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Musical Arts © Renee MacKenzie 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Music Performance Commons Recommended Citation MacKenzie, Renee, "Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse" (2018). Electronic Thesis and Dissertation Repository. 5572. https://ir.lib.uwo.ca/etd/5572 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This monograph examines the post-exile, multi-version works of Sergei Rachmaninoff with a view to unravelling the sophisticated web of meanings and values attached to them. Compositional revision is an important and complex aspect of creating musical meaning. Considering revision offers an important perspective on the construction and circulation of meanings and discourses attending Rachmaninoff’s music. While Rachmaninoff achieved international recognition during the 1890s as a distinctively Russian musician, I argue that Rachmaninoff’s return to certain compositions through revision played a crucial role in the creation of a narrative and set of tropes representing “Russian diaspora” following the 1917 Bolshevik Revolution. -
Download the Concert Programme (PDF)
London Symphony Orchestra Living Music Wednesday 15 February 2017 7.30pm Barbican Hall UK PREMIERE: MARK-ANTHONY TURNAGE London’s Symphony Orchestra Mark-Anthony Turnage Håkan (UK premiere, LSO co-commission) INTERVAL Rachmaninov Symphony No 2 John Wilson conductor Håkan Hardenberger trumpet Concert finishes approx 9.30pm Supported by LSO Patrons 2 Welcome 15 February 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican, THE LSO ON TOUR which features the UK premiere of one of two works by Mark-Anthony Turnage co-commissioned by the This month, the LSO will embark on a landmark LSO this season. Håkan is Mark-Anthony Turnage’s tour of the Far East. On 20 February the Orchestra second work for trumpeter Håkan Hardenberger; will open the UK-Korea Year of Culture in Seoul, regular members of the audience will remember the followed by performances in Beijing, Shanghai and LSO’s performance of the first concerto, From the Macau. To conclude the tour, on 4 March the LSO will Wreckage, in 2013. It is a great pleasure to welcome make history by becoming the first British orchestra this collaboration of composer and soloist once again. to perform in Vietnam, conducted by Elim Chan, winner of the 2014 Donatella Flick LSO Conducting The LSO is very pleased to welcome conductor Competition. A trip of this scale is possible thanks to John Wilson for this evening’s performance, and the support of our tour partners. The LSO is grateful is grateful to him for stepping in to conduct at to Principal Partner Reignwood, China Taiping, short notice. -
An Annotated Catalogue of the Major Piano Works of Sergei Rachmaninoff Angela Glover
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 An Annotated Catalogue of the Major Piano Works of Sergei Rachmaninoff Angela Glover Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF MUSIC AN ANNOTATED CATALOGUE OF THE MAJOR PIANO WORKS OF SERGEI RACHMANINOFF By ANGELA GLOVER A Treatise submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2003 The members of the Committee approve the treatise of Angela Glover defended on April 8, 2003. ___________________________________ Professor James Streem Professor Directing Treatise ___________________________________ Professor Janice Harsanyi Outside Committee Member ___________________________________ Professor Carolyn Bridger Committee Member ___________________________________ Professor Thomas Wright Committee Member The Office of Graduate Studies has verified and approved the above named committee members. TABLE OF CONTENTS Abstract………………………………………………….............................................. iv INTRODUCTION……………………………………………………………………. 1 1. MORCEAUX DE FANTAISIE, OP.3…………………………………………….. 3 2. MOMENTS MUSICAUX, OP.16……………………………………………….... 10 3. PRELUDES……………………………………………………………………….. 17 4. ETUDES-TABLEAUX…………………………………………………………… 36 5. SONATAS………………………………………………………………………… 51 6. VARIATIONS…………………………………………………………………….. 58 BIBLIOGRAPHY…………………………………………………………………. -
Rachmaninoff: Symphony No. 2
Sir Simon Rattle Symphony No 2 Serge Rachmaninoff (1873–1943) Symphony No 2 in E Minor, Op 27 (1907) Sir Simon Rattle conductor London Symphony Orchestra 1 I. Largo – Allegro moderato 18’59” 2 II. Allegro molto 10’09” 3 III. Adagio 15’22” 4 IV. Allegro vivace 14’20” Total 58’50” Recorded live in DSD 256fs on 18 & 19 September 2019 at the Barbican, London Andrew Cornall producer Classic Sound Ltd recording, editing and mastering facilities Jonathan Stokes for Classic Sound Ltd balance engineer, editor, mixing & mastering engineer Neil Hutchinson for Classic Sound Ltd recording engineer Translation Co-ordinator: Ros Schwartz (Ros Schwartz Translations Ltd) © 2021 London Symphony Orchestra Ltd, London, UK P 2021 London Symphony Orchestra Ltd, London, UK 2 Instead of the unmixed colour favoured by so many Serge Rachmaninoff (1873–1943) of his countrymen from Glinka to Shostakovich, Symphony No 2 in E Minor, Op 27 (1907) Rachmaninoff deals in varied shades and combinations, producing a full, sonorous orchestral Following the performances in January 1906 of his blend, with horns and low woodwind (particularly two one-act operas, The Miserly Knight and Francesca in the melancholy cor anglais and bass clarinet) da Rimini, Rachmaninoff next turned to composing supporting the middle of the texture, and the tuba an opera on Maeterlinck’s Monna Vanna, but this doubling the long-held bass notes that frequently ran into difficulties and remains a fragment. Then underpin the music. in February 1907 he wrote to a friend about a rumour in the Russian press: ‘It’s true, I have composed a The slow introduction begins with an entire group symphony. -
SCMS Repertoire List Through 2021 Winter Festival
SEATTLE CHAMBER MUSIC SOCIETY REPERTOIRE LIST, 1982–2021 “FORTY YEARS OF BEAUTIFUL MUSIC” James Ehnes, Artistic Director Toby Saks (1942-2013), Founder Adams, John China Gates for Piano (2013) Arensky, Anton Hallelujah Junction for Two Pianos (2012, 2017W) Piano Quintet in D major, Op. 51 (1997, 2003, 2011W) Road Movies for Violin and Piano (2013) Piano Trio in D minor, Op. 32 (1984, 1990, 1992, 1994, 2001, 2007, 2010O, 2016W) Aho, Kalevi Piano Trio in F minor, Op. 73 (2001W, 2009) ER-OS (2018) Quartet for Violin, Viola and Two Celli in A minor, Op. 35 (1989, 1995, 2008, 2011) Albéniz, Isaac Six Piéces for Piano, Op. 53 (2013) Iberia (3 selections from) (2003) Iberia “Evocation” (2015) Arlen, Harold Wizard of Oz Fantasy (arr. William Hirtz) (2002) Alexandrov, Kristian Prayer for Trumpet and Piano (2013) Arnold, Malcolm Sonatina for Oboe and Piano, Op. 28 (2004) Applebaum "Landscape of Dreams" (1990) Babajanian, Arno Piano Trio in F sharp minor (2015) Andres, Bernard Narthex for Flute and Harp (2000W) Bach, Johann Sebastian “Aus liebe will mein Heiland sterben” from St. Matthew Passion BWV 244 Anderson, David (for flute, arr. Bennett) (2019) Capriccio No. 2 for Solo Double Bass (2006) Brandenburg Concerto No 3 in G major, BWV 1048 (2011) Four Short Pieces for Double Bass (2006) Brandenburg Concertos (Complete) BWV 1046-1051 (2013W) Capriccio “On the Departure of a Beloved Brother” in B flat major, BWV 992 Anderson, Jordan (2006) Drafts for Double Bass and Piano (2006) Chaconne, from Partita for Violin in D minor, BWV 1004 (1994, 2001, 2002) Choral Preludes for Organ (Piano) (Selections) (1998) Anonymous (arr. -
Rachmaninov Symphony No.2 Live in Concert Vladimir Ashkenazy 7 4 7 8 4 4 D D C C G G I I S S
SIGCD530_Booklet*.qxp_BookletSpread.qxt 19/12/2017 12:56 Page 1 CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. Also available… RACHMANINOV SYMPHONY NO.2 LIVE IN CONCERT VLADIMIR ASHKENAZY 7 4 7 8 4 4 D D C C G G I I S S Nielsen: Flute & Clarinet Concertos, Aladdin Suite Rachmaninov: Symphony No.1 Philharmonia Orchestra Vladimir Ashkenazy conductor Samuel Coles flute SIGCD484 Mark van de Wiel clarinet Paavo Järvi “Ashkenazy knows how to shape detail and soar in the big SIGCD477 melodic moments. The Philharmonia sound is muscular and alert, from the opening woodwind solos to the mighty, “Mark van de Wiel plays this demanding work with flair, stirring symphonic tutti of the finale.” poise and insight; and, like Coles, receives an esteemed The Observer collaboration from the Philharmonia Orchestra and Järvi … the sound is vivid and complements first-class music and music-making.” Classical Source 12 1 291.0mm x 169.5mm SIGCD530_Booklet*.qxp_BookletSpread.qxt 19/12/2017 12:56 Page 2 CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. SERGEI RACHMANINOV 1873-1943 he resigned from the staff of the Bolshoi and RACHMANINOV Symphony No. 2 in E minor, Op. 27 went off to Italy with his family, intending to SYMPHONY NO.2 escape the political unrest in Russia. But work LIVE IN CONCERT Largo – Allegro moderato proved difficult: Rachmaninov had hoped to Allegro molto begin another opera, based on Flaubert’s novel Symphony No. -
La Question Du Livret De Monna Vanna, Opéra Inachevé De Sergej Raxmaninov Et Mixail Slonov S
Revue des études slaves LXXXIV-3-4 | 2013 Musique et opéra en Russie et en Europe centrale La question du livret de Monna Vanna, opéra inachevé de Sergej Raxmaninov et Mixail Slonov S. V. Raxmaninov and M. A. Slonov at Work on Their Libretto for Monna Vanna: On the Issue of the Reasons of the Incompleteness of the Opera Mixail Alejnikov Traducteur : Pascale Melani Édition électronique URL : http://journals.openedition.org/res/1146 DOI : 10.4000/res.1146 ISSN : 2117-718X Éditeur Institut d'études slaves Édition imprimée Date de publication : 31 décembre 2013 Pagination : 433-444 ISBN : 978-2-7204-0524-2 ISSN : 0080-2557 Référence électronique Mixail Alejnikov, « La question du livret de Monna Vanna, opéra inachevé de Sergej Raxmaninov et Mixail Slonov », Revue des études slaves [En ligne], LXXXIV-3-4 | 2013, mis en ligne le 26 mars 2018, consulté le 17 décembre 2020. URL : http://journals.openedition.org/res/1146 ; DOI : https://doi.org/ 10.4000/res.1146 Revue des études slaves Musique & Opéra Compo_RES 84_3-4 10/02/14 17:24 Page433 lA queSTiOn Du liVReT De MONNA VANNA, OpéRA inACHeVé De SeRgeJ RAXMAninOV eT MiXAil SlOnOV Par MiXail aleJnikOv Conservatoire Rimski-Korsakov de Saint-Pétersbourg sergej vasil´evič raxmaninov a composé trois opéras, Aleko (1893), Fran- cesca da Rimini (1906) et le Chevalier avare (Skupoj rycar´, 1906). Mais il est également l’auteur d’un quatrième essai lyrique, Monna Vanna, d’après le drame éponyme de Maurice Maeterlinck. Beaucoup de musiciens ignorent son existence, ce qui n’a rien d’étonnant car, pendant longtemps, il n’a pu être joué dans les salles de concert ou d’opéra, ni faire l’objet d’études sérieuses. -
KEYNOTES the OFFICIAL NEWSLETTER of the EVANSTON SYMPHONY ORCHESTRA LAWRENCE ECKERLING, MUSIC DIRECTOR Gershwin Concerto in F
VOL. 51, NO. 2 • FEBRUARY 2020 KEYNOTES THE OFFICIAL NEWSLETTER OF THE EVANSTON SYMPHONY ORCHESTRA LAWRENCE ECKERLING, MUSIC DIRECTOR Gershwin Concerto in F he ESO’s 74th season is titled “Great Com- SUNDAY, FEBRUARY 2— 2:30 PM Tposers,” and our second program is an all- GERSHWIN American concert whose title refers to what is arguably “The Great American Piano Concerto.” This assertion is CONCERTO IN F covered at length on the next page in Behind the Scenes. Our concert opens with a four minute piece by the most and met with Ravel to ask for composition lessons. There recently born (1972) composer yet presented on an ESO are several versions of Ravel’s response to Gershwin’s request; the most humorous is that when Ravel asked concert. He is Jonathan Newman and the work is titled Gershwin what his income had been from royalties on Blow It Up, Start Again, which is explained by Newman his compositions, and Gershwin replied in the vicinity of as: “If the system isn’t working anymore, then do what $100,000 (in 1928!), Ravel then said “I think I need Guy Fawkes tried and go anarchist: Blow it all up and lessons from you.” start again.” Ironically, the musical materials of this over- ture/encore are decidedly traditional although with Ferdinand (Ferde) Grofé (1892-1972) was born in New elements of jazz and rock music, such as a drum kit. York City and enjoyed a strong musical training, which allied with his facility on a variety of instruments, led to This somewhat raucous opener will be followed by the a career as an arranger, culminating in his orchestration beautiful Lyric for Strings by George Walker (1922– of Rhapsody in Blue. -
Rachmaninoff, Serge in Oxford Music Online
Rachmaninoff, Serge in Oxford Music Online http://www.oxfordmusiconline.com/subscriber/article/grove/music/501... Oxford Music Online 1 de 12 11/03/2012 17:37 Rachmaninoff, Serge in Oxford Music Online http://www.oxfordmusiconline.com/subscriber/article/grove/music/501... Grove Music Online Rachmaninoff, Serge article url: http://www.oxfordmusiconline.com:80/subscriber/article/grove/music/50146 Rachmaninoff [Rakhmaninov, Rachmaninov], Serge [Sergey] (Vasil′yevich) (b Oneg, 20 March/1 April 1873; d Beverly Hills, CA, 28 March 1943). Russian composer, pianist and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism. The influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers soon gave way to a thoroughly personal idiom, with a pronounced lyrical quality, expressive breadth, structural ingenuity and a palette of rich, distinctive orchestral colours. 1. 1873–92. There remains some debate about the exact place of Rachmaninoff’s birth. A case has been made for Semyonovo (Bryantseva, 1969), but Rachmaninoff himself always thought he was born at Oneg in the Novgorod region, and other evidence indicates that that was probably the case. According to the Old Style calendar, he was born on 20 March 1873, yielding 1 April as the New Style date; but after emigrating from Russia in 1917, Rachmaninoff habitually celebrated his birthday using the 20th-century conversion principle of adding 13 days to the Old Style date. The plaque on his tomb thus bears the birthdate 2 April 1873. Rachmaninoff’s improvident father squandered the family fortune, and the family was rapidly reduced from having several homes to occupying the one estate at Oneg. -
Rachmaninov (1873-1943)
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Sergei Rachmaninov (1873-1943) Born at Oneg, Novgorod Region. He had piano lessons from an early age but his serious training in composition began at the Moscow Conservatory where he studied counterpoint with Sergei Taneyev and harmony with Anton Arensky. He began to compose and for the rest of his life divided his musical time between composing, conducting and piano playing gaining great fame in all three. After leaving Russia permanently in 1917, the need to make a living made his rôle as a piano virtuoso predominant. His 4 Piano Concertos, Rhapsody on a Theme of Paganini and substantial solo piano works make him one of the world's most-performed composers. However, he also composed operas, liturgical choral works as well as other pieces for orchestra, chamber groups and chorus. Symphony No. 1 in D minor, Op.13 (1895) Alexander Anissimov/National Symphony Orchestra of Ireland ( + Capriccio on Gypsy Themes) NAXOS 8.550806 (1999) Vladimir Ashkenazy/Philharmonia Orchestra SIGNUM SIGCD484 (2017) Vladimir Ashkenazy/Royal Concertgebouw Orchestra ( + Symphonies Nos. 2 and 3, The Bells, Symphonic Dances and The Isle of the Dead) DECCA 455798-2 (3 CDs) (1998) (original LP release: DECCA SXDL 7603/LONDON LDR 71103) (1982) Vladimir Ashkenazy/Sydney Symphony Orchestra ( + Symphonies Nos. 2 and 3, Youth Symphony, Symphonic Dances, The Isle of the Dead, Capriccio on Gypsy Themes, Aleko: Suite, The Rock, Scherzo in D minor, Prince Rostislav, Vocalise and Rachmaninov/ Respighi: 5 Etudes Tableaux) EXTON EXCL 00018 (5 CDs) (2008) Heinz Bongarz/Dresden Philharmonic Orchestra URANIA C-7131 (LP) Charles Dutoit/Philadelphia Orchestra ( + Symphonies Nos. -
Rachmaninov Symphonies and Orchestral Music Singapore Symphony Orchestra Lan Shui
RACHMANINOV SYMPHONIES AND ORCHESTRAL MUSIC SINGAPORE SYMPHONY ORCHESTRA LAN SHUI BIS-2512 RACHMANINOV, Sergei (1873—1943) Symphonies and Orchestral Music Disc 1 [75'26] Symphony No. 1 in D minor, Op. 13 (1895) 45'32 1 I. Grave — Allegro ma non troppo 14'35 2 II. Allegro animato 8'36 3 III. Larghetto 9'41 4 IV. Allegro con fuoco 12'15 5 Symphonic Movement in D minor (1891) 14'16 ‘Youth Symphony’ Grave — Allegro moderato 6 Prince Rostislav (1891) 14'30 Lento — Allegretto — Grave — Allegro con fuoco — Grave 2 Disc 2 [68'05] Symphony No. 2 in E minor, Op. 27 (1906—07) 61'23 1 I. Largo – Allegro moderato 22'04 2 II. Allegro molto 9'47 3 III. Adagio 14'41 4 IV. Allegro vivace 14'13 5 Vocalise, Op. 34 No. 14 5'53 (1912, arranged for orchestra by the composer) Disc 3 [82'10] Symphony No. 3 in A minor, Op. 44 (1935—36) 44'36 1 I. Lento — Allegro moderato — Allegro 17'56 2 II. Adagio ma non troppo — Allegro vivace 12'19 3 III. Allegro 13'59 Symphonic Dances, Op. 45 (1940) 36'45 4 I. Non allegro — Lento — Tempo I 11'51 5 II. Andante con moto: Tempo di valse 10'34 6 III. Lento assai — Allegro vivace — Lento assai — Allegro vivace 14'09 3 Disc 4 [80'30] 1 The Rock, Op. 7 (1893) 14'21 Four excerpts from the opera ‘Aleko’ (1893) 2 Introduction. Andante cantabile 2'24 3 Men’s Dance 4'22 4 Intermezzo 2'51 5 Women’s Dance 4'58 6 Capriccio bohémien, Op. -
San Francisco Symphony 2016-2017 Season Concert Calendar
Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press FOR IMMEDIATE RELEASE / UPDATED AUGUST 16, 2016 SAN FRANCISCO SYMPHONY 2016-2017 SEASON CONCERT CALENDAR PLEASE NOTE: Tickets for individual 2016-17 San Francisco Symphony concerts are now on sale at www.sfsymphony.org, (415) 864- 6000, and at the Davies Symphony Hall Box Office, located on Grove Street between Franklin and Van Ness. Additional information about subscription packages and season highlights is available at www.sfsymphony.org/1617season. All concerts are at Davies Symphony Hall, 201 Van Ness Avenue, San Francisco, unless otherwise noted Calendar editors, please note: OPENING NIGHT GALA with RENÉE FLEMING AND SUSAN GRAHAM Wednesday, September 7, 2016 at 8 pm Michael Tilson Thomas conductor Renée Fleming soprano Susan Graham mezzo-soprano San Francisco Symphony STEVE REICH Three Movements TBA Selection of American songs ROSSINI Overture from William Tell ROSSINI Ballet Music from William Tell [first SFS performance] TBA Selection of Italian songs ALL SAN FRANCISCO CONCERT, MICHAEL TILSON THOMAS CONDUCTING Thursday, September 8, 2016 at 8 pm Michael Tilson Thomas conductor Susanna Phillips soprano Alexander Barantschik violin San Francisco Symphony COPLAND Billy the Kid Ballet Suite TBA Selection of American songs VIVALDI Winter from The Four Seasons, Opus 8, no. 4 ROSSINI Ballet Music from William Tell [first SFS performance] ROSSINI Overture from William Tell San Francisco Symphony 2016-17 Season Calendar