Fall 2005) Page 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Manhattan Transference: Reader Itineraries in Modernist New York
Oberlin Digital Commons at Oberlin Honors Papers Student Work 2013 Manhattan Transference: Reader Itineraries in Modernist New York Sophia Bamert Oberlin College Follow this and additional works at: https://digitalcommons.oberlin.edu/honors Part of the English Language and Literature Commons Repository Citation Bamert, Sophia, "Manhattan Transference: Reader Itineraries in Modernist New York" (2013). Honors Papers. 308. https://digitalcommons.oberlin.edu/honors/308 This Thesis is brought to you for free and open access by the Student Work at Digital Commons at Oberlin. It has been accepted for inclusion in Honors Papers by an authorized administrator of Digital Commons at Oberlin. For more information, please contact [email protected]. 1 Sophia Bamert April 19, 2013 Oberlin College English Honors Paper Advisor: T.S. McMillin Manhattan Transference: Reader Itineraries in Modernist New York The development of transportation technologies played a vital role in New York City’s transformation into a modern metropolis. Between 1884 and 1893, travel by rapid transit in New York increased by 250 percent,1 and “by 1920 there were 2,365,000,000 riders annually on all city transit lines . twice as many as all the steam railroads in the country carried” (Michael W. Brooks 90). The Elevated trains, which were completed by 1880,2 and the subways, opened in 1904, fueled construction and crowding in the booming city,3 and they fundamentally altered the everyday experience of living in New York. These modern transit technologies were novel in and of themselves, but, moreover, they offered passengers previously unaccessible views of the urban landscape through which they moved: from above the streets on an Elevated track, from underground in a subway tunnel, and so on. -
Realist Magic in the Fiction of William Dean Howells STEPHANIE C
Realist Magic in the Fiction of William Dean Howells STEPHANIE C. PALMER 14LHEN the character Bartley Hubbard in William Dean Howells's A Modern In stance (1882) brags that the ideal newspaper would solicit "an account of suicide, or an elopement, or a murder, or an acci dent" from "every fellow that could spell, in any part of the country," he voices Howells's own misgivings about the sensa tional aspect of communication through mass culture.1 Rather than fostering cognitive and emotional connections between diverse social groups for the purpose of preventing further suf fering, newspaper accounts of personal calamities or large- scale industrial accidents in the late nineteenth century tried to thrill readers solely for the purposes of prestige and circula tion. Howells was not committed to determining how to pre vent suicide, murder, or industrial accidents, but he had a deep interest in determining what—if not sensational tales of for tune and disaster—would inspire people from different eco nomic, political, and religious backgrounds to see each other as respected members of a human community. Howells's key Nineteenth-Century Literature, Vol. 57, No. 2, pp. 210-236. ISSN: 0891-9356. © 2002 by The Regents of the University of California/Society. All rights reserved. Send requests for permission to reprint to: Rights and Permissions, University of California Press, Journals Division, 2000 Center Street, Suite 303, Berkeley, CA 94704-1223. 1 William Dean Howells, A Modern Instance, ed. George N. Bennett, David J. Nord- loh, and David Kleinman, vol. 10 of A Selected Edition of W. D. -
Howellsian Realism in "The Landlord at Lion's Head"
Giving a character: Howellsian realism in "The landlord at Lion's Head" The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Crowley, John W. 1994. Giving a character: Howellsian realism in "The landlord at Lion's Head". Harvard Library Bulletin 5 (1), Spring 1994: 53-66. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42663824 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 53 Giving a Character: Howellsian Realism in The Landlord at Lion's Head John W. Crowley find this young man worthy," attested Hawthorne to Emerson, thus giving I Howells one of the best characters in American literary history. Decades after his New England pilgrimage of 1860, W. D. Howells still cherished the memory of Hawthorne as "without alloy one of the finest pleasures of my life." The postu- lant from Ohio, over dinner with James Russell Lowell, Oliver Wendell Holmes, and James T. Fields, had already been ordained by them into the apostolic succes- sion of the New England clerisy. But the laying on of hands by these idols of Howells's youth was less signal an honor than his acceptance by Hawthorne, of whom the Bostonians had all spoken "with the same affection, but the same sense of something mystical and remote in him." Thinking perhaps of Lowell and the other Bostonians, Howells reflected that many great men "wittingly or unwittingly .. -
Stae
GEORGE C. CARRINGTON, JR. STAe <ffnwnetibe The World and Art of the Howells Novel Ohio State University Press $6.25 THE IMMENSE COMPLEX DRAMA The World and Art of the Howells Novel GEORGE C. CARRINGTON, JR. One of the most productive and complex of the major American writers, William Dean Howells presents many aspects to his biogra phers and critics — novelist, playwright, liter ary critic, editor, literary businessman, and Christian Socialist. Mr. Carrington chooses Howells the novelist as the subject of this penetrating examination of the complex relationships of theme, subject, technique, and form in the world of Howells fiction. He attempts to answer such questions as, What happens if we look at the novels of Howells with the irreducible minimum of exter nal reference and examine them for meaning? What do their structures tell us? What are their characteristic elements? Is there significance in the use of these elements? In the frequency of their use? In the patterns of their use? Avoiding the scholar-critic's preoccupation with programmatic realism, cultural concerns, historical phenomena, and parallels and influ ences, Mr. Carrington moves from the world of technical criticism into Howells' fiction and beyond, into the modern world of anxious, struggling, middle-class man. As a result, a new Howells emerges — a Howells who interests us not just because he was a novelist, but because of the novels he wrote: a Howells who lives as an artist or not at all. George C. Carrington, Jr., is assistant pro fessor of English at the Case Institute of Tech nology in Cleveland, Ohio. -
William Dean Howells and the Antiurban Tradition 55
william dean howells and the antiurban tradition a reconsideration gregory I. crider The debate about William Dean Howells' attitudes toward the late nineteenth-century American city involve the much broader question of the place of antiurbanism in American thought. Responding to the charges of H. L. Mencken, Sinclair Lewis and other post-World War I critics who had condemned the author as a complacent symbol of the nineteenth-century literary establishment, scholars in the fifties and early sixties portrayed him as a Middle Western rural democrat who spent much of his adult life criticizing urban-industrial America.1 Unfortu nately, in attempting to revive Howells' reputation, these critics exag gerated his occasional nostalgia for the Ohio village of his youth, leaving the impression that he was an alienated critic of the city, if not genuinely antiurban. Although recent scholars have partly revised this view, critics have generally continued to accept the argument that the author's well- known affinity for socialism, together with his nostalgia for a vanishing countryside, left him an unswerving critic of the city.2 During the years in which scholars were discovering these antiurban sentiments, urban historians and sociologists began challenging the depth and cohesiveness of what had long been accepted as a monolithic, anti- urban tradition, dating back to Jefferson and Crevecoeur, and persisting through the transcendentalists, the pragmatists and literary naturalists, and the Chicago school of urban sociology, to the present. R. -
William Dean Howells and the Seductress- from 'Femme Fatale'
William Dean Howells and the seductress: From "femme fatale to femme vitale" The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Prioleau, Elizabeth S. 1992. William Dean Howells and the seductress: From "femme fatale to femme vitale". Harvard Library Bulletin 3 (1), Spring 1992: 53-72. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42662022 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 53 William Dean Howells and the Seductress: From Femme Fatale to Femme Vitale Elizabeth S. Prioleau illiam Dean Howells and the seductress seem an unlikely pair. By tradition, W sirens inhabit the wilder shores of romanticism, not the level plain of real- ism with its "mixed characters," 1 "usual" 2 situations, and complex moral dilemmas. At one point Howells equated coquettes who try to arouse "vivid and violent emotions" 3 with "effectism." Howells coined "effectism" to refer to the cheap, emotional appeals of romanticistic fiction. Nonetheless, coquettes and temptresses 4 pervade his work and comprise some of his most memorable characters. A con- temporary critic, Thomas Perry, said of them: "[Howells's] accomplished experts in the gay science ... are not simply arch or mischievous or appealing but much more ... his coquettes [are] admirable because here as everywhere, Mr. Howells describes what he sees and his eyes are exceed- ingly sharp." 5 ELIZABETH PRIOLEAU is an His portraits of seductresses are acutely observed, vivid, and drawn with finesse. -
Stevensoniana; an Anecdotal Life and Appreciation of Robert Louis Stevenson, Ed. from the Writings of JM Barrie, SR Crocket
: R. L. S. AND HIS CONTEMPORARIES 225 XII R. L. S. AND HIS CONTEMPORARIES Few authors of note have seen so many and frank judg- ments of their work from the pens of their contemporaries as Stevenson saw. He was a ^persona grata ' with the whole world of letters, and some of his m,ost admiring critics were they of his own craft—poets, novelists, essayists. In the following pages the object in view has been to garner a sheaf of memories and criticisms written—before and after his death—for the most part by eminent contemporaries of the novelist, and interesting, apart from intrinsic worth, by reason of their writers. Mr. Henry James, in his ' Partial Portraits,' devotes a long and brilliant essay to Stevenson. Although written seven years prior to Stevenson's death, and thus before some of the most remarkable productions of his genius had appeared, there is but little in -i^^^ Mr. James's paper which would require modi- fication to-day. Himself the wielder of a literary style more elusive, more tricksy than Stevenson's, it is difficult to take single passages from his paper, the whole galaxy of thought and suggestion being so cleverly meshed about by the dainty frippery of his manner. Mr. James begins by regretting the 'extinction of the pleasant fashion of the literary portrait,' and while deciding that no individual can bring it back, he goes on to say It is sufficient to note, in passing, that if Mr. Stevenson had P 226 STEVENSONIANA presented himself in an age, or in a country, of portraiture, the painters would certainly each have had a turn at him. -
Howellsian Chic: the Local Color of Cosmopolitanism
HOWELLSIAN CHIC: THE LOCAL COLOR OF COSMOPOLITANISM BY BRAD EVANS We who are nothing but self, and have no manner of being Save in the sense of self, still have no other delight Like the relief that comes with the blessed oblivion freeing Self from self in the deep sleep of some dreamless night. —William Dean Howells, “Sphinx” Had Sarah Orne Jewett’s country maiden from A Marsh Island (1885), Doris Owen, decided to go off with the bohemian artist Dick Dale to a life of heady, urban aestheticism, she could have hoped for no better end than to have become William Dean Howells’s Alma Leighton from A Hazard of New Fortunes (1890). The two women’s circumstances are remarkably similar, both of them familiar characters from the archives of New England regional fiction. Like Doris Owen, Alma Leighton grew up in one of those picturesque vacation destinations scattered someplace between Vermont, New Hampshire, or Maine; like Doris, her mother kept a summer boarder who happened to be a young bohemian artist who had come with the purpose of making some sketches of the local scene; and like Doris, she became romantically involved with him. The difference between them is that, rather than staying at home in rural Maine, Alma travels to New York: though, like Doris, she ultimately rejects her bohemian suitor, she does so not to remain true to her roots in the country but to become a bohemian artist herself. It is Alma’s sketch for the cover of the novel’s new illustrated magazine, Every Other Week, that sets the aesthetic framework for the novel itself. -
William Dean Howells Society
MEMBERSHIP The William Dean Howells Society To join, send your check for $10 payable Society Howells The William Dean to the William Dean Howells Society to Prof. Elsa Nettels William 211 Indian Springs Road Williamsb urg, VA 23185 Dean Name___________________________ Mailing Address___________________ Howells ________________________________ ________________________________ Society ________________________________ ________________________________ Optional Information: E-mail:__________________________ Phone: __________________________ Fax: ____________________________ Institutional Affiliation________________________ © 2005, The William Dean Howells Society Membership William Dean Howells at 75 (1912) Information http://www.howellssociety.org About W. D. Howells About the Society Howells's Principal Works William Dean Howells The William Dean Howells Society is a non- One of the most influential literary figures of 1860 Poems of Two Friends (with John J. Piatt) profit scholarly organization dedicated to the nineteenth-century America, William Dean Lives and Speeches of Abraham Lincoln study of the nineteenth-century editor, author, Howells (1837-1920) rose to prominence as edi- 1866 Venetian Life and critic W. D. Howells. tor of the Atlantic Monthly (1871-1881), becom- 1867 Italian Journeys ing one of the foremost propo- 1871 Suburban Sketches Founded by Jesse Crisler and a group of inter- nents of literary realism. 1872 Their Wedding Journey ested scholars at the ALA in 1997, the Society 1873 A Chance Acquaintance; Poems sponsors two -
William Dean Howells Between 1900-1920
SDÜ Fen Edebiyat Fakültesi SDU Faculty of Arts and Sciences Sosyal Bilimler Dergisi Journal of Social Sciences Nisan 2015, Sayı: 34, ss.99-116 April 2014, No: 34, pp..99-116 Confronting the Modern Literary Marketplace: William Dean Howells Between 1900-1920 Işıl ÖZCAN* Modern Edebiyat Dünyası ile Yüzleşmek: 1900-1920 arası William Dean Howells ÖZET Kanonik bir Amerikan roman yazarı ve Amerikan gerçekçi edebiyatının en önemli kuramcılarından biri olmasına rağmen, William Dean Howells’la ilgili çalışmalarda yazarın son dönemi yeterince incelenmemiştir. Howells, 1900 yılında Harper’s dergisinde her ay yazmaya başlamış ve yazılarına 1920’deki ölümüne dek devam etmiştir. Howells bu yirmi yılık dönemde, edebiyat dünyasındaki değişimlerin hem sanatçı hem de edebiyat eleştirmeni üzerindeki olumsuz etkilerine maruz kalmış; reklam sektörünün edebî beğeni üzerindeki nihaî etkisini fark edip kendi sanatçı konumunu gözden geçirmiş ve durumunu “maaşa bağlanmış kazançlı kölelik” olarak betimlemiştir. İronik olan, bu dönemde, Howells’ın edebiyatçı kimliğinde oluşan bölünmenin, yazara “Amerikan Edebiyatının Dekan”ı denmeye başlanması ile daha da derinleşmesidir. Bu çalışmada Howells’ın kariyerinin son döneminde yazdığı romanları ve edebiyat eleştirileri üzerinde durulup özellikle edebiyat eleştirileri üzerinden Howells’ın yirminci yüzyılın sonunda edebiyat dünyasında meydana gelen değişimleri nasıl karşıladığı, kendi edebiyat anlayışını ve pratiğini nasıl şekillendirdiği incelenecektir. Howells’ın modern edebiyat dünyasıyla karşılaşması, hem entelektüel -
Conflicts of Values Between Traditional and Modern Cultures in William Dean Howells a Modern Instance: a Sociological Approach
CONFLICTS OF VALUES BETWEEN TRADITIONAL AND MODERN CULTURES IN WILLIAM DEAN HOWELLS A MODERN INSTANCE: A SOCIOLOGICAL APPROACH RESEARCH PAPER Submitted as Partial Fulfillment of the Requirements for Getting Bachelor Degree in English Department by NIKA YULANDA A320 040 379 SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2010 1 CHAPTER I INTRODUCTION A. Background of the Study A Modern Instance is the third novel of William Dean Howell’s. The compilation novel book entitled William Dean Howells: Novels 1875-1886: A Foregone Conclusion, A Modern Instance, Indian Summer, The Rise of Silas Lapham (Library of America) publishing on November, 1982 by Library of America, consists of four novels, namely, A Foregone Conclusion, A Modern Instance, Indian Summer, The Rise of Silas Lapham. It consists of 1217 pages. In this book A Modern Instance is in the second order. A Modern Instance consists of 41 chapters and 415 pages. It is one of William Dean Howells novels which describes the real condition in that time. William Dean Howells is a famous novelist from realism era. He was born on first, March 1837 in Martin Ferry, Belmont Country, Ohio (http://en.wikipedia.org/wiki/William_Dean_howells). Howells was the most productive and versatile writer of his time. His works include short stories, poems, drama, travelogues, volumes of critics and autobiography. For the last thirty years of his life he was the dominant figure in American letters. He received many honors and was chosen as the first president of the American Academy of Arts letters. His literary works are Their Wedding Journey (1872); The Lady of the Aroostook (1879); A Modern Instance (1882); The Rise of Silas Lapham (1885); The Minister's Charge (1886); A Hazard of New Fortunes (1889); The Quality of Mercy (1892); The Landlord at Lion's Head (1897). -
The Howellsian Volume 8, Issue 1 New Series the Howellsian Spring 2005 the Howellsian
The Howellsian Volume 8, Issue 1 New Series The Howellsian Spring 2005 The Howellsian A Message from the President Inside this issue: The Howells Society welcomes all its The Society is dedicated to aiding and From the President 1 members in its first issue of the new series expanding the work of scholars and crit- From the Editor of the Howellsian. Future issues of the ics as they continue to illuminate the newsletter will include abstracts of papers scope and depth of Howells' writings. Howells Society Activities 2 presented at conferences, short essays on recent Howells scholarship, inquiries with —Elsa Nettels, President Book excerpt:: William Dean 3 reference to Howells, and news of forth- Howells: A Writer’s Life by Susan coming meetings and publications of inter- Goodman and Carl Dawson est to Howellsians. We invite contributions Howells Sessions at ALA 5 to the newsletter, and hope to see many of you at the panels presented by the Howells Society at the meeting of the American Lit- Recent criticism on Howells 7 erature Association in Boston in May. Announcements: 8 Papers on Howells presented at the Irospects article on Howells ALA and elsewhere and recent books in which Howells figures prominently, such as those by Susan Goodman, Hildegard Hoel- ler, and Augusta Rohrbach, are compelling evidence of the importance of Howells William Dean Howells in 1907 and the richness of his work as a field In the next issue: of study. • Account of the ALA business meeting • Review of ALA panels A Message from the Editor • Announcement of officers We apologize for the and support.