The Howellsian Volume 8, Issue 1 New Series the Howellsian Spring 2005 the Howellsian
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Manhattan Transference: Reader Itineraries in Modernist New York
Oberlin Digital Commons at Oberlin Honors Papers Student Work 2013 Manhattan Transference: Reader Itineraries in Modernist New York Sophia Bamert Oberlin College Follow this and additional works at: https://digitalcommons.oberlin.edu/honors Part of the English Language and Literature Commons Repository Citation Bamert, Sophia, "Manhattan Transference: Reader Itineraries in Modernist New York" (2013). Honors Papers. 308. https://digitalcommons.oberlin.edu/honors/308 This Thesis is brought to you for free and open access by the Student Work at Digital Commons at Oberlin. It has been accepted for inclusion in Honors Papers by an authorized administrator of Digital Commons at Oberlin. For more information, please contact [email protected]. 1 Sophia Bamert April 19, 2013 Oberlin College English Honors Paper Advisor: T.S. McMillin Manhattan Transference: Reader Itineraries in Modernist New York The development of transportation technologies played a vital role in New York City’s transformation into a modern metropolis. Between 1884 and 1893, travel by rapid transit in New York increased by 250 percent,1 and “by 1920 there were 2,365,000,000 riders annually on all city transit lines . twice as many as all the steam railroads in the country carried” (Michael W. Brooks 90). The Elevated trains, which were completed by 1880,2 and the subways, opened in 1904, fueled construction and crowding in the booming city,3 and they fundamentally altered the everyday experience of living in New York. These modern transit technologies were novel in and of themselves, but, moreover, they offered passengers previously unaccessible views of the urban landscape through which they moved: from above the streets on an Elevated track, from underground in a subway tunnel, and so on. -
Urban Emergence and the Pastoral Ideal: a Study of Three Related Works by William Dean Howells
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1980 Urban emergence and the pastoral ideal: A study of three related works by William Dean Howells Robert Francis Lastowski College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Lastowski, Robert Francis, "Urban emergence and the pastoral ideal: A study of three related works by William Dean Howells" (1980). Dissertations, Theses, and Masters Projects. Paper 1539625095. https://dx.doi.org/doi:10.21220/s2-h7qm-4b84 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. URBAN EMERGENCE AND THE PASTORAL IDEAL: A STUDY OF THREE RELATED WORKS BY WILLIAM DEAN HOWELLS A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts Rohert F. Lastowski 1980 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, May 1980 Elsa Nettels Robert J//Scholnick Walter P. Wenska ACKNOWLEDGMENTS The writer wishes to express his appreciation to Dr. Elsa Nettels, under whose guidance this essay was developed, for her patience and assis tance throughout the process. The author is also indebted to Dr. -
Howellsian Realism in "The Landlord at Lion's Head"
Giving a character: Howellsian realism in "The landlord at Lion's Head" The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Crowley, John W. 1994. Giving a character: Howellsian realism in "The landlord at Lion's Head". Harvard Library Bulletin 5 (1), Spring 1994: 53-66. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42663824 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 53 Giving a Character: Howellsian Realism in The Landlord at Lion's Head John W. Crowley find this young man worthy," attested Hawthorne to Emerson, thus giving I Howells one of the best characters in American literary history. Decades after his New England pilgrimage of 1860, W. D. Howells still cherished the memory of Hawthorne as "without alloy one of the finest pleasures of my life." The postu- lant from Ohio, over dinner with James Russell Lowell, Oliver Wendell Holmes, and James T. Fields, had already been ordained by them into the apostolic succes- sion of the New England clerisy. But the laying on of hands by these idols of Howells's youth was less signal an honor than his acceptance by Hawthorne, of whom the Bostonians had all spoken "with the same affection, but the same sense of something mystical and remote in him." Thinking perhaps of Lowell and the other Bostonians, Howells reflected that many great men "wittingly or unwittingly .. -
Fall 2005) Page 1
The Howellsian, Volume 8, Number 2 (Fall 2005) Page 1 New Series Volume 8, Number 2 The Howellsian Fall 2005 A Message from the Editor Inside this issue: We hope that all our readers have had a pleas- Speech and Howells,” revised from his ant and perhaps even a productive summer. presentation at the ALA conference last From our perspective, it passed too quickly, From the Editor 1 spring; 3) a Call for Papers, with the topics but autumn, too, is a beautiful season, not selected and the deadline for submission of only in the Midwest where W. D. Howells proposals, for the 2006 ALA conference to Howells Society Activities 1 lived before setting out for Italy, but also be held in San Francisco next May; 4) a along the eastern seaboard, where he resided review by Sarah B. Daugherty of the new after his return. This fall, however, leads us biography by Susan Goodman and Carl Howells Abstracts from ALA 2005 3 to think westward, toward San Francisco, Dawson: William Dean Howells: A where the William Dean Howells Society will Writer’s Life , pub- next meet again to present a program now in lished earlier this Jerome Loving, “Twain’s Whittier 5 its initial stage of preparation. We look for- Birthday Speech and Howells” year; and 5) a dues ward to seeing you all there. notice for 2006 Following our editorial message, this Book Review: William Dean 10 with a membership Howells: A Writer’s Life by Susan expanded issue of The Howellsian in- form. Goodman and Carl Dawson. -
Stae
GEORGE C. CARRINGTON, JR. STAe <ffnwnetibe The World and Art of the Howells Novel Ohio State University Press $6.25 THE IMMENSE COMPLEX DRAMA The World and Art of the Howells Novel GEORGE C. CARRINGTON, JR. One of the most productive and complex of the major American writers, William Dean Howells presents many aspects to his biogra phers and critics — novelist, playwright, liter ary critic, editor, literary businessman, and Christian Socialist. Mr. Carrington chooses Howells the novelist as the subject of this penetrating examination of the complex relationships of theme, subject, technique, and form in the world of Howells fiction. He attempts to answer such questions as, What happens if we look at the novels of Howells with the irreducible minimum of exter nal reference and examine them for meaning? What do their structures tell us? What are their characteristic elements? Is there significance in the use of these elements? In the frequency of their use? In the patterns of their use? Avoiding the scholar-critic's preoccupation with programmatic realism, cultural concerns, historical phenomena, and parallels and influ ences, Mr. Carrington moves from the world of technical criticism into Howells' fiction and beyond, into the modern world of anxious, struggling, middle-class man. As a result, a new Howells emerges — a Howells who interests us not just because he was a novelist, but because of the novels he wrote: a Howells who lives as an artist or not at all. George C. Carrington, Jr., is assistant pro fessor of English at the Case Institute of Tech nology in Cleveland, Ohio. -
William Dean Howells and the Antiurban Tradition 55
william dean howells and the antiurban tradition a reconsideration gregory I. crider The debate about William Dean Howells' attitudes toward the late nineteenth-century American city involve the much broader question of the place of antiurbanism in American thought. Responding to the charges of H. L. Mencken, Sinclair Lewis and other post-World War I critics who had condemned the author as a complacent symbol of the nineteenth-century literary establishment, scholars in the fifties and early sixties portrayed him as a Middle Western rural democrat who spent much of his adult life criticizing urban-industrial America.1 Unfortu nately, in attempting to revive Howells' reputation, these critics exag gerated his occasional nostalgia for the Ohio village of his youth, leaving the impression that he was an alienated critic of the city, if not genuinely antiurban. Although recent scholars have partly revised this view, critics have generally continued to accept the argument that the author's well- known affinity for socialism, together with his nostalgia for a vanishing countryside, left him an unswerving critic of the city.2 During the years in which scholars were discovering these antiurban sentiments, urban historians and sociologists began challenging the depth and cohesiveness of what had long been accepted as a monolithic, anti- urban tradition, dating back to Jefferson and Crevecoeur, and persisting through the transcendentalists, the pragmatists and literary naturalists, and the Chicago school of urban sociology, to the present. R. -
William Dean Howells and the Seductress- from 'Femme Fatale'
William Dean Howells and the seductress: From "femme fatale to femme vitale" The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Prioleau, Elizabeth S. 1992. William Dean Howells and the seductress: From "femme fatale to femme vitale". Harvard Library Bulletin 3 (1), Spring 1992: 53-72. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42662022 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 53 William Dean Howells and the Seductress: From Femme Fatale to Femme Vitale Elizabeth S. Prioleau illiam Dean Howells and the seductress seem an unlikely pair. By tradition, W sirens inhabit the wilder shores of romanticism, not the level plain of real- ism with its "mixed characters," 1 "usual" 2 situations, and complex moral dilemmas. At one point Howells equated coquettes who try to arouse "vivid and violent emotions" 3 with "effectism." Howells coined "effectism" to refer to the cheap, emotional appeals of romanticistic fiction. Nonetheless, coquettes and temptresses 4 pervade his work and comprise some of his most memorable characters. A con- temporary critic, Thomas Perry, said of them: "[Howells's] accomplished experts in the gay science ... are not simply arch or mischievous or appealing but much more ... his coquettes [are] admirable because here as everywhere, Mr. Howells describes what he sees and his eyes are exceed- ingly sharp." 5 ELIZABETH PRIOLEAU is an His portraits of seductresses are acutely observed, vivid, and drawn with finesse. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of com puter printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI EDWTN BOOTH .\ND THE THEATRE OF REDEMPTION: AN EXPLORATION OF THE EFFECTS OF JOHN WTLKES BOOTH'S ASSASSINATION OF ABRAHANI LINCOLN ON EDWIN BOOTH'S ACTING STYLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael L. -
Table of Contents
Volume 21, Number 1 (Fall 2018) The Howellsian The Biannual Newsleter of the William Dean Howells Society “Redtop.” Howells Residence in Belmont, Massachusetts, 1878-1881. McClure’s Magazine, Vol. I, No. 1, June 1893. TABLE OF CONTENTS Howells Essay Prize Winner 2017: 2 Lindsey Grubbs “The slow martyrdom of her sickness malady”: William Dean Howells’ “Sketch of Winnie’s Life” Call for Entrants: 2018 Howells Essay Prize Contest 6 Minutes of the Howells Society Business Meeting, May 2018 6 Essay Abstracts: Howells Papers Delivered at ALA 2018, San Francisco 7 Call for Papers: Howells Panels at ALA 2019, Boston 10 Special Event: Visit the Howells Archive at Harvard’s Houghton Library 11 WDH Society Information 12 Volume 22, Number 1 (Fall 2018) HOWELLS ESSAY PRIZE WINNER 2017 “The slow martyrdom of her sickness malady”: William Dean Howells’ “Sketch of Winnie’s Life” Lindsey Grubbs (Emory University) Winifred Howells, the first-born child of realist author Wil- photographs and fourteen of her original poems. Often more liam Dean Howells, was born in Venice, Italy on December 17, hagiography than biography, he presents a saintly figure, likely 1863. Growing up in the company of family friends like Henry spurred in part by guilt over his earlier criticisms. He writes, James and Henry Wadsworth Longfellow, she dreamed of be- “every impulse in her was wise and good… She had the will to coming a famous poet. Her father recorded her rhymes before yield, not to withstand; she could not comprehend unkindness, it she could write herself, and at the age of nine or ten was devas- puzzled and dismayed her. -
James Russell Lowell - Poems
Classic Poetry Series James Russell Lowell - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive James Russell Lowell(22 February 1819 – 12 August 1891) James Russell Lowell was an American Romantic poet, critic, editor, and diplomat. He is associated with the Fireside Poets, a group of New England writers who were among the first American poets who rivaled the popularity of British poets. These poets usually used conventional forms and meters in their poetry, making them suitable for families entertaining at their fireside. Lowell graduated from Harvard College in 1838, despite his reputation as a troublemaker, and went on to earn a law degree from Harvard Law School. He published his first collection of poetry in 1841 and married Maria White in 1844. He and his wife had several children, though only one survived past childhood. The couple soon became involved in the movement to abolish slavery, with Lowell using poetry to express his anti-slavery views and taking a job in Philadelphia, Pennsylvania as the editor of an abolitionist newspaper. After moving back to Cambridge, Lowell was one of the founders of a journal called The Pioneer, which lasted only three issues. He gained notoriety in 1848 with the publication of A Fable for Critics, a book-length poem satirizing contemporary critics and poets. The same year, he published The Biglow Papers, which increased his fame. He would publish several other poetry collections and essay collections throughout his literary career. Maria White died in 1853, and Lowell accepted a professorship of languages at Harvard in 1854. -
APPENDIX ALCOTT, Louisa May
APPENDIX ALCOTT, Louisa May. American. Born in Germantown, Pennsylvania, 29 November 1832; daughter of the philosopher Amos Bronson Alcott. Educated at home, with instruction from Thoreau, Emerson, and Theodore Parker. Teacher; army nurse during the Civil War; seamstress; domestic servant. Edited the children's magazine Merry's Museum in the 1860's. Died 6 March 1888. PUBLICATIONS FOR CHILDREN Fiction Flower Fables. Boston, Briggs, 1855. The Rose Family: A Fairy Tale. Boston, Redpath, 1864. Morning-Glories and Other Stories, illustrated by Elizabeth Greene. New York, Carleton, 1867. Three Proverb Stories. Boston. Loring, 1868. Kitty's Class Day. Boston, Loring, 1868. Aunt Kipp. Boston, Loring, 1868. Psyche's Art. Boston, Loring, 1868. Little Women; or, Meg, Jo, Beth, and Amy, illustrated by Mary Alcott. Boston. Roberts. 2 vols., 1868-69; as Little Women and Good Wives, London, Sampson Low, 2 vols .. 1871. An Old-Fashioned Girl. Boston, Roberts, and London, Sampson Low, 1870. Will's Wonder Book. Boston, Fuller, 1870. Little Men: Life at Pluff?field with Jo 's Boys. Boston, Roberts, and London. Sampson Low, 1871. Aunt Jo's Scrap-Bag: My Boys, Shawl-Straps, Cupid and Chow-Chow, My Girls, Jimmy's Cruise in the Pinafore, An Old-Fashioned Thanksgiving. Boston. Roberts. and London, Sampson Low, 6 vols., 1872-82. Eight Cousins; or, The Aunt-Hill. Boston, Roberts, and London, Sampson Low. 1875. Rose in Bloom: A Sequel to "Eight Cousins." Boston, Roberts, 1876. Under the Lilacs. London, Sampson Low, 1877; Boston, Roberts, 1878. Meadow Blossoms. New York, Crowell, 1879. Water Cresses. New York, Crowell, 1879. Jack and Jill: A Village Story. -
Walt Whitman Quarterly Review
Walt Whitman Quarterly Review http://ir.uiowa.edu/wwqr The Earliest French Review of Whitman Ezra Greenspan Volume 6, Number 3 (Winter 1989) pps. 109-116 Stable URL: http://ir.uiowa.edu/wwqr/vol6/iss3/2 ISSN 0737-0679 Copyright c 1989 by The University of Iowa. The Earliest French Review of Whitman Ezra Greenspan Abstract Describes Henry Clapp, Jr.’s reprinting of an unknown article from a French periodical “an- nouncing a forthcoming French translation of Leaves of Grass and offering a perceptive prefatory commentary on its poetry,” and explores the significance of the announcement of the translation (which was never published) and Whitman’s response to the idea of a transatlantic audience. THE EARLIEST FRENCH REVIEW OF WALT WHITMAN EZRA GREENSPAN MEASURED BY THE CRITERION of public recognition, the decade of the 1850s was a disappointing one for Walt Whitman. Two editions of his poetry were published, but neither in satisfactory fashion and neither received with the kind of public acceptance or critical acclaim for which he hoped. But in an anonymous self-review he wrote in the first week of the new decade, Whit man announced a new edition of his poems and began the 1860s with re newed hopes of reaching a national audience: We are able to declare that there will also soon crop out the true "Leaves ofGrass," the fuller grown work ofwhich the former two issues were the inchoates-the forthcoming one, far, very far ahead of them in quality, quantity, and in supple lyrical exuberance. Those former issues, published by the author himse1fin little pittance editions, on trial, have just dropped the book enough to ripple the inner first-circles ofliterary agitation, in immediate contact with it.