Conflicts of Values Between Traditional and Modern Cultures in William Dean Howells a Modern Instance: a Sociological Approach
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Realist Magic in the Fiction of William Dean Howells STEPHANIE C
Realist Magic in the Fiction of William Dean Howells STEPHANIE C. PALMER 14LHEN the character Bartley Hubbard in William Dean Howells's A Modern In stance (1882) brags that the ideal newspaper would solicit "an account of suicide, or an elopement, or a murder, or an acci dent" from "every fellow that could spell, in any part of the country," he voices Howells's own misgivings about the sensa tional aspect of communication through mass culture.1 Rather than fostering cognitive and emotional connections between diverse social groups for the purpose of preventing further suf fering, newspaper accounts of personal calamities or large- scale industrial accidents in the late nineteenth century tried to thrill readers solely for the purposes of prestige and circula tion. Howells was not committed to determining how to pre vent suicide, murder, or industrial accidents, but he had a deep interest in determining what—if not sensational tales of for tune and disaster—would inspire people from different eco nomic, political, and religious backgrounds to see each other as respected members of a human community. Howells's key Nineteenth-Century Literature, Vol. 57, No. 2, pp. 210-236. ISSN: 0891-9356. © 2002 by The Regents of the University of California/Society. All rights reserved. Send requests for permission to reprint to: Rights and Permissions, University of California Press, Journals Division, 2000 Center Street, Suite 303, Berkeley, CA 94704-1223. 1 William Dean Howells, A Modern Instance, ed. George N. Bennett, David J. Nord- loh, and David Kleinman, vol. 10 of A Selected Edition of W. D. -
Urban Emergence and the Pastoral Ideal: a Study of Three Related Works by William Dean Howells
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1980 Urban emergence and the pastoral ideal: A study of three related works by William Dean Howells Robert Francis Lastowski College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Lastowski, Robert Francis, "Urban emergence and the pastoral ideal: A study of three related works by William Dean Howells" (1980). Dissertations, Theses, and Masters Projects. Paper 1539625095. https://dx.doi.org/doi:10.21220/s2-h7qm-4b84 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. URBAN EMERGENCE AND THE PASTORAL IDEAL: A STUDY OF THREE RELATED WORKS BY WILLIAM DEAN HOWELLS A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts Rohert F. Lastowski 1980 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, May 1980 Elsa Nettels Robert J//Scholnick Walter P. Wenska ACKNOWLEDGMENTS The writer wishes to express his appreciation to Dr. Elsa Nettels, under whose guidance this essay was developed, for her patience and assis tance throughout the process. The author is also indebted to Dr. -
Fall 2005) Page 1
The Howellsian, Volume 8, Number 2 (Fall 2005) Page 1 New Series Volume 8, Number 2 The Howellsian Fall 2005 A Message from the Editor Inside this issue: We hope that all our readers have had a pleas- Speech and Howells,” revised from his ant and perhaps even a productive summer. presentation at the ALA conference last From our perspective, it passed too quickly, From the Editor 1 spring; 3) a Call for Papers, with the topics but autumn, too, is a beautiful season, not selected and the deadline for submission of only in the Midwest where W. D. Howells proposals, for the 2006 ALA conference to Howells Society Activities 1 lived before setting out for Italy, but also be held in San Francisco next May; 4) a along the eastern seaboard, where he resided review by Sarah B. Daugherty of the new after his return. This fall, however, leads us biography by Susan Goodman and Carl Howells Abstracts from ALA 2005 3 to think westward, toward San Francisco, Dawson: William Dean Howells: A where the William Dean Howells Society will Writer’s Life , pub- next meet again to present a program now in lished earlier this Jerome Loving, “Twain’s Whittier 5 its initial stage of preparation. We look for- Birthday Speech and Howells” year; and 5) a dues ward to seeing you all there. notice for 2006 Following our editorial message, this Book Review: William Dean 10 with a membership Howells: A Writer’s Life by Susan expanded issue of The Howellsian in- form. Goodman and Carl Dawson. -
Stae
GEORGE C. CARRINGTON, JR. STAe <ffnwnetibe The World and Art of the Howells Novel Ohio State University Press $6.25 THE IMMENSE COMPLEX DRAMA The World and Art of the Howells Novel GEORGE C. CARRINGTON, JR. One of the most productive and complex of the major American writers, William Dean Howells presents many aspects to his biogra phers and critics — novelist, playwright, liter ary critic, editor, literary businessman, and Christian Socialist. Mr. Carrington chooses Howells the novelist as the subject of this penetrating examination of the complex relationships of theme, subject, technique, and form in the world of Howells fiction. He attempts to answer such questions as, What happens if we look at the novels of Howells with the irreducible minimum of exter nal reference and examine them for meaning? What do their structures tell us? What are their characteristic elements? Is there significance in the use of these elements? In the frequency of their use? In the patterns of their use? Avoiding the scholar-critic's preoccupation with programmatic realism, cultural concerns, historical phenomena, and parallels and influ ences, Mr. Carrington moves from the world of technical criticism into Howells' fiction and beyond, into the modern world of anxious, struggling, middle-class man. As a result, a new Howells emerges — a Howells who interests us not just because he was a novelist, but because of the novels he wrote: a Howells who lives as an artist or not at all. George C. Carrington, Jr., is assistant pro fessor of English at the Case Institute of Tech nology in Cleveland, Ohio. -
William Dean Howells and the Antiurban Tradition 55
william dean howells and the antiurban tradition a reconsideration gregory I. crider The debate about William Dean Howells' attitudes toward the late nineteenth-century American city involve the much broader question of the place of antiurbanism in American thought. Responding to the charges of H. L. Mencken, Sinclair Lewis and other post-World War I critics who had condemned the author as a complacent symbol of the nineteenth-century literary establishment, scholars in the fifties and early sixties portrayed him as a Middle Western rural democrat who spent much of his adult life criticizing urban-industrial America.1 Unfortu nately, in attempting to revive Howells' reputation, these critics exag gerated his occasional nostalgia for the Ohio village of his youth, leaving the impression that he was an alienated critic of the city, if not genuinely antiurban. Although recent scholars have partly revised this view, critics have generally continued to accept the argument that the author's well- known affinity for socialism, together with his nostalgia for a vanishing countryside, left him an unswerving critic of the city.2 During the years in which scholars were discovering these antiurban sentiments, urban historians and sociologists began challenging the depth and cohesiveness of what had long been accepted as a monolithic, anti- urban tradition, dating back to Jefferson and Crevecoeur, and persisting through the transcendentalists, the pragmatists and literary naturalists, and the Chicago school of urban sociology, to the present. R. -
William Dean Howells (1837-1920) Was Born in Martinsville (Now Martins Ferry), Ohio
William Dean Howells Topic Guide for Chronicling America (http://chroniclingamerica.loc.gov) Introduction William Dean Howells (1837-1920) was born in Martinsville (now Martins Ferry), Ohio. Howells worked at the Ohio State Journal in Columbus before becoming an editor at the Atlantic Monthly. With the publication of his novel, A Modern Instance, in 1882, Howells became known for realism, a writing style he promoted through his work at the Atlantic Monthly and Harper’s Magazine. His reputation continued to grow through the 1885 publication of The Rise of Silas Lapham. Howells also wrote much in support of American writers, encouraging writers such as Stephen Crane, Frank Norris, Sarah Orne Jewett and Paul Laurence Dunbar. His varied Christian Socialist involvement led him to embrace social justice and to critique industrial capitalism, viewpoints which can be seen in his 1890 novel, A Hazard of New Fortunes, which was inspired by the Haymarket riots. Important Dates . March 1, 1837: William Dean Howells is born in Martinsville (now Martins Ferry), Ohio. 1852: Howells’ father secretly has one of Howells’ poems published in the Ohio State Journal. 1858: Howells begins work at the Ohio State Journal writing poems and short stories, and translating works from French, Spanish, and German into English. December 24, 1862: Howells marries Elinor Mead at the American Embassy in Paris. 1865: Howells returns to America and begins writing for the Atlantic Monthly and Harper’s Magazine. January 1866: Howells becomes assistant editor at the Atlantic Monthly. 1871-1881: Howells serves as Atlantic Monthly’s full editor. 1872: Howells begins publishing novels. -
A Hazard of New Professions: Mrs. Mandel and the Business of Class
A Hazard of New Professions: Mrs. Mandel and the Business of Class LI Hsin-ying National Taiwan University1 When asked to explain Mrs. Mandel in A Hazard of New Fortunes (1890), Fulkerson proudly claims to have invented her (143). Her placement in the Dryfoos family must have been a novelty at the time for William Dean Howells to endorse his boast. To the parvenu Dryfooses she serves the function of surrogate mistress of the household—hostess, guardian of the daughters, chaperone, housekeeper, governess, social secretary, travel companion, personal assistant. More than the sum of her duties, she, in Fulkerson’s words, “runs the whole concern socially and economically” (144). The idea perhaps never really caught on, because her profession lacks a proper name to this day. Yet the demand for her kind of talent was such that Edith Wharton found similar employment for two characters in The House of Mirth (1905)—Carry Fisher and Lily Bart—although she also shied from naming the profession.1 This paper studies the occupation of Mrs. Mandel, the first of her kind in American Literature, to examine the specific socio-cultural conditions that inspired her creation and her relevance to the discussion of these socio-cultural issues in Howells’ novel. The character satisfies an urgent need of the expanding upper class in late nineteenth-century America, where the nouveau riche, in their attempt to find social acceptance, created a prospective market for cultural guidance. Howells turns this potential commodification of class knowledge into a fictional career opportunity for destitute genteel women. The vocation offers the novelist a chance to dramatize the power relations between money and taste, adding another dimension to the novel’s major conflict between capital and labor. -
William Dean Howells Society
MEMBERSHIP The William Dean Howells Society To join, send your check for $10 payable Society Howells The William Dean to the William Dean Howells Society to Prof. Elsa Nettels William 211 Indian Springs Road Williamsb urg, VA 23185 Dean Name___________________________ Mailing Address___________________ Howells ________________________________ ________________________________ Society ________________________________ ________________________________ Optional Information: E-mail:__________________________ Phone: __________________________ Fax: ____________________________ Institutional Affiliation________________________ © 2005, The William Dean Howells Society Membership William Dean Howells at 75 (1912) Information http://www.howellssociety.org About W. D. Howells About the Society Howells's Principal Works William Dean Howells The William Dean Howells Society is a non- One of the most influential literary figures of 1860 Poems of Two Friends (with John J. Piatt) profit scholarly organization dedicated to the nineteenth-century America, William Dean Lives and Speeches of Abraham Lincoln study of the nineteenth-century editor, author, Howells (1837-1920) rose to prominence as edi- 1866 Venetian Life and critic W. D. Howells. tor of the Atlantic Monthly (1871-1881), becom- 1867 Italian Journeys ing one of the foremost propo- 1871 Suburban Sketches Founded by Jesse Crisler and a group of inter- nents of literary realism. 1872 Their Wedding Journey ested scholars at the ALA in 1997, the Society 1873 A Chance Acquaintance; Poems sponsors two -
William Dean Howells Between 1900-1920
SDÜ Fen Edebiyat Fakültesi SDU Faculty of Arts and Sciences Sosyal Bilimler Dergisi Journal of Social Sciences Nisan 2015, Sayı: 34, ss.99-116 April 2014, No: 34, pp..99-116 Confronting the Modern Literary Marketplace: William Dean Howells Between 1900-1920 Işıl ÖZCAN* Modern Edebiyat Dünyası ile Yüzleşmek: 1900-1920 arası William Dean Howells ÖZET Kanonik bir Amerikan roman yazarı ve Amerikan gerçekçi edebiyatının en önemli kuramcılarından biri olmasına rağmen, William Dean Howells’la ilgili çalışmalarda yazarın son dönemi yeterince incelenmemiştir. Howells, 1900 yılında Harper’s dergisinde her ay yazmaya başlamış ve yazılarına 1920’deki ölümüne dek devam etmiştir. Howells bu yirmi yılık dönemde, edebiyat dünyasındaki değişimlerin hem sanatçı hem de edebiyat eleştirmeni üzerindeki olumsuz etkilerine maruz kalmış; reklam sektörünün edebî beğeni üzerindeki nihaî etkisini fark edip kendi sanatçı konumunu gözden geçirmiş ve durumunu “maaşa bağlanmış kazançlı kölelik” olarak betimlemiştir. İronik olan, bu dönemde, Howells’ın edebiyatçı kimliğinde oluşan bölünmenin, yazara “Amerikan Edebiyatının Dekan”ı denmeye başlanması ile daha da derinleşmesidir. Bu çalışmada Howells’ın kariyerinin son döneminde yazdığı romanları ve edebiyat eleştirileri üzerinde durulup özellikle edebiyat eleştirileri üzerinden Howells’ın yirminci yüzyılın sonunda edebiyat dünyasında meydana gelen değişimleri nasıl karşıladığı, kendi edebiyat anlayışını ve pratiğini nasıl şekillendirdiği incelenecektir. Howells’ın modern edebiyat dünyasıyla karşılaşması, hem entelektüel -
ANALYSIS the Rise of Silas Lapham (1885) William Dean Howells
ANALYSIS The Rise of Silas Lapham (1885) William Dean Howells (1837-1920) “Novels like Silas Lapham mark a descent, a degradation. Of course art is debased when it has fallen so low into realism. Art is ever pointing upward, and the influence of true art upon man is to make him look upward, too...in the novel-writing of Mr. Howells we can already mark this scientific decadence. He began with people who were not quite commonplace, whose motives and acts and ideas were a little bit above the common. He now declares that nothing is worthy to be studied but the common feelings of common people; and having begun Silas Lapham with people who were inoffensively commonplace, he was unable to finish the book without falling a stage lower. It has seldom been our duty to read a book whose moral tone was so unpleasantly, so hopelessly bad; it is a book without heart or soul, neither illumined by religion nor warmed by human sympathy. This is all the more astonishing that Mr. Howells seems convinced that he is fulfilling a high moral purpose in writing it. It might be explicable on the theory that it was the legitimate outcome of the doctrine of total depravity; but it is more probably the logic of the downward progress of godless science.... It is the progress from man to the apes, from the apes to the worms, from the worms to bacteria, from bacteria to--mud. It is the descent to dirt.” Anonymous “Novel-Writing as a Science” The Catholic World XLII (November 1885) “The aspect of social life presented in this story is well-nigh universal; it is real, it is vital, and it is not without deep significance; in dealing with it Mr. -
The Howellsian Volume 8, Issue 1 New Series the Howellsian Spring 2005 the Howellsian
The Howellsian Volume 8, Issue 1 New Series The Howellsian Spring 2005 The Howellsian A Message from the President Inside this issue: The Howells Society welcomes all its The Society is dedicated to aiding and From the President 1 members in its first issue of the new series expanding the work of scholars and crit- From the Editor of the Howellsian. Future issues of the ics as they continue to illuminate the newsletter will include abstracts of papers scope and depth of Howells' writings. Howells Society Activities 2 presented at conferences, short essays on recent Howells scholarship, inquiries with —Elsa Nettels, President Book excerpt:: William Dean 3 reference to Howells, and news of forth- Howells: A Writer’s Life by Susan coming meetings and publications of inter- Goodman and Carl Dawson est to Howellsians. We invite contributions Howells Sessions at ALA 5 to the newsletter, and hope to see many of you at the panels presented by the Howells Society at the meeting of the American Lit- Recent criticism on Howells 7 erature Association in Boston in May. Announcements: 8 Papers on Howells presented at the Irospects article on Howells ALA and elsewhere and recent books in which Howells figures prominently, such as those by Susan Goodman, Hildegard Hoel- ler, and Augusta Rohrbach, are compelling evidence of the importance of Howells William Dean Howells in 1907 and the richness of his work as a field In the next issue: of study. • Account of the ALA business meeting • Review of ALA panels A Message from the Editor • Announcement of officers We apologize for the and support. -
I. Introduction
I. Introduction This research focuses on a famous American novelist William Dean Howells'. The Rise of Silas Lapham. Being aware of the social condition, the novelist has realistically presented the social reality of late 19th century. He has merged the social facts with artistic creativity in the novel. Mr. Silas Lapham, the central character of the novel, represents the proletariat (Middle Class) of the late 19th century. He belongs to the middle class of people in the sense that he is working in his paint business. Due to the Socio-economic condition Silas Lapham is compelled to work though he does not get enough money for his labour. Instead of getting good position in the bourgeois society he has been treated as an object in relation to bourgeois people like Tom Corey's family. His human value has been turned into mere money relation in the society. Tom Corey is representing the upper class of society in the sense that the possesses a lot of means of production. Tom Corey's family treats Silas Lapham as an insignificant person because Tom Corey's family does not think of the life of lower class people. But Silas Lapham, being aware of the social condition, he wants to have a respectable status in the society. In order to upgrade himself to the desired social stratum, he works very hard. Throughout the novel, William Dean Howells has tried to present the fragmentation in the contemporary society on the basis of class. The society is divided into two different hostile camps where people are struggling to get a good socio- economic status.