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Realist Magic in the Fiction of William Dean Howells STEPHANIE C
Realist Magic in the Fiction of William Dean Howells STEPHANIE C. PALMER 14LHEN the character Bartley Hubbard in William Dean Howells's A Modern In stance (1882) brags that the ideal newspaper would solicit "an account of suicide, or an elopement, or a murder, or an acci dent" from "every fellow that could spell, in any part of the country," he voices Howells's own misgivings about the sensa tional aspect of communication through mass culture.1 Rather than fostering cognitive and emotional connections between diverse social groups for the purpose of preventing further suf fering, newspaper accounts of personal calamities or large- scale industrial accidents in the late nineteenth century tried to thrill readers solely for the purposes of prestige and circula tion. Howells was not committed to determining how to pre vent suicide, murder, or industrial accidents, but he had a deep interest in determining what—if not sensational tales of for tune and disaster—would inspire people from different eco nomic, political, and religious backgrounds to see each other as respected members of a human community. Howells's key Nineteenth-Century Literature, Vol. 57, No. 2, pp. 210-236. ISSN: 0891-9356. © 2002 by The Regents of the University of California/Society. All rights reserved. Send requests for permission to reprint to: Rights and Permissions, University of California Press, Journals Division, 2000 Center Street, Suite 303, Berkeley, CA 94704-1223. 1 William Dean Howells, A Modern Instance, ed. George N. Bennett, David J. Nord- loh, and David Kleinman, vol. 10 of A Selected Edition of W. D. -
A Many-Storied Place
A Many-storied Place Historic Resource Study Arkansas Post National Memorial, Arkansas Theodore Catton Principal Investigator Midwest Region National Park Service Omaha, Nebraska 2017 A Many-Storied Place Historic Resource Study Arkansas Post National Memorial, Arkansas Theodore Catton Principal Investigator 2017 Recommended: {){ Superintendent, Arkansas Post AihV'j Concurred: Associate Regional Director, Cultural Resources, Midwest Region Date Approved: Date Remove not the ancient landmark which thy fathers have set. Proverbs 22:28 Words spoken by Regional Director Elbert Cox Arkansas Post National Memorial dedication June 23, 1964 Table of Contents List of Figures vii Introduction 1 1 – Geography and the River 4 2 – The Site in Antiquity and Quapaw Ethnogenesis 38 3 – A French and Spanish Outpost in Colonial America 72 4 – Osotouy and the Changing Native World 115 5 – Arkansas Post from the Louisiana Purchase to the Trail of Tears 141 6 – The River Port from Arkansas Statehood to the Civil War 179 7 – The Village and Environs from Reconstruction to Recent Times 209 Conclusion 237 Appendices 241 1 – Cultural Resource Base Map: Eight exhibits from the Memorial Unit CLR (a) Pre-1673 / Pre-Contact Period Contributing Features (b) 1673-1803 / Colonial and Revolutionary Period Contributing Features (c) 1804-1855 / Settlement and Early Statehood Period Contributing Features (d) 1856-1865 / Civil War Period Contributing Features (e) 1866-1928 / Late 19th and Early 20th Century Period Contributing Features (f) 1929-1963 / Early 20th Century Period -
Liquor Liability 2019 Update
LIQUOR LIABILITY 2 019 UPDATE CONTENTS 1 ALABAMA 60 LOUISIANA 117 OKLAHOMA 5 ALASKA 63 MAINE 119 OREGON 7 ARIZONA 67 MARYLAND 125 PENNSYLVANIA 11 ARKANSAS 70 MASSACHUSETTS 129 RHODE ISLAND 13 CALIFORNIA 73 MICHIGAN 132 SOUTH CAROLINA 17 COLORADO 80 MINNESOTA 133 SOUTH DAKOTA 20 CONNECTICUT 84 MISSISSIPPI 134 TENNESSEE 24 DELAWARE 87 MISSOURI 136 TEXAS 26 DISTRICT OF COLUMBIA 90 MONTANA 139 UTAH 29 FLORIDA 93 NEBRASKA 143 VERMONT 33 GEORGIA 94 NEVADA 147 VIRGINIA 36 HAWAII 96 NEW HAMPSHIRE 148 WASHINGTON 39 IDAHO 101 NEW JERSEY 152 WEST VIRGINIA 43 ILLINOIS 104 NEW MEXICO 153 WISCONSIN 48 INDIANA 107 NEW YORK 156 WYOMING 51 IOWA 110 NORTH CAROLINA 158 Offices 56 KANSAS 113 NORTH DAKOTA 57 KENTUCKY 115 OHIO Wilson Elser (www.wilsonelser.com) helps individuals and organizations transcend challenges and realize goals by offering an optimal balance of legal excellence and bottom-line value. More than 800 attorneys strong, Wilson Elser serves clients of all sizes, across multiple industries and around the world. Wilson Elser has 37 strategically located offices in the United States and one in London. It is also a founding member of Legalign Global, a close alliance of four of the world’s leading insurance law firms, created to assist companies doing business internationally. This depth and scale has made it one of the nation’s most influential law firms, ranked in the Am Law 200 and 53rd in the The National Law Journal’s NLJ 500. LIQUOR LIABILITY REVIEW 2019 UPDATE LIQUOR LIABILITY 2019 UPDATE ALABAMA Alabama 1. STATUTE Alabama’s Dram Shop Act, Ala. -
Melbourne Handbook
MELBOURNE STATE COLLEGE 1979 HANDBOOK THE UNIVERSITY OF MELBOURNE INSTITUTE OF EDUCATION E.R.C. CARLTON 757 Swanston Street Carlton, Victoria, 3053 Telephone 341 8111 The regulations and information printed in this Handbook are as approved by the College Council at 28 August 1978. Subsequent changes may be introduced. Students involved will be notified of any such changes. ISSN 0313 3257 Published by Melbourne State College, 757 Swanston Street, Carlton, Victoria, 3053. Printed by The Dominion Press, Joseph Street, North Blackburn, Vic. 3030. Contents Map of College (iv) Brief History 1 Principal Dates 1 Central Administration 1 College Schedule 1979 2 Council — Membership 5 Council Constitution 6 Council — Committees 9 Courses Offered — Summary 11 External Studies 15 General Regulations 19 Admission and Enrolment Procedures 21 Fees 25 Financial Assistance 26 Student Services 27 Academic Organisation — Summary 29 Board of Studies — Membership 33 Faculty Chairmen and Secretaries 34 Course Committees —Membership 35 Selection Officers and Course Advisers 40 Staff Teaching Departments 42 Staff — Administrative and Services 53 Staff — Honorary Academic 58 School Experience — Principles 59 Education Resource Centre 61 Noojee Outdoor Education Centre 62 Gryphon Gallery 63 Art Collection 63 Day Nursery 63 Open Stage 64 Students' Association 64 Details of Courses Bachelor of Education 67 Bachelor of Edudcation (Art and Crafts) 271 Diploma of Teaching (Primary) 319 Diploma in Education 459 Graduate Diploma in Drama -
LOCAL NATIVES California Dreamin’
Número #12 - Julio 2016 Número LOCAL NATIVES California dreamin’ EDITORIAL Shadow Puppets, Father John Doce meses han Misty, Courtney Barnett, Savages pasado desde que lanzamos y Band Of Horses, por nombrar a nuestra primera edición con esa algunos. No hemos descuidado portada de fondo celeste, letras nuestro propio patio, porque la amarillas y una colorina como música nacional siempre ha sido protagonista. Fue Florence Welch, parte de nosotros y por las gra- la que dio el puntapié inicial a esta badoras de Playlist han pasado revista llena de sueños e ideas por bandas como Cantáreman, Niños hacer llamada Playlist. Queríamos del Cerro, Patio Solar, Planeta No ser un aporte al cada vez más y Niño Cohete. Hay tanta buena escaso medio musical chileno. música chilena dando vueltas Queríamos contar las cosas im- que cada vez que hacemos esas portantes que estaban pasando entrevistas, reafirmamos nuestro frente a nuestras narices y que pensamiento. muchas no eran publicadas, por desidia, por falta de interés o por- Estos primeros 365 días han sido que derechamente no tenían ca- espectaculares para nosotros en bida en otras partes. Siempre fue Revista Playlist. Un trabajo que nuestra intención enfocarnos en lo hacemos día a día con mucho la música alternativa. En el indie. sacrificio, pero con el mejor de los En el rock por supuesto y también ánimos porque creemos que es- en el pop. Nacional o internacio- tamos aportando nuestro granito nal, si era bueno, queríamos con- de arena a que tú te conectes con tar esas historias y presentarles la música que gusta y la que se música que creemos tiene rele- convertirá después en tu favorita. -
Stae
GEORGE C. CARRINGTON, JR. STAe <ffnwnetibe The World and Art of the Howells Novel Ohio State University Press $6.25 THE IMMENSE COMPLEX DRAMA The World and Art of the Howells Novel GEORGE C. CARRINGTON, JR. One of the most productive and complex of the major American writers, William Dean Howells presents many aspects to his biogra phers and critics — novelist, playwright, liter ary critic, editor, literary businessman, and Christian Socialist. Mr. Carrington chooses Howells the novelist as the subject of this penetrating examination of the complex relationships of theme, subject, technique, and form in the world of Howells fiction. He attempts to answer such questions as, What happens if we look at the novels of Howells with the irreducible minimum of exter nal reference and examine them for meaning? What do their structures tell us? What are their characteristic elements? Is there significance in the use of these elements? In the frequency of their use? In the patterns of their use? Avoiding the scholar-critic's preoccupation with programmatic realism, cultural concerns, historical phenomena, and parallels and influ ences, Mr. Carrington moves from the world of technical criticism into Howells' fiction and beyond, into the modern world of anxious, struggling, middle-class man. As a result, a new Howells emerges — a Howells who interests us not just because he was a novelist, but because of the novels he wrote: a Howells who lives as an artist or not at all. George C. Carrington, Jr., is assistant pro fessor of English at the Case Institute of Tech nology in Cleveland, Ohio. -
Takamiya, Toshiyuki) Publisher 慶應義塾大学藝文学会 Publication Year 1997 Jtitle 藝文研究 (The Geibun-Kenkyu : Journal of Arts and Letters)
Title Introduction Sub Title Author 高宮, 利行(Takamiya, Toshiyuki) Publisher 慶應義塾大学藝文学会 Publication year 1997 Jtitle 藝文研究 (The geibun-kenkyu : journal of arts and letters). Vol.73, (1997. 12) ,p.1- 9 Abstract Notes 安藤伸介, 岩崎春雄両教授退任記念論文集 Genre Journal Article URL https://koara.lib.keio.ac.jp/xoonips/modules/xoonips/detail.php?koara_id=AN00072643-0073000 1-0001 慶應義塾大学学術情報リポジトリ(KOARA)に掲載されているコンテンツの著作権は、それぞれの著作者、学会または出版社/発行者に帰属し、その権利は著作権法によって 保護されています。引用にあたっては、著作権法を遵守してご利用ください。 The copyrights of content available on the KeiO Associated Repository of Academic resources (KOARA) belong to the respective authors, academic societies, or publishers/issuers, and these rights are protected by the Japanese Copyright Act. When quoting the content, please follow the Japanese copyright act. Powered by TCPDF (www.tcpdf.org) Introduction Toshiyuki Takamiya Professors Shinsuke Ando and Haruo Iwasaki retire from their full professorships at Keio University at the age of 65 in March 1998, and the present collection of new essays is intended to reflect the high esteem and gratitude felt by their former students and colleagues who form the contributions. Since their academic publications and their activities within and outside Keio University over the years are already widely known, this introduction will rehearse something of their earlier and less public lives. Shinsuke Ando was born in Tokyo on 1 July 1932, the eldest son of Y oshiyuki Ando and his wife, Tome. Soon he was joined by a brother and a sister. Earlier generations of the Andos had been middle class landowners in an agricultural village near Taketa, Oita Prefecture, but the estates had passed out of the family's hands soon after the World War I, and when Shinsuke Ando's father arrived in Tokyo, it was to run an agency for fire and marine insurance companies. -
The General Stud Book : Containing Pedigrees of Race Horses, &C
^--v ''*4# ^^^j^ r- "^. Digitized by tine Internet Arciiive in 2009 witii funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/generalstudbookc02fair THE GENERAL STUD BOOK VOL. II. : THE deiterol STUD BOOK, CONTAINING PEDIGREES OF RACE HORSES, &C. &-C. From the earliest Accounts to the Year 1831. inclusice. ITS FOUR VOLUMES. VOL. II. Brussels PRINTED FOR MELINE, CANS A.ND C"., EOILEVARD DE WATERLOO, Zi. M DCCC XXXIX. MR V. un:ve PREFACE TO THE FIRST EDITION. To assist in the detection of spurious and the correction of inaccu- rate pedigrees, is one of the purposes of the present publication, in which respect the first Volume has been of acknowledged utility. The two together, it is hoped, will form a comprehensive and tole- rably correct Register of Pedigrees. It will be observed that some of the Mares which appeared in the last Supplement (whereof this is a republication and continua- tion) stand as they did there, i. e. without any additions to their produce since 1813 or 1814. — It has been ascertained that several of them were about that time sold by public auction, and as all attempts to trace them have failed, the probability is that they have either been converted to some other use, or been sent abroad. If any proof were wanting of the superiority of the English breed of horses over that of every other country, it might be found in the avidity with which they are sought by Foreigners. The exportation of them to Russia, France, Germany, etc. for the last five years has been so considerable, as to render it an object of some importance in a commercial point of view. -
Frontier Re-Imagined: the Mythic West in the Twentieth Century
University of South Carolina Scholar Commons Theses and Dissertations 2018 Frontier Re-Imagined: The yM thic West In The Twentieth Century Michael Craig Gibbs University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Gibbs, M.(2018). Frontier Re-Imagined: The Mythic West In The Twentieth Century. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5009 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. FRONTIER RE-IMAGINED : THE MYTHIC WEST IN THE TWENTIETH CENTURY by Michael Craig Gibbs Bachelor of Arts University of South Carolina-Aiken, 1998 Master of Arts Winthrop University, 2003 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English College of Arts and Sciences University of South Carolina 2018 Accepted by: David Cowart, Major Professor Brian Glavey, Committee Member Tara Powell, Committee Member Bradford Collins, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Michael Craig Gibbs All Rights Reserved. ii DEDICATION To my mother, Lisa Waller: thank you for believing in me. iii ACKNOWLEDGEMENTS I wish to thank the following people. Without their support, I would not have completed this project. Professor Emeritus David Cowart served as my dissertation director for the last four years. He graciously agreed to continue working with me even after his retirement. -
The Moonstone
The Moonstone Wilkie Collins Retold by David Wharry Series Editors: Andy Hopkins and Jocelyn potter Contents Page Introduction 4 Taken From an Old Family Letter 5 Part 1 The Loss of the Diamond 7 Chapter 1 A Record of the Facts 7 Chapter 2 Three Indian Men 8 Chapter 3 The Will 9 Chapter 4 A Shadow 13 Chapter 5 Rivals 14 Chapter 6 The Moonstone 17 Chapter 7 The Indians Return 18 Chapter 8 The Theft 21 Chapter 9 Sergeant Cuff Arrives 26 Chapter 10 The Search Begins 29 Chapter 11 Rosanna 30 Chapter 12 Rachel's Decision 34 Chapter 13 A Letter 36 Chapter 14 The Shivering Sands 39 Chapter 15 To London 44 Part 2 The Discovery of the Truth 46 First Narrative 46 Chapter 1 A Strange Mistake 46 Chapter 2 Rumours and Reputations 49 Chapter 3 Placing the Books 54 Chapter 4 A Silent Listener 56 Chapter 5 Brighton 59 Second Narrative 65 Chapter 1 Money-Lending 65 Chapter 2 Next June 67 2 Third Narrative 69 Chapter 1 Franklin's Return 69 Chapter 2 Instructions 71 Chapter 3 Rosanna's Letter 73 Chapter 4 Return to London 76 Chapter 5 Witness 78 Chapter 6 Investigating 82 Chapter 7 Lost Memory 85 Chapter 8 Opium 87 Fourth Narrative 90 Fifth Narrative 94 Sixth Narrative 100 3 Introduction 'Look, Gabriel!' cried Miss Rachel, flashing the jewel in the sunlight. It was as large as a bird's egg, the colour of the harvest moon, a deep yellow that sucked your eyes into it so you saw nothing else. -
El Llegat Dels Germans Grimm En El Segle Xxi: Del Paper a La Pantalla Emili Samper Prunera Universitat Rovira I Virgili [email protected]
El llegat dels germans Grimm en el segle xxi: del paper a la pantalla Emili Samper Prunera Universitat Rovira i Virgili [email protected] Resum Les rondalles que els germans Grimm van recollir als Kinder- und Hausmärchen han traspassat la frontera del paper amb nombroses adaptacions literàries, cinema- togràfiques o televisives. La pel·lícula The brothers Grimm (2005), de Terry Gilli- am, i la primera temporada de la sèrie Grimm (2011-2012), de la cadena NBC, són dos mostres recents d’obres audiovisuals que han agafat les rondalles dels Grimm com a base per elaborar la seva ficció. En aquest article s’analitza el tractament de les rondalles que apareixen en totes dues obres (tenint en compte un precedent de 1962, The wonderful world of the Brothers Grimm), així com el rol que adopten els mateixos germans Grimm, que passen de creadors a convertir-se ells mateixos en personatges de ficció. Es recorre, d’aquesta manera, el camí invers al que han realitzat els responsables d’aquestes adaptacions: de la pantalla (gran o petita) es torna al paper, mostrant quines són les rondalles dels Grimm que s’han adaptat i de quina manera s’ha dut a terme aquesta adaptació. Paraules clau Grimm, Kinder- und Hausmärchen, The brothers Grimm, Terry Gilliam, rondalla Summary The tales that the Grimm brothers collected in their Kinder- und Hausmärchen have gone beyond the confines of paper with numerous literary, cinematographic and TV adaptations. The film The Brothers Grimm (2005), by Terry Gilliam, and the first season of the series Grimm (2011–2012), produced by the NBC network, are two recent examples of audiovisual productions that have taken the Grimm brothers’ tales as a base on which to create their fiction. -
Azu Etd Mr 2012 0090 Sip1 M.Pdf
Truth and Justice in The Moonstone and Bleak House Item Type text; Electronic Thesis Authors Keffeler, Kristina Lee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 15:41:49 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/244411 Abstract Truth and justice seem to have a natural connection, especially in novels where detectives investigate the mysteries behind a crime. The plot of a detective story is based on the assumption that once the facts are discovered, the truth will come out and justice will be served. This thesis explores the interaction between truth and justice in Wilkie Collins’s The Moonstone and Charles Dickens’s Bleak House. While investigations may reveal the truth, this does not always lead to justice. Authors can uphold or deviate from traditional norms to reinforce or undermine the expectation that justice will be served. Keffeler 1 Truth and Justice in The Moonstone and Bleak House Introduction Victorians placed a high value on honesty. The cultural norm of the period was that people were expected to tell the truth (Kucich 6). There are many references by people such as Ralph Waldo Emerson and W. E. H. Lecky about how Victorians took pride in being candid and sincere. This emphasis on honesty led to moral values that placed great importance on the truth (Kucich 8).