The Moonstone
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Century British Detective Fiction
UNLV Theses, Dissertations, Professional Papers, and Capstones 8-1-2014 Detecting Arguments: The Rhetoric of Evidence in Nineteenth-- Century British Detective Fiction Katherine Anders University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Literature in English, British Isles Commons Repository Citation Anders, Katherine, "Detecting Arguments: The Rhetoric of Evidence in Nineteenth--Century British Detective Fiction" (2014). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2163. http://dx.doi.org/10.34917/6456393 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. DETECTING ARGUMENTS: THE RHETORIC OF EVIDENCE IN NINETEENTH-CENTURY BRITISH DETECTIVE FICTION by Katherine Christie Anders Bachelor of Arts in Liberal Arts St. John’s College, Santa Fe 2003 Master of Library -
A Masculinizing Investigation: the Detective and the Problem of Female Reticence in the Sensational Detective Fiction of Mary Elizabeth Braddon and Wilkie Collins
A MASCULINIZING INVESTIGATION: THE DETECTIVE AND THE PROBLEM OF FEMALE RETICENCE IN THE SENSATIONAL DETECTIVE FICTION OF MARY ELIZABETH BRADDON AND WILKIE COLLINS By BRITTANY L. PARKHURST A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2007 1 © 2007 Brittany Parkhurst 2 ACKNOWLEDGMENTS There are many people who have contributed to the success of this project and who deserve acknowledgement. My sincere gratitude is given to Dr. Chris Snodgrass and my director, Dr. Pamela Gilbert, whose enthusiasm, intelligence, patience, and guidance have made this thesis possible. Their meaningful questions, shrewd suggestions, and overall expertise significantly impacted the way I conceived of this project. Further thanks is given to the friends who supported my work by way of advice, a willing ear, or a cup of coffee. I lastly thank my fiancé, Kyle Roberts, for his candid opinions and love. His willingness to set aside his own work to help me develop my ideas prevented (almost all) mental breakdowns. Sometimes you need the confidence of others to take over when yours starts to drop off—all of these people provided that confidence to me. 3 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................3 ABSTRACT.....................................................................................................................................5 CHAPTER -
DETECTIVE NARRATIVE and the PROBLEM of ORIGINS in 19 CENTURY ENGLAND by Amy Rebecca Murray Twyning Bachelor of Arts, West Chest
DETECTIVE NARRATIVE AND THE PROBLEM OF ORIGINS IN 19TH CENTURY ENGLAND by Amy Rebecca Murray Twyning Bachelor of Arts, West Chester University, 1992 Master of Arts, West Virginia University, 1995 Submitted to the Graduate Faculty of The English Department in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2006 UNIVERSITY OF PITTSBURGH DEPARTMENT OF ENGLISH This dissertation was presented by Amy Rebecca Murray Twyning It was defended on March 1st, 2006 and approved by Marcia Landy, Distinguished University Service Professor, English Department, Film Studies, and the Cultural Studies Program James Seitz, Associate Professor, English Department Nancy Condee, Associate Professor, Slavic Languages and Literature and Director of the Program for Cultural Studies Dissertation Director: Colin MacCabe, Distinguished University Professor, English Literature, Film Studies, and the Cultural Studies Program ii Copyright © by Amy Rebecca Murray Twyning 2006 iii DETECTIVE NARRATIVE AND THE PROBLEM OF ORIGINS IN 19TH CENTURY ENGLAND Amy Rebecca Murray Twyning, PhD University of Pittsburgh, 2006 Working with Fredric Jameson’s understanding of genre as a “formal sedimentation” of an ideology, this study investigates the historicity of the detective narrative, what role it plays in bourgeois, capitalist culture, what ways it mediates historical processes, and what knowledge of these processes it preserves. I begin with the problem of the detective narrative’s origins. This is a complex and ultimately -
Covert Female Power Mediating Identity in Wilkie Collins' The
Covert Female Power Mediating Identity in Wilkie Collins’ The Moonstone Sydney Wildman Wilkie Collins’ text The Moonstone is a quintessential detective story which involves the theft of a precious diamond within a dynamic and complex family. The tale is recounted through shifting the narration between numerous characters. On the surface, the story is simple: the infamous Moonstone diamond has been stolen from Rachel Verinder, the heroine of the story. Her love interest, Franklin Blake serves as the hero, acting as the catalyst for the mystery’s narration as he asks the characters to recount “the story of the Moonstone… as far as our personal experience extends, and no farther”.1 He is responsible for piecing the narrative together, while also providing a substantial portion of the novel from his perspective. Indeed, Blake seems determined to solve the mystery. However, the detection work within the novel becomes more complex than a singular search for the diamond. Anne-Marie Beller argues that while “detection is a necessary quest to find the truth, meaning, and stability”2, the detection is not “merely concerned with finding out the truth about others, but more crucially about oneself”.3 Therefore, with Blake at the forefront of the detection, the process develops into a trajectory of self-discovery. Considering Blake’s contradictory sense of self, the mystery instead becomes a narrative about Blake’s identity shift from hero to thief. However, he is unable to uncover his identity alone. Instead, it is the covert forms of power that lower- and upper-class women hold – Rosanna Spearman and Rachel Verinder, respectively – that mediate Blake’s identity shift. -
Situational Ethics in Wilkie Collins' "Woman in White" and "Moonstone"
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1990 Situational Ethics in Wilkie Collins' "Woman in White" and "Moonstone" Flora Christina Buckalew College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the English Language and Literature Commons Recommended Citation Buckalew, Flora Christina, "Situational Ethics in Wilkie Collins' "Woman in White" and "Moonstone"" (1990). Dissertations, Theses, and Masters Projects. Paper 1539625596. https://dx.doi.org/doi:10.21220/s2-bjv4-6j20 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. SITUATIONAL ETHICS IN WILKIE COLLINS' WOMAN IN WHITE AND MOONSTONE A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Flora C. Buckalew 1990 APPROVAL SHEET This thesis is submitted in partial fulfillment of The requirements for the degree of Master of Arts Cl — '_________________ Flora C. Buckalew Approved, December 1990 Deborah D. Morse W . O&y&SuL. John W. Conlee Z. Terry/L7 Meyers/ ii DEDICATION The author would like to thank her parents, Dr. Robert Jo Buckalew and Mrs. Flora K. Buckalew, and her sister, Miss Faye R. Buckalew, for their love and support. iii TABLE OF CONTENTS Page ACKNOWLEDGMENTS ............... v ABSTRACT ........................ -
The Moonstone
THE MOONSTONE by R.N. SANDBERG Adapted from the novel by WILKIE COLLINS ~f Dramatic Publishing Woodstoc~ Illinois • England • Australia • New Zealand © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY without whose pennission in writing no performance of it may be given. Royalty fees are given in our current catalog and are subject to change without notice. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBLISHING P. O. Box 129, Woodstock, illinois 60098 COPYRIGHT LAW GIVES THE AUTHOR OR THE AUTHOR"S AGENT THE EXCLUSWE RIGHTTO MAKE COPIES. This law provides authors with a fair retmn for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the perfonnance of their work. Conscientious observance of copyright law is not ooly ethical, it encourages authors to continue their creative work. This work is fully protected by copyright No alterations, dele tions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any fonn or by any means, electronic or mechanical, including photocopy, recording, video tape, film., or any infonnation storage and retrieval ~ without permission in writing from the publisher. It may not be perfonned either by professionals or amateurs without payment of royalty. -
Azu Etd Mr 2012 0090 Sip1 M.Pdf
Truth and Justice in The Moonstone and Bleak House Item Type text; Electronic Thesis Authors Keffeler, Kristina Lee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 15:41:49 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/244411 Abstract Truth and justice seem to have a natural connection, especially in novels where detectives investigate the mysteries behind a crime. The plot of a detective story is based on the assumption that once the facts are discovered, the truth will come out and justice will be served. This thesis explores the interaction between truth and justice in Wilkie Collins’s The Moonstone and Charles Dickens’s Bleak House. While investigations may reveal the truth, this does not always lead to justice. Authors can uphold or deviate from traditional norms to reinforce or undermine the expectation that justice will be served. Keffeler 1 Truth and Justice in The Moonstone and Bleak House Introduction Victorians placed a high value on honesty. The cultural norm of the period was that people were expected to tell the truth (Kucich 6). There are many references by people such as Ralph Waldo Emerson and W. E. H. Lecky about how Victorians took pride in being candid and sincere. This emphasis on honesty led to moral values that placed great importance on the truth (Kucich 8). -
Catalogue of the Original Manuscripts, by Charles Dickens and Wilkie
UC-NRLF B 3 55D 151 1: '-» n ]y>$i^![^P^P^P^f^^ Bay of aalf. WEDNESDAY, the 18th of JUNE. AT THREE o'CLOCK PRECISELY. )>; ^^jj Note.— The following Facsimiles ivill he found in this Cata- logue :— Lot 2. A page of " The Frozen Deep," in the handwriting of Charles Dickens. Lot 6. The first page of " The Perils of Certain English Prisoners,' in the handwriting of Charles Dickens." Lot 18. The Introduction Page to " The Woman in White," in the handwriting of Wilkie Collins. CATALOGUE OF THE ORIGINAL MANUSCRIPTS, BY CHAELES DICKENS AND WILKIE COLLINS, OF The Frozen Deep, and The Perils of Certain English Prisoners, Poems by Dickens ; The Woman in by Dickens and Collins ; Two White, No Name, Armadale, Moonstone, &c., &c,, by Collins. ^Iso a Uia lills nf f ritiati iJIjiatmals in fabirlj tb^g bntlj took part* WHICH WILL BE SOLD BY AUCTION, BY MESSRS. SOTHEBY, WILKINSON & HODGE, ^udioncfira oi f tkrarg |pr0p£rt5 ^ Morks illuatrattiis oi ilj£ fint ^rts, AT THEIR HOUSE, No. 13, WELLINGTON STREET, STRAND, W.C. On WEDNESDAY, the 18th day of JUNE, 1890, AT THREE o'clock precisely. MAY BE VIEWED TWO DAYS PRIOR. CATALOGUES MAY BE HAD. Dbtden Pbess: J. Davt & Sons, 137, Long Acre, London. CONDITIONS OF SALE. I. The highest bidder to be the buyer ; and if any dispute arise between bidders, the lot so disputed shall be immediately put up again, provided the auctioneer cannot decide the said dispute. II. No person to advance less than I5. ; above five pounds, 25. 6d., and so on in proportion. -
Disabilities and Gender in the Novels of Wilkie Collins
Disabilities and Gender in the Novels of Wilkie Collins by ELIZABETH L. AGNEW Submitted to the Office of Honors Programs and Academic Scholarships Texas ARM University in partial fulfillment of the requirements for 1998-99 UNIVERSITY UNDERGRADUATE RESEARCH FELLOWS PROGRAM April 15, 1999 Approved as to style and content by: Pa A. Parrish, Facul Advisor Department of English Susanna Finnell, Executive Director Honors Programs and Academic Scholarships Fellows Group: Humanities Gender and Disabilities in the Novels of Wilkie Collins Elizabeth L. Agnew, (Dr. Paul A. Parrish) University Undergraduate Fellow, 1998-99, Texas A&M University, Department of English Many Victorian novelists sought to promote the importance of the individual by placing their characters in situations that allowed them to go outside society's pre-established boundaries. In spite of these novelists' intentions, a closer study of their works reveals that the writers who tried to move beyond society's expectations were often inherently trapped within them. My thesis argues that Wilkie Collins's representations of characters with disabilities show that even though Collins intended for disabilities to help characters supercede societyk expectations for them, thc Victorian context in which he was writing prevented him from completely achieving his goals. In particular, my thesis examines the ways in which Victorian attitudes toward gender influenced Co11ins's portrayals of characters with disabilities. Disabilities served to empower Collins's female characters who either physically embodied Victorian ideals of beauty and purity or who were financially independent. In contrast, women who did not fulfill these expectations were hurt by disabilities, as were all of Collins's male characters. -
The Moonstone William Wilkie Collins Was Born in London Popular with Such a Huge Audience
COMPLETE CLASSICS UNABRIDGED Wilkie Collins HE OONSTONE TRead by Ronald M Pickup and cast 1 Cousin – Prologue – The Storming of Seringapatam (1799) 6:14 2 So, as told in our camp, ran the fanciful story... 7:31 3 The Story – First Period – The Loss of the Diamond (1848) 7:03 4 Chapter 2 7:48 5 After that it was all over with me, of course. 6:03 6 Chapter 3 9:56 7 Going round to the terrace, I found... 11:00 8 Chapter 4 12:25 9 I saw no sign of the girl in the plantation. 10:48 10 Before I could say a word, I saw Mr Franklin... 2:18 11 Chapter 5 12:09 12 There was perhaps a grain of truth mixed up... 11:15 13 Chapter 6 12:53 14 I instantly exerted my wits. 10:31 15 I handed the paper back to Mr Franklin... 10:20 16 Chapter 7 11:55 17 Chapter 8 8:02 18 As for Mr Franklin and Miss Rachel... 7:40 19 Add one thing more to this, and I have done. 6:57 20 On the fourteenth, came Mr Godfrey’s answer 10:01 2 21 Chapter 9 9:21 22 With those words she went out... 9:24 23 Chapter 10 8:42 24 You might have heard a pin fall. 8:49 25 I had just ranged the decanters in a row... 9:52 26 Here I struck in. This sort of thing didn’t at all square... 8:35 27 Chapter 11 7:55 28 About half-past seven I woke, and opened my window.. -
Imperial Neuropsychology and an Indian Diamond: the Quantum Ground of Dreaming in the Moonstone Arup K
Imperial neuropsychology and an Indian diamond I J o D R Imperial neuropsychology and an Indian diamond: The quantum ground of dreaming in The Moonstone Arup K. Chatterjee Jindal Global Law School, O.P. Jindal Global University, Sonipat, India. Summary. In Wilkie Collins’ novel The Moonstone (1868), Franklin Blake’s censored dream—and his somnambulant theft of the eponymous diamond—was a pioneering thought experiment in Victorian literature, which is also believed to have invented the English detective novel. The question, whether Blake’s supposed dream and somnambulism were constituted by his conscious waking experience or emerged from an unconscious source, remains unanswered as the contents of the dream are not known. Taking The Moonstone beyond the ambit of postcolonial criticism and Anglo-Indian imperial history, I present evidence for the novel’s theme of dreaming being encrypted with principles of Vedanta and ancient Indian dream theories from the Mandukya Upanishad. The novel compels us into a reassessment of the dream continuity hypothesis that its critics have hitherto presumed in one way or another. Taking a few concepts of quantum physics as insightful metaphors—though not as generalizable theories—I argue that, The Moonstone is a remarkable statement on Victorian science, which paves the way for what I define in ‘the quantum ground of dreaming’—a mental state superimposed in experiences of more than one geography and entangled with the desires and anxieties of more than one brain, at once. Keywords: Wilkie Collins; The Moonstone; Sigmund Freud; Carl Jung; psychoanalysis; neuroscience; Vedanta; Man- dukya Upanishad; Turiya; dream quanta 1. Introduction uel Taylor Coleridge’s poem ‘Kubla Khan; or a Vision in a Dream’ (1816) made dreaming appear as a surreal Oriental Victorian England’s interest in dreaming can be judged from experience. -
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