William Dean Howells and the New Science: Darwinian Evolution and the Rise of Realism Stephen Wells
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Realist Magic in the Fiction of William Dean Howells STEPHANIE C
Realist Magic in the Fiction of William Dean Howells STEPHANIE C. PALMER 14LHEN the character Bartley Hubbard in William Dean Howells's A Modern In stance (1882) brags that the ideal newspaper would solicit "an account of suicide, or an elopement, or a murder, or an acci dent" from "every fellow that could spell, in any part of the country," he voices Howells's own misgivings about the sensa tional aspect of communication through mass culture.1 Rather than fostering cognitive and emotional connections between diverse social groups for the purpose of preventing further suf fering, newspaper accounts of personal calamities or large- scale industrial accidents in the late nineteenth century tried to thrill readers solely for the purposes of prestige and circula tion. Howells was not committed to determining how to pre vent suicide, murder, or industrial accidents, but he had a deep interest in determining what—if not sensational tales of for tune and disaster—would inspire people from different eco nomic, political, and religious backgrounds to see each other as respected members of a human community. Howells's key Nineteenth-Century Literature, Vol. 57, No. 2, pp. 210-236. ISSN: 0891-9356. © 2002 by The Regents of the University of California/Society. All rights reserved. Send requests for permission to reprint to: Rights and Permissions, University of California Press, Journals Division, 2000 Center Street, Suite 303, Berkeley, CA 94704-1223. 1 William Dean Howells, A Modern Instance, ed. George N. Bennett, David J. Nord- loh, and David Kleinman, vol. 10 of A Selected Edition of W. D. -
Boston College Magazine
ALSO: RETIREMENT CRUNCH / WILLING SPIRIT LLEGE magazine t \\v i alt Grace Notes EXPERIENCING JOHN MAHONEY & 3 PROLOGUE Prospectors What would become Somerville, Jersey is to the New York City region, watched the bright swirl of dancers. It Massachusetts, was first settled so, did we discover, was our new home- is no coincidence that when Charles- by "Charles Sprague and his bretheren town to the Boston area: the morning town allowed itself to be annexed by [sic] Richard and William," late of Sa- DJ's surefire giggle starter; an easy mark Boston, Somerville stayed a stubbornly lem. They arrived in 1628, when for a lazy columnist on a slow news day. independent municipality. "Somerville" was a thickly wooded sec- We came not knowing any of this, A year after we landed, we bought a tion of Charlestown ripe for land pros- but we learned fast from the raised double-decker in whose backyard a pre- pectors like the Sprague boys. Just sh< >rt eyebrows and concerned looks we saw vious owner had planted another of three centuries later, cover subject on the faces of new acquaintances the double-decker. We stayed there 1 John Mahoney's family also came a- moment they learned where we had years. They were good years for us, and prospecting, part of the flood of refu- for Somerville. A new reform regime gees from Boston'steemingstreetswho Ifother towns were belles of had taken over City I lall. It was led by sought healthful air and lebensraum Mayor Gene Brune—a balding, middle- the bally Somerville was within streetcar commute of Boston's aged business manager, quiet as Calvin someone's stogie-chewing jobs. -
Sonoma County's Nineteenth Century Utopian Colonies
SHADOWS ON THE LAND: SONOMA COUNTY'S NINETEENTH CENTURY UTOPIAN COLONIES by Varene Anderson A thesis submitted to Sonoma State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History Date Copyright 1992 By Varene Anderson ii AUTHORIZATION FOR REPRODUCTION OF MASTER'S THESIS Permission to reproduce this thesis in its entirety must be obtained from me. Permission to reproduce parts of this thesis must be obtained from me. DATE: ~A 1,/99:2 I Signature City, State, Zip iii SHADOWS ON THE LAND: SONOMA COUNTY i S NINETEENTH CENTURY UTOPIAN COLONIES A thesis by Varene Anderson ABSTRACT purpose of the Study: Between 1875 and 1900, Sonoma county was the site of four utopian colonies, Fountaingrove, Preston, Icaria Speranza and Altruria. These colonies had religious and social reform origins, an agricultural economic base, and a message to present to the world. The purpose of this study is to examine generally the architecture, use of space and land, and community relationships of these colonies to determine if they builtin contemporary styles, used spatial arrangement to facilitate their communal lifestyle, were good stewards of the land, and perceived as good neighbors by nearby communities. This is intended as an overview of the four colonies to determine how they fit into Sonoma county culturally. Procedure: To determine how these colonies used architecture, space and land, and ,fit into their community, books, newspapers, and personal memOl.rs were consulted. In addition, personal interviews and inspection of the sites were conducted where possible. conclusions: The four Nineteenth century Sonoma county utopian colonies did not stand out architecturally from neighboring farms. -
Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’S Fractured Europe Quartet
humanities Article Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’s Fractured Europe Quartet Hadas Elber-Aviram Department of English, The University of Notre Dame (USA) in England, London SW1Y 4HG, UK; [email protected] Abstract: Recent years have witnessed the emergence of a new strand of British fiction that grapples with the causes and consequences of the United Kingdom’s vote to leave the European Union. Building on Kristian Shaw’s pioneering work in this new literary field, this article shifts the focus from literary fiction to science fiction. It analyzes Dave Hutchinson’s Fractured Europe quartet— comprised of Europe in Autumn (pub. 2014), Europe at Midnight (pub. 2015), Europe in Winter (pub. 2016) and Europe at Dawn (pub. 2018)—as a case study in British science fiction’s response to the recent nationalistic turn in the UK. This article draws on a bespoke interview with Hutchinson and frames its discussion within a range of theories and studies, especially the European hermeneutics of Hans-Georg Gadamer. It argues that the Fractured Europe quartet deploys science fiction topoi to interrogate and criticize the recent rise of English nationalism. It further contends that the Fractured Europe books respond to this nationalistic turn by setting forth an estranged vision of Europe and offering alternative modalities of European identity through the mediation of photography and the redemptive possibilities of cooking. Keywords: speculative fiction; science fiction; utopia; post-utopia; dystopia; Brexit; England; Europe; Dave Hutchinson; Fractured Europe quartet Citation: Elber-Aviram, Hadas. 2021. Rewriting Universes: Post-Brexit 1. Introduction Futures in Dave Hutchinson’s Fractured Europe Quartet. -
Fall 2005) Page 1
The Howellsian, Volume 8, Number 2 (Fall 2005) Page 1 New Series Volume 8, Number 2 The Howellsian Fall 2005 A Message from the Editor Inside this issue: We hope that all our readers have had a pleas- Speech and Howells,” revised from his ant and perhaps even a productive summer. presentation at the ALA conference last From our perspective, it passed too quickly, From the Editor 1 spring; 3) a Call for Papers, with the topics but autumn, too, is a beautiful season, not selected and the deadline for submission of only in the Midwest where W. D. Howells proposals, for the 2006 ALA conference to Howells Society Activities 1 lived before setting out for Italy, but also be held in San Francisco next May; 4) a along the eastern seaboard, where he resided review by Sarah B. Daugherty of the new after his return. This fall, however, leads us biography by Susan Goodman and Carl Howells Abstracts from ALA 2005 3 to think westward, toward San Francisco, Dawson: William Dean Howells: A where the William Dean Howells Society will Writer’s Life , pub- next meet again to present a program now in lished earlier this Jerome Loving, “Twain’s Whittier 5 its initial stage of preparation. We look for- Birthday Speech and Howells” year; and 5) a dues ward to seeing you all there. notice for 2006 Following our editorial message, this Book Review: William Dean 10 with a membership Howells: A Writer’s Life by Susan expanded issue of The Howellsian in- form. Goodman and Carl Dawson. -
Stae
GEORGE C. CARRINGTON, JR. STAe <ffnwnetibe The World and Art of the Howells Novel Ohio State University Press $6.25 THE IMMENSE COMPLEX DRAMA The World and Art of the Howells Novel GEORGE C. CARRINGTON, JR. One of the most productive and complex of the major American writers, William Dean Howells presents many aspects to his biogra phers and critics — novelist, playwright, liter ary critic, editor, literary businessman, and Christian Socialist. Mr. Carrington chooses Howells the novelist as the subject of this penetrating examination of the complex relationships of theme, subject, technique, and form in the world of Howells fiction. He attempts to answer such questions as, What happens if we look at the novels of Howells with the irreducible minimum of exter nal reference and examine them for meaning? What do their structures tell us? What are their characteristic elements? Is there significance in the use of these elements? In the frequency of their use? In the patterns of their use? Avoiding the scholar-critic's preoccupation with programmatic realism, cultural concerns, historical phenomena, and parallels and influ ences, Mr. Carrington moves from the world of technical criticism into Howells' fiction and beyond, into the modern world of anxious, struggling, middle-class man. As a result, a new Howells emerges — a Howells who interests us not just because he was a novelist, but because of the novels he wrote: a Howells who lives as an artist or not at all. George C. Carrington, Jr., is assistant pro fessor of English at the Case Institute of Tech nology in Cleveland, Ohio. -
William Dean Howells and the Antiurban Tradition 55
william dean howells and the antiurban tradition a reconsideration gregory I. crider The debate about William Dean Howells' attitudes toward the late nineteenth-century American city involve the much broader question of the place of antiurbanism in American thought. Responding to the charges of H. L. Mencken, Sinclair Lewis and other post-World War I critics who had condemned the author as a complacent symbol of the nineteenth-century literary establishment, scholars in the fifties and early sixties portrayed him as a Middle Western rural democrat who spent much of his adult life criticizing urban-industrial America.1 Unfortu nately, in attempting to revive Howells' reputation, these critics exag gerated his occasional nostalgia for the Ohio village of his youth, leaving the impression that he was an alienated critic of the city, if not genuinely antiurban. Although recent scholars have partly revised this view, critics have generally continued to accept the argument that the author's well- known affinity for socialism, together with his nostalgia for a vanishing countryside, left him an unswerving critic of the city.2 During the years in which scholars were discovering these antiurban sentiments, urban historians and sociologists began challenging the depth and cohesiveness of what had long been accepted as a monolithic, anti- urban tradition, dating back to Jefferson and Crevecoeur, and persisting through the transcendentalists, the pragmatists and literary naturalists, and the Chicago school of urban sociology, to the present. R. -
The Utopia MEGAPACK™ Is Copyright © 2014 by Wildside Press, LLC
Contents COPYRIGHT INFO . 3 A NOTE FROM THE PUBLISHER . 4 . The MEGAPACK™ Ebook Series . 6. EREWHON, by Samuel Butler [Part 1] . 14 EREWHON, by Samuel Butler [Part 2] . 107 MOVING THE MOUNTAIN, by Charlotte Perkins Gilman . 227. HERLAND, by Charlotte Perkins Gilman . 367 EQUALITY, by Edward Bellamy [Part 1] . 518 EQUALITY, by Edward Bellamy [Part 2] . 636 CAESAR’S COLUMN, by Ignatius Donnelly [Part 1] . 937 . CAESAR’S COLUMN, by Ignatius Donnelly [Part 2] . .1034 . CAESAR’S COLUMN, by IgnatiusSample Donnelly file [Part 3] . .1135 . THE REPUBLIC OF THE FUTURE, by Anna Bowman Dodd . 1205. A CRYSTAL AGE, by W . H . Hudson [Part 1] . 1234 A CRYSTAL AGE, by W . H . Hudson [Part 2] . 1314 A TRAVELER FROM ALTRURIA, by W . D . Howells . 1387 FREELAND: A SOCIAL ANTICIPATION, by Dr . Theodor Hertzka [Part 1] . 1560 FREELAND: A SOCIAL ANTICIPATION, by Dr . Theodor Hertzka [Part 2] . 1691 FREELAND: A SOCIAL ANTICIPATION, by Dr . Theodor Hertzka Contents | 1 [Part 3] . 1812 FREELAND: A SOCIAL ANTICIPATION, by Dr . Theodor Hertzka [Part 4] . 1941 MIZORA: A PROPHECY, by Mary E . Bradley Lane . 2076 SOLARIS FARM, by Milan C . Edson [Part 1] . 2227 . SOLARIS FARM, by Milan C . Edson [Part 2] . 2337 . SOLARIS FARM, by Milan C . Edson [Part 3] . 2451 . LOOKING BACKWARD, by Edward Bellamy [Part 1] . 2777 . LOOKING BACKWARD, by Edward Bellamy [Part 2] . 2881 . SOME PICTURES OF A SOCIALIST FUTURE, by Eugene Richter . 2980 UTOPIA, by Thomas More . 2994 . THE COMMONWEALTH OF OCEANA, by James Harrington [Part 1] . 3097 THE COMMONWEALTH OF OCEANA, by James Harrington [Part 2] . 3202 THE COMMONWEALTH OF OCEANA, by James Harrington [Part 3] . -
Electrification and the Ideological Origins of Energy
A Dissertation entitled “Keep Your Dirty Lights On:” Electrification and the Ideological Origins of Energy Exceptionalism in American Society by Daniel A. French Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Doctor of Philosophy Degree in History _________________________________________ Dr. Diane F. Britton, Committee Chairperson _________________________________________ Dr. Peter Linebaugh, Committee Member _________________________________________ Dr. Daryl Moorhead, Committee Member _________________________________________ Dr. Kim E. Nielsen, Committee Member _________________________________________ Dr. Patricia Komuniecki Dean College of Graduate Studies The University of Toledo December 2014 Copyright 2014, Daniel A. French This document is copyrighted material. Under copyright law, no parts of this document may be reproduced without the express permission of the author. An Abstract of “Keep Your Dirty Lights On:” Electrification and the Ideological Origins of Energy Exceptionalism in American Society by Daniel A. French Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Doctor of Philosophy Degree in History The University of Toledo December 2014 Electricity has been defined by American society as a modern and clean form of energy since it came into practical use at the end of the nineteenth century, yet no comprehensive study exists which examines the roots of these definitions. This dissertation considers the social meanings of electricity as an energy technology that became adopted between the mid- nineteenth and early decades of the twentieth centuries. Arguing that both technical and cultural factors played a role, this study shows how electricity became an abstracted form of energy in the minds of Americans. As technological advancements allowed for an increasing physical distance between power generation and power consumption, the commodity of electricity became consciously detached from the steam and coal that produced it. -
Sex Roles, Utopia and Change. 33
sex roles, utopia and change. the family in late nineteenth-century Utopian literature kenneth m. roemer I In a late nineteenth-century Utopian novel Fillmore Flagg, founder of an idealistic farm community, falls in love with Fern Fenwich, at attractive heiress. She finances his community, and in a "Twentieth Cen tury Love Letter" he expresses his appreciation and affection: "My Darling Fern: Noblest, purest and most beautiful of women!" Her "Reply" is more excessive in its praise: "Ah, my chosen one! So manly; so noble, so true! . my hero . gallant Knight of Most Excellent Agri culture." Fern completes the image by crowning her future husband with a shining helmet adorned with corn tassel plumes.1 Today, readers would mock these love letters as examples of the sentimental mush that pervaded nineteenth-century popular literature. Indeed even late nineteenth-century literary critics and the defenders of the status quo chastised the authors of Utopian works for sugarcoating radical ideas with love stories and glimpses of marital bliss. To some extent, as Edward Bellamy admitted, this criticism was valid.2 But the descriptions of present and future love affairs and family life found in the flood of Utopian novels and tracts produced between 1888 (the pub lication date of Bellamy's immensely popular Looking Backward) and 1900 do, nevertheless, provide revealing insights into American attitudes about sex roles, and, furthermore, illuminate the complex mixture of "radicalism" and "conservatism" that characterizes many American re form movements. No claims can be made for the completeness of the sample upon which this survey is based. -
William Dean Howells Society
MEMBERSHIP The William Dean Howells Society To join, send your check for $10 payable Society Howells The William Dean to the William Dean Howells Society to Prof. Elsa Nettels William 211 Indian Springs Road Williamsb urg, VA 23185 Dean Name___________________________ Mailing Address___________________ Howells ________________________________ ________________________________ Society ________________________________ ________________________________ Optional Information: E-mail:__________________________ Phone: __________________________ Fax: ____________________________ Institutional Affiliation________________________ © 2005, The William Dean Howells Society Membership William Dean Howells at 75 (1912) Information http://www.howellssociety.org About W. D. Howells About the Society Howells's Principal Works William Dean Howells The William Dean Howells Society is a non- One of the most influential literary figures of 1860 Poems of Two Friends (with John J. Piatt) profit scholarly organization dedicated to the nineteenth-century America, William Dean Lives and Speeches of Abraham Lincoln study of the nineteenth-century editor, author, Howells (1837-1920) rose to prominence as edi- 1866 Venetian Life and critic W. D. Howells. tor of the Atlantic Monthly (1871-1881), becom- 1867 Italian Journeys ing one of the foremost propo- 1871 Suburban Sketches Founded by Jesse Crisler and a group of inter- nents of literary realism. 1872 Their Wedding Journey ested scholars at the ALA in 1997, the Society 1873 A Chance Acquaintance; Poems sponsors two -
William Dean Howells Between 1900-1920
SDÜ Fen Edebiyat Fakültesi SDU Faculty of Arts and Sciences Sosyal Bilimler Dergisi Journal of Social Sciences Nisan 2015, Sayı: 34, ss.99-116 April 2014, No: 34, pp..99-116 Confronting the Modern Literary Marketplace: William Dean Howells Between 1900-1920 Işıl ÖZCAN* Modern Edebiyat Dünyası ile Yüzleşmek: 1900-1920 arası William Dean Howells ÖZET Kanonik bir Amerikan roman yazarı ve Amerikan gerçekçi edebiyatının en önemli kuramcılarından biri olmasına rağmen, William Dean Howells’la ilgili çalışmalarda yazarın son dönemi yeterince incelenmemiştir. Howells, 1900 yılında Harper’s dergisinde her ay yazmaya başlamış ve yazılarına 1920’deki ölümüne dek devam etmiştir. Howells bu yirmi yılık dönemde, edebiyat dünyasındaki değişimlerin hem sanatçı hem de edebiyat eleştirmeni üzerindeki olumsuz etkilerine maruz kalmış; reklam sektörünün edebî beğeni üzerindeki nihaî etkisini fark edip kendi sanatçı konumunu gözden geçirmiş ve durumunu “maaşa bağlanmış kazançlı kölelik” olarak betimlemiştir. İronik olan, bu dönemde, Howells’ın edebiyatçı kimliğinde oluşan bölünmenin, yazara “Amerikan Edebiyatının Dekan”ı denmeye başlanması ile daha da derinleşmesidir. Bu çalışmada Howells’ın kariyerinin son döneminde yazdığı romanları ve edebiyat eleştirileri üzerinde durulup özellikle edebiyat eleştirileri üzerinden Howells’ın yirminci yüzyılın sonunda edebiyat dünyasında meydana gelen değişimleri nasıl karşıladığı, kendi edebiyat anlayışını ve pratiğini nasıl şekillendirdiği incelenecektir. Howells’ın modern edebiyat dünyasıyla karşılaşması, hem entelektüel