Lewisohn Stadium, and the Changing Reception of the Classics at City Colle
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Gemze De Lappe Career Highlights
DATE END (if avail) LOCATION SHOW/EVENT ROLE (if applicable) COMPANY NOTES 1922/02/28 Portsmouth, VA Born Gemze Mary de Lappe BORN Performed during the summer - would do ballets during intermission of productions of 1931/00/00 1939/00/00 Lewisohn Stadium, NY Michael Fokine Ballet dancer Michael Folkine recent Broadway shows. 1941/11/05 1941/11/11 New York La Vie Parisienne Ballet 44th St. New Opera Company 1943/11/15 1945/01/00 Chicago Oklahoma! Aggie National Tour with John Raitt Premiere at the old Metropolitan Opera House - Jerome Robbins choreographed Fancy Free, which was later developed into 1944/04/18 New York Fancy Free [Jerome Robbins] dancer Ballet Theatre On the Town 1945/01/08 St. Louis Oklahoma! Aggie 1945/01/29 1945/02/10 Milwaukee Oklahoma! Aggie 1945/03/05 Detroit Oklahoma! Aggie 1945/04/09 Pittsburgh Oklahoma! Aggie 1945/06/18 Philadelphia Oklahoma! Aggie National Tour 1946/01/22 Minneapolis Oklahoma! Ellen/Dream Laurey National Tour Ellen/Dream Laurey 1946/08/19 New York Oklahoma! (replacement) St. James 1947/04/30 London Oklahoma! Dream Laurey Theatre Royal Drury Lane with Howard Keel Melbourne, Victoria, Recreated 1949/02/19 Australia Oklahoma! Choreography Australia Premiere 1951/03/29 New York The King and I King Simon of Legree St. James 1951/10/01 Philadelphia Paint Your Wagon Yvonne Pre-Broadway Tryout 1951/10/08 Boston Paint Your Wagon Yvonne Pre-Broadway Tryout 1951/11/12 1952/07/19 New York Paint Your Wagon Yvonne Shubert The Donaldson Awards were a set of theatre awards established in 1944 by the drama critic Robert Francis in honor of W. -
Factbook201112.Pdf
New York Philharmonic Contents 2 2011–12 Season: The Big Picture Stats Alan Gilbert Conducts Artistic Partners Onstage Guests Principals, Center Stage 24 Learning Around the Globe For Kids and Teens Stand-Outs Lectures and Discussions Media Leonard Bernstein Scholar-in-Residence Online 20 The Players For Schools 22 Leadership 26 Premieres and Commissions Music Director 2011–12 Season Chairman Notable 21st Century President and Executive Director Notable 20th Century Notable 19th Century 28 The Legacy The Story Memorable Moments Former Music Directors and Advisors 32 Behind the Scenes Archives Volunteer Council nyphil.org The Philharmonic-Symphony Ticket Information Society of New York, Inc. Online: nyphil.org By phone: (212) 875 - 5656 Alan Gilbert, Music Director, In person: Avery Fisher Hall Box Office The partnership between the New York Philharmonic and The Yoko Nagae Ceschina Chair For group sales: (212) 875 - 5672 Credit Suisse — the Orchestra’s exclusive Global Sponsor Gary W. Parr, Chairman Accessibility Information: since 2007 — has led to inspiring performances both at Zarin Mehta, President (212) 875 - 5380 home and abroad through acclaimed tours across the and Executive Director United States, Europe, and Asia. In the 2011–12 season, Avery Fisher Hall Box Office Hours Credit Suisse’s dynamic support of the Orchestra’s Avery Fisher Hall Opens 10:00 a.m., Monday through programs helps to forge the Philharmonic’s central role in 10 Lincoln Center Plaza Saturday, noon on Sunday. the cultural life of New York, and to share Music Director New York, NY 10023 -6970 On performance evenings Alan Gilbert’s vision with the world. -
The Concerts at Lewisohn Stadium, 1922-1964
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2009 Music for the (American) People: The Concerts at Lewisohn Stadium, 1922-1964 Jonathan Stern The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2239 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC FOR THE (AMERICAN) PEOPLE: THE CONCERTS AT LEWISOHN STADIUM, 1922-1964 by JONATHAN STERN VOLUME I A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2009 ©2009 JONATHAN STERN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy. Professor Ora Frishberg Saloman Date Chair of Examining Committee Professor David Olan Date Executive Officer Professor Stephen Blum Professor John Graziano Professor Bruce Saylor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MUSIC FOR THE (AMERICAN) PEOPLE: THE LEWISOHN STADIUM CONCERTS, 1922-1964 by Jonathan Stern Adviser: Professor John Graziano Not long after construction began for an athletic field at City College of New York, school officials conceived the idea of that same field serving as an outdoor concert hall during the summer months. The result, Lewisohn Stadium, named after its principal benefactor, Adolph Lewisohn, and modeled much along the lines of an ancient Roman coliseum, became that and much more. -
Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2020 Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star Caleb Taylor Boyd Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Film and Media Studies Commons, Music Commons, and the Sociology Commons Recommended Citation Boyd, Caleb Taylor, "Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star" (2020). Arts & Sciences Electronic Theses and Dissertations. 2169. https://openscholarship.wustl.edu/art_sci_etds/2169 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Todd Decker, Chair Ben Duane Howard Pollack Alexander Stefaniak Gaylyn Studlar Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star by Caleb T. Boyd A dissertation presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2020 St. Louis, Missouri © 2020, Caleb T. Boyd Table of Contents List of Figures ................................................................................................................................ -
Percy Mackaye: Spatial Formations of a National Character
Percy MacKaye: Spatial Formations of a National Character by Michael Peter Mehler B.S., Northwestern University, 1991 M.F.A., University of Texas at Austin, 1994 Submitted to the Graduate Faculty of The School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2010 UNIVERSITY OF PITTSBURGH THE SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Michael Peter Mehler It was defended on January 29, 2010 and approved by Attilio Favorini, Professor, Theatre Arts Kathleen E. George, Professor, Theatre Arts Edward K. Muller, Professor, History Dissertation Advisor: Bruce A. McConachie, Professor, Theatre Arts ii Copyright © by Michael Peter Mehler 2010 iii PERCY MACKAYE: SPATIAL FORMATIONS OF A NATIONAL CHARACTER Michael Peter Mehler, Ph.D. University of Pittsburgh, 2010 Percy MacKaye has been mostly ignored by theatre historians and dramatic critics despite the large numbers of spectators, participants, and readers who encountered his work during the first third of the twentieth century. The fifth son of nineteenth-century theatre impresario, Steele MacKaye, Percy first embarked on a career in the commercial theatre, writing for established stars such as Julia Marlowe. However, MacKaye garnered much more public attention for his endeavors into community performance, what he termed civic theatre. He wrote several treatises and delivered countless speeches advocating for the civic theatre. In 1914, at the peak of his career, MacKaye wrote and produced The Masque of Saint Louis, which incorporated thousands of community performers and drew nightly audiences that averaged nearly 100,000. This investigation of MacKaye’s works relies heavily on spatial analysis, looking at how contemporary American spaces related to the scenographic spaces in these plays and masques. -
GERSHWIN Jon Nakamatsu Piano Rochester Piano Concerto in F Philharmonic Rhapsody in Blue Orchestra Cuban Overture Jeff Tyzik Conductor
GEORGE GERSHWIN JON NAKAMATSU piano ROCHESTER PIANO CONCERTO IN F PHILHARMONIC RHAPSODY IN BLUE ORCHESTRA CUBAN OVERTURE JEFF TYZIK conductor ACKNOWLEDGMENTS Cover: Empire State Building, photograph by Nat Herz (1920–64) / Bridgeman Art Library Publisher: WB Music Corp. The Rochester Philharmonic Orchestra gratefully acknowledges Alfred L. Davis and Dr. Jacques and Mrs. Dawn Lipson for their generous support of this recording project. Steinway piano donated in honor of pianist Jon Nakamatsu, a special friend of the RPO / Piano Technician: Marvin Rus All texts and translations © harmonia mundi usa © 2007 harmonia mundi usa 1117 Chestnut Street, Burbank, California 91506 Recorded July 2006 at the Eastman Theatre, Eastman School of Music, Rochester, New York Executive Producer: Robina G. Young Sessions Producer, Recording Engineer & Editor: Brad Michel DSD Engineer/Co-Engineer: Chris Barrett Recorded, edited & mastered in DSD 1 GERSHWIN / Jon Nakamatsu / Rochester Philharmonic Orchestra HMU 807441 © harmonia mundi THE MUSIC OF GEORGE GERSHWIN Labels mean nothing at all. Good music is good music, even if you call it ‘oysters.’ — George Gershwin ershwin’s music really is hard to label. With a creative In 1922 he contributed a one-act opera, Blue Monday, GEORGE GERSHWIN range that won him successes both on Broadway to a Broadway revue. It was pulled unceremoniously b. September 26, 1898, Brooklyn, New York G and in Carnegie Hall, it could scarcely be otherwise after a single performance. One of the few people who d. July 11, 1937, Hollywood, California for this pioneer “crossover” artist. But why try to pigeonhole were impressed by it was bandleader Paul Whiteman, the such brilliance? Better simply to enjoy it. -
Loew's Paradise Theater Interior (LP-2193), 2405 Grand Concourse (AKA: 2401-2419 Grand Concourse, 2394-2408 Creston Avenue), the Bronx
Landmarks Preservation Commission May 16, 2006, Designation List 374 LP-2193 LOEW’S PARADISE THEATER INTERIOR, first floor interior, consisting of the lobby, the foyer, the grand lobby, the main staircase leading from the grand lobby to the promenade level and the area under the staircase, the orchestra seating level of the auditorium, the proscenium area and arch, and the alcoves flanking the proscenium area; the promenade level and upper foyer interior, the men’s lounge, the women’s lounge, the hallways leading to the mezzanine seating level of auditorium, and the mezzanine seating level of the auditorium; the balcony level interior, consisting of the balcony seating level of the auditorium; all stairways, landings, intermediate lobbies, and elevator lobbies leading to and from the above spaces; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling surfaces, ticket booths, display cases, framed display boards, columns, pilasters, doors, railings, balustrades, metalwork, mirrors, chandeliers, lighting fixtures, exit signs, attached decorative and sculptural elements; 2405-2419 Grand Concourse (aka 2394-2408 Creston Avenue), Borough of the Bronx. Built 1928-29; John Eberson, architect. Landmark Site: Borough of the Bronx Tax Map Block 3165, Lot 44. On April 18, 2006 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Loew’s Paradise Theater Interior (Item 4). The hearing had been duly advertised in accordance with provisions of law. Two witnesses, including representatives of the Historic Districts Council and the Art Deco Society, spoke in support of designation. The Commission previously held public hearings on Loew’s Paradise Theater Interior (LP-1922) on July 19, 1994 (Item 1) and October 19, 1995 (Item 1). -
3Rd Season Little Theatre on the Square
Eastern Illinois University The Keep 1959 Shows Programs 1959 Summer 1959 3rd Season Little Theatre on the Square Follow this and additional works at: http://thekeep.eiu.edu/little_theatre_1959_programs Part of the Theatre History Commons Recommended Citation Little Theatre on the Square, "3rd Season" (1959). 1959 Shows Programs. 11. http://thekeep.eiu.edu/little_theatre_1959_programs/11 This Book is brought to you for free and open access by the 1959 at The Keep. It has been accepted for inclusion in 1959 Shows Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. about th Dhea tre at Guy S. Little, Jr. first Opera stars, Mr. Little went on to Columbia University In only two years, the and the American Theatre Wing, garnering the knowl- one of the outstanding edge and experience which would make possible his e summer stock world. Summer of Musicals. uity theatre between Chi- In the past two seasons, some twenty top shows f the few musical theatres were produced at The Grand, including ROBERTA, he latest Broadway musi- CALL ME MADAM, FINIAN'S RAINBOW, THE PA- an air-conditioned indoor JAMA GAME, ANNIE GET YOUR GUN, THE KING medy to his home town AND I, SHOWBOAT and OKLAHOMA! Now an Equity ealized after years of train- theatre, established with midwest audiences and con- that direction. Trained in siderably enlarged in scope, Summer of Musicals ami, where he played launches its thiid and most exciting season to date, pre- Theatre and appeared senting six recent Broadway releases which have never support to Metropolitan been seen in Central Illinois and four all-time favorites. -
BOARD of TRANSPORTATION COLLECTION" 05/25/2010 Matches 291
Collection Contains text "BOARD OF TRANSPORTATION COLLECTION" 05/25/2010 Matches 291 Catalog / Objectid / Objname Description Extent Date Home Location A VIIA-1 Sketch on vellum for an American Services Foundation poster one 18 1/2" x 23" 1941 Livingston Plaza Poster "Aviation Spectacle National Defense" Demonstration. sketch A VIIA-2 Poster advertising for "Unity Rally - Stop Hitler Now" and also one 11" x 14" 1941 Livingston Plaza Poster advertises speakers Senator Claude Pepper, Larry MacPhail, poster Stanley High, Edgar Mowrer, Herbert Agar, Dr. Harry Gideonse, and Frank Serri for rally event held June 6, 1941 at the Brooklyn Academy of Music. A VIIA-3 Poster with blue and graphite pencil sketches for a USO benefit one 12" x 14" 1941 Livingston Plaza Poster being held at the Vanderbilt Mansion from July 3 -July 13 [1941]. poster A VIIA-4 Poster created by the Board of Education which reads "Keep Fit one 15 1/2" x 22" 1941 Livingston Plaza Poster for Defense. The Board of Education offers recreation poster opportunities 3 evenings a week from 7-10 PM in 135 school buildings, calisthenics, basketball, badminton, handball, volleyball, swimming. Auditorium and meeting facilities for clubs available. No charges in elementary schools, 25 ¢ to $1.00 in High Schools. Use New York City Transit System. Divisions of Recreation and Community Activities." Page 1 Catalog / Objectid / Objname Description Extent Date Home Location A VIIA-5 Poster advertising "Civilian & National Defense Exposition, Grand one 14" x 12" 1941 Livingston Plaza Poster Central Palace, Lexington Avenue, 46th to 47th Streets, Sept 20th poster to Oct 18th. -
Copyright 2010, Michigan Opera Theatre UNTIL NOW, SOME THOUGHT the BEST PERFORMERS CAME from ABROAD
Copyright 2010, Michigan Opera Theatre UNTIL NOW, SOME THOUGHT THE BEST PERFORMERS CAME FROM ABROAD. CHANGE The Cadillac Seville STS with the Northstar System. With its 295-horsepower, 32-valve V8 and Road-Sensing IS CENTER Suspension, this luxury sports sedan is winning over the toughest audiences. CADILLAC SEVILLE STS. STAGE CHANGING THE WAY YOU THINK ABOUT AMERICAN AUTOMOBILES. 'II BuekleUpAmeri<al e l992 GM Carp. All R' .. Reserved. ~;..._ • CADILLAC. SEVILlt NORTHSTAR. NORTHSTAR SYSTEM: 295-HP V8 • SPEED-SENSITIVE STEERING · TRACTION CONTROL · PLUS DUAL AIR BAGS , PLEASE CALL 1-800-333-4CAD Copyright 2010, Michigan Opera Theatre A MESSAGE FROM THE GENERAL DIREaOR Dear Friends, It gives me great pleasure to welcome you to Michigan Opera Theatre's 22nd season! Perhaps one of our most popular ever in terms of repertory, it features the renowned artists and emerging operatic talent you have come to expect from Michigan Opera Theatre. Looking back on the success of the 1991/92 season, I am sure you share with me the pride at having been a part of the company's Midwestern premiere performances of Karol Szymanowski's King Roger and with the company premieres of Samson and Delilah and Candide, plus the critically acclaimed productions of Lucia di Lammermoor and The Mikado. This season boa:sts its own set of company premieres: from Side by Side by Sondheim, a revue of the award winning music and lyrics of ~roadway's reigning king, and Detroit's first professional production in 30 years of The Music Man, to the season finale, our very own producti~n of the grand classical ballet The Sleeping Beauty. -
“The Cause of Happiness”
PROLOGUE “The Cause of Happiness” EW YORK WAS ABOUT to rip up its cultural map in the sum- 1956 Nmer of , and few of the city’s residents knew how dra- matic the changes would be. The Guggenheim Museum was still a blueprint; Lincoln Center, an uncleared slum. New York City Ballet danced at City Center, while the Metropolitan Opera 39 continued to perform at its decaying house on th and Broadway, a few steps away from the theater district. The New York Philhar- monic played at Carnegie Hall, but you could also ride the subway eighty blocks north to Lewisohn Stadium in July and August and pay thirty cents to hear the orchestra. (The cheap seats at Carnegie $1 50 Hall cost . .) The Philharmonic’s old summer home, a hulking 1915 neo- Grecian amphitheater built in , is gone now, razed to make room for the North Academic Center of the City College of New York, with nothing left to mark its existence but a plaque. Only concertgoers of a certain age can remember traveling uptown to hear the orchestra accompany such soloists as George Gershwin, Marian Anderson, Van Cliburn — and Louis Armstrong, who made his Phil- 14 1956 harmonic debut at Lewisohn Stadium on July , , playing 2 • 22 500 W. C. Handy’s “St. Louis Blues” for a crowd of , with Leonard Bernstein on the podium, Handy in the audience, and a CBS camera crew and a Columbia recording team on hand to document the event for posterity. It was the first time that the most famous of all jazz mu- sicians had played with a symphony orchestra, and it was, he said, a PROLOGUE dream come true. -
Gershwin Project: Russian Gershwin
CLARICE SMITH PERFORMING ARTS CENTER PRESENTS POST-CLASSICAL ENSEMBLE The Gershwin Project: Russian Gershwin Angel Gil-Ordóñez, Music Director Joseph Horowitz, Artistic Director friday, september 24, 2010 . 8PM elsie & marvin dekelboum concert hall PHOTO BY TOM WOLFF CLARICE SMITH PERFORMING ARTS CENTER 9 PROGRAM POST-CLASSICAL ENSEMBLE POST-CLASSICAL ENSEMBLE POST-CLASSICAL ENSEMBLE Angel Gil-Ordóñez, Music Director The Gershwin Project: Russian Gershwin Joseph Horowitz, Artistic Director Genadi Zagor, Piano ACT ONE Vakhtang Kodanashvili, Piano Angel Gil-Ordóñez, Conductor Gershwin: Prelude no. 2 (1926) (as broadcast by the composer in 1932) Prelude no. 2 (an improvisation by Genadi Zagor) Violin 1 Flute Trumpet Gershwin: Rhapsody in Blue (1924) (as scored by Ferde Grofé for the David Salness, Adria Foster Chris Gekker Paul Whiteman Band) Concertmaster Nicolette Oppelt Tim White Genadi Zagor, piano Eric Lee Jonathan Baumgarten Phil Snedecor (In tonight’s performance, Mr. Zagor will improvise the piano solos.) Yvonne Lam Eva Cappelletti-Chao Oboe Trombone Reiko Niiya-Chow Mark Hill George Allen INTERMISSION Jennifer Rickard Wes Nichols Mark Mauldin Paul Schultz Violin 2 English Horn ACT TWO Sally McLain Carole Libelo Tuba Gershwin: Piano Concerto in F (1925) Tim Macek Mike Bunn Allegro moderato Najim Kim Clarinet Andante con moto Jennifer Himes David Jones Saxophone Allegro con brio Sara Sherry Kathy Mulcahey Ed Walters Ben Bokor Gershwin: Cuban Overture (1932) Viola Bass Clarinet Chris Vadala Phillippe Chao, Ed Walters principal viola Percussion The program will be approximately 1 hour and 45 minutes with Uri Wassertsug Bassoon Bill Richards one 15-minute intermission. David Basch Don Shore John Spirtas Kyung LeBlanc Ben Greanya Danny Villanueva Cello Contrabassoon Timpani This project is supported in part by an award from the Steven Honigberg Eric Dircksen Jonathan Rance National Endowment for the Arts.