Qur'an of Ibn Al-Bawwab
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A Study of Kufic Script in Islamic Calligraphy and Its Relevance To
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1999 A study of Kufic script in Islamic calligraphy and its relevance to Turkish graphic art using Latin fonts in the late twentieth century Enis Timuçin Tan University of Wollongong Recommended Citation Tan, Enis Timuçin, A study of Kufic crs ipt in Islamic calligraphy and its relevance to Turkish graphic art using Latin fonts in the late twentieth century, Doctor of Philosophy thesis, Faculty of Creative Arts, University of Wollongong, 1999. http://ro.uow.edu.au/ theses/1749 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. A Study ofKufic script in Islamic calligraphy and its relevance to Turkish graphic art using Latin fonts in the late twentieth century. DOCTORATE OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by ENiS TIMUgiN TAN, GRAD DIP, MCA FACULTY OF CREATIVE ARTS 1999 CERTIFICATION I certify that this work has not been submitted for a degree to any university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, expect where due reference has been made in the text. Enis Timucin Tan December 1999 ACKNOWLEDGEMENTS I acknowledge with appreciation Dr. Diana Wood Conroy, who acted not only as my supervisor, but was also a good friend to me. I acknowledge all staff of the Faculty of Creative Arts, specially Olena Cullen, Liz Jeneid and Associate Professor Stephen Ingham for the variety of help they have given to me. -
UC Santa Barbara Dissertation Template
UNIVERSITY OF CALIFORNIA Santa Barbara Protestant Missions, Seminaries and the Academic Study of Islam in the United States A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Religious Studies by Caleb D. McCarthy Committee in charge: Professor Juan E. Campo, Chair Professor Kathleen M. Moore Professor Ann Taves June 2018 The dissertation of Caleb D. McCarthy is approved. _____________________________________________ Kathleen M. Moore _____________________________________________ Ann Taves _____________________________________________ Juan E. Campo, Committee Chair June 2018 Protestant Missions, Seminaries and the Academic Study of Islam in the United States Copyright © 2018 by Caleb D. McCarthy iii ACKNOWLEDGEMENTS While the production of a dissertation is commonly idealized as a solitary act of scholarly virtuosity, the reality might be better expressed with slight emendation to the oft- quoted proverb, “it takes a village to write a dissertation.” This particular dissertation at least exists only in light of the significant support I have received over the years. To my dissertation committee Ann Taves, Kathleen Moore and, especially, advisor Juan Campo, I extend my thanks for their productive advice and critique along the way. They are the most prominent among many faculty members who have encouraged my scholarly development. I am also indebted to the Council on Information and Library Research of the Andrew C. Mellon Foundation, which funded the bulk of my archival research – without their support this project would not have been possible. Likewise, I am grateful to the numerous librarians and archivists who guided me through their collections – in particular, UCSB’s retired Middle East librarian Meryle Gaston, and the Near East School of Theology in Beriut’s former librarian Christine Linder. -
A Textual Analysis of the Hadīths of Āishah's Age at the Time of Her Marriage to the Prophet Muhammad (Saw)
A Textual Analysis of the Hadīths of Āishah’s Age at the Time of Her Marriage to the Prophet Muhammad (saw) “Hz. Âişe’nin Hz. Peygamber (s.a.v.) ile Evlendiğindeki Yaşına Sulaiman Kamal-deen OLAWALE, Dr.* Dair Hadislerin Metin Tenkîdi” Özet: Bu makale, Hz. Âişe’nin Hz. Peygamber ile söz kesildiğinde altı, zifafa girdiğine ise dokuz yaşında olduğuna dair hadislerin tenkîdî bir tahlîlini konu edinmektedir. Bu konuya dair hadisler İslâm’da, genellikle çocuk yaştaki çocukların evlendirilmesinin câiz olduğu inancına yol açmıştır. Bu meseleye yönelik, İslâm dünyasında karışık bir tepki meydana getirmiştir. Bazı kimseler Hz. Âişe’nin, Hz. Peygamberin eşi olarak evine girdiğinde dokuz yaşında olduğunda ısrar ederken, diğer bir kesim de on dokuz yaşında olduğunu savunmuştur. Sözkonusu yaklaşım, Kur’ân-ı Kerîm ve hadisler yanında tamamıyla el yazmaları, kitaplar, akademik dergiler, internet, dergiler gibi tamamen yazılı kaynaklardan hareketle ortaya konulmuştur. Bu çalışma, Hz. Âişe’nin yaşının hadislerin rivâyeti esnasında ciddi derecede yanlış rivâyet edildiğini ortaya koymaktadır. Kaldı ki, bu olayı tarihî verilere dayalı olarak anlatan rivâyetler güvenilirliğin üst düzeyinde değildir. Bu makale, konuyu nesnel bir noktadan ele almayı önermekte ve şayet Hz. Peygamber (s.a.v.) insanlık için bir modelse ve hayatı boyunca Kur’ân’a göre hayat sürdüyse ve Allah Kur’ân’da onun sağlam karakterine şâhitlik etmişse, onun altı veya dokuz yaşında, olgunlaşmamış, oyun çağında bir kız çocuğu ile evlenemeyeceği sonucuna ulaşmaktadır. Atıf: Sulaiman Kamal-deen OLAWALE, “A Textual Analysis of the Hadīths of Āishah’s Age at the Time of Her Marriage to the Prophet Muhammad (saw)”, Hadis Tetkikleri Dergisi, (HTD), XII/1, 2014, ss. 23-34. -
Remembering Joseph Schacht (1902‑1969) by Jeanette Wakin ILSP
ILSP Islamic Legal Studies Program Harvard Law School Remembering Joseph Schacht (1902-1969) by Jeanette Wakin Occasional Publications January © by the Presdent and Fellows of Harvard College All rghts reserved Prnted n the Unted States of Amerca ISBN --- The Islamic Legal Studies Program s dedcated to achevng excellence n the study of Islamc law through objectve and comparatve methods. It seeks to foster an atmosphere of open nqury whch em- braces many perspectves, both Muslm and non-Mus- lm, and to promote a deep apprecaton of Islamc law as one of the world’s major legal systems. The man focus of work at the Program s on Islamc law n the contemporary world. Ths focus accommodates the many nterests and dscplnes that contrbute to the study of Islamc law, ncludng the study of ts wrt- ngs and hstory. Frank Vogel Director Per Bearman Associate Director Islamc Legal Studes Program Pound Hall Massachusetts Ave. Cambrdge, MA , USA Tel: -- Fax: -- E-mail: [email protected] Website: http://www.law.harvard.edu/programs/ILSP Table of Contents Preface v Text, by Jeanette Wakin Bblography v Preface The followng artcle, by the late Jeanette Wakn of Columba Unversty, a frend of our Program and one of the leaders n the field of Islamc legal studes n the Unted States, memoralzes one of the most famous of Western Islamc legal scholars, her men- tor Joseph Schacht (d. ). Ths pece s nvaluable for many reasons, but foremost because t preserves and relably nterprets many facts about Schacht’s lfe and work. Equally, however—especally snce t s one of Prof. -
The Unique Ibn Al-Bawwab Manuscript
D.S.RICE THE UNIQUE IBN AL-BAWWAB MANUSCRIPT The text of the Qur'an was recorded'in the Prophet's lifetime, on a variety of writing materials.These inclu- ded such diverse materials as papyrus, parchment, leather, limestone slabs,shoulder blades,ribs, saddle- boards, &c. The Qur'an was first collectedunder the first caliph, Abu Bakr, and codified under the third caliph, 'Uthman. It was, in all likelihood, written on parchmenton both occasions,although one sourcehas it that papyrus was used on the first. All the early Qur'ans which have so far come to light are on parchment, with the exception of a small frag- ment on papyruswhich is attributed to the third Islamic century. The earliest Qur'ans w\ich have reachedus are written in variety of angular scripts commonly-but inappro- priately-describedas Kufic. No completeKufic Qur'an has, to my knowledge, survived and none is provided with a colophon. It is still a matter of controversy whether we possessany Qur'an which can be dated to the first century of the Muslim era.There are a number "signatures" of coclices which bear of the caliphs 'Uthman and 'Ali, but these have been shown to be later pious forgeries. Thanks to the studies published in the course of the last fifty years,especially by B. Moritz, J. von Karaba- cek, G. Bergstrásser,O. Pretzl,A. Grohmann, N. Abbott, and G. Levi della Vida much progresshas been made in the provisional dating of certain Kufic Qur'ans to the late first and to the second century of the Hijra. -
The Study of the Principles of Philosophy of Islamic Art Hasti Safavi University of Exeter Stocker Road, Exeter, United Kingdom, EX4 4PY
RUDN Journal of Philosophy 2020 Vol. 24 No. 1 23—38 Âåñòíèê ÐÓÄÍ. Ñåðèÿ: ÔÈËÎÑÎÔÈß http://journals.rudn.ru/philosophy DOI: 10.22363/2313-2302-2020-24-1-23-38 Research Article / Научная статья The Study of the Principles of Philosophy of Islamic Art Hasti Safavi University of Exeter Stocker Road, Exeter, United Kingdom, EX4 4PY Abstract. The main discourse on Islamic art in the western academia primarily views Islamic art through the lens of art history and sociology of art. Islamic art is considered as sacred in Islamic civilisation and culture, and derives its sanctity from the Quran as the fountain from which it has emanated, which Muslims consider to be the Word of God, much like Christ is the Word of God in Christianity. The Quran has played a formative role in shaping the trinity of sacred Islamic art which is Quranic recitation, calligraphy and architecture. However, another approach which not only is viable but can be considered of great importance to the study of Islamic art, is the employment and utilisation of principles of Islamic philosophy and Sufism which were the pillars of the intellectual milieu in which a given work of art is produced. The application of such principles allows a more comprehensive and detailed interpretation of a work of art. In this paper, the primary Islamic philosophy and sufi doctrines that will be dis- cussed are the concepts of imagination, colour, and calligraphy and examples of their applica- tion in the khānqāh and shrine ensemble of Shaykh Ṣafi al-Din Ardabīlī in Ardabil, Iran. Keywords: Islamic art, philosophy, Sufism, Quran, imagination, colour, calligraphy, Shaykh Ṣafi al-Din Ardabīlī’s shrine ensemble Article history: The article was submitted on 03.10.2019 The article was accepted on 06.11.2020 For citation: Hasti Safavi. -
Two Queens of ^Baghdad Oi.Uchicago.Edu
oi.uchicago.edu Two Queens of ^Baghdad oi.uchicago.edu Courtesy of Dr. Erich Schmidt TOMB OF ZUBAIDAH oi.uchicago.edu Two Queens of Baghdad MOTHER AND WIFE OF HARUN AL-RASH I D By NABIA ABBOTT ti Vita 0CCO' cniia latur THE UNIVERSITY OF CHICAGO PRESS CHICAGO • ILLINOIS oi.uchicago.edu The University of Chicago Press • Chicago 37 Agent: Cambridge University Press • London Copyright 1946 by The University of Chicago. All rights reserved. Published 1946. Composed and printed by The University of Chicago Press, Chicago, Illinois, U.S.A. oi.uchicago.edu Preface HE historical and legendary fame of Harun al- Rashld, the most renowned of the caliphs of Bagh dad and hero of many an Arabian Nights' tale, has ren dered him for centuries a potent attraction for his torians, biographers, and litterateurs. Early Moslem historians recognized a measure of political influence exerted on him by his mother Khaizuran and by his wife Zubaidah. His more recent biographers have tended either to exaggerate or to underestimate the role of these royal women, and all have treated them more or less summarily. It seemed, therefore, desirable to break fresh ground in an effort to uncover all the pertinent his torical materials on the two queens themselves, in order the better to understand and estimate the nature and the extent of their influence on Harun and on several others of the early cAbbasid caliphs. As the work progressed, first Khaizuran and then Zubaidah emerged from the privacy of the royal harem to the center of the stage of early cAbbasid history. -
Cumhuriyet Döneminden 1950'Lere Türkiye'de Sanat Yazınının Eleştirisi
T.C. İSTANBUL ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ SANAT TARİHİ ANABİLİM DALI YÜKSEK LİSANS TEZİ CUMHURİYET DÖNEMİNDEN 1950’LERE TÜRKİYE’DE SANAT YAZINININ ELEŞTİRİSİ GÜLŞAH ALTINKAYA ÖZCAN 2501120780 TEZ DANIŞMANI DOÇ. DR. SEDA YAVUZ İSTANBUL 2019 1 1 ÖZ CUMHURİYET DÖNEMİNDEN 1950’LERE TÜRKİYE’DE SANAT YAZINININ ELEŞTİRİSİ GÜLŞAH ALTINKAYA ÖZCAN Cumhuriyet’in ilanından 1950’lere Türkiye’de sanat yazınının ele alındığı tez kapsamında; Batı’da Akademilerin oluşumundan Osmanlı İmparatorluğu’na ve Cumhuriyet Türkiye’sine kadar, geniş bir zaman diliminde çalışılmıştır. Özellikle Cumhuriyet’in ilanı ve sonrasındaki sürece odaklanılarak devletin kültür sanat politikaları, sanatçı toplulukları, sergileme pratikleri, ön plana çıkan sanatçı ve eleştirmenleri üzerinde durulmaktadır. Bu süre zarfında çıkan gazete, dergi ve kitaplar taranarak Türkiye’de sanat yazının gelişimi konusu, örnekler üzerinden incelenmektedir. Bir dönemin ‘sanat eleştirisinin eleştirisi’ olarak da değerlendirilebilecek bu çalışma; dönemin sosyal, toplumsal ve siyasi durumu göz önünde tutularak mevcut durum üzerinden genel bir değerlendirme yapmayı hedeflemektedir. Tez, ‘Daha iyisi olabilir miydi, olsaydı nasıl olurdu?’ sorusunu düşündürmeyi, ama bunu yaparken dönemin koşullarını ve sınırlılıklarını da kabul ederek objektif bir bakış açısı sunmayı amaçlamaktadır. Anahtar kelimeler: Türkiye, sanat, sanat eleştirisi, kültür politikaları iii ABSTRACT CRITIQUE OF ART CRITICISM IN TURKEY FROM THE PROCLAMATION OF THE REPUBLIC TO THE 1950s GÜLŞAH ALTINKAYA ÖZCAN In the context of the thesis on art criticism in Turkey from the proclamation of the Republic to the 1950s; it has been studied in long periods of time from the formation of the Academy in the West to the Ottoman Empire and the Turkish Republic. Art and cultural policies of the state, the artist collectives, exhibiting practices, established artists and critics are emphasized by focusing especially on the proclamation of the Republic and the following process. -
Turkish Plastic Arts
Turkish Plastic Arts by Ayla ERSOY REPUBLIC OF TURKEY MINISTRY OF CULTURE AND TOURISM PUBLICATIONS © Republic of Turkey Ministry of Culture and Tourism General Directorate of Libraries and Publications 3162 Handbook Series 3 ISBN: 978-975-17-3372-6 www.kulturturizm.gov.tr e-mail: [email protected] Ersoy, Ayla Turkish plastic arts / Ayla Ersoy.- Second Ed. Ankara: Ministry of Culture and Tourism, 2009. 200 p.: col. ill.; 20 cm.- (Ministry of Culture and Tourism Publications; 3162.Handbook Series of General Directorate of Libraries and Publications: 3) ISBN: 978-975-17-3372-6 I. title. II. Series. 730,09561 Cover Picture Hoca Ali Rıza, İstambol voyage with boat Printed by Fersa Ofset Baskı Tesisleri Tel: 0 312 386 17 00 Fax: 0 312 386 17 04 www.fersaofset.com First Edition Print run: 3000. Printed in Ankara in 2008. Second Edition Print run: 3000. Printed in Ankara in 2009. *Ayla Ersoy is professor at Dogus University, Faculty of Fine Arts and Design. TABLE OF CONTENTS INTRODUCTION 5 Sources of Turkish Plastic Arts 5 Westernization Efforts 10 Sultans’ Interest in Arts in the Westernization Period 14 I ART OF PAINTING 18 The Primitives 18 Painters with Military Background 20 Ottoman Art Milieu in the Beginning of the 20th Century. 31 1914 Generation 37 Galatasaray Exhibitions 42 Şişli Atelier 43 The First Decade of the Republic 44 Independent Painters and Sculptors Association 48 The Group “D” 59 The Newcomers Group 74 The Tens Group 79 Towards Abstract Art 88 Calligraphy-Originated Painters 90 Artists of Geometrical Non-Figurative -
Qadi-S and the Political Use of the Mazalim Jurisdiction Under the ’Abbasids Mathieu Tillier
Qadi-s and the political use of the mazalim jurisdiction under the ’Abbasids Mathieu Tillier To cite this version: Mathieu Tillier. Qadi-s and the political use of the mazalim jurisdiction under the ’Abbasids. Christian Lange, Maribel Fierro. Public Violence in Islamic Societies: Power, Discipline, and the Construction of the Public Sphere, 7th–18th Centuries CE, Edinburgh University Press, pp.42-66, 2009. hal- 00587370v1 HAL Id: hal-00587370 https://hal.archives-ouvertes.fr/hal-00587370v1 Submitted on 21 Apr 2011 (v1), last revised 8 Aug 2011 (v2) HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. GRAHAMS IMAC:Users:Graham:Public:GRAHAM'S IMAC JOBS:11654 - EUP - LANGE:EB0038 - LANGE TXT GRAHAMS IMAC:Users:Graham:Public:GRAHAM'S IMAC JOBS:11654 - EUP - LANGE:EB0038 - LANGE TXT 2 Qāḍīs and the political use of the maẓālim jurisdiction under the ʿAbbāsids Mathieu Tillier* The role of the maẓālim jurisdiction is generally regarded as threefold by present-day historians. As ordinary courts – all grievances could in theory be brought to the caliph – the maẓālim symbolized the discretion- ary authority vested in the ruler who could, at any time, exercise a power that he would ordinarily delegate to other judges. -
Studies and Sources in Islamic Art and Architecture
STUDIES AND SOURCES IN ISLAMIC ART AND ARCHITECTURE SUPPLEMENTS TO MUQARNAS Sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. VOLUME IX PREFACING THE IMAGE THE WRITING OF ART HISTORY IN SIXTEENTH-CENTURY IRAN BY DAVID J. ROXBURGH BRILL LEIDEN • BOSTON • KÖLN 2001 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Roxburgh, David J. Prefacing the image : the writing of art history in sixteenth-century Iran / David J. Roxburgh. p. cm. — (Studies and sources in Islamic art and architecture. Supplements to Muqarnas, ISSN 0921 0326 ; v. 9) Includes bibliographical references and index. ISBN 9004113762 (alk. papier) 1. Art, Safavid—Historiography—Sources. 2. Art, Islamic—Iran– –Historiography—Sources. 3. Art criticism—Iran—History—Sources. I. Title. II. Series. N7283 .R69 2000 701’.18’095509024—dc21 00-062126 CIP Die Deutsche Bibliothek - CIP-Einheitsaufnahme Roxburgh, David J.: Prefacing the image : the writing of art history in sixteenth century Iran / by David J. Roxburgh. – Leiden; Boston; Köln : Brill, 2000 (Studies and sources in Islamic art and architectue; Vol 9) ISBN 90-04-11376-2 ISSN 0921-0326 ISBN 90 04 11376 2 © Copyright 2001 by Koninklijke Brill NV, Leiden, The Netherlands All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910 Danvers MA 01923, USA. -
Nabia Abbott, the First Woman Faculty Member of the Oriental In Stitute, Joined Its Staff in 1933 and Became Professor Emeritus in 1963
oi.uchicago.edu Photo by Jean Grant Nabia Abbott, the first woman faculty member of the Oriental In stitute, joined its staff in 1933 and became Professor Emeritus in 1963. When I visited her this past spring in her apartment on the Midway, I expected her to recall such aspects of her career as the discrimination that I knew she had faced as a professional woman in those pre-liber- ation days; her pioneering work on the position of women in the Is lamic Middle East; her classic study of the rise of the North Arabic script; her massive, painstaking, and path-breaking investigations of Arabic literary papyri, which have akeady revolutionized the study of the culture of early Islam; or the many projects (including an exten sive study of the introduction of the use of paper into the Middle East) which she was forced to abandon because of failing health. In stead, I found her hard at work on a major review of a recent book in German on an important Arabic historical papyrus document. "There are very few young scholars willing to undertake the hard labor in volved in the study of Arabic papyri," she said, "and I want to write a critical review that will encourage this able young author to con tinue in this field and enhance it." Nabia Abbott traveled far to reach the Oriental Institute. Born in Mardin (in southwest Turkey) on January 31, 1897, she, as yet a child, traveled with her family in a covered wagon with a caravan of nomad horsemen down to Mosul, sailed down the Tigris to Baghdad, and later through the Persian Gulf and Arabian Sea to Bombay (1907).