DOCSLIB.ORG

FANS VICTORIOUS Need to Tell Me What It Looks Like

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Cydney, her eyes wide. She doesn’t FANS VICTORIOUS need to tell me what it looks like. Editorial by Nick Smith ‘She made me a great one,’ says Bran- don cheerfully. ‘If it was colder, I’d be wearing it.’ Since we’ve been working in 40-degree heat, he’s smart to leave it at home. We smile and move on to anoth- er subject. So, I’m thousands of miles from my birth town of Bristol with people I’ve only known for a few weeks and yet we have this connection, a TV show that seems as well-travelled as the TARDIS. From South Croydon, England to Cor- sicana, Texas, Doctor Who is in the zeit- I’m currently working as a Production geist, with fans everywhere Manager on a movie in East Texas. I say this, not to brag – I’m a glorified When DWAS Publications Officer Rik office boy with a walkie talkie – but Moran graciously asked me to become because Doctor Who helped bring me the new editor of Cosmic Masque, I here, instilling a passion in me for visu- looked forward to connecting with al storytelling, film and telly-making. some fellow Whovians and sharing my passion for the show. I did not know After a long day of filming, I’m eating that everyone I talked to for Cosmic pizza in Napoli’s, a downtown joint Masque would all have a deep connec- with a bar next door that’s also called tion to the show, whether it was excep- Napoli’s. I’m with the Wardrobe Super- tional cover creator Grahame Robert- visor, Assistant Camerawoman and a son, writer Jody Houser and artist Rob- couple more crew. The locals give us a erta Ingranata of Titan comics, or Court- glance or two but leave us be. I’ve got ney Jarrett, the Birmingham Game Mas- a TARDIS T-shirt on and the Associate ter of ‘A Dalek Awakens’. Producer Cydney says to her boyfriend Brandon, ‘look what he’s wearing.’ Her Rik describes Cosmic Masque as ‘about man Brandon, the movie’s Special being a fan.’ To me, that means a maga- Effects guy, holds up his keychain for zine that feels communal. Nerdy. Gen- me and the metal fob says he’s a Time erous. Gushing. Inclusive and goose- Lord. bumpy. All those feels crop up in this issue, which has an eclectic mix of ‘You should see Brandon’s scarf,’ says memoirs, reviews, interviews and fic- 1 2 tion. It has a transatlantic flavour, since that I could do the latter, and while the I’ve reached out to British and Ameri- CONTENTS Time Lord diagram of all the releases to come in can writers for their views on Who. the front of the comic still confuses me Victorious 1 Comic slightly, I’m happy in the knowledge, that the books, comics and audios will Although the Doctor’s new televised Review by Jordan Shortman do for me. adventures are in a holding pattern Time Lord Victori- right now, the contributors have plen- ous #1 Review 4 With Time Lord Victorious now finally Author Jodie Houser doesn’t keep us ty to write about. As fans, we can im- kicking off, despite a rocky start to the guessing what’s going to happen here merse ourselves in the multiplatform Discussing Who year and creator, James Goss’ fear that for very long, and although some marvel that is Time Lord Victorious; Podcast 6 it would be cancelled altogether knowledge of the previous Tenth Doc- read comics, revisit classic noveliza- thanks to COVID-19, Titan Comics have tor comic adventures will please long- tions and get stuck in escape rooms. The Black Archive: kicked off the Tenth Doctor’s role in term readers of Titan Comics, it The Robots of Death 9 the multi-media story with its first is- doesn’t mean that new readers will be confused. Rightly so, Houser keeps the Time Lord Victorious is the culmination Review sue of Time Lord Victorious with a sto- focus on events here, not what came of an incredible amount of work and ry called Defender of the Daleks. Time Lord Victori- 10 before, making the book instantly creativity. While it remains to be seen ous Panel I’ll admit, when I first saw the many readable to newcomers. whether all its threads will tie together releases for this new story, I was a successfully, Who-lovers everywhere Jody Houser & Rob- little credulous. Did it mean I would The Tenth Doctor wakes in the TARDIS will have fun finding out. I hope you erta Ingranata Inter- 12 have to buy everything to understand to find that he is alone and only he have fun reading this issue too, with or views what was going on or could I dip in and remembers the Time War. He quickly without a multicolour winter-warming out at my leisure? The good news is finds himself surrounded by Daleks scarf spooled around your neck. Time Lord Victori- 15 everywhere he goes including planets we’ve seen before in the comics as ous #2 Review well as what looks like Elizabethan Nick FICTION 18 England. When he finally stops run- ning, he poses the question, why has- COSMIC MASQUE XII A Wonderful Time 50 n’t he been exterminated. The follow- Editor: Nick Smith ing exchange leads to the Daleks say- Fiction Editor: Stephen Hatcher Time War 4 Review 51 ing they’ll destroy the TARDIS leads to one of my favourite lines from the Front Cover by Grahame Robertson A Dalek Awakens book where the Doctor warns them, if Layout by Paul Winter Interview 53 they do that, he’ll make the Time-War look like a tea party. Houser’s charac- Published by the Lytton #1 Review 56 terisation is so perfect that you don’t Doctor Who Appreciation Society doubt he couldn’t do it for a moment. 57 It’s the first of many brilliant moments All content is © For the love of Tar- relevant contributor/DWAS get for the Tenth Doctor here. No copyright infringement is intended No time is wasted in going to Skaro, CONTACT US: and artist Roberta Ingranata gives us an impressive visual of the Dalek city, DWAS, PO Box 1011, Horsham, RH12 9RZ, UK clearly based on the view Missy and or email: [email protected] Clara had in The Magician’s Appren- www.dwasonline .co.uk tice, but it’s a fantastic visual on its 3 3 4 not good exactly, but taking away their motivation to kill everything because Discussing Who they realise all of creation have a com- mon enemy. The Prime Strategist is Podcast urprisingly sassy for a Dalek too, add- ing to the great dynamic it has with the by Kyle Jones Doctor. And Houser puts in a nice trib- ute, intentionally or not, to the famous My name is Kyle Jones. I consider my- cliff-hanger from Episode 3 of Death to self a lifelong fan of Doctor Who hav- the Daleks, with something once again ing been introduced to the Doctor in on the floor. the mid-1970s. As with most in the US during that time, my introduction Like Houser’s excellent characterisa- came in the form of the Fourth Doctor tion, Ingranata draws a perfect Tenth and Sarah Jane Smith on the local PBS Doctor, effortlessly capturing his iconic station. Now, after all these years, look and putting him in a number of Doctor Who is still an important part of recognisable Tenth Doctor poses, my life with every Tuesday night de- which not only are fun to look at but voted to discussing Who! This is our also make you think about which epi- story. Welcome to Discussing Who: A sode some of the poses come from. Doctor Who podcast. For me, the weakest part of this comic While they call me the showrunner, came from the realisation of the Hond. our virtual console would not be com- own and makes for a great double Which is a shame as Houser makes it life or as part of the Victorious event plete without both Clarence Brown page image. Also excellent is Ingran- feel like some massive threat, giving as a whole. and Lee Shackleford, both of whom ata’s design of the Tenth Doctor’s the Doctor a line about how it was a have been there since the first epi- TARDIS, complimented perfectly by myth to make children go to sleep. The Once again, Houser and her creative sode. I met Clarence Brown in the mid- the colouring from Enrica Eren Angio- final page sees the Hond finally real- team have excelled themselves, the art 2000s while working for the same lini, and one wonders if they took stills ised and it looks like a cross between and colouring never fails to leave me company while Lee Shackleford and I from the television series, the visuals Batman’s Clay-Face and Scooby Doo’s stunned, with the panel of Skaro look- connected in late 2014 when we be- are so good. Tar Monster. I wasn’t too impressed ing particularly beautiful. If you’re came co-hosts of Doctor Who: Pod- but this is its first appearance and I’ll looking for a way to get into the Victo- shock. Also brilliantly realised are the new reserve much judgement until I can rious event or the Titan Comics in gen- design for the Daleks who look like a see what it does in the second issue.
Recommended publications
  • MARCH 1St 2018

    MARCH 1St 2018

    March 1st We love you, Archivist! MARCH 1st 2018 Attention PDF authors and publishers: Da Archive runs on your tolerance. If you want your product removed from this list, just tell us and it will not be included. This is a compilation of pdf share threads since 2015 and the rpg generals threads. Some things are from even earlier, like Lotsastuff’s collection. Thanks Lotsastuff, your pdf was inspirational. And all the Awesome Pioneer Dudes who built the foundations. Many of their names are still in the Big Collections A THOUSAND THANK YOUS to the Anon Brigade, who do all the digging, loading, and posting. Especially those elite commandos, the Nametag Legionaires, who selflessly achieve the improbable. - - - - - - - – - - - - - - - - – - - - - - - - - - - - - - - – - - - - - – The New Big Dog on the Block is Da Curated Archive. It probably has what you are looking for, so you might want to look there first. - - - - - - - – - - - - - - - - – - - - - - - - - - - - - - - – - - - - - – Don't think of this as a library index, think of it as Portobello Road in London, filled with bookstores and little street market booths and you have to talk to each shopkeeper. It has been cleaned up some, labeled poorly, and shuffled about a little to perhaps be more useful. There are links to ~16,000 pdfs. Don't be intimidated, some are duplicates. Go get a coffee and browse. Some links are encoded without a hyperlink to restrict spiderbot activity. You will have to complete the link. Sorry for the inconvenience. Others are encoded but have a working hyperlink underneath. Some are Spoonerisms or even written backwards, Enjoy! ss, @SS or $$ is Send Spaace, m3g@ is Megaa, <d0t> is a period or dot as in dot com, etc.
  • Dr Who Pdf.Pdf

    Dr Who Pdf.Pdf

    DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e.
  • The Ultimate Foe

    The Ultimate Foe

    The Black Archive #14 THE ULTIMATE FOE By James Cooray Smith Published November 2017 by Obverse Books Cover Design © Cody Schell Text © James Cooray Smith, 2017 Range Editor: Philip Purser-Hallard James Cooray Smith has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 INTERMISSION: WHO IS THE VALEYARD In Holmes’ draft of Part 13, the Valeyard’s identity is straightforward. But it would not remain so for long. MASTER Your twelfth and final incarnation… and may I say you do not improve with age1. By the intermediate draft represented by the novelisation2 this has become: ‘The Valeyard, Doctor, is your penultimate reincarnation… Somewhere between your twelfth and thirteenth regeneration… and I may I say, you do not improve with age..!’3 The shooting script has: 1 While Robert Holmes had introduced the idea of a Time Lord being limited to 12 regenerations, (and thus 13 lives, as the first incarnation of a Time Lord has not yet regenerated) in his script for The Deadly Assassin, his draft conflates incarnations and regenerations in a way that suggests that either he was no longer au fait with how the terminology had come to be used in Doctor Who by the 1980s (e.g.
  • Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In

    Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In

    Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled.
  • Doctor Who's Feminine Mystique

    Doctor Who's Feminine Mystique

    Doctor Who’s Feminine Mystique: Examining the Politics of Gender in Doctor Who By Alyssa Franke Professor Sarah Houser, Department of Government, School of Public Affairs Professor Kimberly Cowell-Meyers, Department of Government, School of Public Affairs University Honors in Political Science American University Spring 2014 Abstract In The Feminine Mystique, Betty Friedan examined how fictional stories in women’s magazines helped craft a societal idea of femininity. Inspired by her work and the interplay between popular culture and gender norms, this paper examines the gender politics of Doctor Who and asks whether it subverts traditional gender stereotypes or whether it has a feminine mystique of its own. When Doctor Who returned to our TV screens in 2005, a new generation of women was given a new set of companions to look up to as role models and inspirations. Strong and clever, socially and sexually assertive, these women seemed to reject traditional stereotypical representations of femininity in favor of a new representation of femininity. But for all Doctor Who has done to subvert traditional gender stereotypes and provide a progressive representation of femininity, its story lines occasionally reproduce regressive discourses about the role of women that reinforce traditional gender stereotypes and ideologies about femininity. This paper explores how gender is represented and how norms are constructed through plot lines that punish and reward certain behaviors or choices by examining the narratives of the women Doctor Who’s titular protagonist interacts with. Ultimately, this paper finds that the show has in recent years promoted traits more in line with emphasized femininity, and that the narratives of the female companion’s have promoted and encouraged their return to domestic roles.
  • The Doctor's Personality

    The Doctor's Personality

    APPENDIX 1: THE DOCTOR’S PERSONALITY Note This preprint is being made available because the first printing of the book this appendix appeared in contained an error in the figures that made them uninterpretable. The following can be interpreted without referring to the book, but for full context it could help to read Chapter 1 in: Rodebaugh, T. L. (2019). The Black Archive #27: The Face of Evil. Obverse Books: Edinburgh, UK. Typical APA-style references are not given, but the original text plus an online search should suffice for the interested reader. Finally, if the reader does not have a passing acquaintance with the television show Doctor Who, none of this will make any sense at all. A Demonstration of the Big Five Personality Traits In Chapter 1 I proposed that we can use the Five Factor Model of personality to understand the Doctor’s personality and analyse to what extent the Doctor is more accurately described as the same person played by different actors, as opposed to a set of entirely different people with different personalities. I therefore collected some data to test the ‘same person’ hypothesis versus the ‘different people’ hypothesis. I should be clear that I did not approach this question entirely as I would if I were conducting scientific research, although I did use some scientific methods. Of the many things I would do differently if I were conducting scientific research, two are worth a special mention. First, I would have pre-registered my hypotheses in some format (most likely on the online Open Science Framework) prior to collecting data or testing my hypotheses.
  • Number 42 Michaelmas 2018

    Number 42 Michaelmas 2018

    Number 42 Michaelmas 2018 Number 42 Michaelmas Term 2018 Published by the OXFORD DOCTOR WHO SOCIETY [email protected] Contents 4 The Time of Doctor Puppet: interview with Alisa Stern J A 9 At Last, the Universe is Calling G H 11 “I Can Hear the Sound of Empires Toppling’ : Deafness and Doctor Who S S 14 Summer of ‘65 A K 17 The Barbara Wright Stuff S I 19 Tonight, I should liveblog… G H 22 Love Letters to Doctor Who: the 2018 Target novelizations R C 27 Top or Flop? Kill the Moon J A, W S S S 32 Haiku for Kill the Moon W S 33 Limerick for Kill the Moon J A 34 Utopia 2018 reports J A 40 Past and present mixed up: The Time Warrior M K 46 Doctors Assemble: Marvel Comics and Doctor Who J A 50 The Fan Show: Peter Capaldi at LFCC 2018 I B 51 Empty Pockets, Empty Shelves M K 52 Blind drunk at Sainsbury’s: Big Finish’s Exile J A 54 Fiction: A Stone’s Throw, Part Four J S 60 This Mid Curiosity: Time And Relative Dimensions In Shitposting W S Front cover illustration by Matthew Kilburn, based on a shot from The Ghost Monument, with a background from Following Me Home by Chris Chabot, https://flic.kr/p/i6NnZr, (CC BY-NC 2.0) Edited by James Ashworth and Matthew Kilburn Editorial address [email protected] Thanks to Alisa Stern and Sophie Iles This issue was largely typeset in Minion Pro and Myriad Pro by Adobe; members of the Alegreya family, designed by Juan Pablo del Peral; members of the Saira family by Omnibus Type; with Arial Rounded MT Bold, Baskerville, Bauhaus 93, and Gotham Narrow Black.
  • The Early Adventures - 5.4 the Crash of the Uk- 201 Pdf, Epub, Ebook

    The Early Adventures - 5.4 the Crash of the Uk- 201 Pdf, Epub, Ebook

    THE EARLY ADVENTURES - 5.4 THE CRASH OF THE UK- 201 PDF, EPUB, EBOOK Jonathan Morris | none | 31 Jan 2019 | Big Finish Productions Ltd | 9781781789667 | English | Maidenhead, United Kingdom The Early Adventures - 5.4 The Crash of the UK-201 PDF Book Textbook Stuff. View all Movies Sites. Some of these events are wonderful, some are tragic, but together they form our lives. First Doctor. The Black Hole. Series three saw the return of the First Doctor. Prev Post. Can she fix things so she gets back to the doctor. But it never made it. Steven , Sara. Thanks for telling us about the problem. Big Finish Originals. Short Trips 14 : The Solar System. The Dimension Cannon. You must be logged in to post a comment. Social connect: Login Login with twitter. Star Wars. Subscriber Short Trips. Cancel Save. Crashing on the planet Dido, a tragic chain of events was set in motion leading to the death of almost all of its crew and a massacre of the indigenous population. File:Domain of the Voord cover. The Eleventh Doctor Chronicles. Tales of Terror. The Scarifyers. Stockton Butler marked it as to-read Aug 31, Torchwood - Big Finish Audio. This has what seems to be a wonderful effect: the crew survives, the ship proceeds to arrive at the colony Astra, and Vicki goes on to live a long, happy life, first with her father and later with her husband and children. The baddies are a bit new series Doctor Who and would have been realised very differently in Tony rated it it was amazing May 31, For the first two stories, the role of Barbara Wright was recast, as Jacqueline Hill was deceased.
  • Celestial Toyroom 506 (Portrait)

    Celestial Toyroom 506 (Portrait)

    why and how, we shall always remember EDITORIAL them. by Alan Stevens Fiona’s eulogy for David Collings closes this issue. “Take me down to Kaldor City Where the Vocs are green Lastly, I would like to thank JL Fletcher for yet and the girls are pretty.” another breathtaking, full-colour postcard, this time themed on… the Storm Mine Yes, we’ve gone Vocing mad! murders! So buckle up for a journey into the ‘Boucherverse’, as Fiona Moore and I tackle eugenics, religion and colonialism on an unnamed planet ruled by the great god Xoanon! Fiona then takes a look behind-the-scenes of The Robots of Death and shares some fascinating production details, before treating us to a sample chapter from her up-and-coming critical monograph on the aforementioned story, by way of The Black Archive book series. Issue 506 Edited by Alan Stevens But we haven’t finished yet. Ann Worrall Cover by Andy Lambert delves into the politics, strategies, and mind- Proofreading by Ann Worrall bending questions raised by Magic Bullet’s and Fiona Moore Kaldor City audio drama series, which leads us Postcard by JL Fletcher nicely into a presentation by Sarah Egginton and myself of a complete, annotated version Published by the of the warped game of chess that took Doctor Who Appreciation Society place between the psychostrategist Carnell Layout by Nicholas Hollands and possessed robot V31 for the Kaldor All content is © City Taren Capel adventure ; the episode, relevant contributor/DWAS incidentally, that inspired artist Andy Lambert to produce this issue’s magnificent No copyright infringement is intended wrap-around cover.
  • Full Circle Sampler

    Full Circle Sampler

    The Black Archive #15 FULL CIRCLE SAMPLER By John Toon Second edition published February 2018 by Obverse Books Cover Design © Cody Schell Text © John Toon, 2018 Range Editors: James Cooray Smith, Philip Purser-Hallard John would like to thank: Phil and Jim for all of their encouragement, suggestions and feedback; Andrew Smith for kindly giving up his time to discuss some of the points raised in this book; Matthew Kilburn for using his access to the Bodleian Library to help me with my citations; Alex Pinfold for pointing out the Blake’s 7 episode I’d overlooked; Jo Toon and Darusha Wehm for beta reading my first draft; and Jo again for giving me the support and time to work on this book. John Toon has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 For you. Yes, you! Go on, you deserve it. 3 Also Available The Black Archive #1: Rose by Jon Arnold The Black Archive #2: The Massacre by James Cooray Smith The Black Archive #3: The Ambassadors of Death by LM Myles The Black Archive #4: Dark Water / Death in Heaven by Philip Purser-Hallard The Black Archive #5: Image of the Fendahl
  • Wayward Christians, Worldly Scriptures

    Wayward Christians, Worldly Scriptures

    Wayward Christians, Worldly Scriptures: Disarticulating Christianities in the Black Atlantic Public Sphere by Joseph Lennis Tucker Edmonds Program in Religion Duke University Date: Approved: Mary McClintock Fulkerson, Supervisor J. Kameron Carter Willie Jennings Ken Surin Walter Mignolo Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program in Religion in the Graduate School of Duke University 2013 ABSTRACT Wayward Christians, Worldly Scriptures: Disarticulating Christianities in the Black Atlantic Public Sphere by Joseph Lennis Tucker Edmonds Program in Religion Duke University Date: Approved: Mary McClintock Fulkerson, Supervisor J. Kameron Carter Willie Jennings Ken Surin Walter Mignolo An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program in Religion in the Graduate School of Duke University 2013 Copyright by Joseph Tucker Edmonds 2013 Abstract This dissertation will engage in a historical-critical encounter with a peculiar subset of lived Christian traditions in the black Atlantic world, and the ways in which black theology as a disciplinary formation has only partly included these competing constructions of Christianity in their account of marginalized and marooned peoples. This project will do three things. First it will explore theoretically the construction of a black Atlantic world and re-establish a genealogy of lived Christian traditions in the black Atlantic world that takes seriously a set of movements emerging at the beginning of the twentieth century (primarily 1915-1955). These movements unsettled the monolithic depiction of the black church as western and primarily connected to a European or Euro-American theological tradition.
  • The Hinchcliffe/Holmes Era of Doctor Who (1975-77) Matt Hills

    The Hinchcliffe/Holmes Era of Doctor Who (1975-77) Matt Hills

    ‘Gothic’ Body Parts in a ‘Postmodern’ Body of Work? The Hinchcliffe/Holmes Era of Doctor Who (1975-77) Matt Hills (1) The names Philip Hinchcliffe and Robert Holmes may not be greatly familiar to many academic readers of this volume, unless, that is, they also happen to be fans of the (1963-1989, 1996, 2005-) BBC TV series Doctor Who. Hinchcliffe was the producer of this series on all episodes originally transmitted in the UK between 25/1/1975 and 2/4/77, while Holmes was script editor on all material broadcast between 28/12/74 and 17/12/77. However, he went un-credited in this role on stories where he was named as writer, due to BBC regulations which forbade script editors to commission from themselves (see Howe and Walker, 1998). In story terms, Philip Hinchcliffe produced ‘The Ark in Space’ through to ‘The Talons of Weng-Chiang’, whilst Holmes script-edited stories running from ‘Robot’ through to ‘The Sun Makers’ (1977). Under Hinchcliffe as producer, Holmes also wrote ‘The Ark in Space’, ‘The Deadly Assassin’ and ‘The Talons of Weng-Chiang’, and effectively wrote, or at least heavily reworked, ‘The Pyramids of Mars’ and ‘The Brain of Morbius’ (on-screen, these were attributed to the pseudonyms Stephen Harris and Robin Bland). Today, Philip Hinchcliffe is a regular contributor to DVD commentaries and features accompanying ‘his’ Doctor Who stories. Robert Holmes passed away on 24th May, 1986: his overall contribution to Doctor Who is the subject of a documentary on the DVD release of the (1985) story ‘The Two Doctors’.