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Open Sroka Ginnelle Thegraniteceiling
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF ENGLISH “THE GRANITE CEILING”: DISCOURSES OF GENDER AND OPPRESSION IN THE POETRY OF PAULA MEEHAN GINNELLE SROKA Spring 2012 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in English with honors in English. Reviewed and approved* by the following: Jessica O’Hara Lecturer in English, Director of LA 101H Thesis Supervisor Jack Selzer Barry Director of the Paterno Fellows Program Professor of English Second Reader Lisa Sternlieb Professor of English Honors Adviser * Signatures are on file in the Schreyer Honors College i ABSTRACT This thesis strives to provide contextual and critical analysis of a selection of Irish poet Paula Meehan’s poetry in light of her personal and canonical struggles with oppression and exclusion. The project is divided into two separate sections under which the poems are categorized: motherhood and influence, and the creation of poetry. The poems chosen in these sections offer insight into Meehan’s views on these subjects and how those views are directly linked to the oppressions surrounding the female voice in Irish poetic canon. This thesis argues that the resistance to outwardly repressive forces is an integral part of Meehan’s creative process and analyzes how this resistance has shaped her poetry. Examination of these influences and their link to her development as a poet also has significant implications for a minority in any poetic canon by revealing the effects of repression and exclusion. Though this project observes that oppression certainly affects poetry, it also proves that the poet has the ability to affect oppression. -
A Critical Introduction to the Poetry of Pat Boran
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Firenze University Press: E-Journals Studi irlandesi. A Journal of Irish Studies, n. 9 (2019), pp. 547-562 DOI: http://dx.doi.org/10.13128/SIJIS-2239-3978-25529 Detached Lyricism and Universal Rootedness: A Critical Introduction to the Poetry of Pat Boran Pilar Villar-Argáiz University of Granada (<[email protected]>) Abstract: Pat Boran is one of the most versatile, polyvalent and innovative voices in contemporary Irish poetry. In spite of his prolific career as a poet, editor, and fiction writer, and the positive reviews his work has received over the years (i.e. Smith 2007; Linke 2009; Dempsey 2011; Cornejo 2016; Kehoe 2018), Boran has received very little critical at- tention in Irish Studies. This critical introduction intends to cover this gap in academia, by offering a more detailed critical appraisal of a poetic voice largely underrated within Irish literary criticism, as O’Driscoll (2007, xiv-xv) laments in his introduction to his Selected Poems. In particular, I will offer a brief critical overview of Boran’s six collections of poetry, and I will concentrate on several aspects which seem to distinguish him as a writer: his sense of “detached lyricism” (that is to say, his intensive biographical but at the same time imper- sonal style); the importance that local rootedness exerts in his work; and his idiosyncratic way of handling themes such as masculinity. Keywords: Contemporary Irish Poetry, Irish Haikus, Masculinity, Pat Boran Pat Boran is one of the most versatile, polyvalent and innovative voices in contemporary Irish poetry. -
Issue 6 April 2017 a Literary Pamphlet €4
issue 6 april 2017 a literary pamphlet €4 —1— Denaturation Jean Bleakney from selected poems (templar poetry, 2016) INTO FLIGHTSPOETRY Taken on its own, the fickle doorbell has no particular score to settle (a reluctant clapper? an ill-at-ease dome?) were it not part of a whole syndrome: the stubborn gate; flaking paint; cotoneaster camouflaging the house-number. Which is not to say the occupant doesn’t have (to hand) lubricant, secateurs, paint-scraper, an up-to-date shade card known by heart. It’s all part of the same deferral that leaves hanging baskets vulnerable; although, according to a botanist, for most plants, short-term wilt is really a protective mechanism. But surely every biological system has its limits? There’s no going back for egg white once it’s hit the fat. Yet, some people seem determined to stretch, to redefine those limits. Why are they so inclined? —2— INTO FLIGHTSPOETRY Taken on its own, the fickle doorbell has no particular score to settle by Thomas McCarthy (a reluctant clapper? an ill-at-ease dome?) were it not part of a whole syndrome: the stubborn gate; flaking paint; cotoneaster Tara Bergin This is Yarrow camouflaging the house-number. carcanet press, 2013 Which is not to say the occupant doesn’t have (to hand) lubricant, secateurs, paint-scraper, an up-to-date Jane Clarke The River shade card known by heart. bloodaxe books, 2015 It’s all part of the same deferral that leaves hanging baskets vulnerable; Adam Crothers Several Deer although, according to a botanist, carcanet press, 2016 for most plants, short-term wilt is really a protective mechanism. -
Democrat a Dance
8 • terne D get no DEMOCRAT MR. SEAN CAUGHEY No. 194 FEBRUARY 1961 nsuranee LABOUR EXCHANGES Protest at Belfast meeting TOLD "NO IRISH" 1 •g"HE fact that men who had been imprisoned without charge or trial, and 'i Protest by C.A. deprived of the opportunity of paying national insurance contributions, ACCORDING to the "Gazette nolly Association has protested to were held to be out of benefit on their release, was strongly criticised at the vii " and "Post" many local em- the Minister of Labour, and failing ployers notifying Acton Em- a satisfactory answer the matter Annual Meeting of the Northern Ireland Council for Civil Liberties in Belfast. will be taken further. ployment Exchange of their 'I In his address to the Council's annual meeting on January labour requirements, are stipu- 28th, Mr. Caughey criticised what he called "the stubborn, arro- lating "No Irish, No coloured" gant and callous attitude of the authorities in needlessly in that order. VICTORY IS WITHIN SIGHT prolonging the internment of men, without charge or trial." APPEAL Whm Councillor E. W. J. MENTAL HEALTH The appeal from 84 English Everett told Acton Employment Mr. Caughey also referred to an M P s and from over 100 prominent Committee members at a meet- executive committee motion urging British citizens who signed the the Government to include in any ins in December. 1960, he ob- Connolly Association telegrams to new legislation on mental health served that he was "disturbed Lord Brookeborough had not gone adequate appeals machinery open by the situation." unheeded, he said, but the Govern- to voluntary welfare workers as a ment had beat its retreat in the AI:\ \V. -
Irish Studies Around the World – 2020
Estudios Irlandeses, Issue 16, 2021, pp. 238-283 https://doi.org/10.24162/EI2021-10080 _________________________________________________________________________AEDEI IRISH STUDIES AROUND THE WORLD – 2020 Maureen O’Connor (ed.) Copyright (c) 2021 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Introduction Maureen O’Connor ............................................................................................................... 240 Cultural Memory in Seamus Heaney’s Late Work Joanne Piavanini Charles Armstrong ................................................................................................................ 243 Fine Meshwork: Philip Roth, Edna O’Brien, and Jewish-Irish Literature Dan O’Brien George Bornstein .................................................................................................................. 247 Irish Women Writers at the Turn of the 20th Century: Alternative Histories, New Narratives Edited by Kathryn Laing and Sinéad Mooney Deirdre F. Brady ..................................................................................................................... 250 English Language Poets in University College Cork, 1970-1980 Clíona Ní Ríordáin Lucy Collins ........................................................................................................................ 253 The Theater and Films of Conor McPherson: Conspicuous Communities Eamon -
English Literature 2005
School of English lecture series Hilary semester 2015 Engaging Poems Mar 17 ---- In this ten-week lecture series members of the School of English and invited guests will Mar 24 Stephen Matterson: Emily Dickinson, ‘There’s a certain slant of light’ introduce a poem and provide a close reading/analysis of it. The poems will be chosen Nicholas Grene: W. B. Yeats, ‘The Song of Wandering Aengus’ from a wide range of styles, periods and places, and will provide the audience with fresh insights into the poem as well as an understanding of how poetry analysis works: the Mar 31 Philip Coleman: Dennis O’Driscoll, ‘Dear Life’ lecture will be followed by audience discussion. Julie O'Callaghan, TBA Course Directors: Nicholas Grene, Stephen Matterson How to apply: Return the application form with the fee to: The Secretary (Evening Venue: Jonathan Swift Theatre, Arts Building TCD at 7 p.m. Lectures), Oscar Wilde Centre, 21 Westland Row, Trinity College Dublin, Dublin 2. Phone: 01-896 2885 email: [email protected] Jan 20 Introduction (Nicholas Grene and Stephen Matterson) Paula Meehan: W. B. Yeats, ‘The Cat and the Moon’ Fee: €50 for the entire series. Individual lectures are €6 each. Concessionary rates for the full series will be €35 or individual lecture €5 each. Cheques/Bank Drafts should be made Jan 27 David O’Shaughnessy: Percy Bysshe Shelley, ‘The Mask of Anarchy’ payable to TCD No. 1 Account. Darryl Jones: Samuel Taylor Coleridge, ‘Kubla Khan’ Application for Evening Lecture Series Feb 3 Amanda Piesse: Thomas Wyatt, ‘They flee from me that sometime -
New Writing from Irelandfromwriting New New Writing from Ireland Ireland Literatureirelandexchange
New Writing from Ireland New Writing from Ireland Ireland Literature Exchange Ireland Literature Ireland Literature Exchange – Promoting Irish literature abroad Welcome Welcome to the 2007 edition of New Writing from Ireland This year’s expanded catalogue contains an even wider cross-section of newly Finally, there are poetry collections by some of Ireland’s most established poets published titles of Irish interest. - Peter Fallon, Seán Lysaght, Gerard Smyth, Francis Harvey, Liam Ó Muirthile and Cathal Ó Searcaigh. New collections also appear from a generation of The fiction section includes novels by several new voices including débuts younger poets, including Nick Laird, John McAuliffe, Alan Gillis and from Karen Ardiff, Alice Chambers and Julia Kelly. We also list books by a Mary O’Donoghue. number of established and much-loved authors, e.g. Gerard Donovan, Patrick McCabe and Joseph O’Connor, and we are particularly pleased this year to We hope that you enjoy the catalogue and that many international publishers present a new collection by the short story writer, Claire Keegan, and a new will apply to Ireland Literature Exchange for translation funding. play by Sebastian Barry. Sinéad Mac Aodha Rita McCann Children’s books have always been a particular strength of Irish writing. There Director Programme Officer are books here from, amongst others, Conor Kostick, Deirdre Madden, Eileen O’Hely and Enda Wyley. A former magician’s rabbit, a mysterious notebook, giant venomous spiders and a trusted pencil are just some of the more colourful elements to be found in the children’s fiction category. Inclusion of a book in this catalogue does not indicate that it has been approved for a translation subsidy by ILE. -
"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements ................................................................................. -
Copyright by Colleen Anne Hynes 2007
Copyright by Colleen Anne Hynes 2007 The Dissertation Committee for Colleen Anne Hynes certifies that this is the approved version of the following dissertation: “Strangers in the House”: Twentieth Century Revisions of Irish Literary and Cultural Identity Committee: Elizabeth Butler Cullingford, Supervisor Barbara Harlow, Co-Supervisor Kamran Ali Ann Cvetkovich Ian Hancock “Strangers in the House”: Twentieth Century Revisions of Irish Literary and Cultural Identity by Colleen Anne Hynes, B.S.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2007 Acknowledgements This dissertation project would not have been possible with the support, wisdom and intellectual generosity of my dissertation committee. My two supervisors, Elizabeth Butler Cullingford and Barbara Harlow, introduced me to much of the literature and many of the ideas that make up this project. Their direction throughout the process was invaluable: they have been, and continue to be, inspirational teachers, scholars and individuals. Kamran Ali brought both academic rigor and a sense of humor to the defense as he pushed the manuscript beyond its boundaries. Ann Cvetkovich translated her fresh perspective into comments on new directions for the project and Ian Hancock was constantly generous with his resources and unique knowledge of the Irish Traveller community. Thanks too to my graduate school colleagues, who provided constructive feedback and moral support at every step, and who introduced me to academic areas outside of my own, especially Miriam Murtuza, Miriam Schacht, Veronica House, George Waddington, Neelum Wadhwani, Lynn Makau, Jeanette Herman, Ellen Crowell and Lee Rumbarger. -
REPEAL ASSOCATION..Wps
REPEAL ASSOCATION. Detroit-25 th July, 1844 To Daniel O’Donnell, Esq. M.P. Sir--The Detroit repealers beg leave respectfully to accompany their address by a mite of contribution towards the fine imposed on you, and solicit the favour of being allowed to participate in its payment. They would remit more largely, but are aware that others will also claim a like privilege. I am directed therefore to send you £20, and to solicit your acceptance of it towards the above object. We lately send 100/., to the Repeal Association, and within the past year another sum of 55/. Should there be any objection to our present request on your part or otherwise, we beg of you to apply it at your own discretion. I have the honour, Sir, to be your humble servant. H.H. Emmons, Corrres. Sec. Detroit Repeal Association. Contributers to the £20 send. C.H.Stewart, Dublin. Denis Mullane, Mallow, Co. Cork. Michael Dougherty, Newry. James Fitzmorris, Clonmel. Dr. James C. White, Mallow. James J. Hinde, Galway. John O’Callaghan, Braney, Co. Cork, one of the 1798 Patriots. (This could be Blarney). F.M. Grehie. Waterford. Michael Mahon, Limerick. George Gibson, Detroit. Christopher Cone, Tyrone, John Woods, Meath. Mr. and Mrs Hugh O’Beirne, Leitrim. James Leddy, Cavan. John Wade, Dublin, Denis O’Brien, Co. Kilkenny. James Collins, Omagh, Tyrone. Charles Moran, Detroit. Michael Kennedy, Waterford. Cornelius Dougherty, Tipperary. Thomas Sullivan, Cavan. Daniel Brislan, Tipperary. James Higgins, Kilkenny, Denis Lanigan, Kilkenny, John Sullivan, Mallow. Terence Reilly, Cavan, John Manning, Queens County. John Bermingham, Clare. Patrick MacTierney, Cavan. -
Downloaded from Downloaded on 2020-06-06T01:34:25Z Ollscoil Na Héireann, Corcaigh
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title A cultural history of The Great Book of Ireland – Leabhar Mór na hÉireann Author(s) Lawlor, James Publication date 2020-02-01 Original citation Lawlor, J. 2020. A cultural history of The Great Book of Ireland – Leabhar Mór na hÉireann. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2020, James Lawlor. https://creativecommons.org/licenses/by-nc-nd/4.0/ Item downloaded http://hdl.handle.net/10468/10128 from Downloaded on 2020-06-06T01:34:25Z Ollscoil na hÉireann, Corcaigh National University of Ireland, Cork A Cultural History of The Great Book of Ireland – Leabhar Mór na hÉireann Thesis presented by James Lawlor, BA, MA Thesis submitted for the Degree of Doctor of Philosophy University College Cork The School of English Head of School: Prof. Lee Jenkins Supervisors: Prof. Claire Connolly and Prof. Alex Davis. 2020 2 Table of Contents Abstract ............................................................................................................................... 4 Declaration .......................................................................................................................... 5 Acknowledgements ............................................................................................................ 6 List of abbreviations used ................................................................................................... 7 A Note on The Great -
Modern and Contemporary Irish Literature
Reading List: Modern and Contemporary Irish Literature Students preparing for a doctoral examination in this field are asked to compose a reading list, in conjunction with their exam committee, drawn from the core of writers and scholars whose work appears below. We expect students to add to, subtract from, and modify this list as suits their purposes and interests. Students are not responsible for reading everything on this section list; instead, they should create a personalized list of approximately 40-50 texts, using this list as a guide. However, at least 50% of a student’s examination reading should come from this list. Poetry: W. B. Yeats Patrick Kavanagh Louis MacNeice Thomas Kinsella John Montague Seamus Heaney Rita Ann Higgins Michael Longley Derek Mahon Ciaran Carson Medbh McGuckian Paul Muldoon Eavan Boland Eiléan Ní Chuilleanáin Paula Meehan Nuala Ní Dhomhnaill Dennis O’Driscoll Cathal Ó Searcaigh Chris Agee (ed.)—The New North: Contemporary Poetry from Northern Ireland Short Fiction: Sean O’Faolain—The Short Story Ben Forkner (ed.)—Modern Irish Short Stories W. B. Yeats—Irish Fairy and Folk Tales George Moore—The Untilled Field James Joyce—Dubliners Elizabeth Bowen—Collected Stories Frank O’Connor—Collected Stories Mary Lavin—In a Café: Selected Stories Edna O’Brien—A Fanatic Heart: Selected Stories (especially the stories from Returning) William Trevor—Collected Stories Bernard MacLaverty—Collected Stories Éilís Ní Dhuibhne—Midwife to the Fairies: New and Selected Stories Emma Donoghue—The Woman Who Gave Birth to Rabbits