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Blue Sapphire Engagement Ring, RG-2817U Dramatic Color And
Blue Sapphire Engagement Ring, RG-2817u Dramatic color and unusual elegance come together in this vintage style blue sapphire engagement ring. The 18k white gold band of this engagement ring is set along the shoulders and shank with a collection of seventy-four round brilliant cut diamonds that total 0.52 carats. Eight of these diamonds, four on each side, are arranged in a floral design. The diamond flowers flank a bewitching blue sapphire at the center. This is a vintage style (new) blue sapphire engagement ring. Options None Item # rg2817u Metal 18k white gold Weight in grams 4.6 Special characteristics A matching band is available and may be purchased separately. Please see item RG-2817wb. Condition New Diamond cut or shape round brilliant Diamond carat weight 0.52 Diamond mm measurements 1.4-0.9 Diamond color G-H Diamond clarity VS1 Diamond # of stones 74 Gemstone name Natural Corundum (sapphire) Gemstone cut or shape round faceted mixed cut Gemstone carat weight 1.05 Gemstone type Type II Gemstone clarity VS Gemstone hue very very slightly greenish blue Gemstone tone 4-Medium Light Gemstone saturation 4-Moderately Strong Gemstone # of stones 1 Top of ring length (N-S) 6.75 mm [0.26 in] Width of shank at shoulders 4.85 mm [0.19 in] Width of shank at base 2.25 mm [0.09 in] Ring height above finger 6.9 mm [0.27 in] Other ring info For new rings like this one, the gram weight, diamond and gemstone carat weights, color, and clarity, as well as other jewelry details, may vary from the specifications shown on this page, but are similar in quality. -
The Galleries
THE GALLERIES ART at the convention center A SELF-GUIDED TOUR Enriching Your Visit: Taking the Tour The Public Art Program Washington State Convention Center features approximately The Washington State Convention Center (WSCC) public 100 works of art on public display around four levels of its North and South Gallerias. Several other works are located in art program, perhaps the largest of its kind in the nation, its office and convention lobby areas. Areas of the facility that was established to provide an environment that enriches may not be available to the public due to convention- the experience of all who visit the meeting facility. With well related activities are clearly noted. over 100 works on display, art has been a popular feature since the facility opened in 1988. Initially, art was incorporated into This self-guided, self-paced tour booklet was designed to the original building design with assistance from the state’s direct you to the many different areas where artworks are cur- Percent for the Arts Program. Since then, due to a commit- rently on display. A few of the works listed inthis booklet are ment to provide civic benefits to our community, the WSCC has located outside of the WSCC. offered an ever-changing collection, readily accessible at no This self-tour begins on Level 1 just south of the Convention charge to meeting attendees and the general public. Place entrance. The indicated route will direct you back to the south escalators for easy access to the next level. All areas of In 1997, the board established the WSCC Art Foundation at this tour are also accessible by elevator. -
2016 Annual Report
MoNAMuseum of Northwest Art 2016 ANNUAL REPORT Annual Report 2016 D.indd 24 9/25/17 11:07 AM 3 From the President MISSION STATEMENT 4 Board & Staff The Museum of Northwest Art connects people with the art, diverse cultures and environments of the Northwest. 5 Exhibitions Visitor Testimonials VISION STATEMENT 10 The Museum of Northwest Art enriches lives in our diverse community by fostering essential 11 Acquisitions conversations and encouraging creativity through exhibitions and educational activities that explore the art of the Northwest. 12 MoNA Store COLLECTIONS & EXHIBITIONS 13 Education MoNA collects and exhibits contemporary art from across the Northwest, including Alaska, British Columbia, California, Idaho, Montana, Oregon and Washington. 15 Year in Review 17 Supporters 22 Volunteers Annual Report 2016 D.indd 1 9/25/17 11:07 AM 17,283 visits 42,866 website visits 100% visited for free 427 155 members volunteers 1,404 32 students visited with permanent collection 76 school tours acquisitions monamuseum.org 2 Annual Report 2016 D.indd 2 9/25/17 11:07 AM FROM THE PRESIDENT It is my great pleasure to share with you some of the successes achieved in 2016, made possible by your generous support. Because of you, more members of our community have experienced Northwest art in all of its facets through museum visits, program participation, and attendance at MoNA events and celebrations. MoNA’s commitment to providing free museum admission has fostered a broader and more engaged audience, making the museum accessible to more first-time visitors than ever before. MoNA, with your support, continues to fund significant investments in programming and collections. -
Northwest Fine Art & Antique Auction
Northwest Fine Art & Antique Auction August 27th, 2009 - 717 S 3rd St, Renton 14% Buyers Premium in Effect Auction Pick-up: Half Hour Following Auction or Friday, 08/28 & Tuesday, 09/01: Noon-5PM Lot Description 21 2 Boxes Loose Richard Lachman Cut Ink Drawings 1 Richard Kirsten "House of Many 22 3ea Richard Lachman Colored Ink Drawings Memories" Acrylic 22x16" 23 Box Richard Lachman Square Ink Drawings 2 Edna Crews "Snowcapped Forest" 24 4ea Richard Lachman Portrait Ink Drawings Watercolor 16x20.75" 25 Richard Lachman Large Sketchbook & 3 James Farr "Infinite Cycle of Renewal" Loose Ink Drawings 1973 Tempera 23.5x18.5" 26 Stack Richard Lachman Ink Drawings - 4 1997 S/N Abstract Etching Sketchbook Pages 5 Norman Lundin "Russian Landscape: 27 5x11' Oriental Rug Morning River" Charcoal/Pastel 26x37" 28 2 Carol Stabile Pastel Framed Paintings 6 K.C. McLaughlin "Exterior with 29 1969 Surrealist Mixed Media Painting Awnings" Dry Pigment 17x25" 34x30" - Signed Riote? 7 Edna Crews "Moonlit Meadow" 30 Signed F.W. Die? "Eye" Ink/Canvas 16x20" Watercolor 16.5x21.5" 31 Fred Marshall A.W.S. "Harbor - Puget 8 Edna Crews "Winter Meadow" Acrylic Sound" 1970 Watercolor 17x20.5" 31.5x23" 32 Fred Marshall Framed Watercolor 9 Richard Lachman "Cocktail Party" 1980 "Landscape with Deer" 16x21" Ink/Paper 16x22" 33 Flora Correa "Weeds Blowing" 1977 Collage 10 Richard Lachman "Dixy & Jaques" 24x12" Mixed Media 18x26" 34 Bonnie Anderson "Bucket of Lemons" Oil 11 Richard Lachman "Day Before Eden" 8x10" Mixed Media 18x26" 35 Bonnie Anderson "Lemon Drop Tree" Oil 12 Natalie McHenry Untitled – 38x14.25" "Marionettes" Watercolor 19x25" 36 Ray Hill Untitled - "Lake Scene" 1969 13 Edna Crews Untitled - "Mystic Bird" Watercolor 14x20" Oil/Board 40x30" 37 Signed S. -
Annual Report for the Year 2003–2004
2003–2004 ANNUAL REPORT SAM Students with Sanislo Feast SAM CONNECTS ART TO LIFE CONTEMPORARY CHINESE ARTIST LI JIN’S A FEAST made a permanent impression on the fourth- and fifth-grade students at Sanislo Elementary School. Inspired by the fifty-nine- foot-long painting depicting food from a traditional Chinese dinner on a background of recipes written in Chinese calligraphy, the students set out to re-create their own version. Art teachers Ruth Winter and Carolyn Autenrieth designed the project to celebrate the diversity of cultures at their school. Students painted their favorite ethnic foods, and staff helped transcribe the recipes into the students’ original languages. On display at the Seattle Asian Art Museum last spring, the students’ work, Sanislo Feast, a fifty-foot-long art scroll portraying food and languages from seventeen different nations and cultures, reflected the heritage of Sanislo students and staff. Students, families and teachers commemorated the unveiling of their “masterpiece” with a special celebration at SAAM. cover: Li Jin, China, born 1958, A Feast, 2001, ink on Xuan paper, 39 3/8 x 708 5/8 in., Courtesy of the artist and CourtYard Gallery, Beijing right: Wolfgang Groschedel and Kunz Lochner, Equestrian armor for Philip II, ca. 1554, etched steel and gold, Patrimonio Nacional, Real Armería, Madrid SEATTLE ART MUSEUM TABLE OF CONTENTS 1 Director’s Letter 17 Betty Bowen Award 2 Board of Trustees 18 Reaching Out to Youth & Families 3 Broadening, Deepening, Diversifying 19 Teaching and Learning 4–5 One Museum, Three -
Ruby and Diamond Engagement Ring, RG-2408 the 18K White Gold Band of This Ruby Engagement Ring Is Set Three-Quarters of The
Ruby and Diamond Engagement Ring, RG-2408 The 18k white gold band of this ruby engagement ring is set three-quarters of the way around with sixty round full cut diamonds weighing 0.77 carats. The diamonds are dazzling against the brilliant color of the ruby. This round faceted mixed cut ruby weighs 1.05 carats. This is a new ruby and diamond engagement ring. Options None Item # rg2408 Metal 18 karat white gold Weight in grams 4.06 Condition New Diamond cut or shape round full cut Diamond carat weight 0.77 Diamond mm measurements 1.0 to 2.7 Diamond color G and H Diamond clarity VVS1 to VS2 Diamond # of stones 60 Gemstone name Natural Corundum (Ruby) Gemstone cut or shape round, faceted mixed cut Gemstone carat weight 1.053 Gemstone mm measurements 6.26 - 6.31 x 3.32 Gemstone type Type II Gemstone clarity SI2 Gemstone hue very, very slightly purplish red Gemstone tone 4.-5 Gemstone saturation 4-Moderately Strong Gemstone # of stones 1 Top of ring length (N-S) 6.20 mm [0.24 in] Top of ring width (E-W) 17.78 mm [0.69 in] Width of shank at shoulders 2.48 mm [0.10 in] Width of shank at base 2.37 mm [0.09 in] Ring height above finger 7.53 mm [0.29 in] Ring Size 6.5 Important Jewelry Information Each antique and vintage jewelry piece is sent off site to be evaluated by an appraiser who is not a Topazery employee and who has earned the GIA Graduate Gemologist diploma as well as the title of AGS Certified Gemologist Appraiser. -
Making Measurements and Using Testing Tools for Specific Properties of Gem Materials Gemstones Are Very Small and Hold Concentra
Making Measurements and Using Testing Tools for Specific Properties of Gem Materials Gemstones are very small and hold concentrated wealth. To correctly identify a cut gemstone may in some instances be much harder than trying to identify a piece of rough material. Many gemstone crystals in rough materials have characteristic crystal shape, cleavage, or fracture, but often you can’t see these properties in cut materials — color, density, luster, reflectivity, heat conduction, magnification, and optical properties are ways to look at cut stones non-destructively and identify them. In this lab we will work with some larger stones and make measurements, Such measurements will be applied to specific stones when we learn gems in a systematic way (as we did with minerals) doing individual groups in labs devoted to them. But for now our goal is to learn the instrumentation, including the names and the parts of the instruments. Importantly, we will learn how to handle the testing equipment in a consistent and practical way so as to avoid any damage to either gemstones or to the testing equipment. Measuring gemstones includes their dimensions, weight (or mass), and describing their color, etc. It is sometimes important in their identification as well, a too heavy feeling gem may not be what it appears to be! Weighing Gemstones First 1 gram is 1/1000 (one one thousandth of a kilogram). The kilogram is defined by a piece of metal held in a laboratory in France. However, a gram is also defined as a milliliter of water at 4oC. These measurement units are part of the International System of Units (abbreviated SI from French: Système international d'unités). -
Winter 1998 Gems & Gemology
WINTER 1998 VOLUME 34 NO. 4 TABLE OF CONTENTS 243 LETTERS FEATURE ARTICLES 246 Characterizing Natural-Color Type IIb Blue Diamonds John M. King, Thomas M. Moses, James E. Shigley, Christopher M. Welbourn, Simon C. Lawson, and Martin Cooper pg. 247 270 Fingerprinting of Two Diamonds Cut from the Same Rough Ichiro Sunagawa, Toshikazu Yasuda, and Hideaki Fukushima NOTES AND NEW TECHNIQUES 281 Barite Inclusions in Fluorite John I. Koivula and Shane Elen pg. 271 REGULAR FEATURES 284 Gem Trade Lab Notes 290 Gem News 303 Book Reviews 306 Gemological Abstracts 314 1998 Index pg. 281 pg. 298 ABOUT THE COVER: Blue diamonds are among the rarest and most highly valued of gemstones. The lead article in this issue examines the history, sources, and gemological characteristics of these diamonds, as well as their distinctive color appearance. Rela- tionships between their color, clarity, and other properties were derived from hundreds of samples—including such famous blue diamonds as the Hope and the Blue Heart (or Unzue Blue)—that were studied at the GIA Gem Trade Laboratory over the past several years. The diamonds shown here range from 0.69 to 2.03 ct. Photo © Harold & Erica Van Pelt––Photographers, Los Angeles, California. Color separations for Gems & Gemology are by Pacific Color, Carlsbad, California. Printing is by Fry Communications, Inc., Mechanicsburg, Pennsylvania. © 1998 Gemological Institute of America All rights reserved. ISSN 0016-626X GIA “Cut” Report Flawed? The long-awaited GIA report on the ray-tracing analysis of round brilliant diamonds appeared in the Fall 1998 Gems & Gemology (“Modeling the Appearance of the Round Brilliant Cut Diamond: An Analysis of Brilliance,” by T. -
Winter 2009 Gems & Gemology
G EMS & G VOLUME XLV WINTER 2009 EMOLOGY W INTER 2009 P AGES 235–312 Ruby-Sapphire Review V Nanocut Plasma-Etched Diamonds OLUME Chrysoprase from Tanzania 45 N Demantoid from Italy O. 4 THE QUARTERLY JOURNAL OF THE GEMOLOGICAL INSTITUTE OF AMERICA EXPERTISE THAT SPREADS CONFIDENCE. Because Public Education AROUND THE WORLD AND AROUND THE CLOCK. Happens at the Counter. ISRAEL 5:00 PM GIA launches Retailer Support Kit and website Cutter checks parameters online with GIA Facetware® Cut Estimator. NEW YORK 10:00 AM GIA Master Color Comparison Diamonds confirm color quality of a fancy yellow. CARLSBAD 7:00 AM MUMBAI 7:30 PM Laboratory technicians calibrate Staff gemologist submits new findings on measurement devices before coated diamonds to GIA global database. the day’s production begins. HONG KONG 10:00 PM Wholesaler views grading results and requests additional services online at My Laboratory. JOHANNESBURG 5:00 PM Diamond graders inscribe a diamond and issue a GIA Diamond Dossier® A $97.00 value, shipping and handling extra. All across the planet, GIA labs and gemological reports are creating a common language for accurate, unbiased gemstone GIA’s Retailer Support Kit has been developed to help evaluation. From convenient locations in major gem centers, to frontline detection of emerging treatments and synthetics, to online services that include ordering, tracking, and report previews — GIA is pioneering the technology, tools and talent sales associates educate the public about diamonds, that not only ensure expert service, but also advance the public trust in gems and jewelry worldwide. the 4Cs, and thoroughly explain a GIA grading report. -
Investing in Colored Diamonds from Diamond Investment Dealers
BENEFITS OF INVESTING IN COLORED DIAMONDS FROM DIAMOND INVESTMENT DEALERS When investing in diamonds you need an ad- ly appreciated in value. Over the last decade, visor who has the depth and breadth of knowl- Argyle pink diamonds have consistently bro- edge in investment grade diamonds. Rare ken records on the global auction market, Diamond Investor provides seamless access demonstrating the robust nature of the dia- for savvy investors. We focus exclusively on mond market and the unceasing international natural fancy-colored diamonds and are staffed demand. Christies auctions have surpassed by experts in every facet of the diamond mar- records the last few years for both the most ket. This level of experience and expertise not expensive investment grade diamonds and only gives us greater understanding of the di- the highest price per carat. In April 2014, Chris- amond market, but also gives us access to a ties auctioned top quality, fancy pink, blue professional global network of investors, col- and yellow diamonds with prices exceeding of lectors and industry specialists including the $1 to $2 million per carat, leading Christies most sought after gemologists and diamond to declare 2014 the year of the colored dia- cutters in the world. mond. Rahul Kadakia, Head of Christies New York, states, At a time when other investments have suf- fered unparalleled chaos and uncertainty, “A colorless D-grade diamond at auction will make about $150,000 a carat, while a pink natural fancy-colored diamonds have steadi- fancy-colored diamond will make $1.5 million a carat, 10 times the price.” He also stated, “This is where the market is. -
2316-001 Wesley Wehr Papers Inventory Accession
UNlVERSllY U BRARIJES w UNIVERSITY of WASHI NGTON Spe ial Colle tions 2350 Wesley Wehr papers Inventory Accession No: 2316-001 Special Collections Division University of Washington Libraries Box 352900 Seattle, Washington, 98195-2900 USA (206) 543-1929 This document forms part of the Guide to the Wesley Wehr Papers. To find out more about the history, context, arrangement, availability and restrictions on this collection, click on the following link: http://digital.lib.washington.edu/findingaids/permalink/WehrWesley2316/ Special Collections home page: http://www.lib.washington.edu/specialcollections/ Search Collection Guides: http://digital.lib.washington.edu/findingaids/search WESLEY C. WEHR PAPERS ACCESSION No, 2316 - 2316-36 INVENTORY 1987 UNIVERSITY OF WASHINGTON LIBRARIES MANUSCRIPTS AND UNIVERSITY ARCHIVES DIVISION WESLEY WEHR Accession No. 2316 to 2316-1 TABLE OF CONTENTS PART I Personal Papers of Wesley Wehr 1 PART II Personal Papers of Wesley Wehr (Restricted) 8 PART III Papers of Others, Collected by Wehr 8 PART IV Papers of Others, Collected by Wehr (Restricted) 11 PART V Paleobotanical Material of Wesley Wehr 12 PART VI Paleobotanical Material of Others, Collected by Wehr 13 Name Index 15 .- WESLEY C. WEHR Accession No. 2316 to 2316-36 GUIDE Wesley Wehr is a painter, paleobotanist, correspondent, autograph collector, friend and champion of Northwest artists. He was born in 1929 in Everett, Washington, and grew up in Seattle. He attended Queen Anne High School and the University of Washington, where he studied musical composition and earned a bachelor's (1951) and a master's (1953) degree. While a student at the University, Wehr became acquainted with Mark Tobey when, for a short period, he instructed Tobey in musical composition. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day