DOCSLIB.ORG

SMCHS Mothers Club Fashion Show 2021 Model REVISED Application & Contract

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SMCHS Mothers Club Fashion Show 2021 Model REVISED Application & Contract SMCHS Mothers Club Fashion Show 2021 Model REVISED Application & Contract To participate as a model in the SMCHS Mothers Club Fashion Show on Sunday, May 2, 2021, a parent and model are expected to commit to the following: Parent Expectations: • Purchase at least (1) Fashion Show Ticket. • Pay by check a non-refundable Model Fee of $50.00. (Space is limited to 40 contracts and payments received). • Complete and sign the model contract and return with payment made payable to SMCHS. • Email 3-5 pictures of your student and with other SM students for the photo montage. Please be sure to include one baby picture to Nancy Manix @ [email protected] with “Fashion Show Photos” in the subject line and your contact number. Model Expectations: MOST IMPORTANT- HAVE FUN!! • Submit this contract to the Advancement Office on Tuesday, March 23rd. Contracts will be accepted from 7:30 a.m. to 3:30 p.m. Model fee must be included with the contract at time of submission – no exceptions. (Space is limited to 40 contracts and payments received). Applications will only be accepted from the student/model. Models will receive an email notification of acceptance and participation in the show by Friday, March 26th. • Attend MANDATORY Model Orientation on Wednesday, March 31st, 4:30 PM – 6:30 PM • Participate in all practices Wednesday, March 31st; Monday, Wednesday, April 21st, April 26th and Friday, April 29th 4:30 – 6:30 PM. Location will be at SM, campus area TBD. • Model and parents agree that show producer and Fashion Show Chair have the final say on the garment to be worn in the show. Due to the large number of student participants prevents negotiation on this subject. The student agrees to take direction from the producer. • On Sunday, May 2nd, arrive on time (Approx. 9:00 AM) for final rehearsal in the gym. • Models will not leave campus after arrival until the show has ended and all clothes and accessories are accounted for and returned. • You are representing SMCHS. Exemplary behavior is expected from all of our models. Listen and follow instructions by Fashion Show personnel. • Treat all clothing items with respect. The clothes are on loan to us. Hang your garments on the garment rack if you change outfits. Clothes are not to be left on the floor and should be treated as though they DO NOT BELONG TO YOU AND NEED TO BE RETURNED TO THE VENDOR! • Eating or drinking while wearing your fashion show outfit is NOT allowed. Keep all food and drink outside the dressing area and away from all garments. IF ANY ITEM IS DAMAGED YOU WILL BE PURCHASING IT! Do you feel comfortable having your make-up and hair done the day of the show by a licensed stylist? (yes or no)_______________ Participation in the Fashion Show is a privilege. It is understood that the student will be held to the highest SM standards. Violation of the above may warrant dismissal from participation in show. Parents of models – This is Mothers Club’s most significant fundraising event for the year, with all proceeds going to programs that directly benefit our students. To support our efforts, please consider: • Donating a gift basket or item for our silent auction Contact [email protected] • Volunteer to donate a decorated table setting Contact [email protected] • Purchase a senior banner Contact [email protected] Senior banners will be displayed at Fashion Show APPLICATIONS MUST BE TURNED IN ON TUESDAY, MARCH 23rd by student/model. Applications will not be accepted from a parent The show is limited 40 models Additional models can participate in the Parade of Colleges-this will be a pre-recorded event, students will not be present at the Fashion Show on Sunday, May 2nd. Additional information will be emailed to students & parents. __________________________________ ____________________________________ Student Model Name (printed) Student Cell Phone ____________________________________________________________________________ Student Email Address __________________________________ ____________________________________ Parent Name (printed) Parent Cell Phone ____________________________________________________________________________ Parent Email Address By my signature and the signature of my Student Model, we affirm we have read the model agreement and understand and agree to the terms laid out therein. __________________________________ ____________________________________ Student Model Signature Parent Signature _________________________________ Date Please keep a copy of all forms for your records ______________________Check ______________________Date .
Load more

Recommended publications
  • Sensitivity of TRIM Projections to Management, Harvest, Yield, And
    United States Department of Agriculture Sensitivity of TRIM Projections Forest Service Pacific Northwest to Management, Harvest, Yield, Research Station Research Note and Stocking Adjustment PNW-RN-502 March 1991 Assumptions Susan J. Alexander Abstract The Timber Resource Inventory Model (TRIM) was used to make several projections of forest industry timber supply for the Douglas-fir region. The sensitivity of these pro- jections to assumptions about management and yields is discussed. A base run is compared to runs in which yields were altered, stocking adjustment was eliminated, harvest assumptions were changed, and management intensity assumptions were changed. The objective was to determine if there is a difference in supply projections and age-class distributions in the short term (20 years) and the long term (50 years) when assumptions are changed. Changing harvest assumptions had an effect on yield projections and age-class dis- tributions only when artificially high and low harvests were applied. Harvesting oldest age classes first had little effect on age-class distribution projections or supply pro- jections. Changing assumptions about intensity of management and yields can have an effect on supply projections in both the short and the long term. Intensifying cur- rent management, deemphasizing harvest of older age classes, and using modified yield functions increased supply projections. The model showed that long-term vol- ume projections decrease when future inventories are managed in the same way as current inventories. Age-class distributions were not significantly affected by changing assumptions for management and yield. Keywords: Supply projections, age-class distribution, sensitivity analysis. Introduction The Timber Resource Inventory Model (TRIM) (Tedder and others 1987) is a pre- cursor to ATLAS (Aggregate Timberland Assessment System)1 the computer model used by the USDA Forest Service in the 1989 RPA Timber Assessment.2 The Forest ' Mills, John R.; Kincaid, Jonna C.
    [Show full text]
  • The Fashion Runway Through a Critical Race Theory Lens
    THE FASHION RUNWAY THROUGH A CRITICAL RACE THEORY LENS A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Sophia Adodo March, 2016 Thesis written by Sophia Adodo B.A., Texas Woman’s University, 2011 M.A., Kent State University, 2016 Approved by ___________________________________________________________ Dr. Tameka Ellington, Thesis Supervisor ___________________________________________________________ Dr. Kim Hahn, Thesis Supervisor ___________________________________________________________ Dr. Amoaba Gooden, Committee Member ___________________________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School ___________________________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ___________________________________________________________ Mr. J.R. Campbell, Director, The Fashion School ___________________________________________________________ Dr. Christine Havice, Director, The School of Art ___________________________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts TABLE OF CONTENTS Page LIST OF FIGURES ....................................................................................................................... iv ACKNOWLEDGEMENTS ........................................................................................................... iii CHAPTER I. INTRODUCTION ..................................................................................................................
    [Show full text]
  • Runway Shows and Fashion Films As a Means of Communicating the Design Concept
    RUNWAY SHOWS AND FASHION FILMS AS A MEANS OF COMMUNICATING THE DESIGN CONCEPT A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts By Xiaohan Lin July 2016 2 Thesis written by Xiaohan Lin B.S, Kent State University, 2014 M.A., Kent State University, 2016 Approved by ______________________________________________ Name, Thesis Supervisor ______________________________________________ Name, Thesis Supervisor or Committee Member ______________________________________________ Name, Committee Member ______________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School ______________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ______________________________________________ Mr. J.R. Campbell, Director, The Fashion School ______________________________________________ Dr. Christine Havice, Director, The School of Art ______________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts 3 REPORT OF THESIS FINAL EXAMINATION DATE OF EXAM________________________ Student Number_________________________________ Name of Candidate_______________________________________ Local Address_______________________________________ Degree for which examination is given_______________________________________ Department or School (and area of concentration, if any)_________________________ Exact title of Thesis_______________________________________
    [Show full text]
  • Contemporary Collection
    TAKE A LOOK TAKE Mickalene Thomas (American, born 1971) Naomi Looking Forward #2, 2016 Rhinestones, acrylic, enamel and oil on wood panel 84 × 132 in. (213.4 × 335.3 cm) Purchase, acquired through the generosity of the Contemporary and Modern Art Council of the Norton Museum of Art, 2016.245a-b © 2018 Mickalene Thomas / Artists Rights Society (ARS), New York norton.org A CLOSER LOOK contemporary collection Mickalene Thomas Naomi Looking Forward #2, 2016 ABOUT The Artwork The Artist Naomi Looking Forward #2 portrays the supermodel Naomi Mickalene Thomas was born in 1971 in Camden, New Jersey. Campbell reclining on a couch, supporting her raised torso She studied art at the Pratt Institute in Brooklyn, New York, on her left elbow. The pose recalls many paintings of women before earning her Masters of Fine Art degree from Yale from the Renaissance to the present. However, as Naomi University in 2002. During the past decade, Thomas has twists to look to the right, her right hand pulls her left leg up received numerous honors and awards, and her artwork has over her right leg. Curiously, the calves and feet are distinctly been exhibited and collected by museums around the world. paler than Naomi. In fact, they are a photographic detail She lives and works in Brooklyn, New York. of a famous painting in the Louvre Museum in Paris, the Her compelling, lavishly executed paintings and photographs Grand Odalisque by 19th-century French artist Jean Auguste explore gender and race. Through her understanding of Dominique Ingres (pronounced “Ang”). By painting a fully art history, Thomas often juxtaposes classic, European clothed, extremely successful African-American woman in representations of beauty, such as the reclining figure, with the pose of an earlier nude, Thomas appropriates a long- more modern concepts of what it means to be a woman.
    [Show full text]
  • Models Men/Women Elite Model Management the Legendary Model
    ELITE LICENCE OPPORTUNITIES 73%* GLOBAL AWARENESS the most famous GLAMOUR model agency in the world GLOBAL EXCELLENCE INNOVATION TIMELESS BEAUTY VISIONARY LEADER • GFK Eurisko Study 2014 prompted awareness of women 15-35 who know at least one model agency THE ELITE GROUP: A MULTI-CHANNEL FASHION LEADER ELITE MODEL MANAGEMENT THE LEGENDARY MODEL AGENCY Established 40 years ago, Elite is firmly established as the #1 model agency. Elite made its name by discovering the most famous top models and turning models into supermodels. 25 AGENCIES WORLDWIDE 300 AGENTS 2,000 MODELS MEN/WOMEN ELITE MODEL LOOK Created in 1983, Elite Model Look is the #1 model search 50 COUNTRIES 800 CASTINGS WORLDWIDE 350,000 CANDIDATES/PER YEAR Activation across media including webseries on Hulu, Blinkbox & Youtube ( 2m views ); social media ( 2.2m ) An international TV show watched by over 166 million people worldwide in 2013 and 2014 PAST WINNERS CINDY CRAWFORD GISELE BUNDCHEN CONSTANCE JABLONSKI ALESSANDRA AMBROSIO TATJANA PATITZ RIANNE TEN HAKEN SIGRID AGREN INES SASTRE THEY WERE SCOUTED BY EML VITTORIA SERGE JOSEPHINE MATTHEW MANUELA CERRETI RIGVAVA LE TUTOUR BELL FREY GRETA PAULINE MARYLOU ANTONINA ANITA VARLESE HOARAU MOLL PETKOVIK ZET A YEAR OF ELITE MODEL LOOK ONLINE CASTING From February to September each year, Elite Model Look releases the Facebook casting application which is promoted across all EML digital properties. Participants can easily upload a photo to enter the contest. The public can browse through all entries and support (‘like’) their favorite contestants. This generates significant traffic and fan acquisition. TARGETS Girls and boys 14 to 25 years old, family, friends.
    [Show full text]
  • Chapter 2 Paris Celebrates a Decade of Public Water Success
    Chapter 2 Paris celebrates a decade of public water success By Célia Blauel A decade ago, the municipality of Paris decided to take water management back into public hands. This decision in a global city like the capital of France had a worldwide impact. It ended a long period of fragmented and opaque organisation by a joint venture in charge of water production and by two private corporations in charge of water distribution since the mid- 1980s. That structure had diluted accountability and meant continuously rising water tariffs. Remunicipalisation of water has resulted in a diverse, democratically elected board, tariffs dropping by eight per cent, 1,200 drinking water fountains installed across the city, and support for people who are struggling to pay their water, energy and housing bills. A bold political statement Eau de Paris provides its three million users with high quality water, 24/7, all year round. Since its inception in 2009, the public company’s vision has extended far beyond industrial matters of water production, distribution, treatment and infrastructure. Water is not another commodity but rather a vital common good of humanity and should be managed as such, guided solely by the public interest. Freed from shareholder pressure and from the constant drive for short- term returns on investment and dividend payments, public management of water guarantees that all revenues are reinvested in the service and that decisions are based on a long-term approach, with the best interest of present and future generations in mind. 47 Paris celebrates a decade of public water success In this respect, Eau de Paris bears strong values that are not marketing labels but inspire every single daily action.
    [Show full text]
  • Sustainable Business Models: Time for Innovation
    Sustainable Business Models: Time for Innovation By Diane Osgood, Ph.D., Vice President, CSR Strategy, BSR Originally published in the BSR Insight: November 3, 2009 About BSR Imagine that when you buy a pair of jeans you’re offered an agreement to sign A leader in corporate before you pay: “I hereby promise to cold-wash, line-dry this clothing item, and responsibility since 1992, own it for at least three years or ensure it is given away for someone else to BSR works with its global enjoy.” When you sign, you are rewarded instantly with a coupon for cash back. network of more than 250 The rebate is the estimated financial value of the carbon-dioxide emissions you member companies to save by avoiding hot-water washing, and by machine drying your jeans over the develop sustainable business lifespan of the item. The clothing company is able to provide this discount by strategies and solutions aggregating its consumers’ carbon credits and selling them on the open market. through consulting, research, This model provides financial incentives for both the clothing company and the and cross-sector collab- consumer to alter behavior. oration. With six offices in Asia, Europe, and North Far from fail-proof, this scenario is not yet being played out in any store near you. America, BSR uses its But some version is not far off, as pioneering companies pilot innovative expertise in the environment, approaches to survive and thrive in a more sustainable economy. human rights, economic development, and govern- Today, business leaders face not only the economic fallout of the financial crisis, ance and accountability to they face the substantial challenge of transitioning to a low-carbon economy that guide global companies is constrained by dwindling natural resources.
    [Show full text]
  • Data Adaptation in HANDY Economy-Ideology Model
    AKADEMIA GÓRNICZO-HUTNICZA IM.STANISŁAWA STASZICA W KRAKOWIE WYDZIAŁ INFORMATYKI, ELEKTRONIKI I TELEKOMUNIKACJI KATEDRA INFORMATYKI PRACA DYPLOMOWA MAGISTERSKA Data adaptation in HANDY economy-ideology model Adaptacja danych w modelu ekonomiczno-ideologicznym HANDY Autor: Marcin Sendera Kierunek studiów: Informatyka Opiekun pracy: prof. dr hab. inz.˙ Witold Dzwinel Kraków, 2019 Declaration Uprzedzony o odpowiedzialnosci´ karnej na podstawie art. 115 ust. 1 i 2 ustawy z dnia 4 lutego 1994 r. o prawie autorskim i prawach pokrewnych (t.j. Dz.U. z 2006 r. Nr 90, poz. 631 z pó´zn.zm.): „Kto przywłaszcza sobie autorstwo albo wprowadza w bł ˛adco do au- torstwa całosci´ lub cz˛esci´ cudzego utworu albo artystycznego wykonania, podlega grzywnie, karze ograniczenia wolnosci´ albo pozbawienia wolnosci´ do lat 3. Tej samej karze podlega, kto rozpowszechnia bez podania nazwiska lub pseudonimu twórcy cudzy utwór w wersji oryginalnej albo w postaci opracowania, artystycznego wykonania albo publicznie zniek- ształca taki utwór, artystyczne wykonanie, fonogram, wideogram lub nadanie.”, a takze˙ uprzedzony o odpowiedzialnosci´ dyscyplinarnej na podstawie art. 211 ust. 1 ustawy z dnia 27 lipca 2005 r. Prawo o szkolnictwie wyzszym˙ (t.j. Dz. U. z 2012 r. poz. 572, z pó´zn. zm.): „Za naruszenie przepisów obowi ˛azuj˛acych w uczelni oraz za czyny uchybiaj ˛ace godnosci´ studenta student ponosi odpowiedzialnos´c´ dyscyplinarn ˛aprzed komisj ˛adyscy- plinarn ˛aalbo przed s ˛ademkoleze˙ nskim´ samorz ˛adustudenckiego, zwanym dalej «s ˛adem koleze˙ nskim».”,´ oswiadczam,´ ze˙ niniejsz ˛aprac˛edyplomow ˛awykonałem(-am) osobiscie´ i samodzielnie i ze˙ nie korzystałem(-am) ze ´zródeł innych niz˙ wymienione w pracy. ........................................... Acknowledgements First of all, I would like to thank my supervisor Prof.
    [Show full text]
  • Guide for New Models at London Fashion Week Hello! Welcome To
    Guide for new Models at London Fashion Week Hello! Welcome to London Fashion Week If this is your first or amongst your first few fashion weeks as a Model, we would like to share with you some simple advice while you are here in London. We are the British Fashion Council, we organise London Fashion Week and have a particular interest in ensuring that models that come to London are well looked after and want to return to work with British designers and Businesses for many years to come. The following advice has Been put together with some leading model agents and has been circulated to all agencies we have contact with to help you navigate the city, develop a relationship with your agency and know what is available to you while you are here. Your Agency Your Agency should Be your partner in Building your career. You should Be aBle to trust them, ask advice and talk to them aBout your concerns. London agencies have a good reputation globally. There is an organisation in the UK called the Association of Model Agencies (AMA) who help set Best practice and create a forum to discuss industry challenges and an initial portal for general information. EstaBlished Models are also a great source of knowledge and information. Ask your agency to recommend someone that could Be your mentor while you are here. If for any reason you don’t feel that you are aBle to talk to your agency about a particular challenge, there are some numbers and emails here that provide you another route for someone to share your concerns with, both during and after the shows.
    [Show full text]
  • Elite Model Look Licence Opportunity the Elite GROUP: a Multi-Channel Fashion Reference
    Elite model look Licence opportunity THE Elite GROUP: a multi-channel fashion reference Elite is more than a modeling agency, it is a recognized and experienced Today, the Elite Group is structured around 3 integrated core pillars that drive events organizer. We have internal ressources as well as partner agencies that our business and enhance our global leadership position through innovative have been working alongside us for several decades to organize qualitative activations that have allowed us to go one step beyond: castings, fashion shows and innovative projects like the Elite Beach Tour. We have also enhanced our efforts to produce high quality content through our webseries, TV Episodes, Youtube Channel that we have pushed towards our global media partners like HULU, Youku or Blinkbox. Elite’s objective is to fully leverage the power of our Brand and events to drive strong media coverage and serve in an optimum way the Brands that have chosen to endorse us. ELITE MODEL MANAGEMENT Elite model agents have managed international top models such as Cindy Crawford, Stephanie Seymour, Gisele Bundchen, Sigrid Agren & Constance Jablonski. A network of 35 agencies worldwide 40 years of experience The leading agency in the industry since its creation in 1972, Elite has established the selection criteria for model management and has discovered the most famous top models 300 agents Elite agents reinforce their model management SIGRID AGREN with an ethical code and encourage the Elite Model Look France 2006 models to follow a rigorous healthy lifestyle Elite Model Look top 15 world finalist 2006 Main campaigns and fashion shows: face of Chanel, Gucci, Chloé, Yves Saint Laurent, Karl Lagerfeld..
    [Show full text]
  • Health and Safety Protocol of the Fédération De La Haute Couture Et
    Health and safety protocol of the Fédération de la Haute Couture et de la Mode - services provided for the fashion shows and presentations of the Paris Fashion Week Womenswear SS 2021 This protocol was drafted on the basis of the joint work of the legal and social commissions of the FHCM and the advice of the Ile de France Regional Health Agency, but also with regard to the "national deconfinement protocol for companies to ensure the health and safety of employees" of May 3 and August 31, 2020. It is also subject to the provisions of decree no. 2020-860 of July 10, 2020, as amended, prescribing the general measures necessary to deal with the Covid-19 epidemic in territories that have emerged from the state of health emergency and those where it has been extended, and to prefectural order no. 2020-0666 of August 27, 2020, as amended. The purpose of this protocol is to outline the scope of health protection measures and conditions of intervention for service providers working on the fashion shows and presentations venues, as well as the models provided by the partner model agencies, in order to enable Paris Fashion Week® to be held in the best possible health and safety conditions. In order to limit the risks of propagation of Covid 19 during Paris Fashion Week®, each House undertakes to encourage the screening of its teams and those of its service providers prior to any visit to the venue for casting/fittings and/or the assembly/disassembly of the fashion show and the fashion show itself, in particular in the event of suspicion of contamination (presence of symptoms, case of Covid 19 declared in the person's entourage).
    [Show full text]
  • DESCRIPTION of the ADVERTISEMENT This Television Advertisement Features a Female Bikini Model Introducing Herself with Water
    1. Complaint reference number 296/06 2. Advertiser B33hive Pty Ltd (Swimsuit calendar) 3. Product Mobile phones/SMS 4. Type of advertisement TV 5. Nature of complaint Portrayal of sex/sexuality/nudity – section 2.3 6. Date of determination Tuesday, 8 August 2006 7. DETERMINATION Dismissed DESCRIPTION OF THE ADVERTISEMENT This television advertisement features a female bikini model introducing herself with water and city buildings in the background “I’m Angie, your Australian swimsuit calendar girl”. As a patchwork of sexy phone wallpapers is shown she continues “Download me and the other calendar models to your phone now”. THE COMPLAINT Comments which the complainant/s made regarding this advertisement included the following: It portrays young women in sexual poses in skimpy clothing. It is not the fact that they are in swimwear, it is the nature of the images and the sexual poses. As a female, I find this offensive and is directly targeted at men, however women watch TV at late hours and this ad was intrusive and unnecessary. I don’t enjoy being bombarded during my leisure time with images of women in sexual positions. It was highly sexist and offensive. THE ADVERTISER’S RESPONSE Comments which the advertiser made in response to the complaint/s regarding this advertisement included the following: Although this advertisement was given a PG rating we still chose to air it during late night television. The complaint time by this viewer was at 12.52am – during Big Brother Up Late where the show is rated MA15+. Our advertisement shows women in bikinis on the beach.
    [Show full text]