Elite Model Look Licence Opportunity the Elite GROUP: a Multi-Channel Fashion Reference
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Sensitivity of TRIM Projections to Management, Harvest, Yield, And
United States Department of Agriculture Sensitivity of TRIM Projections Forest Service Pacific Northwest to Management, Harvest, Yield, Research Station Research Note and Stocking Adjustment PNW-RN-502 March 1991 Assumptions Susan J. Alexander Abstract The Timber Resource Inventory Model (TRIM) was used to make several projections of forest industry timber supply for the Douglas-fir region. The sensitivity of these pro- jections to assumptions about management and yields is discussed. A base run is compared to runs in which yields were altered, stocking adjustment was eliminated, harvest assumptions were changed, and management intensity assumptions were changed. The objective was to determine if there is a difference in supply projections and age-class distributions in the short term (20 years) and the long term (50 years) when assumptions are changed. Changing harvest assumptions had an effect on yield projections and age-class dis- tributions only when artificially high and low harvests were applied. Harvesting oldest age classes first had little effect on age-class distribution projections or supply pro- jections. Changing assumptions about intensity of management and yields can have an effect on supply projections in both the short and the long term. Intensifying cur- rent management, deemphasizing harvest of older age classes, and using modified yield functions increased supply projections. The model showed that long-term vol- ume projections decrease when future inventories are managed in the same way as current inventories. Age-class distributions were not significantly affected by changing assumptions for management and yield. Keywords: Supply projections, age-class distribution, sensitivity analysis. Introduction The Timber Resource Inventory Model (TRIM) (Tedder and others 1987) is a pre- cursor to ATLAS (Aggregate Timberland Assessment System)1 the computer model used by the USDA Forest Service in the 1989 RPA Timber Assessment.2 The Forest ' Mills, John R.; Kincaid, Jonna C. -
The Fashion Runway Through a Critical Race Theory Lens
THE FASHION RUNWAY THROUGH A CRITICAL RACE THEORY LENS A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Sophia Adodo March, 2016 Thesis written by Sophia Adodo B.A., Texas Woman’s University, 2011 M.A., Kent State University, 2016 Approved by ___________________________________________________________ Dr. Tameka Ellington, Thesis Supervisor ___________________________________________________________ Dr. Kim Hahn, Thesis Supervisor ___________________________________________________________ Dr. Amoaba Gooden, Committee Member ___________________________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School ___________________________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ___________________________________________________________ Mr. J.R. Campbell, Director, The Fashion School ___________________________________________________________ Dr. Christine Havice, Director, The School of Art ___________________________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts TABLE OF CONTENTS Page LIST OF FIGURES ....................................................................................................................... iv ACKNOWLEDGEMENTS ........................................................................................................... iii CHAPTER I. INTRODUCTION .................................................................................................................. -
Runway Shows and Fashion Films As a Means of Communicating the Design Concept
RUNWAY SHOWS AND FASHION FILMS AS A MEANS OF COMMUNICATING THE DESIGN CONCEPT A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts By Xiaohan Lin July 2016 2 Thesis written by Xiaohan Lin B.S, Kent State University, 2014 M.A., Kent State University, 2016 Approved by ______________________________________________ Name, Thesis Supervisor ______________________________________________ Name, Thesis Supervisor or Committee Member ______________________________________________ Name, Committee Member ______________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School ______________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ______________________________________________ Mr. J.R. Campbell, Director, The Fashion School ______________________________________________ Dr. Christine Havice, Director, The School of Art ______________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts 3 REPORT OF THESIS FINAL EXAMINATION DATE OF EXAM________________________ Student Number_________________________________ Name of Candidate_______________________________________ Local Address_______________________________________ Degree for which examination is given_______________________________________ Department or School (and area of concentration, if any)_________________________ Exact title of Thesis_______________________________________ -
Enjoy the Ride! Think, Work & Suceed with Us
We provide help with research, consulting, coaching, management, implementation, and operations. Enjoy The Ride! Think, Work & Suceed With us Ecenter assists foreign companies to successfully establish their operations in Central Europe or their partnerships with local firms. Ecenter also helps ambitious local companies to successfully sell their services or products in new markets and become more competitive in their current markets. ECENTER, s.r.o., Grosslingova 17, 811 09 Bratislava, Tel.: +(421) 2 5273.1124, Fax: +(421) 2 5273.1211, [email protected] Dear Friends, ency and have made Slovakia an attractive environment. Pension, social and health reforms have I am very pleased that here in these pages I can address not only liberated us from the “sweet” comforts of the past and created motivation for each citizen to take those of you who already know Slovakia well, but also those who are more responsibility for his or her own well-being. Liberalization of the labor market, construction planning to visit Slovakia and want to get a brief overview of how of industrial parks and modern infrastructure, opportunities for structural fund support – all of this our country is doing and where it is going. has contributed to an improvement in the business environment. Further impulses for growth will undoubtedly be provided by our orientation toward an information-based society, modern educa- The promise of European Union membership is no longer the main tion, innovation and research. This means that it is in the interest of the government of the Slovak driving force behind our dynamic development. It has always been Republic to thoroughly implement the Lisbon Strategy at the national level. -
Contemporary Collection
TAKE A LOOK TAKE Mickalene Thomas (American, born 1971) Naomi Looking Forward #2, 2016 Rhinestones, acrylic, enamel and oil on wood panel 84 × 132 in. (213.4 × 335.3 cm) Purchase, acquired through the generosity of the Contemporary and Modern Art Council of the Norton Museum of Art, 2016.245a-b © 2018 Mickalene Thomas / Artists Rights Society (ARS), New York norton.org A CLOSER LOOK contemporary collection Mickalene Thomas Naomi Looking Forward #2, 2016 ABOUT The Artwork The Artist Naomi Looking Forward #2 portrays the supermodel Naomi Mickalene Thomas was born in 1971 in Camden, New Jersey. Campbell reclining on a couch, supporting her raised torso She studied art at the Pratt Institute in Brooklyn, New York, on her left elbow. The pose recalls many paintings of women before earning her Masters of Fine Art degree from Yale from the Renaissance to the present. However, as Naomi University in 2002. During the past decade, Thomas has twists to look to the right, her right hand pulls her left leg up received numerous honors and awards, and her artwork has over her right leg. Curiously, the calves and feet are distinctly been exhibited and collected by museums around the world. paler than Naomi. In fact, they are a photographic detail She lives and works in Brooklyn, New York. of a famous painting in the Louvre Museum in Paris, the Her compelling, lavishly executed paintings and photographs Grand Odalisque by 19th-century French artist Jean Auguste explore gender and race. Through her understanding of Dominique Ingres (pronounced “Ang”). By painting a fully art history, Thomas often juxtaposes classic, European clothed, extremely successful African-American woman in representations of beauty, such as the reclining figure, with the pose of an earlier nude, Thomas appropriates a long- more modern concepts of what it means to be a woman. -
Models Men/Women Elite Model Management the Legendary Model
ELITE LICENCE OPPORTUNITIES 73%* GLOBAL AWARENESS the most famous GLAMOUR model agency in the world GLOBAL EXCELLENCE INNOVATION TIMELESS BEAUTY VISIONARY LEADER • GFK Eurisko Study 2014 prompted awareness of women 15-35 who know at least one model agency THE ELITE GROUP: A MULTI-CHANNEL FASHION LEADER ELITE MODEL MANAGEMENT THE LEGENDARY MODEL AGENCY Established 40 years ago, Elite is firmly established as the #1 model agency. Elite made its name by discovering the most famous top models and turning models into supermodels. 25 AGENCIES WORLDWIDE 300 AGENTS 2,000 MODELS MEN/WOMEN ELITE MODEL LOOK Created in 1983, Elite Model Look is the #1 model search 50 COUNTRIES 800 CASTINGS WORLDWIDE 350,000 CANDIDATES/PER YEAR Activation across media including webseries on Hulu, Blinkbox & Youtube ( 2m views ); social media ( 2.2m ) An international TV show watched by over 166 million people worldwide in 2013 and 2014 PAST WINNERS CINDY CRAWFORD GISELE BUNDCHEN CONSTANCE JABLONSKI ALESSANDRA AMBROSIO TATJANA PATITZ RIANNE TEN HAKEN SIGRID AGREN INES SASTRE THEY WERE SCOUTED BY EML VITTORIA SERGE JOSEPHINE MATTHEW MANUELA CERRETI RIGVAVA LE TUTOUR BELL FREY GRETA PAULINE MARYLOU ANTONINA ANITA VARLESE HOARAU MOLL PETKOVIK ZET A YEAR OF ELITE MODEL LOOK ONLINE CASTING From February to September each year, Elite Model Look releases the Facebook casting application which is promoted across all EML digital properties. Participants can easily upload a photo to enter the contest. The public can browse through all entries and support (‘like’) their favorite contestants. This generates significant traffic and fan acquisition. TARGETS Girls and boys 14 to 25 years old, family, friends. -
© 2018 Weronika Gaudyn ALL RIGHTS RESERVED
© 2018 Weronika Gaudyn ALL RIGHTS RESERVED STUDY OF HAUTE COUTURE FASHION SHOWS AS PERFORMANCE ART A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Weronika Gaudyn December 2018 STUDY OF HAUTE COUTURE FASHION SHOWS AS PERFORMANCE ART Weronika Gaudyn Thesis Approved: Accepted: _________________________________ _________________________________ Advisor School Director Mr. James Slowiak Mr. Neil Sapienza _________________________________ _________________________________ Committee Member Dean of the College Ms. Lisa Lazar Linda Subich, Ph.D. _________________________________ _________________________________ Committee Member Dean of the Graduate School Sandra Stansbery-Buckland, Ph.D. Chand Midha, Ph.D. _________________________________ Date ii ABSTRACT Due to a change in purpose and structure of haute couture shows in the 1970s, the vision of couture shows as performance art was born. Through investigation of the elements of performance art, as well as its functions and characteristics, this study intends to determine how modern haute couture fashion shows relate to performance art and can operate under the definition of performance art. iii ACKNOWLEDGEMENTS I would like to thank my committee––James Slowiak, Sandra Stansbery Buckland and Lisa Lazar for their time during the completion of this thesis. It is something that could not have been accomplished without your help. A special thank you to my loving family and friends for their constant support -
Taylor Dayne Supermodel Download
Taylor dayne supermodel download Taylor Dayne Supermodel. Now Playing. Supermodel. Artist: Taylor Dayne. MB · Supermodel. Artist: Taylor Dayne. MB. Hymn. Artist: Taylor Dayne. MB · Supermodel. Artist: Taylor Dayne. MB · Supermodel. Artist: Taylor. Artist: Taylor Dayne. test. ru MB. Supermodel Free Mp3 Download Free RuPaul Supermodel You Better Work mp3. Kbps MB Free Taylor Dayne Supermodel. Taylor Dayne Supermodel mp3 high quality download at MusicEel. Choose from several source of music. Download Supermodel Taylor Dayne mp3 songs in. "Taylor Dayne - Supermodel" Music Lyrics. You better You better work! [covergirl]Work it girl! [give a twirl]Do your thing on the ! Stream Taylor Dayne - Supermodel Jack Smith Edit by Jack Smith from desktop or your mobile device. Listen to songs and albums by Taylor Dayne, including "Tell It to My Heart", of RuPaul's "Supermodel" for The Lizzie McGuire Movie -- acting kept her away. Watch the video, get the download or listen to Taylor Dayne – Supermodel for free. Supermodel appears on the album The Lizzie McGuire Movie. Discover more. Check out RuPaul. SuperModel (You Better Work) ReMixes from RuCo, Inc. on Beatport. Supermodel performed by Taylor Dayne taken from the Lizzie McGuire Motion Picture Soundtrack starring. Tags: Taylor Dayne Supermodel (You Better Work) Fashion Singing lyrics lyric with super model lizzie mcguire movie track hilary duff Full music Song Album. Supermodel - Taylor Dayne. What Dreams Are Made Of - Lizzie McGuire. On An Evening In Roma - Dean Martin. Girl In The Band - Haylie Duff. Floor On Fire written by Taylor Dayne, Niclas Kings, Ivar Lisinski & Tania Download now on iTunes: http. Taylor Dayne, Soundtrack: Win a Date with Tad Hamilton!. -
REVLON, INC. (Exact Name of Registrant As Specified in Its Charter)
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-Q (Mark One) x QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the quarterly period ended June 30, 2008 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number: 1-11178 REVLON, INC. (Exact name of registrant as specified in its charter) Delaware 13-3662955 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 237 Park Avenue, New York, New York 10017 (Address of principal executive offices) (Zip Code) 212-527-4000 (Registrant’s telephone number, including area code) Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes x No o Indicate by check mark whether the registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer or a smaller reporting company. See the definitions of “large accelerated filer,” “accelerated filer” and “smaller reporting company” in Rule 12b-2 of the Exchange Act. (Check one): Large accelerated filer o Accelerated filer x Non-accelerated filer o Smaller reporting company o (Do not check if a smaller reporting company) Indicate by check mark whether the registrant is a shell company (as defined in Rule 12b-2 of the Act). -
Slovensk¥ Katolícky Sokol
Za Boha a Národ For God and Nation Slovensk¥ Katolícky Sokol OFFICIAL PUBLICATION OF THE SLOVAK CATHOLIC SOKOL – MEMBERSHIP 28,000 – HOME OFFICE: 205 MADISON STREET, PASSAIC, N.J. 07055 – www.slovakcatholicsokol.org Periodical Postage Paid at original entry of Passaic, N.J., 07055 and additional mailing offi ces VOLUME CI PASSAIC, N.J., FEBRUARY 8, 2012 NUMBER 4957 Sokol Members Join Thousands of Pro-Life Our Honorary Supreme Offi cer Advocates at 39th March for Life in Washington Group 7 Honors Msgr. Francis J. Beeda on his 50th Anniversary of Priesthood Group 7 “Rev. Joseph Murgas” offered by our Supreme Chaplain, took the time to celebrate a special Rev. Andrew S. Hvozdovic who milestone with an individual who serves as pastor of the Parish of the has played an important role in Epiphany in Sayre, Pa. Father An- its life and activities over the past drew is a son of Sacred Heart Slo- half century, Monsignor Francis J. vak Parish in Wilkes-Barre where Beeda, S.T.L. Our Golden Jubilar- Msgr. Beeda was his boyhood pas- ian celebrated the 50th anniversary tor and priestly mentor. He recalled of his ordination to the priesthood the important role played by Msgr. on December 20, 2011. On Satur- Beeda in the life of the Wilkes- day, January 6, 2012, Group 7 of- Barre parish and the American Slo- fi cers and guests from various So- vak community in general. kol lodges, under the leadership of The occasion was a wonderful their president, who is now serving opportunity for storytelling. Dur- our organization as Chairperson of ing the course of the evening, Msgr. -
Facilitator Fact Sheet
The Body Project: Facilitator Fact Sheet 1. Fashion Magazines (According to former fashion magazine editor; International Conference on Eating Disorders) Function of a fashion magazine: To convince women that something is wrong with them (e.g., hair, body, sex life, etc.) so that they can sell their product (i.e., the content of the magazine) to fix it. The more anxious they make you, the more likely you will buy the magazine and the larger their readership, which increases advertising sales. How they convince you something is wrong o Lead articles: Pulitzer Prize winning article on eating disorders or cancer not going to win author a big bonus. However, writing an article which produces the following title will: “You never knew what your butt looked like from the rear! Strategies for a better behind.” o Idealized images: Digital enhancement, make-up, clothes pinning etc. At this editor’s magazine, many of the key staff had eating disorders due to a culture of disordered eating and weight/shape attitudes. o Couldn’t bring food onto the floor, because it was too upsetting for some staff o One woman brought scale to work and moved scale around bathroom floor until she got an acceptable weight. 2. Advertising Strategies A. Physical Tactics Bras are stuffed with pads to fill out the front of a dress that is too loose. Padded underwear is also used to fill out the back of a dress. Duct-tape is often used to tape breasts together to create cleavage. Girdles are used to squeeze the flesh of models into a dress sample size that is too small. -
Pirelli Calendar 2010 by Terry Richardson London
Pirelli Calendar 2010 by Terry Richardson London, 19 November 2009 – The 2010 Pirelli Calendar, now in its 37th edition, was presented to the press and to guests and collectors from around the world, at its global premiere in London. The much-awaited appointment with ‘The Cal’, a cult object for over 40 years, was held this year at Old Billingsgate, the suggestive late 19th century building on the banks of the Thames, where from 1875 to 1982 it housed the capital city’s fish market. Following China, immortalized by Patrick Demarchelier in the 2008 edition, and Botswana shot by Peter Beard a year later, 2010 is the year of Brazil and of American photographer Terry Richardson, the celebrated “enfant terrible” known for his provocative and outrageous approach. In the 30 images that scan the months of 2010, Terry Richardson depicts a return to a playful, pure Eros. Through his lens he runs after fantasies and provokes, but with a simplicity that sculpts and captures the sunniest side of femininity. He portrays a woman who is captivating because she is natural, who plays with stereotypes in order to undo them, who makes irony the only veil she covers herself with. This is a return to the natural, authentic atmospheres and images of the ‘60s and ‘70s. It is a clear homage to the Calendar’s origins, a throwback to the first editions by Robert Freeman (1964), Brian Duffy (1965) and Harry Peccinotti (1968 and 1969). Terry Richardson, like his illustrious predecessors, has chosen a simple kind of photography, without retouching, where naturalness prevails over technique and becomes the key to removing artificial excesses in vogue today to reveal the true woman underneath.