K k OCTOBER 2014 VOL. 26 #10 H WOWHALL.ORG KWOW HALL NOTESK g k

LEFTOVER SALMON FEATURING FLATBUSH ZOMBIES & (OF ) AND THE UNDERACHIEVERS Friday, October 31, is Halloween. This the “Day of the Dead” online singles year the CCPA and University of Oregon series, they also served up some behind-the- KYLE HOLLINGSWORTH BAND Campus Radio 88.1 FM KWVA proudly scenes videos billed as Zombievision. On Thursday, October 9, the Community Center for the Performing Arts and KLCC welcome Flatbush Zombies and The proudly welcome back Leftover Salmon feat. Bill Payne of Little Feat for a co-headline bill Underachievers sharing co-headlining duties THE UNDERACHIEVERS with the Kyle Hollingsworth Band. on their wildly titled tour: “Clockwork “I ain’t just rhyming,” Issa Gold, one Colorado slamgrass pioneers Leftover Salmon played the WOW Hall frequently between Indigo Presents the Electric Koolade half of The Underachievers, says in 1991 and 1995 – has it really been that long – and were a lot of people’s “favorite” band. Experience.” “Chrysalis”. “Keep up.” He’s rapping, (Ed. Note: Including my best friend’s preteen daughter, who once proudly proclaimed, “When The Anthony Burgess-and-Tom Wolfe- which is much more difficult. Rapping I grow up I’m going to marry Vince!”) referencing trek comes in the wake of The requires him and his partner AK to choose Looking back over the past 25 years of rootsy, string-based music, the impact of Leftover Underachievers’ recent Cellar Door: a flow, or melody, for their lyrics; some- Salmon is impossible to deny. Formed in Boulder at the end of 1989, they were one of the Terminus Ut Exordium LP and a handful thing they can use to parry the beat or run first bluegrass bands to add drums and tour rock & roll bars, helping Salmon become the of singles from the Zombie crew. While it down or surf. The duo puts the pedal to unwitting architects of the jamgrass genre. Flatbush Zombies delivered a handful of the metal more often than not, exercising a Though the lineup would change through the years, the foundation of Leftover Salmon tracks via their “Day of the Dead” singles slightly archaic style of MCing: deft, speedy, was built on the relationship between co-founders Drew Emmitt (vocals, guitar, fiddle, man- series earlier this year, the trio have yet to highbrow, tough to perform at the end of a dolin), Vince Herman (vocals, guitar, washboard) and Mark Vann (electric banjo). Following properly follow up their 2013 set. Colloquially, rappity-raps. a decade of constant growth and constant touring, on March 4, 2002, Mark Vann lost his BetterOffDEAD. Producer/rapper Erick The Underachievers named their third battle with cancer. Vann insisted that the band carry on and Salmon did so for several years Arc Elliott (a.k.a. Erick the Architect), how- The Cellar Door because the phrase leading up to an indefinite hiatus in 2005. (Ed. Note: The Mark Vann Foundation provided ever, is gearing up for the TBA release of is among the most phonetically beautiful in the seed funding for the WOW Hall’s first Sound & Light Workshops) his Arcstrumentals Vol. 1 beat tape. the English language — regardless of its Today, more than two decades after Salmon first took shape, the band has a new album, meaning. Aquatic Hitchhiker, a new banjo phenom named Andy Thorn, and a new lease on an old FLATBUSH ZOMBIES “A lot of people don’t really understand agreement. Produced by Los Lobos’ Steve Berlin, Aquatic Hitchhiker is Leftover Salmon’s A trio of mad chemists with time on what rappers are saying, but they enjoy it first record in eight years and first ever of all original material. Leftover Salmon is officially their hands, Flatbush Zombies are your because of the flow,” states Gold. In nam- back. worst nightmare. Having severed ties with ing the album that, and in using SAT words Today, Leftover Salmon is: Vince Herman (vocals, acoustic and electric guitar, mandolin); mainstream America with their free mix- like “Quiescent” and “Caprice” as song Drew Emmitt (vocals, mandolin, acoustic and electric guitar, mandola, fiddle); Andy Thorn tape (a decidedly anti-establishment romp titles, they’re saying it’s OK if you don’t (vocals, acoustic and electric banjo, National guitar); Greg Garrison (vocals, acoustic and aptly titled D.R.U.G.S.), Juice, Meech and catch every word; if, right now, you don’t

electric bass, acoustic guitar); and Alwyn Robinson (drums, percussion). k Erick returned with BetterOffDEAD. know everything. CONTINUED ON PAGE 6 BOD contains an unrelentingly manic, pul- Gold says he makes music for “the sating energy within its aesthet- youth” and defines that group broadly: “We ic, threatening after every bridge or inter- know that we need change. But I don’t lude to explode in a mushroom cloud of know how to bring about that change.” Technicolor plasma. Tickets are $17 in advance, $20 at the Breathing life into the once-rebellious door. Doors open at 8:00 pm and show- INSIDE spirit of hip-hop, Flatbush Zombies do time is 9:00. Costumes, zombie or other,

PAID things their way. This year, in addition to are encouraged. H U.S. Postage U.S. Permit No. 303 No. Permit FLATBUSH ZOMBIES Eugene, OR 97401 Eugene, THIS ISSUE

Nonprofit Organization MARV ELLIS & WE TRIBE P.2 SOUND AND LIGHT WORKSHOP P.2 THE POLISH AMBASSADOR P.3 FUJIYA & MIYAGI P.3 THE GROWLERS P.4 KITKA P.4 THE LONE BELLOW P.5 MINNESOTA P.5 JEFF AUSTIN P.5 CON BRO CHILL P.6 J. RODDY & THE BUSINESS P.6 G JONES P.6 RUSSIAN RED P.6 P.7

RETURN SERVICE REQUESTED KALIMBA Community Center for the Arts Performing 291 West 8th 97401 OR. Eugene, AB-SOUL P.7

K k WOW HALL NOTES The Community Center for the Performing Arts is located in the Historic Woodmen of the World Hall (W.O.W. Hall), 291 W 8th, Eugene, Or 97401, (541)687-2746, [email protected], www.wowhall.org, Box office hours Mon-Fri Noon-6:00 PM. Printed monthly by Western Oregon Webpress, Circulation 3,800, General Support made possible by a grant from Lane Arts Council with support from City of Eugene Cultural Services Division, Copyright 2014 All rights reserved Notes Staff: Copy Editor & Advertising Representative - Bob Fennessy, Layout & Design - James Bateman CCPA Staff: Program Coordinator - Calyn Kelly, Membership Coordinator & Publicist - Bob Fennessy, Stage Manager - Selena Frame, Asst Stage Manager - Justin Showker, Office Managers - Donna Carbone, Ross Shuber, Bookkeeper - Kimberly Johnson, Volunteer Coordinator - Laura Farrelly, House Manager - Sam Harmon, Concessions Manager - Angela Lees, Custodians - Richard A., Shawn Lynch Volunteer Staff: Sam Hitchcock, Dru Pulliam, Zac Townsend, Dan Wathen, Art Gallery Director - Sam Harmon, Poster Distribution - WOW Hall Poster Crew, CCPA Board of Directors: Chair: Aaron Dietrich, Vice Chair: Mike Janes, Secretary: Sara Shmigelsky, Treasurer: McKenzie Goodwin, Members: Sean Cannon, Mayo Finch, Jacqueline Hamer, Craig Lawrence, Mike Meyer

AL • WE’RE OC VE L R E WE’RE SA ’R T EUGENE’S I E BAGEL! L W E MARV ELLIS & WE TRIBE

Downtown West Eugene 810 Willamette 4089 W. 11th ALBUM RELEASE PARTY 341-1335 868-1072 On Saturday, October 4, the ideas happen that way: in the Each brings decades of musical www.bagelsphere.com CCPA and University of Oregon moment, without ego and sponta- exploration and experience to Campus Radio 88.1 FM KWVA neously in a way that is only pos- build a sound that is cohesive and proudly welcome the Marv Ellis sible when everyone on stage confident while maintaining the and WE Tribe Album Release trusts each other. And if all of most important thing a live show Show featuring Alcyon Massive this is starting to sound like an should bring: FUN. and Metric System; hosted by after school special, or a little too In a lot of ways this is what Michael K. The event features a cheery and motivational to be Marv envisioned when he started WE Tribe Photo Exhibit and Live cool, enter experienced, classically the ambitious hip-hop orchestra Art Mural by Kauz. trained jazz musicians Matt Imaginary Friends, and he was It takes a special kind of MC Calkins and Dorian Crow on moving in this direction with the to admit Mister Rogers is his hero saxophone and upright bass. Platform when he lived in Portland. and pay homage to the gentle, Then think about the drummer Now back in his hometown, many wise public television personality role being filled out by scratch DJ of the things he’s worked for over on a recording. Marv Ellis & WE DV8 and the old-school beat mak- the years have started to gel. All Tribe have done just that on the ing of one of Eugene’s godfather’s he needed was a telepathic broth- new song “Garden of Your Mind” of hip-hop Sage Lien, who still erhood and he has that now. on the live hip-hop fusion band’s rocks a vintage ‘90s ASR-10 sam- “WE trust you will like WE debut album Five for One, drop- pling keyboard complete with Tribe if you give it a try,” declares ping in the group’s hometown of floppy discs. Marv. Eugene Oct. 4 at the WOW Hall. All five musicians share a Alcyon Massive is a musician PBS released a remixed version vision of sending positive messag- devoted to helping ‘dream the of Mister Rogers offering his es, but juxtaposing that with a world awake’ through this spiri- encouraging knowledge, and the crunchy, gritty sound that grounds tual lyrics and signature blend of video went viral with more than itself in early hip-hop techniques hip-hop meets reggae. 10 million viewings. The idea for adds credibility to each rhyme. Tickets are $8 in advance, $12 the WE Tribe version happened Marv’s restraint on the mic also at the door; $15 gets you both the live at a Halloween show when avoids being too dense or preachy show and the album. Doors Marv (Garrick Bushek) dressed as as he flows, one of the things that open at 8:00 pm and showtime is Mister Rogers. A lot of their can bog down conscious hip-hop. 9:00. H VINYASA FLOW YOGA Beginning October 4, the WOW Hall will be offering Vinyasa Flow Yoga classes with Laura Black on Saturdays and Sundays from 1:00-2:00 pm. Cost is $5 per participant. Says Laura, “This Vinyasa Flow class will focus on breath and alignment as the foundations of a well- rounded, spiritually-minded asana practice. In a 60-minute session, we will release tension and energize body, mind, and spirit by opening chakras and connecting to the earth. All levels welcome, bring a mat and a water bottle and wear comfortable clothes in which you can move freely.” Laura Black is an alumna of the University of Oregon Dance Department where she is completing her Master of Fine Arts. She earned her RYT 200-hour certification in 2012 and is thrilled to continue her teaching prac- tice at this venue. H

age sixteen and up to participate. The workshop is lead by Calyn BASICS OF SOUND & LIGHTS Kelly, current Program Coordinator On Saturday, October 25, the the field. Whether you are a musi- at the WOW Hall and Front-of- CCPA will offer a one-day work- cian or a fan, a casual observer or House Engineer for nearly ten shop covering The Basics of Sound a college professor, this workshop years. and Lights. will give you a spectrum of knowl- Cost is $25. The workshop is This workshop will introduce edge for producing an event with at the WOW Hall from 2:00 – 5:00 you to the world of concert pro- amplified sound and light. We pm. To register e-mail info@wow- duction taught by professionals in encourage both adults and youth hall.org or call 541-687-2746. H

2 OCTOBER 2014 WOW HALL NOTES FIND US ONLINE: WWW.WOWHALL.ORG POLISH AMBASSADOR PERMACULTURE ACTION TOUR On Wednesday, October 8, Stilldream presents The Polish Ambassador Permaculture Action Tour along with special guests Mr. Lif, Ayla Nereo and Wildlight. After the roaring response for their two collaborative tracks on Pushing Through The Pavement, Ayla, Lif and TPA have been working on a full-length album they will be debuting this fall on stage for you! This is not to be missed. These shows will sell out! on And here’s the biggest part of NPR KLCC tour. All across the country, the performers are going to be orga- riou nizing Permaculture IMPACT For Chronically Cu s Oregonians days. Using music as a platform to create change, they will be bringing a team of permaculture 89.7 experts on the road to coordinate NPR for Oregonians a positive impact project in your community. “It’s time celebration and IMPACT co-exist in our music scene, and we need YOUR help to make this happen,” states the Ambassador. “In order to accom- sets, to studio time with TPA and Eugene on October 11 at Lost plish this massive endeavor, Liminus, to permaculture inten- Valley Educational Center and we’re raising money through a sives, to an exclusive performance Meadowsong Eco Village. HOW MANY crowd funding campaign. The of Ayla, Wildlight, and TPA at Tickets are $15 in advance, $18 EYES ARE ON perks are off the hook, ranging YOUR private event.” at the door. Doors open at 8:00 from unreleased and live Confirmed Action Days include pm and showtime is 9:00. H

house raves in their native EUGENE Brighton, early Warp Records and Carl Craig – the group wrote at WEEKLY? an inspired clip, digging out their old samplers and synths and siz- YOU MIGHT BE SURPRISED & THE NUMBERS ARE GROWING! ing them up against the digital technology they continue to explore the limits of. Whereas in the past Fujiya & Miyagi haven’t been afraid of risking division with their work, here they aim to unite. Coming off the more live band-orientated fourth LP, Ventriloquizzing, Best realized “One of the things we are good at is making people dance, and, really, there’s no greater rea- son to make music than the abil- ity to have a physical reaction on someone.” So it was that they FUJIYA & MIYAGI returned to their roots, with an “A perfect union of man and David Best pour forth with a new album that’s their most overtly machine” MOJO slew of irresistible saccharine; get electronic since way back to their On Friday, October 10, the ready to rot your teeth on mighty second album, 2006’s 114,047 CCPA and University of Oregon Artificial Sweeteners. Transparent Things, or even Campus Radio 88.1 FM KWVA “Artificial Sweeteners is about debut Electro Karaoke In The READERS proudly welcome Fujiya & Miyagi what’s being expressed more in Negative Style. along with special guest Magic hope rather than in fact,” explains Damon Palermo has been Touch. Best. “Believing things will get making adventurous house and Eugene Weekly is eyeballed regularly by Few have offered such a bit- better allows us to get through disco music under the moniker 96,457 tersweet taste of pop through what life throws at us. The music Magic Touch since August 2011. people in Lane County alone, their career as Fujiya & Miyagi; aims to be life affirming and posi- In a short time the producer/DJ underneath the sticky wrappers tive, offering an escape route from has amassed an impressive follow- up 14 percent that have packaged their sugary reality. I think taking enjoyment ing and several well-received over last year (Media Audit, 2011). synth lines and rich hooks since from the pleasurable aspects of releases, kicking off with the crit- Another 5,590 people in the Corvallis/Albany the turn of the Millennium, there’s life that counteract all the stress ically-lauded 100% Silk release I area pick us up regularly. And our website draws always been a grittier aftertaste -- and anxieties is the best way to Can Feel The Heat, which was a 12,000 unique visitors weekly. be it manifest through their love live.” recommended release of the week of pounding 70’s krautrock, or in That’s thematically; musically at Boomkat and made the seen-it-all weariness of their it’s a hot and heady dance-floor 20JazzFunkGreats Best of 2011 lyrics. record, each spin giving off the list. More recently he released a On Artificial Sweeteners, the musk and the potential of a con- split 12” with close collaborator Brighton-based trio’s fifth album, gregational euphoria. Reaching Ital. that conflict of light and dark has back to the influences that got Tickets are $12 in advance, $15 well and truly been conquered. them into dance music in the first at the door. Doors open at 8:30 FREE EVERY THURSDAY! Steve Lewis, Matt Hainsby and place; beach parties and ware- pm and showtime is 9:00. H NOW AVAILABLE IN 792 LOCATIONS IN THE VALLEY AND ON THE COAST FIND US ONLINE: WWW.FACEBOOK.COM/THEWOWHALL WOW HALL NOTES OCTOBER 2014 3 KONTEMPORARYOn Sunday, October 12, the KITKA CCPA and KRVM proudly wel- come Kitka back to the WOW Hall for a seated show. Talk about a blast from the past! Oakland-based Kitka, who last performed at the WOW Hall in December 2003, is a women’s vocal arts ensemble inspired by traditional songs and vocal tech- niques from Eastern Europe. Dedicated to developing new audiences for music rooted in Balkan, Slavic and Caucasian THEOn Tuesday, October GROWLERS 14, the CCPA and KRVM proudly welcome women’s vocal traditions, Kitka back The Growlers with special guests The Garden. also strives to expand the bound- The music of The Growlers is unmistakable. aries of folk song as a living and Sure, you can hone in on some influences baked into the work of this evolving expressive art form. California-bred band. Heck, even they’d cop to a few, like Ricky Nelson Founded in 1979, Kitka began and The Clash. But once those same RIYL tags have been filtered as a grassroots group of amateur through the minds and hands and voices of this five-piece, there’s simply singers from diverse backgrounds nothing else like it. who met regularly to share their The Growlers took the phrase “Beach Goth” as an apt descriptor passion for the stunning disso- of their music. Sunburned and salty, that term perfectly describes their nances, asymmetric rhythms, distinctive melding of reverb heavy surf guitar and Bakersfield-style intricate ornamentation, lush har- honky-tonk with ‘80s post-punk. monies, and resonant strength of This is especially true of Chinese Fountain, The Growlers’ fifth full- Eastern European women’s vocal length on Everloving Records. Its 11 songs are some of the strongest music. Under the direction of that they’ve committed to tape yet; a byproduct not only of eight years Bon Singer from 1981 to 1996, in the trenches together, but of finely honing their gypsy folk dirges and Kitka blossomed into a refined supported by a major grants from 2009” by NPR, and one of the psychedelic sea shanties to fans at close to 150 shows each year. The professional ensemble earning the Trust for Mutual “Most Memorable Internationally- connection between vocalist Brooks Nielsen and guitarist Matt Taylor international renown for its art- Understanding, Kitka journeyed Flavored CDs of 2009” by the Los (the principal songwriters of the group) has only grown deeper. istry, versatility and mastery of to Ukraine and Poland for a series Angeles Times. “The band played better than they’ve ever played,” says Nielsen. the demanding techniques of tra- of performances, international In recent seasons, live Kitka “We’ve got the process down now. There’s less screwing around to get ditional and contemporary artist-exchange meetings, radio concerts were broadcast widely on the songs laid out and we weren’t waiting around for take after take. Balkan, Slavic and Caucasian and television broadcasts, and the CBC (Radio Canada), and We knew it and we played without much time to spare.” vocal styling. research expeditions in rural vil- Ukrainian and German national That confidence bleeds through every track onChinese Fountain, Under the co-direction of Shira lages. In the fall of 2010 Kitka radio and television. Since the with the band assured enough to layer in shades of many new influences: Cion, Juliana Graffagna, and was a featured ensemble at the winter of 2006-2007, the live per- the loping ska beat of “Dull Boy” and “Going Gets Tuff”, the playful Janet Kutulas from 1997 to 2010, 5th International Symposium on formance film Kitka and Davka disco beat behind the title track, or the Teardrop Explodes-like agitation Kitka grew to earn recognition Traditional Polyphony in Tbilisi, in Concert: Old and New World of “Good Advice”. from the National Endowment for Georgia. Jewish Music has been broadcast There’s evolution to be heard in Chinese Fountain as well, courtesy the Arts, Chorus America, and the Many of Kitka’s singers are nationally on more than 80 public of some of Nielsen’s most pointed and poignant lyrics to date. He takes American Choral Directors’ also talented composers and television stations and has been an our obsession with the online world to task on the funky title track. Association as one of this coun- arrangers. The ensemble’s unique award-winning selection at inter- When he drops the bomb that obliterates that most famous of Beatles’ try’s premier touring vocal ensem- sound and innovative sense of national and Jewish film festivals claims with, “The internet is bigger than Jesus or John Lennon,” he re- bles. Now functioning as a cre- programming has led to dozens of from Beijing to Toronto. contextualizes Marshall McLuhan’s “the medium is the message” in the ative collective, many internation- fruitful collaborations, ranging A frequently occurring sym- same breath. Too, he reveals a tattered heart to the world on tracks like al musical authorities consider from a reconstruction of the medi- bolic word in Balkan women’s “Rare Hearts” and “Love Test”. Kitka the foremost interpreter of eval Carmina Burana pageant for folksong lyrics, Kitka means “This is my chance to let it all out,” Nielsen says of these songs. “I Balkan and Slavic choral reper- CalPerformances, (Thomas “bouquet” in Bulgarian and kind of bottle things up and don’t really get emotional. But I think if I toire working in the United States. Binkley, director), to work on Macedonian. don’t open up, I’d be a really stale person.” Kitka has deep ties to Eastern motion picture soundtracks Kitka singers for the 2013-14 The Garden is a constantly evolving, conceptual punk band based in Europe and has traveled there to including Braveheart, Jacob’s Season are Kelly Atkins, Caitlin Orange County, California. Established in 2011 by twin brothers Wyatt perform and collect repertoire Ladder, and Queen of the Tabancay Austin, Kristine and Fletcher Shears, the band consistently defies categorization and many times. In 2002, Kitka joined Damned. Barrett, Natalie Bartlett, Shira continues to break ground in their self inflicted ‘Vada Vada’ genre. Le Mystere des Voix Bulgares as Kitka has released eleven criti- Cion (executive/artistic direc- Their two-piece bass and drums essence is dirty, raw and very. “international guests of honor” cally acclaimed recordings, nine tor), Janet Kutulas, Michele Together the twins are an acidic concoction -- unstable, sexy and for this world-renowned choir’s on its own Diaphonica label, most Simon and Corinne Sykes. probably toxic. 50th Anniversary Gala at the recently Cradle Songs (2009). Tickets are $18 in advance, $20 Tickets are $8 in advance, $10 at the door. Doors open at 7:30 pm National Palace of Culture in Cradle Songs has been named at the door. Doors open at 7:30 and showtime is 8:00. H Sofia, Bulgaria. In 2005 and 2009, “One of the Top Ten CDs of pm and showtime is 8:00. H

4 OCTOBER 2014 WOW HALL NOTES FIND US ONLINE: WWW.WOWHALL.ORG Bellow’s recording and touring ensemble now includes Ben Mars on bass, Brian Murphy on key- boards, Matt Knapp on lap steel and electric guitar, Jason Pipkin on banjo and mandolin, and Brian Griffin on drums. HUGH BOB AND THE HUSTLE Singer-songwriter Hugh Robert Masterson grew up in Butternut, Wisconsin -- a quaint but fading small town with decrepit mills, dirt roads, farms, beat down bars, and a population of 300. His band Hugh Bob and The Hustle and their masterful self-titled debut album bring to life this slice of classic Americana with rug- gedly poetic lyrics and sweetly winsome roots rock. After apprenticing as a sideman bassist, most notably with indie darlings Jaill and acclaimed roots THE LONE BELLOW rockers The Wildbirds, Masterson On Saturday, October 11, the Beijing, to meet them at the diner recently decided to step out as a CCPA and KRVM proudly wel- and the trio did more than merely singer-songwriter. The 11 songs come The Lone Bellow along with jam. With the beginnings of a on his debut are the first he’s ever AUSTIN special guests Hugh Bob and The repertoire and an already strong written. Hustle. communal spirit, that fateful “I just felt like I was finally Zach Williams, The Lone morning they became The Lone ready to release something,” he WITHOUTOn Wednesday, October 29, Square LIMITS Peg Concerts proudly wel- Bellow’s lead singer and principal Bellow. says, assessing his latent creativi- comes the Jeff Austin Band featuring Danny Barnes, Eric Thorin and songwriter, can pinpoint just As Williams recalls, “Three ty. “It was a confidence thing, I Ross Martin. about exactly when the - songs in I realized I should quit was afraid of putting my heart Mandolinist Jeff Austin is a musician without limits. He is celebrat- based group serendipitously willed what I’m doing and just make into something and people not lik- ed for his fleet fingers and penchant for improvisation on stage, but itself into being. It was around 9 music with these people.” ing it.” those qualities also speak volumes about how he chooses to live. Austin a.m. one morning in 2010, at And that’s what he did. The Live and on record Masterson has cultivated his natural musical abilities and allowed himself to be Dizzy’s Diner in Park Slope, trio’s self-titled debut disc is exu- is aptly backed by The Hustle, a driven by his boldest instincts. Brooklyn, where Williams’ old berant in its playing, welcoming band of friends with telepathic “I remember standing in front of the Grateful Dead three weeks friend Brian Elmquist was work- in its attitude. Though the lyrics interplay and a unique approach before I dropped out of college and thinking, ‘there’s so much more to ing a shift. Williams, up to then have a melancholic undercurrent, to American roots music. The this music thing than being educated and being told what you are,’” performing as a solo artist, needed the tracks are more often rave-ups Hustle is Quinn Scharber, guitar/ Austin explains. “You can take what you think is your value and throw a place to try out some new than ruminations, with swelling vocals; Nicholas Stuart, bass/ it at a crowd of people, and they will throw it back to you. The songs; for a scuffling artist, the three-part harmonies and rousing vocals; Bradley Kruse, keys/ beauty is that nothing is black and white. It’s all grey; it’s interpreted diner was as good as any rehears- group-sung choruses. vocals; and Justin Krol, drums. at the moment.” al space. He asked fellow singer Along with the core group of Tickets are $15 in advance, Austin goes on to illustrate what this meant for his future: “At the Kanene Pipkin, just returned to Williams, Pipkin, and fellow $18 at the door. Doors open at time, I was auditioning for Broadway and off-Broadway shows. I from living in Georgian Elmquist, The Lone 8:30 pm and showtime is 9:00. H walked away from everything I was set up to do because I realized that I just wanted to be in a band.” He met banjoist Dave Johnston around the same time. He encour- 2009. There he was drawn to the aged Austin to try the mandolin so as to join his band The Bluegrassholes, emerging Electronic Dance Music so Jeff learned how to play the only way he knew how – with music: culture and all of a sudden knew “I would listen to Not for Kids Only, which is a record of kids’ songs what career path he wanted to that Garcia/Grisman put out, nothing too fast. I would listen over and pursue. Shortly after Symbiosis, over and over and find the notes on my mandolin.” Minnesota bought Ableton Live Picking up an instrument for the first time was exhilarating for and his first midi controller, and Austin. “I never took lessons,” he admits. “I just threw myself in that within a few months was making world. I’ve always kind of learned in the line of fire.” The line of fire hip-hop remixes that his friends inspired Austin to be better, so he kept coming back. “For the better couldn’t stop playing. part of three years, I jammed night after night with these guys. There’s Minnesota’s first EP, Panda something about the pace, the speed, the aggressiveness, the chasing of Snatching Tycoon, was released the beat.” Austin was hooked. on Tycho Records in January In 1998, Austin and Johnston relocated to Nederland, Colorado. 2011 and found nationwide criti- While working at a bar called the Verve, Austin met Adam Aijala and cal acclaim. His next official Ben Kaufmann, with whom he and Johnston would form the Yonder release came out on Mal Label Mountain String Band. Together, the four musicians have created a and was titled Ancient Machines. wild, high-energy niche among the bluegrass legends of old and the up MINNESOTA MIND MACHINE Ancient Machines was number and coming jam band scene. Over fifteen years, Yonder Mountain On Sunday, October 19, the on the melodic side of dubstep, nine on the addictech.com best String Band have built an intensely loyal fan base by playing festivals CCPA and University of Oregon and hopefully, make quality song- seller’s list for the year, and every and venues across the nation, sharing the stage with legends like Jon Campus Radio 88.1 FM KWVA writing a more relevant factor in track from the album charted on Fishman, Phil Lesh, Mickey Hart, Bill Kreutzman, Earl Scruggs, Pete proudly welcome Minnesota’s the genre.” Beatport.com. Thomas, and Jimmy Herring, and releasing five studio albums and five Mind Machine Tour with special For the past four years Minnesota’s fourth EP, Astral live recordings. guests Jackel and G Jones. Minnesota has followed through Projectio,n showcased his affinity On his solo debut project, Austin’s songwriting remains rooted in Touring in support of his new on his word and designed smooth, for downtempo melodic ethereal Americana inspiration and the frantic energy of the jam genre but also album, Minnesota is one of the melodic, uplifting sounds, which sounds. This EP greatly diversi- reaches even further. most innovative and proficient fans have celebrated nationwide. fied his fan-base with hits like “I love writing a three-minute song with a hook that would grab a electronic producers to come out Originally from Minneapolis, “Stardust”, and “Relax”. He five-hundred-pound marlin as much as I like writing something that of the West Coast bass music MN, Christian Bauhofer moved to titled his following EP Altered goes, ‘okay, after the bridge, it’s going to open up and just go wide.’” movement. His sound breaks Santa Cruz, CA at the age of 18. States, and describes it as, “Big Tickets are $20 in advance, $25 day of show, and are available from away from the various subgenres Having just moved from the state, room, melodic bangers,” with WOW Hall and Ticketmaster. Doors open at 7:00 pm and showtime is of EDM but holds onto its origins Christian’s newfound friends nick- some, “faster tempo hip-hop influ- 8:00. H of dubstep and hip-hop. named him Minnesota, and enced stuff on it.” This has since Early on in his career Minnesota unknowingly created his party been his most popular EP, with said, “My goal is to make bass crushing alter ego. A guitarist multiple tracks being played by heavy dubstep/glitch-hop music from the age of 12, Minnesota numerous DJs across the states. that’ll get you dancing, but it is made attempts at forming bands Tickets are $13 in advance, $15 not the same old three note trans- until he attended Symbiosis at the door. Doors open at 8:00 former step… I try to focus more Gathering for the first time in pm and showtime is 9:00. H

FIND US ONLINE: WWW.FACEBOOK.COM/THEWOWHALL WOW HALL NOTES OCTOBER 2014 5 HANG WITH CON BRO CHILL On Thursday, October 30, the CCPA and University of Oregon SALMON, PAYNE & HOLLINGSWORTH FROM PAGE 1 Campus Radio 88.1 FM KWVA proudly welcome Con Bro Chill’s “We For over twenty years, Kyle last five years. Creating music Should Hang Out” World Tour to the WOW Hall. BILL PAYNE Hollingsworth has been an inte- and creating brews are very simi- It’s time to have fun and it’s time to do it together. Bill Payne, who co-founded gral member of The String Cheese lar,” Kyle says. Comprised of frontman/keytar specialist Con, lead singer Sam, and Little Feat with the late, great Incident, contributing songs and Kyle made the sessions for dance-blast-duo Steve and Ty, Con Bro Chill is a party vortex ready to 35 years ago, has helping the group boldly venture Speed of Life a festive homecom- converge on your hometown. Neon soaked and full of jokes, CBC have been Little Feat’s keyboardist – to the fringes of rock, bluegrass, ing of sorts and gathered many decided they’ve started a revolution. “Big time,” says Con, “we’ve and its pilot – throughout the Afro-beat, , classical, jazz, great artists and friends to con- started one of those big time.” band’s existence, writing and sing- Latin, and psychedelic. His SCI tribute to the record, including With their latest EP, We Came To Party, kickstarted and released for ing such beloved classics as “Oh songwriting contributions have Dave Watts (drums - The Motet), free, the message, the statement to every Boom Trooper the world over, Atlanta,” “Day or Night,” “Time been distinguished by his strong Garrett Sayers (bass - The Motet), is clear: the Neon Army is recruiting and it’s time to join up. How? Loves a Hero“ and ”Gringo,“ sense of pop composition and his Dan Schwindt (guitar), Jason Don’t over think it my friend. while ”steering a ship that was dedication to musical expression. Hann (percussion - The String Step 1: Strap on some neon/ridiculous. rudderless,” as he puts it. He’s In this respect, Speed of Life Cheese Incident), Michael Kang Step 2: Party, dance the night away, have fun. also contributed to hundreds of offers plenty of classic Kyle, it’s (guitar - The String Cheese Step 3: Welcome to the Neon Army! records as a sideman. The list of uplifting and grooving, but it Incident), Dominic Lalli (saxo- Formed when brothers Con and Sam decided they had gotten pretty the artists Payne has recorded embraces fascinating EDM touch- phone - Big Gigantic), Bonnie good at making joke videos for Con’s lacrosse alter ego, Con Bro Chill with is as lengthy as a small-town es, vintage funk, and some shades Paine (vocals - Elephant Revival), has become a musical-visual platform dedicated to loving life through telephone book, ranging from of 1980s new wavy synthpop. In Gabriel Mervine (trumpet - The music. Con Bro Chill has taken elements of the high energy pop of to Beck to Jimmy addition, lyrically it’s his most Motet), Matt Pitts (saxophone – LMFAO, the attitude of party-god Andrew W.K., the flair and melodic Buffett – and that’s just some of personal and autobiographical The Motet), Kim Dawson (vocals grandiosity of Freddy Mercury, whilst sprinkling in the best dance music the “B”s. work, finding him warm and – The Motet), and LaDamion of all eras and cultures (but especially the 80’s lets face it) to create their reflective, assessing his life so far Massey (vocals). own brand of neon dance pop. Now take those tunes and package them KYLE HOLLINGSWORTH and its many varied blessings. “This album is how I feel right w/ their self produced, over the top Blink 182/OK GO styled music This August, acclaimed key- t’s a festive occasion, and to now, watching things zip by,” videos and an explosive, costumed infused, dance marathon of a live boardist Kyle Hollingsworth of get the party started, three tracks Kyle says, reflecting back. “I show and you have your new favorite band. jam band legends The String have been designated as “Hop want to be present to enjoy every Big words and fancy metaphors aside, Con Bro Chill has come to Cheese Incident released his third Tracks” and thoughtfully paired moment because I am excited celebrate life with you. solo album; it celebrates all the with a craft beer to enhance about the speed of my life.” “Lets Party #NeonArmy (Ya, we do #hashtags).” facets of his personal and musical enjoyment. “I’ve been seeing the Tickets are $20 in advance, $25 Tickets are $10 in advance, $12 at the door. Doors open at 8:30 pm journey. Fittingly, he calls it Speed connections between brewing and at the door. Doors open at 8:00 and showtime is 9:00. H of Life. improvising more and more in the pm and showtime is 9:00. H

Randy Newman, and the Southern soul outfits that once populated the Stax Records label. Releasing their debut EP Here Comes Trouble in 2002, J. Roddy Walston & The Business relocated to Baltimore in 2004 after Walston’s then-girlfriend (and now wife) began studying opera at G the Peabody Conservatory of Music. Along with putting out their first full-length album (2007’s JONES Hail Mega Boys), the band devot- ed the next few years to earning a Head Space is stoked to kick off the school year and close out the reputation as an incendiary live summer with a banger at the WOW Hall on Friday, October 3! The act that devotees aptly liken to, night will feature the sounds of G Jones, Bleep Bloop, Yheti, Max and GIVE US THE BUSINESS “AC/DC fronted by Jerry Lee Art Of Fact. On Tuesday, October 21, the weirdness instead of letting it hold Lewis.” Weaving bubbling beats and spicy melodies seamlessly into layers of CCPA and KRVM proudly wel- you captive because you don’t even Defining J. Roddy Walston & ass-shaking low end, Santa Cruz producer G Jones has taken audiences come J. Roddy & The Business want to talk about it.” The Business as an, “American from all over the West Coast on a ride with him though his fresh, along with special guests Fly Formed in 2002 in Walston’s band, just as much as Creedence genre-bending take on bass music. Drawing his influences from hip-hop Golden Eagle. hometown of Cleveland, Clearwater Revival or Big Star or and West Coast bass music, the budding young producer recently The third album from J. Roddy Tennessee, the band (including The Pixies were all perfectly released his debut EP Mirage on Germany’s Saturate records -- gaining Walston & The Business, Essential guitarist/vocalist Billy Gordon, American at the time they were widespread support from the electronic music community and leaving Tremors, borrows its name from a bassist/vocalist Logan Davis, and coming out,” Walston notes that listeners craving more. nervous-system disorder that’s drummer Steve Colmus) deals in a the Southern lifestyle serves as an The future is bright for G Jones, with several new releases planned, long plagued the band’s frontman. scrappy yet sublime sound that infinite inspiration for his music. and plenty of new dancefloors and festivals to crush in 2014. “It’s this condition where my honors both their Southern roots “Southerners are fully interested in Bleep Bloop is a bass music producer out of Northern California. hands shake - sometimes not at all, and punk spirit. On Essential the worlds of philosophy and sci- With diverse roots in everything from hip-hop to orchestral music, he is but sometimes pretty bad,” says Tremors, J. Roddy Walston & ence and spirituality and nature, always pushing the envelope with his productions. His style spans from singer/pianist/guitarist Walston. The Business builds off that for- but with a take on life that’s off the wall 808 blaps to purple, maxamilism, juke, and more! “I’ve referenced it throughout all mula with a mix of heavy hooks softer and slower. The south has It is Yheti’s goal, “to stimulate inspiration and give back to the com- our records in some way, but it and elegant melodies revealing a pace that’s based on patience.” munity which has given so much to me. My live sets are a dynamic made sense to be more open about their affinity for artists as dispa- Tickets are $13 in advance, $15 soul massage of awkward bass intensities.” it on this album, which is partly rate as Led Zeppelin, pre-disco-era at the door. Doors open at 7:30 Tickets are $15 in advance, $20 day of show. Doors open at 8:00 about owning and embracing your Bee Gees, The Replacements, pm and showtime is 8:00. H pm and showtime is 8:30. H

6 OCTOBER 2014 WOW HALL NOTES FIND US ONLINE: WWW.WOWHALL.ORG simply an extension of the hor- monally charged people who make it – herself, along with birth brothers Aaron and Zach and figurative blood brothers Bryan Jeffrey and Jeffrey John. And while their music encompasses the past five decades of pop music - from Brill Building to the grimiest Los Angeles punk basements - Babes recognize “horny” and “sad” as the two core impulses from which 99% of all great art is derived. Babes is a locomotive sex drive down a trail of tears. Much like Todd Rundgren and , Babes are similar studio rats/space cadets who rec- ognize that the absurdity of life is even more pronounced within the strictures and structure of classi- cist pop. Or, it just comes back to being horny and sad. Subscribing to the genre “dance rock,” The Great Hiatum incor- MEET RUSSIAN RED porates electronic beat sampling On Saturday, October 18, the TV series and movie soundtracks. mixed with live drums, savage CCPA and KRVM proudly wel- She received a Goya Award nomi- guitar licks, high-energy grooves, come Russian Red along with nation in the category of “Best synth effects, and powerful female special guests Babes. Eugene’s Original Song” for her track in lead vocals. They offer music The Great Hiatum will open the the film Habitación en Roma that is intended to bring you show. (2010) by Julio Medem and sung together, lift you up, and send you AB-SOUL THESE DAYS TOUR During the last few years Disney Pixar´s Brave (2012) main away in sweaty bliss. On Friday, October 17, the CCPA and University of Oregon Campus Russian Red has become one of soundtrack, among others. Tickets are $10 in advance, $12 Radio 88.1 FM KWVA proudly welcome Ab-Soul’s “These Days Tour” the most renowned artists in the Russian Red’s new album, at the door. Doors open at 8:30 with special guest Bas. Spanish music scene. Lourdes Agent Cooper, was released in pm and showtime is 9:00. H Ab-Soul is touring in support of his These Days album, which was Hernández has an exceptional February. This third studio released in June through Top Dawg Entertainment. Ab-Soul is an voice and an innate ability to album was recorded at Sunset affiliate of California rap crew Black Hippy. These Days communicate and captivate a vari- Studios, in Los Angeles, and includes collaborations with Hippy affiliates Kendrick Lamar and ety of audiences. it boasts some of the greatest Schoolboy Q as well as and Mac Miller. These Days… Lourdes has played more than professionals in the American is Ab-Soul’s third independent album under TDE, following Longterm 120 shows around Europe, the music scene. Mentality and 2012’s Control System. USA, Latin America and Asia, Ab-Soul spent the first four years of his life in Germany, right up placing her tracks on top posi- BABES until his parents split and he and his mother subsequently moved back tions on local and international “We’re horny. And we’re to the US to live in his grandmother’s house in suburban Carson, charts. She was the 4th interna- sad.” California. At age ten, he contracted Stevens–Johnson syndrome; it tional artist to record the MTV We could stop right there. caused him to be hospitalized and is the origin of his dark lips and light- Asia Sessions, which was broad- Singer/keyboardist Sarah sensitive eyes. In his adolescent years he was severely teased about his casted in over 20 territories of the Rayne makes it abundantly condition. Asian region. Her music has been clear that the hormonally After dropping out of community college to become a rapper full- included as part of commercials, charged pop music of Babes is time, Ab-Soul signed an independent contract with a small label called StreetBeat Entertainment. “But during that time, I had started working with TDE,” he recalls. “That deal was for two years, so as soon as that was up, I built a relationship with TDE and became a member of that family.” Ab-Souls credits The Autobiography of Malcolm X (1964) as one KALIMBA of the texts that really enlightened him saying: “It just taught me a lot about people, religion, society, possibilities in society, success, and things RETURNS like that. From there, I’ve just been very observant about a lot of the By Bob Fennessy major political figures or religious figures that we have and I’ve been On Thursday, October 16, the keeping a close eye to them.” CCPA and KRVM proudly wel- In 2009, Ab-Soul formed supergroup Black Hippy, with his frequent come back to the WOW Hall collaborators and TDE label-mates Schoolboy Q, Jay Rock and K-Dot Kalimba – The Spirit of Earth, (now known as Kendrick Lamar). Wind and Fire. Six months ago Kalimba made BAS their WOW Hall debut. No, not “My father moved from the Sudan to the Bordeaux region of France the Mexican singer, the when he was a young man. And he worked hard to make the move Washington-state based Tribute Earth Wind and Fire band in the Foreverland (Michael Jackson), stick. So whenever I’m… lazy…, he yells at me like: ‘What’s wrong with to Earth, Wind & Fire. country, bar none,” according to The Gracia Birthday Band (The you? I used to crush grapes with my bare feet when I was in school! I Based in Tacoma, Kalimba is Michael Twombley (owner/agent, Grateful Dead/Jerry Garcia Band) was getting my PhD, taking care of your mother, and crushing grapes!’” an Earth, Wind & Fire tribute act Music Zirconia), “executing and Strange Days (The Doors). Not the typical motivational charge or coming-of-age story. Then with over 100 years of combined EWF’s music even better than Kalimba showed us in March that again, there’s very little typical about Parisian export turned Queens touring, recording and performing EWF themselves.” From the hits they are worthy of carrying on for expert Bas, the first artist signed to J. Cole’s Dreamville imprint, a label experience. Named after the by Maurice White, to Phillip EW&F. This act is another big partnership with Interscope Records. The multilingual Bas fires his first African thumb piano featured on Bailey’s soaring falsetto vocals, treat for us baby boomers. official shot across the bow with Last Winter — what began as a mix- each of Earth, Wind and Fire’s the tight horn arrangements, and In the words of WOW Hall tape but morphed into a full-length collection on Interscope. albums, Kalimba is an assembly the pulsating groove of the rhythm Volunteer Coordinator Laura Though Bas’ foray into the limelight might seem sudden, the rapper’s of musical talent from every cor- section, Kalimba covers all of Farrelly, “They are amazing!” ascent has been admirably deliberate and methodical. He’s held his own ner of the country -- joined Earth Wind & Fires hits – span- OK, so why no water? As a alongside Cole and 50 Cent on the sizzler “New York Times”. He together to play the best of EWF ning more than three water sign, I’ve always been per- burnished his own image with the Quarter Water Raised Me mixtape with talent and heart. Kalimba decades. Kalimba is a treat for sonally offended at having my series — the most recent installment of which made Source Magazine’s performs the massive hits -- your ears, eyes and spirit. element left out of the equation. 2013 list of Top 20 tapes. But it’s behind the scenes where Bas has done “Shining Star”, “Got to Get You This year the WOW Hall has Not to belabor a point, but water his best work: building a brand – The Super Mookin Fiends – and also Into My Life”, “Can’t Hide Love”, hosted some excellent tribute is just as essential as the rest! the infrastructure to ensure longevity. etc., with a level of professional- bands that are bringing us the Tickets are $15 in advance, $18 Last Winter is in itself an ambitious experience, what Bas calls “a ism that has made them one of music we love because the origi- at the door, and $20 for reserved sound that attempts to shift the culture.” the nation’s top tribute acts. nals can’t. We’ve had Led seating. Doors open at 7:30 pm Tickets are $18 in advance, $20 at the door. Doors open at 8:00 pm Kalimba is, “the best sounding ZepAgain (Led Zeppelin), and showtime is 8:00. H and showtime is 9:00. H

FIND US ONLINE: WWW.FACEBOOK.COM/THEWOWHALL WOW HALL NOTES OCTOBER 2014 7 TICKET H ROCKTOBER H SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY OUTLETS Brother Ali Chuck Ragan Aaron Carter G Jones Marv Ellis & WE Bambu Rusty Maples This Boy That Girl Bleep Bloop Tribe WOW HALL BOX OFFICE DJ LAST WORD 7:00 PM Matt Ryan King Yheti Alcyon Massive PHONE: (541) 687-2746 Hosted by MaLLY $15 Advance 7:00 PM Art of Fact! Metric System 8:00 PM $17 Door $18 Advance (Head Space Hosted by CD & GAME EXCHANGE $18 Advance $20 Reserved $20 Door Productions rental) Michael K 30 E. 11th (541) 302-3045 $20 Door Seating $50 VIP 9:00 PM 8:00 PM Hip-Hop Singer-Songwriter Pop $15 Advance $8 Advance HOUSE OF RECORDS www.facebook.com/brotherali Solo, Acoustic Show .com/aaroncarter $20 Door $12 Door www.facebook.com/ogbambu chuckraganmusic.com/ thisboythatgirlmusic.com/ Bass $15 includes CD 258 E. 13th (541) 342-7975 mattryanking.com/ www.facebook.com/ Hip-Hop / Album SKIPS CD WORLD 28 29 30 1 2 gjonesbass 3 Release Show 4 3215 W. 11th (541) 683-6902 The Polish Leftover Salmon Fujiya & Miyagi The Lone Bellow CCPA/WOW Hall Meetings in October: Ambassador feat. Bill Payne Magic Touch Hugh Bob & The TICKETWEB Facilities Oct. 2 5:30 pm at New Day Bakery Mr. Lif of Little Feat 8:30 PM Hustle www.ticketweb.com Education/Fundraising Oct. 2 6:30 pm at New Day Bakery Ayla Nereo Kyle $12 Advance 8:30 PM Board of Directors Oct. 9 6:30 pm at Growers Market Wildlight Hollingsworth $15 Door $15 Advance U of O TICKET OFFICE Meetings are open to the public. (Stilldream rental) Band Electronica $18 Door U of O Campus - (541) 346-4363 8:00 PM 8:00 PM www.fujiya-miyagi.co.uk/ Rock $15 Advance $20 Advance www.thelonebellow.com/ $18 Door $25 Door www.hughbobandthehustle.com/ EDM Cajun Slamgrass thepolishambassador.com/ leftoversalmon.com/site/tour UPCOMING 5 6 7 8 kylehollingsworth.com 9 10 11 11/2 Elephant Revival Kitka The Growlers Kalimba: Ab Soul “These Russian Red 7:30 PM The Garden A Tribute to Days Tour” Babes 11/3 Deltron 3030 $18 Advance 7:30 PM Earth, Wind Bas The Great Hiatum 11/11 Yelawolf $20 Door $8 Advance & Fire 8:00 PM 8:30 PM Women’s Vocal $10 Door 7:30 PM $18 Advance $10 Advance 11/13 Michael Franti Ensemble Rock $15 Advance $20 Door $12 Door 11/17 Scott Stapp Seated show www.thegrowlers.com/ $18 Door Hip-Hop Singer-Songwriter www.kitka.org/ $20 Reserved twitter.com/abdashsoul www.russianred.es/uk/ 11/21 GRRRLZ Rock Seating www.hotnewhiphop.com/ babesband.com/ AbSoul/profile/ www.facebook.com/ Funk & Soul thegreathiatum www.kalimbaband.com/ THANKS TO OUR 12 13 14 15 16 17 18 MAJOR SUPPORTERS Minnesota “Mind Volunteer J Roddy Walston The Basics of Machine Tour” Orientation & The Business Sound & Lights 2fORM Architecture • Agrarian Ales • Anatolia Bagel Sphere • Cafe Mam • City of Eugene • Cozmic 8:00 PM 7:00 PM Fly Golden Eagle Workshop Custom Engineering Solutions • Deep Sea Delights $13 Advance 7:30 pm 2:00 – 5:00 pm Don Ross Productions • Doug Wilson Sound $15 Door $13 Advance $25 Emge & Whyte • Eugene Weekly • Falling Sky Bass Music $15 Door Food For Lane County • Floater • Gratefulweb www.facebook.com/ Rock DJMinnesota GRRRLZ Rock • Guardian Event Security Services jroddywalstonandthebusiness.com/ Gung Ho Productions • Holy Cow • House of Records www.facebook.com/ FlyGoldenEagle John Bonzer Insurance • KLCC • KRVM • KWVA Lane Arts Council • Lane County Cultural Coalition Law Offices of Lourdes Sanchez 19 20 21 22 23 24 25 Leung Martial Arts Academy Levi Strauss & Co • Metro Affordable Housing Jeff Austin and Con Bro Chill Clockwork Indigo OPIUO Novax Guitars • Oregon Arts Commission Classes and Workshops: Band Intergalactix (Flatbush Sugar Beats Oregon Country Fair • Oregon Cultural Trust Saturdays: Zumba with Cynthia Healey 9:00 - 10:00 am (Square Peg 8:30 PM Zombies & The (Headspace Organicaly Grown Company West African Dance with Alseny Yansane 11:00 am - 12:30 pm Concerts rental) $10 Advance Underachievers) Productions rental) Phoenix Landscape Maintenance Vinyasa Flow Yoga classes with Laura Black 1:00 - 2:00 pm 7:00 PM $12 Door Present The 9:00 pm Pro Sound & Video • Rainbow Optics Sundays: Coalessence: Community Ecstatic Dance: 10:00 am - noon $20 Advance Party Rock Electric Koolade $20 first 150 RD Olsen Construction • Rennie’s Landing Vinyasa Flow Yoga classes with Laura Black 1:00 - 2:00 pm conbrochill.com/ Mondays: Zumba with Cynthia Healey 5:30 - 6:30 pm $23 Day of Show Experience $25 remainder Saturday Market • Smartlites • Springfield Creamery Wednesdays (except 10/8 & 10/29): Zumba with Cynthia Healey 5:30 - 6:30 pm Master Mandolinist 8:00 PM EDM Sundance Natural Foods • The Bier Stein www.jeffaustin.com/ $17 Adv/$20 Door The Kiva • Taco Bell • TicketWeb Acid Rap Waldport Realty Co. twitter.com/ClockworkIndigo West African Cultural Arts • Wright Lumber 26 27 28 29 30 31 1

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