Acid Rap Chance the Rapper Zip
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
Chance the Rapper's Creation of a New Community of Christian
Bates College SCARAB Honors Theses Capstone Projects 5-2020 “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book Samuel Patrick Glenn [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Glenn, Samuel Patrick, "“Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book" (2020). Honors Theses. 336. https://scarab.bates.edu/honorstheses/336 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book An Honors Thesis Presented to The Faculty of the Religious Studies Department Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts By Samuel Patrick Glenn Lewiston, Maine March 30 2020 Acknowledgements I would first like to acknowledge my thesis advisor, Professor Marcus Bruce, for his never-ending support, interest, and positivity in this project. You have supported me through the lows and the highs. You have endlessly made sacrifices for myself and this project and I cannot express my thanks enough. -
Fore- Verbatim Inside
VOLUME 52, ISSUE 14 MONDAY, JANUARY 28, 2018 WWW.UCSDGUARDIAN.ORG UC SYSTEM PHOTOTHE PLIGHT TEASE OF THE !"#$%&''()*+"(,'#* GOESHDH WORKER HERE -$.&)*/$0&,123#12($* 4()*56''72$3 The UC Office of the President has not kept the reporting parties informed on the progress of the ongoing investigation. !"#$%&%''(#)(*('+, !"#$%&'()*++',&$)"& UC San Diego’s Chancellor Pradeep Khosla has been accused of bullying former female staff members. A state- PHOTO BY NAME HERE /GUARDIAN appointed UC Office of the President investigator is currently reviewing Student workers CAPTION PREVIEWING the case, conducting preliminary employeed by the A student lounges on a table at the A.S. Make Art Event. UCSD Guardian // Photo by Joshua Ben-Escher interviews regarding professional THE ARTICLE PAIRED WITH interaction with Khosla. university’sTHE PHOTO TEASE.Housing, FOR Since the investigations began, Dining,EXAMPLE and IF THEHospitality PHOTO CAMPUS three women have since come forward WEREare overworked, OF A BABY YOU to speak with the investigator: UCSD WOULD SAY “BABIES SUCK! 8(.#*B*8C2$&*;2''*@''&3&.'7*D9&$*2$*?#)%" San Diego’s former Chief Alumni understafed, and Officer Stephanie Barry,, former THEY ARE WEAK AND underpaid. !-#.(/0%1#2,34##-*#*.$#.'/0$)%& Executive Director of Special Events and Protocol Judy Lane, and the 6=)<:8;G##97J=##I oda & Swine, the eatery set to occupy outside patio area. According to Tafazoli, while Features, page 6 former Assistant Vice Chancellor for the Porter’s Pub space in the Old Student Soda & Swine was intended to be one of the vendors Academic Personnel and San Diego ).5!6##7;?##>7)=!88K Center, will finally open its doors in mid- on campus designated to serve alcohol, the way in attorney specializing in harassment 5657.."##89:;:8;##<=76= SMarch after slowdowns in the restaurant build-out which alcohol is served is an issue. -
MEIEA 2017 Color.Indd
Journal of the Music & Entertainment Industry Educators Association Volume 17, Number 1 (2017) Bruce Ronkin, Editor Northeastern University Paul Linden, Associate Editor Butler University Ben O’Hara, Associate Editor (Book Reviews) Australian College of the Arts Published with Support from The Journal of the Music & Entertainment Industry Educators As- sociation (the MEIEA Journal) is published annually by MEIEA in order to increase public awareness of the music and entertainment industry and to foster music and entertainment business research and education. The MEIEA Journal provides a scholarly analysis of technological, legal, historical, educational, and business trends within the music and entertainment industries and is designed as a resource for anyone currently involved or interested in these industries. Topics include issues that affect music and entertainment industry education and the music and entertain- ment industry such as curriculum design, pedagogy, technological innova- tion, intellectual property matters, industry-related legislation, arts admin- istration, industry analysis, and historical perspectives. Ideas and opinions expressed in the Journal of the Music & Enter- tainment Industry Educators Association do not necessarily reflect those of MEIEA. MEIEA disclaims responsibility for statements of fact or opin- ions expressed in individual contributions. Permission for reprint or reproduction must be obtained in writing and the proper credit line given. Music & Entertainment Industry Educators Association 1900 Belmont Boulevard Nashville, TN 37212 U.S.A. www.meiea.org The MEIEA Journal (ISSN: 1559-7334) © Copyright 2017 Music & Entertainment Industry Educators Association All rights reserved Editorial Advisory Board Bruce Ronkin, Editor, Northeastern University Paul Linden, Associate Editor, Butler University Ben O’Hara, Associate Editor, Australian College of the Arts (Collarts) Timothy Channell, Radford University Mark J. -
To View the Official Program!
20 years of the gathering of the juggalos... On this momentous occasion, we Gather together not just to celebrate the 20th Annual Gathering of the Juggalos, but to uphold the legacy of our Juggalo Family. For two decades strong, we have converged at the height of the summer season for something so much more than the concerts, the lights, the sounds, the revelry, and the circus. There is no mistaking that the Gathering is the Greatest Show on Earth and has rightfully earned the title as the longest running independent rap festival on this or any other known planet. And while all these accolades are well-deserved and a point of pride, in our hearts we know...There is so much more to this. A greater reason and purpose. A magic that calls us together. That knowing. The spirit of the tribe. The call of the Dark Carnival. The magic mists that float by as we gaze through the trees into starry skies. We are together. And THAT is what we celebrate here, after 20 long, fresh, hilarious, incredible, tremendously karma-filled years. We call this the Soopa Gathering because we are here to celebrate the superpowers of the Juggalo Family. All of us here together and united are capable of heroics and strength beyond measure. We are Soopa. We are mighty. For we have found each other by the magic of the Carnival—standing 20 years strong on the Dirtball as we see into the eternity of Shangri-La. Finding Forever together, may the Dark Carnival empower and ignite the Hero in you ALL.. -
Pop 2 a Second Packet for Popheads Written by Kevin Kodama Bonuses 1
Pop 2 a second packet for popheads written by Kevin Kodama Bonuses 1. One song from this album says “If they keep telling me where to go / I’ll blow my brains out to the radio”. For ten points each, [10] Name this sophomore album by Lorde. This Grammy-nominated album contains songs like “Perfect Places” and “Green Light”. ANSWER: Melodrama <Easy, 2/2> [10] Melodrama was created with the help of this prolific producer and gated reverb lover. This producer also worked on Norman Fucking Rockwell! with Lana del Rey and folklore with Taylor Swift. ANSWER: Jack Antonoff <Mid, 2/2> [10] This Melodrama track begins with documentary audio that remarks “This is my favorite tape!” and a Phil Collins drum sample. This song draws out the word “generation” after spelling the title phrase. ANSWER: “Loveless” (prompt on “Hard Feelings/Loveless”) <Hard, 2/2> 2. This artist's first solo release was an acid house track called "Dope". For ten points each, [10] Name this Kazakh producer who remixed a certain SAINt JHN song into a 2020 hit. This producer's bass effects are a constant presence in that song, which goes "You know I get too lit when I turn it on". ANSWER: Imanbek <Mid, 1/2> [10] That aforementioned song by SAINt JHN has this title and goes "Never sold a bag but look like Pablo in a photo". This is also the title of the final song in Carly Rae Jepsen's E•MO•TION Side B. ANSWER: "Roses" <Easy, 2/2> [10] After "Roses", Imanbek went on to sign with this producer's label Dharma. -
Mckay Roads Huntington, Ny 11743
SchoolDISPATCH Newspaper ISSUE V, VOLUME 45 JUNE 2016 HUNTINGTON HIGH SCHOOL OAKWOOD AND MCKAY ROADS HUNTINGTON, NY 11743 GRADUATION 2016 The Dispatch The Dispatch 2 JUNE16 JUNE16 3 SITTING AND SHARING OUR GRADUATING WITH THE SALUTATORIAN by Sarah James HOW DID YOU FIND OUT pated in Mathletes competitions THAT YOU WERE SALUTA- with Mr. Mattis. I thoroughly en- TORIAN? DESCRIBE THE joyed the opportunity to brush up SENIORS OF 2016 EXPERIENCE. on my knowledge from previous When I found out that I was the years and learn about different ap- Some Seniors Have Chosen Not To Be Included In The List Of Graduating Seniors salutatorian, I was absolutely con- proaches to solving critical think- founded. The last thing I expect- ing problems. Aside from my aca- ABBONDANDELO, Christopher ................................ ALOE, Sarah Grace..... New York Institute of Technology ed was to receive such wonderful demic extracurricular activities, I James Madison University ALVARES, Paola ....... Suffolk County Community College news before going on a family also loved delving into the world ACEVEDO, Katherine .................... Nyack College AMIN, Elyas................................................................................ of music. I was a member of the A vacation during February break. Wind Ensemble as well as the Ju- AGUILAR CHAVEZ, Renato......................... Suffolk County CUNY Macaulay Honors College at Hunter College Rachel and I were called down to nior and Senior Bands, and I was Community College AMMIRatI, Marco ..................................... SUNY Oneonta the main office third period, and even able to play with the Atlantic we had no idea why we were go- OLIVIA STAMATATOS WILL BE ATTENDING CORNELL NEXT YEAR ALEXANDER, Vernon ......................................Utica College ANNUNZIata, Louis .......................... -
ABC Sticker and Colouring Book Free
FREE ABC STICKER AND COLOURING BOOK PDF Jessica Greenwell,Stacey Lamb | 42 pages | 01 Jul 2013 | Usborne Publishing Ltd | 9781409564614 | English | London, United Kingdom FREE Alphabet Printables Quality kiss-cut, vinyl decal, Coloring Book stickers. Removable and super stickery. Perfect for phone cases, laptopsjournals, guitars, refrigerators, windows, walls, skateboards, carsbumpers, helmetswater bottles, hydro flaskscomputers, or whatever needs a dose of originality. Available in white or transparent. Sell your art. All Masks Fitted Masks New. Coloring Book Stickers 2, Results. Tags: coloring book, chance the rapper, chance, chance the raptor, acid rap, 10 days, no problem, all we got, summer friends, blessings, same drugs, mixtape, angles, juke jam, all night, how great, smoke break, blessings part 2, somewhere in paradise, grown up fairy tales, taylor bennett, show me love, remember me, the way, the worst guys, the life of palbo, ulterlight beam, sunday cany, donnie trumpets, baby blue, cocoa butter kisses, may i have this dance, tap dance, im the one, dj khaled, need to know. Coloring book Sticker By emersonfitzger. Tags: and we back, 10 day, acid rap, coloring book, chance the rapper, colouring book, acidrap, chance the rapper, lil chano from 79th, sox, kanye west, ultralight beam, same drugs. Tags: adventure, alaska mountains, animals, animals tattoo, beast, black and white, black work, boho, camping, climbing, coloring book, dog, double exposure, dream, engraving, ethnic, forest, graphic, gray wolf, hiking, hippie, hipster, husky, mammal, meditation, mountain, mountain landscape, native american, outdoor, predator, sign, sketch, symbols, design, tattoo, tattoo art, tattoo design, totem, tourism, travel, tribal, universe, werewolf, wild nature, wildlife, wolf howling, wolf silhouette. -
Influences of Religion in Rap Music Joey Rubino
Santa Clara University Scholar Commons Advanced Writing: Pop Culture Intersections Student Scholarship 9-4-2019 Influences of Religion in Rap Music Joey Rubino Follow this and additional works at: https://scholarcommons.scu.edu/engl_176 Part of the American Popular Culture Commons, English Language and Literature Commons, Film and Media Studies Commons, and the Nonfiction Commons Recommended Citation Rubino, Joey, "Influences of Religion in Rap Music" (2019). Advanced Writing: Pop Culture Intersections. 41. https://scholarcommons.scu.edu/engl_176/41 This Research Paper is brought to you for free and open access by the Student Scholarship at Scholar Commons. It has been accepted for inclusion in Advanced Writing: Pop Culture Intersections by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. INFLUENCES OF RELIGION IN RAP MUSIC Joey Rubino SEPTEMBER 4, 2019 SANTA CLARA UNIVERSITY [email protected] Joey Rubino Professor Hendricks ENGL 106 September 04, 2019 Religion In Rap Music Rap music. What is it? While researching I was shocked to find that there was a common recurring definition which stated it is, “A type of popular music of US black origin in which words are recited rapidly and rhythmically over a prerecorded, typically electronic instrumental backing.” This definition stuck out to me because it is so broad. Music is beautiful, creates harmony and is a great way for people to express emotions. This genre of music always tells a story and if you listen intently you can learn a lot about an artist or rapper through their music. It is often combined with religion and personal beliefs from the artists. -
The History of Rock Music - the Nineties
The History of Rock Music - The Nineties The History of Rock Music: 1989-1994 Raves, grunge, post-rock History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Hip-hop Music (These are excerpts from my book "A History of Rock and Dance Music") Generally speaking, the rule for hip-hop music of the 1990s was that behind every successful rap act there was a producer. Rap music was born as a "do it yourself" art in which the "message" was more important than the music. During the 1990s, interest in the lyrics declined rapidly, while interest in the soundscape that those lyrics roamed increased exponentially. The rapping itself became less clownish, less stereotyped, less macho, and much more psychological and subtle. In fact, rappers often crossed over into singing. Hip-hop music became sophisticated, and wed jazz, soul and pop. Instrumental hip-hop became a genre of its own, and one of the most experimental outside of classical music. East-Coast rap TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The most significant event of the early 1990s was probably the advent of Wu-Tang Clan (1), a loose affiliation of rappers, including Gary "Genius/GZA" Grice, Russell "Ol' Dirty Bastard" Jones, Clifford "Method Man" Smith and Dennis "Ghostface Killah" Coles, "conducted" (if the rap equivalent of a classical conductor exists) by Robert "RZA" Diggs, the musical genius behind Enter the Wu-Tang (1993), a diligent tribute to old-school rap. -
Flatbush Zombies & the Underachievers
K k OCTOBER 2014 VOL. 26 #10 H WOWHALL.ORG KWOW HALL NOTESK g k THE UNDERACHIEVERS LEFTOVER SALMON FEATURING FLATBUSH ZOMBIES & BILL PAYNE (OF LITTLE FEAT) AND THE UNDERACHIEVERS Friday, October 31, is Halloween. This the “Day of the Dead” online singles year the CCPA and University of Oregon series, they also served up some behind-the- KYLE HOLLINGSWORTH BAND Campus Radio 88.1 FM KWVA proudly scenes videos billed as Zombievision. On Thursday, October 9, the Community Center for the Performing Arts and KLCC welcome Flatbush Zombies and The proudly welcome back Leftover Salmon feat. Bill Payne of Little Feat for a co-headline bill Underachievers sharing co-headlining duties THE UNDERACHIEVERS with the Kyle Hollingsworth Band. on their wildly titled tour: “Clockwork “I ain’t just rhyming,” Issa Gold, one Colorado slamgrass pioneers Leftover Salmon played the WOW Hall frequently between Indigo Presents the Electric Koolade half of The Underachievers, says in 1991 and 1995 – has it really been that long – and were a lot of people’s “favorite” band. Experience.” “Chrysalis”. “Keep up.” He’s rapping, (Ed. Note: Including my best friend’s preteen daughter, who once proudly proclaimed, “When The Anthony Burgess-and-Tom Wolfe- which is much more difficult. Rapping I grow up I’m going to marry Vince!”) referencing trek comes in the wake of The requires him and his partner AK to choose Looking back over the past 25 years of rootsy, string-based music, the impact of Leftover Underachievers’ recent Cellar Door: a flow, or melody, for their lyrics; some- Salmon is impossible to deny. -
2/19/2021 Commercial Litigation 32
YES ✔ NO EXHIBITS CASE NO.___________________________________2021 L 1899 ___ DATE:_____________________________________2/19/2021 ____ CASE TYPE:_________________________________Commercial Litigation ____ PAGE COUNT:______________________32 CASE NOTE _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ FILED 2/19/2021 7:24 PM IRIS Y. MARTINEZ CIRCUIT CLERK COOK COUNTY, IL IN THE CIRCUIT COURT OF COOK COUNTY, ILLINOIS 2021L001899 COUNTY DEPARTMENT, LAW DIVISION ) CHANCELOR J. BENNETT, ) ) 2021L001899 Plaintiff, ) Case No. ____________ ) v. ) ) PATRICK CORCORAN, ) ) Defendant. ) ) FILED DATE: 2/19/2021 7:24 PM 2021L001899 COMPLAINT Plaintiff Chancelor Bennett, by and through his attorneys, Jenner & Block LLP, for his complaint against Defendant Patrick Corcoran states as follows: NATURE OF THE ACTION 1. This case is a story of two people—a groundbreaking globally successful rapper, songwriter, performer, and philanthropist named Chancelor Bennett (professionally known as Chance the Rapper) whose talent, success, and commitment to giving back to his community are well known, and a disgruntled former manager named Patrick Corcoran whose shocking violations of his position of trust are less well known and only now coming to light. After being handed a truly unique opportunity to make it big in the music business, Mr. Corcoran repeatedly breached his fiduciary responsibilities to Mr. Bennett by trading on Mr. Bennett’s good name for his own benefit, diverting business opportunities to his separate companies, and demanding and accepting kickbacks as the “price” of doing business with the Mr. Bennett. 2. Mr. Corcoran grew up as a child of privilege on the north shore of Chicago. A decade ago, he was a hanger-on at the fringes of the rap music scene in Chicago.