Influences of Religion in Rap Music Joey Rubino
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Spring/Summer 2014 Newsletter of Rocky Mountain Bird Observatory Number 45 the PRIMARY SOURCE
Spring/Summer 2014 Newsletter of Rocky Mountain Bird Observatory Number 45 THE PRIMARY SOURCE Our mission is to conserve birds and their habitats. RMBO Leads Landmark Meeting in Costa Rica By Teddy Parker-Renga to breeding, threats to non-breeding and it’s important for RMBO and partners to Communications Manager population trend) using the Partners In support and advance conservation abroad, In March, Rocky Mountain Bird Flight species assessment process. Scores he said. Observatory spearheaded the first-ever ranged from 1 (low vulnerability) to 5 Next steps include developing com- conservation assessment of the birds of (high vulnerability) for each factor, with munication tools and messages to engage Central America. a higher overall score indicating a greater stakeholders in conserving at-risk species. At the meeting held in San Vito, Costa vulnerability to population decline or Thank you to all of the partners who Rica, 30 participants representing the extinction. attended the meeting and Environment seven Central American countries, Mexico International Director Arvind Panjabi Canada, Missouri Department of Conser- and the U.S. assessed all 407 bird species said partners who attended the meeting vation and USGS for funding. unique to Central America, as well as 500- saw tremendous value in the process as View photos from the meeting and the plus species shared between Mexico and a way to establish conservation priori- amazing species we saw birding in Costa Central America. This included landbirds, ties for birds and habitat in their own Rica at www.facebook.com/RMBObirds. shorebirds, waterbirds and waterfowl. countries. Since many bird species that To learn more about the Partners In During the assessment, birds were breed in the Rockies and elsewhere in the Flight species assessment process, visit http:// assigned scores for three factors (threats western U.S. -
And I Heard 'Em Say: Listening to the Black Prophetic Cameron J
Claremont Colleges Scholarship @ Claremont Pomona Senior Theses Pomona Student Scholarship 2015 And I Heard 'Em Say: Listening to the Black Prophetic Cameron J. Cook Pomona College Recommended Citation Cook, Cameron J., "And I Heard 'Em Say: Listening to the Black Prophetic" (2015). Pomona Senior Theses. Paper 138. http://scholarship.claremont.edu/pomona_theses/138 This Open Access Senior Thesis is brought to you for free and open access by the Pomona Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pomona Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. 1 And I Heard ‘Em Say: Listening to the Black Prophetic Cameron Cook Senior Thesis Class of 2015 Bachelor of Arts A thesis submitted in partial fulfillment of the Bachelor of Arts degree in Religious Studies Pomona College Spring 2015 2 Table of Contents Acknowledgements Chapter One: Introduction, Can You Hear It? Chapter Two: Nina Simone and the Prophetic Blues Chapter Three: Post-Racial Prophet: Kanye West and the Signs of Liberation Chapter Four: Conclusion, Are You Listening? Bibliography 3 Acknowledgments “In those days it was either live with music or die with noise, and we chose rather desperately to live.” Ralph Ellison, Shadow and Act There are too many people I’d like to thank and acknowledge in this section. I suppose I’ll jump right in. Thank you, Professor Darryl Smith, for being my Religious Studies guide and mentor during my time at Pomona. Your influence in my life is failed by words. Thank you, Professor John Seery, for never rebuking my theories, weird as they may be. -
Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
Oral History Interview with Howard Finster, 1984 June 11
Oral history interview with Howard Finster, 1984 June 11 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface Preface Interview with The Reverend Howard Finster conducted by Liza Kirwin in the Finley Conference Room at the National Museum of American Art and National Portrait Gallery building, Washington, D.C., June 11, 1984. Preface The following oral history transcript is the result of a tape recorded interview with Howard Finster on June 11, 1984. The interview took place in Washington, D.C., and was conducted by Liza Kirwin for the Archives of American Art, Smithsonian Institution. While we have made an attempt to convey The Reverend Finster’s speech pattern and dialect, the reader should bear in mind that this is a verbatim transcript of spoken, rather than written prose Interview LIZA KIRWIN: Mr. Finster, could you begin by talking about when and where you were born, and a little bit about your family background? HOWARD FINSTER: Yeah, I’ll start talking and you just break in when you want to because I never quit, you know. Just break if I talk too long. I was born at Valley Head, Alabama. It’s about 42 miles south of Chattanooga and about 200 miles west of Atlanta. I was born there in Alabama. I stayed on the farm a good while–with my father and mother and farm. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
2021 Song Index
FEB 20 2021 SONG INDEX 100 (Ozuna Worldwide, BMI/Songs Of Kobalt ASTRONAUT IN THE OCEAN (Harry Michael BOOKER T (RSM Publishing, ASCAP/Universal DEAR GOD (Bethel Music Publishing, ASCAP/ FIRE FOR YOU (SarigSonnet, BMI/Songs Of GOOD DAYS (Solana Imani Rowe Publishing Music Publishing America, Inc., BMI/Music By Publishing Deisginee, APRA/Tyron Hapi Publish- Music Corp., ASCAP/Kid From Bklyn Publishing, Cory Asbury Publishing, ASCAP/SHOUT! MP Kobalt Music Publishing America, Inc., BMI) Designee, BMI/Songs Of Universal, Inc., BMI/ RHLM Publishing, BMI/Sony/ATV Latin Music ing Designee, APRA/BMG Rights Management ASCAP/Irving Music, Inc., BMI), HL, LT 14 Brio, BMI/Capitol CMG Paragon, BMI), HL, RO 23 Carter Lang Publishing Designee, BMI/Zuma Publishing, LLC, BMI/A Million Dollar Dream, (Australia) PTY LTD, APRA) RBH 43 BOX OF CHURCHES (Lontrell Williams Publish- CST 50 FIRES (This Little Fire, ASCAP/Songs For FCM, Tuna LLC, BMI/Warner-Tamerlane Publishing ASCAP/WC Music Corp., ASCAP/NumeroUno AT MY WORST (Artist 101 Publishing Group, ing Designee, ASCAP/Imran Abbas Publishing DE CORA <3 (Warner-Tamerlane Publishing SESAC/Integrity’s Alleluia! Music, SESAC/ Corp., BMI/Ruelas Publishing, ASCAP/Songtrust Publishing, ASCAP), AMP/HL, LT 46 BMI/EMI Pop Music Publishing, GMR/Olney Designee, GEMA/Thomas Kessler Publishing Corp., BMI/Music By Duars Publishing, BMI/ Nordinary Music, SESAC/Capitol CMG Amplifier, Ave, ASCAP/Loshendrix Production, ASCAP/ 2 PHUT HON (MUSICALLSTARS B.V., BUMA/ Songs, GMR/Kehlani Music, ASCAP/These Are Designee, BMI/Slaughter -
Raisin in the Sun Quotations for Writing the Family & The
RAISIN IN THE SUN QUOTATIONS FOR WRITING THE FAMILY & THE AMERICAN DREAM WALTER: DREAMS OF SUCCESS: • Walter talks about the missed business opportunity with Charlie Atkins. P.32 • Complains that he has nothing to pass on to Travis. “I have been married eleven years and I got a boy who sleeps in the livingroom -- and all I got to give him is stories about how rich white people live…” p. 34 • To Mama: “Do you know what this money means to me? Do you know what this money can do for us? Mama—Mama—I want so many things.” P. 73 • Mama: “Son, how come you talk so much ‘bout money?” Walter: “Because, it is life, Mama!” Mama: “Oh—so now its life. Money is life. Once upon a time freedom use to be life—now its money. I guess the world really do change…” Walter: “No—it was always money, Mama. We just didn’t know about it.” p. 74 • “Listen, man, I got some plans that could turn this city upside down. I mean think like he does. Big. Invest big, gamble big, hell, lose big if you have to, you know what I mean. It’s hard to find a man on this whole Southside who understands my kind of thinking—you dig?” p. 84 • Walter to George: “And you—ain’t you bitter, man? Ain’t you just about had it yet? Don’t you see no stars gleaming that you can’t reach out and grab? … Here I am a giant—surrounded by ants. Ants who can’t even understand what it is the giant is talking about” p.85 • Walter to Travis: “Just tell me where you want to go to school and you’ll go. -
Sujm 2016 Final Proof[1]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online Sydney Undergraduate Journal of Musicology Vol. 6, December 2016 “I Remember You Was Conflicted”: Reinterpreting Kendrick Lamar’s To Pimp a Butterfly JOHN LAWRIE You can take the boy out the hood, but you can’t take the hood out the homie – The Comrads, 19971 The individual cannot be removed from their cultural context, nor can these contexts exist without the individual. This we consider self-evident. Yet in discussing art of subjugated cultures, specifically African American music, these two spheres are often wrongly separated. This has cultivated a divide in which personal exploration through music has been decoupled from the artist’s greater comments on their cultural struggle. These works are necessarily grounded in the context to which they speak, however this greater context must acknowledge the experience of the individual. This essay aims to pursue a methodology centred on the relationship between the personal and the cultural, with a case study of Kendrick Lamar’s 2015 album To Pimp a Butterfly.2 Lamar straddles this divide. His personal difficulty with removal from the Compton community is inextricably linked with the struggle of African Americans in the wake of the Ferguson unrest. Lamar is in the optimal position to comment on this cultural struggle, however his fame and celebrity has partially removed him from the issues he attempts to articulate. As Lamar examines the relationship between himself and his community and context throughout To Pimp a Butterfly, he gives authenticity to his voice despite its fallibility. -
URMC V118n83 20091210.Pdf (9.241Mb)
THE ROCKY MOUNTAIN Fort Collins, Colorado COLLEGIAN Volume 118 | No. 8 T D THE STUDENT VOICE OF COLORADO STATE UNIVERSITY SINCE 1891 B ASCS ICE, ICE, BABY BOG Leg. a airs director wants student voice on governing board B KIRSTEN SIVEIRA The Rocky ountain Collegian After CSU’s governing board decided to ban concealed weapons on campus, spark- TODAYS IG ing intense controversy student leaders said Wednesday that there must be a student vot- 25 degrees ing member on the board because its mem- bers refuse to listen to students. So far this season, CSU To secure that voting member, Associ- has received a total of 44.2 ated Students of CSU Director of Legislative inches of snow with fi ve full YEAR SEASONA Affairs Matt Worthington drafted a resolu- months of the snow season TOTA IN INCES tion that would allow state leaders to appoint still ahead, according to re- a student to vote on the CSU System Board search from the Department 1 9 9 9 - 2 0 0 0 : 3 . of Governors. The ASCSU Senate moved his of Atmospheric Science. 2 0 0 0 - 2 0 0 1 : 5 resolution to committee Wednesday night. Even if the city receives 2 0 0 1 - 2 0 0 2 : 4 4 .1 ASCSU President Dan Gearhart and CSU- no more snow this winter, 2 0 0 2 - 2 0 0 3 : 1. Pueblo student government President Steve Fort Collins has already re- 2 0 0 3 - 2 0 0 4 : 9 .1 Titus both currently sit on the BOG as non- ceived more snow than in six 2 0 0 4 - 2 0 0 5 : 5 . -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Due to Overwhelming Demand Jay-Z and Eminem's Historic
DUE TO OVERWHELMING DEMAND JAY-Z AND EMINEM’S HISTORIC “HOME AND HOME” TOUR ADD ADDITIONAL SHOWS IN DETROIT AND NEW YORK TICKETS GO ON SALE FRIDAY, JUNE 25TH Tickets to EMINEM and JAY-Z’ historic “Home And Home” tour went on sale today to presale partners with overwhelming fan demand. In response to the tremendous demand, and in preparation for tomorrow’s public on-sale, another show has been added in Detroit at Comerica Park on Friday, September 3rd and in New York at Yankee Stadium on Tuesday, September 14th. This is the only time these two superstars will perform together. Tickets for all four shows, produced by Live Nation, go on sale to the public on Friday, June 25 at 10:00 am local time at LiveNation.com. JAY-Z AND EMINEM’S “HOME AND HOME” TOUR DATES INCLUDE: September 2 Detroit, MI Comerica Park September 3 Detroit, MI Comerica Park September 13 New York, NY Yankee Stadium September 14 New York, NY Yankee Stadium. The same day that tickets go on sale, EMINEM and JAY-Z take over late night television in support of the tour when they perform together on the roof of the Ed Sullivan Theater building on LATE SHOW with DAVID LETTERMAN, taped Monday, June 21 to be broadcast Friday, June 25 (11:35 PM-12:37 AM, ET/PT) on the CBS Television Network. Since 1996, 10-time Grammy award-winner, Shawn “JAY-Z” Carter has dominated the rap industry and set trends for a generation. Through his own label, Roc Nation, JAY-Z released The Blueprint 3, his 11th number one album, putting him ahead of Elvis for the most number one albums by any solo artist. -
Chance the Rapper Coloring Book Mp3, Flac, Wma
Chance The Rapper Coloring Book mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Coloring Book Country: US Released: 2016 MP3 version RAR size: 1582 mb FLAC version RAR size: 1475 mb WMA version RAR size: 1170 mb Rating: 4.4 Votes: 177 Other Formats: XM ADX MPC AC3 VQF ASF DMF Tracklist Hide Credits All We Got 1 Featuring – Chicago Children's Choir, Kanye WestProducer [Uncredited] – Kanye West, The 3:23 Social Experiment No Problem 2 5:04 Featuring – 2 Chainz, Lil WayneProducer [Uncredited] – Brasstracks Summer Friends 3 4:50 Featuring – Francis & The Lights*, Jeremih D.R.A.M. Sings Special 4 1:41 Featuring [Uncredited] – D.R.A.M. 5 Blessings 3:41 6 Same Drugs 4:17 Mixtape 7 4:52 Featuring – Lil Yachty, Young Thug Angels 8 3:26 Featuring – Saba Juke Jam 9 3:39 Featuring – Justin Bieber, Towkio All Night 10 2:21 Featuring – Knox Fortune How Great 11 5:37 Featuring – Jay Electronica, My Cousin Nicole Smoke Break 12 3:46 Featuring – Future Finish Line / Drown 13 6:46 Featuring – Eryn Allen Kane, Kirk Franklin, Noname , T-Pain Blessings (Reprise) 14 3:50 Featuring – Ty Dolla $ign* Credits Artwork [Uncredited] – Brandon Breaux Other versions Category Artist Title (Format) Label Category Country Year Not On Label (Chance Chance The Coloring Book (14xFile, none The Rapper Self- none US 2016 Rapper MP3, Mixtape, 320) released) Coloring Book (2xLP, Chance The Not On Label (Chance CTRCB 3 Album, Mixtape, CTRCB 3 2016 Rapper The Rapper) Unofficial, Yel) Coloring Book (2xLP, Chance The Not On Label (Chance CTRCB3 Album, Mixtape, CTRCB3 2016 Rapper The Rapper) Unofficial, Cle) Chance The Coloring Book (2xLP, Not On Label (Chance none none UK 2018 Rapper Mixtape, Red) The Rapper) Coloring Book (2xLP, Chance The Not On Label (Chance none Mixtape, Unofficial, none US 2016 Rapper The Rapper) Gre) Related Music albums to Coloring Book by Chance The Rapper Rick Ro$$ - The Black Bar Mitzvah DJ UE - Monthly Whizz Vol.