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Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Ariadne Auf Naxos Soile Isokoski ∙ Sophie Koch Jochen Schmeckenbecher ∙ Johan Botha
RICHARD STRAUSS ARIADNE AUF NaXOS SOILE ISOKOSKI ∙ SOPHIE KoCH JOCHEN SCHMECKENBECHER ∙ JOHAN BOTHA ORCHESTER DER WIENER STAATSOPER conducted by CHRISTIAN THIELEMANN staged by SVEN-ERIC BECHTOLF WIENER STAATSOPER RICHARD STRAUSS ARIADNE AUF NaXOS Orchestra Orchester der Wiener Staatsoper Here is one of the truly overwhelming successes in recent opera Conductor Christian Thielemann history: Christian Thielemann’s sensational return to the Vienna State Stage Director Sven-Eric Bechtolf Opera to conduct his first-ever performances there of Richard Strauss, with an ideal cast in an acclaimed production of Ariadne auf Naxos. “A triumph [...] world stars and ensemble shine” (Die Presse). “Strauss Primadonna (Ariadne) Soile Isokoski in all his glory”(Wiener Zeitung). “Festival standard [...] electrifying The Composer Sophie Koch excitement” (Kronen Zeitung). A Music Teacher Jochen Schmeckenbecher The Tenor (Bacchus) Johan Botha Director Sven-Erich Bechtolf “has again delved deeply into music Zerbinetta Daniela Fally and text”, observed the opera magazine Opernnetz in its rave review Harlequin Adam Plachetka of the performance captured here. “In Rolf Glittenberg’s beautiful Scaramuccio Carlos Osuna Jugendstil salon, he is constantly in touch with the heartbeat of the Truffaldin Jongmin Park story [...] For Bechtolf it is the subtle development of the characters Brighella Benjamin Bruns and their relationships with each other, as well as the work’s delicate The Dancing Master Norbert Ernst irony, that remain of paramount importance. As Ariadne, Soile Isokoski radiates enchanting vocal beauty as she forms endless nuances in one The Major-Domo Peter Matić blossoming phrase after another. Daniela Fally sings the gruellingly Lackey Marcus Pelz difficult part of Zerbinetta with great flexibility, acting it with nonchalant A Wigmaker Won Cheol Song coquettishness. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Season Premiere of Tosca Glitters
2019–20 Season Repertory and Casting Casting as of November 12, 2019 *Met debut The Gershwins’ Porgy and Bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin New Production Sep 23, 27, 30, Oct 5mat, 10, 13mat, 16, Jan 8, 11, 15, 18, 24, 28, Feb 1mat Conductor: David Robertson Bess: Angel Blue/Elizabeth Llewellyn* Clara: Golda Schultz/Janai Brugger Serena: Latonia Moore Maria: Denyce Graves Sportin’ Life: Frederick Ballentine* Porgy: Eric Owens/Kevin Short Crown: Alfred Walker Jake: Ryan Speedo Green/Donovan Singletary Production: James Robinson* Set Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Projection Designer: Luke Halls The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund Additional funding from Douglas Dockery Thomas Manon Jules Massenet Sep 24, 28mat, Oct 2, 5, 19, 22, 26mat ____________________________________________________________________________________________________________ PRESS DEPARTMENT The Metropolitan Opera Press: 212.870.7457 [email protected] 30 Lincoln Center Plaza General: 212.799.3100 metopera.org New York, NY 10023 Fax: 212.870.7606 Conductor: Maurizio Benini Manon: Lisette Oropesa Chevalier des Grieux: Michael Fabiano Guillot de Morfontaine: Carlo Bosi Lescaut: Artur Ruciński de Brétigny: Brett Polegato* Comte des Grieux: Kwangchul Youn Production: Laurent Pelly Set Designer: Chantal Thomas Costume Designer: Laurent Pelly Lighting Designer: Joël Adam Choreographer: Lionel Hoche Associate Director: Christian Räth A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B. -
FY13 Annual Report View Report
ANNUAL REPORT 2012–13 3 Introduction 5 Metropolitan Opera Board of Directors 7 2012–13 Season Repertory & Events 14 2012–13 Artist Roster 15 The Financial Results 46 Patrons Introduction The Metropolitan Opera’s 2012–13 season featured an extraordinary number of artistic highlights, earning high praise for new productions, while the company nevertheless faced new financial challenges. The Met presented seven new stagings during the 2012–13 season, including the Met premieres of Thomas Adès’s The Tempest and Donizetti’s Maria Stuarda, the second of the composer’s trilogy of Tudor operas (with the third installment planned for a future season). All seven new productions, plus five revivals, were presented in movie theaters around the world as part of the Met’s groundbreaking Live in HD series, which continued to be an important revenue source for the Met, earning $28 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117.3 million. This figure was lower than anticipated as the company continued to face a flat box office, complicated by the effects of Hurricane Sandy, the aftermath of which had a negative impact of approximately $2 million. As always, the season featured the talents of the world’s leading singers, conductors, directors, designers, choreographers, and video artists. Two directors made stunning company debuts: François Girard, with his mesmerizing production of Parsifal on the occasion of Wagner’s bicentennial, and Michael Mayer, whose bold reimagining of Verdi’s Rigoletto in 1960 Las Vegas was the talk of the opera world and beyond. Robert Lepage returned to direct the highly anticipated company premiere of Thomas Adès’s The Tempest, with the composer on the podium. -
Opera & Music | Spring 2014
OPERA & MUSIC | SPRING 2014 THE ROYAL OPERA REPERTORY PAGE DIE FRAU OHNE SCHATTEN 2 THE COMMISSION / CAFÉ KAFKA 4 L’ORMINDO (AT SAM WANAMAKER PLAYHOUSE) 6 THROUGH HIS TEETH 7 THE CRACKLE 8 FAUST 9 JONAS KAUFMANN – WINTERREISSE 11 LA TRAVIATA 12 LE NOZZE DI FIGARO 14 TOSCA 15 DIALOGUES DES CARMÉLITES 17 BABYO / SENSORYO 19 LUNCHTIME RECITALS AND EVENTS 21 PRESS OFFICE CONTACTS 24 For all Royal Opera House press releases visit www.roh.org.uk/press DIE FRAU OHNE SCHATTEN NEW PRODUCTION Richard Strauss 14, 17, 20, 26, 29 March at 6pm; 23 March at 3pm 2 April at 6pm • Co-production with La Scala, Milan. • Generously supported by Sir Simon and Lady Robertson, Hamish and Sophie Forsyth, The Friends of Covent Garden and an anonymous donor. • Die Frau ohne Schatten will be broadcast live on BBC Radio 3 on 29 March 2014 at 5.45pm. The Royal Opera celebrates the 150th anniversary of Strauss’s birth with a new production of Die Frau ohne Schatten , one of three Strauss operas being presented at the Royal Opera House this Season, all with librettos by Hugo von Hofmannsthal on mythical themes. Elektra was revived in October 2013 and Ariadne auf Naxos will be revived in June 2014. This production of Die Frau ohne Schatten is new to the Royal Opera House, and is a co-production with La Scala, Milan, where it was first seen in 2012. German director Claus Guth makes his UK and Royal Opera debut with this production, which explores themes of the search for identity and the psychological power of dreams, and vividly illustrates the plight of the central character of the Empress, a woman trapped between two repressive worlds. -
A Opera Catalogue Sectio#42336
Opera Operetta Music Theatre Supplement 2009 www.boosey.com/opera Opera Operetta Music Theatre Chamber Opera Musicals Stageworks for Young Audiences Stageworks for Young Performers from Boosey & Hawkes Bote & Bock Anton J. Benjamin Supplement 2009 Edited by David Allenby Cover illustrations: John Adams: Doctor Atomic Penny Woolcock’s production for the Metropolitan Opera and English National Opera (2008) with Gerald Finley as Oppenheimer Photo: © 2008 Ken Howard/Metropolitan Opera Detlev Glanert: Caligula Christian Pade’s world premiere production for Oper Frankfurt (2006) with Ashley Holland (Caligula) Photo: Monika Rittershaus Unsuk Chin: Alice in Wonderland Achim Freyer’s world premiere production for the Bavarian State Opera (2007) with Sally Matthews (Alice) Photo: Wilfried Hösl Jacques Offenbach: Les Fées du Rhin Vocal score in the Offenbach Edition Keck (OEK) published by Boosey & Hawkes / Bote & Bock Harrison Birtwistle: The Minotaur Stephen Langridge’s world premiere production for The Royal Opera in London (2008) with John Tomlinson (The Minotaur) and Johan Reuter (Theseus) Photo: Bill Cooper Michel van der Aa: The Book of Disquiet Still from the composer’s video for his world premiere production for Linz 2009 European Capital of Culture (2009) with Klaus Maria Brandauer Photo: Michel van der Aa Published by Boosey & Hawkes Music Publishers Limited Aldwych House 71–91 Aldwych London WC2B 4HN www.boosey.com an company © Copyright 2009 Boosey & Hawkes Music Publishers Ltd Printed in England by Halstan & Co Ltd, Amersham, Bucks Designed and typeset by David J Plumb ARCA PPSTD ISBN 978-0-85162-599-7 Contents 4 Introduction 5 Abbreviations 6 Catalogue 52 Addenda 55 Title Index 56 Boosey & Hawkes Addresses Introduction This 2009 Supplement contains works added since the publication of the 2004 Boosey & Hawkes Opera Catalogue. -
Piper Theatre to Offer Free Outdoor Theatre Including XANADU and ISLAND of DR
Piper Theatre To Offer Free Outdoor Theatre Including XANADU and ISLAND OF DR. MOREAU, 7/5 - 7/21 GET TICKETS UNITED STATES THE WORLD GUIDES SPECIAL OFFERS LOG IN | REGISTER NOW! Piper Theatre To Offer Free Outdoor Theatre Including XANADU and BROADWAYWORLD TV TICKET CENTRAL SPONSORED BY ISLAND OF DR. MOREAU, 7/5 - 7/21 HARVEY 1 Feedback Print E-mail 0 Friday, June 15, 2012; 12:06 PM - by BWW News Desk Piper Theatre's free production of the musical "Xanadu" premieres at the Old Stone House July 5, and we're hoping that you can Broadway Tours mention it online. This will be the first time "Xanadu" is performed BWW TV: The HURLY BURLY SHOW Returns Off-Bway London in Brooklyn, and where better to have an all-rollerskating cast, to the West End; Opens July 2 Help, Pick Me a Show belting out an ELO soundtrack, than outdoors, in a park, in BWW TODAY summer? Second Stage will feature an original adaptation of H.G. Wells' "Island of Dr. Moreau," premiering July 7, continuing Piper's Latest News tradition of scary stories on summer nights. BWW Database *new* CDs/Books/DVDs XANADU Grosses 6/24 Photos Summer Camp - '70s style - Rolls into Brooklyn This Summer! Reviews TV/Video Roller-Skating Musical Comedy Spectacular Makes its Brooklyn Premiere Free and Outdoors Web Radio Thursdays and Fridays in July MESSAGE BOARDS At the Old Stone House, Washington Park - at 3rd Street/4th and 5th avenue in Park Slope (F or R to Broadway Off-topic West End Student 9th St. -
WEDNESDAY SERIES 7 Hannu Lintu, Conductor Golda Schultz
16.1. WEDNESDAY SERIES 7 Helsinki Music Centre at 19:00 Hannu Lintu, conductor Golda Schultz, soprano Jennifer Johnston, mezzo-soprano Helsinki Music Centre Choir, singers from Sibelius-Academy Choir, coach Nils Schweckendiek Gustav Mahler: Symphony No. 2 in C Minor 80 min “Resurrection” I Allegro maestoso II Andante moderato III In ruhig fließender Bewegung – IV Urlicht’. Sehr feierlich, aber schlicht V I m Tempo des Scherzos. Wild herausfahrend – Langsam – Allegro energico – Langsam – Più mosso No interval. The concert will end at about 20:30. Broadcast live on Yle radio 1 and Yle Areena. 1 GUSTAV MAHLER: Wunderhorn poem Urlicht (Primal Light). For the finale, he spent ages looking for SYMPHONY NO. a suitable text, and eventually found 2 IN C MINOR one on hearing Friedrich Klopstock’s “RESURRECTION” hymn Auferstehung (Resurrection) at von Bülow’s funeral. He then wasted no time composing the big finale for two While composing his first symphony, soloists, choir and large orchestra in Gustav Mahler became inspired by the 1894, and the symphony was premiered poem Totenfeier by Adam Mickiewicz. the following year. Translated into German by his friend Mahler provided more comments on Siegfried Lipiner, it describes pagan fu- his second symphony than on any of neral rites in the Baltic folk tradition his other works, often to correct mis- and led to a symphonic poem titled conceptions. In the end, he stopped do- Totenfeier in 1888. He later said it laid ing this, preferring to let the music and the hero of his first symphony to rest texts speak for themselves. amid a shower of questions: “Why did The second symphony paints an am- you live? Why did you suffer? Is it all just bivalent picture of the resurrection as a a big, terrible joke? We will have to find doubt-ridden search for truth, redemp- an answer to these questions if we want tion and freedom. -
Konzert: Jesus Christ Superstar in Concert Donnerstag, 01.April 2021, 20.00 Uhr Freitag, 02
Konzert: Jesus Christ Superstar in Concert Donnerstag, 01.April 2021, 20.00 Uhr Freitag, 02. April 2021, 19.00 Uhr Als Jesus Christ Superstar 1971 in New York Premiere hatte, war es eine der umstrittensten Premieren der Musical-Geschichte. Der damals noch unbekannte Andrew Lloyd Webber und Tim Rice hatten die letzte sieben Tage des Jesus von Nazareth als innovative Rockoper auf die Bühne gebracht und ebenso Begeisterungsstürme wie den erbitterten Widerstand religiöser Gruppen ausgelöst. Mittlerweile aber gehört „Jesus Christ Superstar“ zu den meist gespielten Musicals weltweit und darf getrost als Meilenstein des Genre bezeichnet werden. Auch am Gründonnerstag und Karfreitag 2020 werden wir das Stück wieder konzertant in Mannheim zusammen mit dem Ensemble des Capitol auf die Bühne des alten Lichtspielhauses bringen. Unter der musikalischen Leitung von Sebastian Henzl und der dramaturgischen Begleitung von Georg Veit geben Drew Sarich, in der Rolle des Jesus und Zodwa Selele als Maria Magdalena und viele andere am 09. und 10. April zwei Konzerte. Aufregende Sänger, großer Chor und eine große Band versprechen zwei ganz besondere Vorstellungen, die man lange nicht vergessen wird. Drew Sarich Der bekannte Musicaldarsteller wurde 1975 in St. Louis, Missouri, in eine kunstsinnige Familie hineingeboren. Nach dem Musik-, Schauspiel- und Tanzstudium in Boston zog er nach New York, wo er vom Fleck weg als Background-Sänger für Liza Minnellis Tournee engagiert wurde. Die Reise führte ihn um die ganze Welt. Das Angebot, die Hauptrolle in der Welturaufführung des Disney-Musicals „Der Glöckner von Notre Dame“ zu spielen, zog ihn 1999 nach Berlin. Weitere Engagements führten ihn ans Londoner West End und den New Yorker Broadway. -
THE METROPOLITAN OPERA Subject to Change 2019-20 TOLL BROTHERS-METROPOLITAN OPERA INTERNATIONAL RADIO NETWORK SEASON As of 2/20/2019
THE METROPOLITAN OPERA Subject to change 2019-20 TOLL BROTHERS-METROPOLITAN OPERA INTERNATIONAL RADIO NETWORK SEASON as of 2/20/2019 On- Off- Delay Delay Last Date Opera INT Air Air start end Broadcast 2019 October 12 TURANDOT (Puccini) 1:00 4:22 2 3/24/2018 HD** Yannick Nézet-Séguin; Christine Goerke (Turandot), Eleonora Buratto (Liù), Roberto Aronica (Calàf), James Morris (Timur) October 26 MANON (Massenet) Maurizio Benini; Lisette Oropesa (Manon), Michael Fabiano (Chevalier des Grieux), Carlo Bosi (Guillot de Morfontaine), 1:00 5:12 2 3/21/2015 HD** Artur Ruciński (Lescaut), Brett Polegato (de Brétigny), Kwangchul Youn (Comte des Grieux) November 9 MADAMA BUTTERFLY (Puccini) 1:00 4:32 2 3/3/2018 HD** Pier Giorgio Morandi; Hui He (Cio-Cio-San), Elizabeth DeShong (Suzuki), Andrea Carè (Pinkerton), Plácido Domingo (Sharpless) November 23 AKHNATEN (Philip Glass) – New Production/Met Premiere Network Karen Kamensek; Dísella Lárusdóttir (Queen Tye), J'nai Bridges (Nefertiti), Anthony Roth Costanzo (Akhnaten), 1:00 4:56 2 HD** Premiere Aaron Blake (High Priest of Amon), Will Liverman (Horemhab), Richard Bernstein (Aye), Zachary James (Amenhotep) December 7 AKHNATEN (Philip Glass) – New Production/Met Premiere Network Karen Kamensek; Dísella Lárusdóttir (Queen Tye), J'nai Bridges (Nefertiti), Anthony Roth Costanzo (Akhnaten), 1:00 4:45 2 First SatMat Premiere Aaron Blake (High Priest of Amon), Will Liverman (Horemhab), Richard Bernstein (Aye), Zachary James (Amenhotep) December 14 THE QUEEN OF SPADES (Tchaikovsky) Vasily Petrenko; Lise Davidsen