Cambridge University Press 978-1-108-83761-3 — William Wordsworth, Second-Generation Romantic Jeffrey Cox Index More Information
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THE INFLUENCE of MILTON Oi WORDSWORTH's POETRY
THE INFLUENCE OF MILTON Oi WORDSWORTH'S POETRY APPROVED; Major.Professor kI JLJBL4^£,\^Xk\4 Minor Professor ^ Director of the Department of English £**r^Vu De&h of tha^Braduate School THE INFLUENCE OF MILTON ON WORDSWORTH'S POETRY THESIS Presented to the Graduate Council of the North Texas State College in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By 179878 Luree Burson, B. A* Silverton, Texas August, 1950 N. T. S. C. LIBRARY 179878 TABLE OF CONTENTS Chapter Page I. MILTON'S FAME IN WORDSWORTH'S DAY . 1 II. THE INFLUENCE OP MILTON ON WORDSWORTH'S POLITICAL VIEWS, PROSE, AND EARLY POlTfiT . 34 III. WORDSWORTH'S SONNETS AND SHORTER POEMS IN BLANK VERSE ........... 60 IV. THS PRELUDE AND THE EXCURSION .... 77 V. CONCLUSION .............. 94 BIBLIOGRAPHY ................. 102 iii CHAPTER I MILTON1S FAME IS WORDSWORTH'S DAI Throughout the eighteenth century the literary reputation of Milton had steadily grown, but the poetry of Milton had never been more generally or ardently admired by men of letters than during the time of William Wordsworth* The early romanticists seemed to have been responsible for this. When roaanticisa became the dominant word in English literature, it was only natural that the works of Milton, along with those of Spenser and Shakespeare, should enter upon an era of great popularity. Biographies of Milton were numerous, but the numerous editions of his works give the best basis for proof of his fame during that period. With particular reference to Paradise Lost this can be noted. Here a genuine surprise awaits us, for we find that between 1705 and 1$Q0 Paradise Lost was published over a hundred times! fhe wonder grows when we look at the Faerie Queene. -
The River Duddon (End Underline)
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2007-11-29 Wordsworth's Evolving Project: Nature, the Satanic School, and (underline) The River Duddon (end underline) Kimberly Jones May Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the English Language and Literature Commons BYU ScholarsArchive Citation May, Kimberly Jones, "Wordsworth's Evolving Project: Nature, the Satanic School, and (underline) The River Duddon (end underline)" (2007). Theses and Dissertations. 1247. https://scholarsarchive.byu.edu/etd/1247 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. WORDSWORTH’S EVOLVING PROJECT: NATURE, THE “SATANIC SCHOOL,” AND THE RIVER DUDDON by Kimberly Jones May A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of English Brigham Young University December 2007 BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Kimberly Jones May This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. November 16, 2007 Date Nicholas Mason, Chair November 16, 2007 Date Dan Muhlestein, Reader November 16, 2007 Date Matthew Wickman, Reader -
Wordsworth's Moonlight-Poetry and the Sense of Thecc Uncanny"
Wordsworth's Moonlight-Poetry and the Sense of thecc Uncanny" BRIAN COSGROVE I c V_voNSPicuous AMONG THOSE who have emphasized in Words• worth the tension between Nature and Imagination is Geoffrey Hartman, who has argued that one habitual Wordsworthian response is to shy away from "an 'apocalyptic' position" since "he does not want to find imagination in violation of man or nature." Wordsworth's hope, then, is "that the imagination can be domes• ticated, that nature can satisfy a mind which seeks, or used to seek, the supernatural."1 The attraction of Wordsworth to the supernatural is, nonethe• less, potent in an early phase of his career; and there are a number of texts from the Alfoxden period (1798) which reveal not simply this attraction, but the ambivalence of feeling aroused by it. Since, however, Wordsworth's supernatural is deliberately muted by his strong grasp of the actual, we need a more accept• able term to describe a poetry which mediates between the extremes of natural and supernatural. I would propose, for con• venience, that we speak of Wordsworth's poetry of the preter• natural ; and I would argue further that this preternatural quality is most frequently evidenced in a consistent imagery of moon• light.2 Nathaniel Hawthorne, in a famous passage in The Scarlet Letter, may help us further to define the quality of this poetry of the preternatural which exists in an intermediary moonlit world. In the preamble of "The Custom-House," Hawthorne presents himself seated in a moonlit parlour, "striving to picture imagi• nary scenes. ..." He continues: 20 BRIAN COSGROVE If the imaginative faculty refused to act at such an hour, it might well be deemed a hopeless case. -
William Wordsworth (7 A;뼈 1770 - 23 Ap벼 1850)
William Wordsworth (7 A;뼈 1770 - 23 Ap벼 1850) Judith W. Page Millsaps College BOOKS: AnEv’e1’↑따r Peter Bell, A Tale in Verse (London: Printed by dressed to a young Lady, [rom the Lakes o[ the Strahan & Spottiswoode for Longman, North o[ Englaηd (London: Printed for J. Hurst, Rees, Orme & Brown, 1819); johnson, 1793); The Waggoner, A Poem. To Which are added, Sonnets Descriptive Sketches. ln Verse. Take'ft 4t띠ng a Pedes (London: Printed by Strahan & Spot trian Tour in the ltalian, G:매:son, Swi:ss, and Sa tiswoode for Longman, Hurst, Rees, Orme voyard Aφ's (London: Printed for J. johnson, & Brown, 1819); 1793); M강cellaη eous Poems o[ William Word:sworth, 4 vol Lyrical Ballad:s, with a [ew other Poems (Bristol: umes (London: Printed for Longman, Printed by Biggs & Cottle for T. N. Long Hurst, Rees, Orme & Brown, 1820); man, London, 1798; London: Printed for J. The River Dμddoη, A se얘es o[ Sonnets: Vaudracmιr & A. Arch 1798; enlarged edition 2 vol , , q,nd Jμ lia: and Other Poems. To which 강 aη umes, London: Printed for T. N. Longman nexed, A Topographical Desc얘 tioη o[ the Coun & Rees by Biggs &. Co., Bristol, 1800; Phil o. tη, o[ the Lakes, in the North o[ Eη.glaηd (Lon adelphia: Printed & s이d by james Hum don: Printed for Longman, Hursì:, Rees, phreys, 1802); Orme & Brown, 1820); Poems, in two Volumes (London: Printed for Long ADαcπÖ:þ tioη o[ the Sceη ery o[ the Lakes in The N orth man, Hurst, Rees & Orm~ , 1807); o[ Eη.glaηd. Third Editioη, (Now [irst publi:shed Concerning the Convention o[ Cintra (London: separately) (London: Printed for Longman, Printed for Longman, Hurst, Rees & Orme Hurst, Rees, Orme & Brown, 1822; revised 1809); and enlarged, 1823); revised and enlarged TheEχ:cursion, being a portion o[ The Recluse, a Poem again as A Gμide through the Di:strict o[ the (London: Printed for Longman, Hurst, Lakes in The N orth o[ Eηgland (Kendal: Pub Rees, Orme & Brown, 1814; New York: C. -
Descending Caves: Descent Narratives and the Subterranean Science and Literature of the Long Eighteenth Century 1680 - 1830
Descending Caves: Descent Narratives and the Subterranean Science and Literature of the Long Eighteenth Century 1680 - 1830 Damian Frank Pearson Thesis submitted in fulfilment for the degree of Doctor of Philosophy in Literature Department of English and Creative Writing Lancaster University June 2018 Frank Pearson Table of Contents Acknowledgements iii Abstract vi Introduction: The Underworld and the Underground 1 Structure 6 Cave Context 9 The Origin of Cave Science 13 Descent Narratives and the Hidden Recesses of Nature 21 Subterranean Aesthetics 35 The Space and Place of the Underground 40 Travel, Curiosity and the Descent Narrative 44 Cave Representations 49 Chapter One: Establishing Cave Science Introduction: Natural Philosophy and Literary Science 51 The Royal Society, Fieldwork and the Concept of Nature 58 Biblical Theories of Cave Geomorphology 66 Caves and the Origin of Subterraneous Water 69 Cave Geomorphology and Erosion 75 Caves and Deep Time 79 Joseph Black, Fixed Air, Carbon Dioxide and Limestone Solution 85 James Hutton and Limestone Solution 95 Adam Walker and the Exploration of caves 100 Charles Lyell and the Formation of Caves 108 Conclusion 112 Chapter Two: Cave Myth and Literature Introduction: The Descent Narrative, Underworld and Hell 114 Thomas Burnet and the Sublime Underworld 122 The Subterranean Sublime in Descent Poetry 125 The Descent Narrative as Parody 132 The Descent Narrative as a State of Mind 134 Caves and the Poetry of Place 140 Descent Narratives and the Novel 147 Conclusion 156 Chapter Three: Caves -
1 Essay Title: Romantic Poetry and Victorian
Essay title: Romantic Poetry and Victorian Nonsense Poetry: Some Directions of Travel Name: Peter Swaab Email: [email protected] Postal address: Dept of English, UCL, Gower Street, London WC1E 6BT Abstract: This essay explores links between Victorian nonsense poetry and poetry of the Romantic period, with a focus on narratives of quest, voyaging and escape. It discusses brief instances from various writers of the two periods and moves on to a more developed comparison between Wordsworth and Edward Lear, centring on ‘The Blind Highland Boy’. The comparison between periods leads to an argument that self- critique and scepticism were quite robustly in place from the start in the romantic period, and that obstacles to sense could at times be experienced not just as perplexity but as enjoyment shared with an audience. It also points to a further appreciation of some of the less canonical works by the most canonical writers, and suggests a tradition in which romantic aspiration was often coolly linked to a sense of absurdity. Keywords: romanticism, nonsense poetry, quests, voyages, romantic Victorianism 1 Romantic Poetry and Victorian Nonsense Poetry: Some Directions of Travel Peter Swaab We are used to asking what was Victorian about nonsense writing, but this essay takes the slightly different approach of asking what was Romantic about it. Various thematic and generic links suggest themselves as possible approaches. First, we might say that nonsense brings a cooling comic self-consciousness to many of the dramas of romanticism – for instance those involving childhood, isolation, utopian dreams, travel and imperialism. In exploring sublimity, nonsense always grounds it in absurdity, chiefly the absurdity of love in Edward Lear, and of meaning in Lewis Carroll. -
The Poems of William Wordsworth Collected Reading Texts from the Cornell Wordsworth
The Poems of William Wordsworth Collected Reading Texts from The Cornell Wordsworth Edited by Jared Curtis In Three Volumes A Complimentary Addendum HEB ☼ Humanities-Ebooks For advice on use of this ebook please scroll to page 2 Using this Ebook t * This book is designed to be read in single page view, using the ‘fit page’ command. * To navigate through the contents use the hyperlinked ‘Bookmarks’ at the left of the screen. * To search, click the search symbol. * For ease of reading, use <CTRL+L> to enlarge the page to full screen, and return to normal view using < Esc >. * Hyperlinks (if any) appear in Blue Underlined Text. Permissions You may print a copy of the book for your own use but copy and paste functions are disabled. No part of this publication may be otherwise reproduced or transmitted or distributed without the prior written permission of both the copyright owner and the publisher. Making or distributing copies of this book would constitute copyright infringement and would be liable to prosecution. Thank you for respecting the rights of the author. An Addendum to The Poems of William Wordsworth Collected Reading Texts from The Cornell Wordsworth Series In Three Volumes Edited by Jared Curtis HEB ☼ Humanities-Ebooks, LLP © Jared Curtis, 2012 The Author has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. First published by Humanities-Ebooks, LLP, Tirril Hall, Tirril, Penrith CA10 2JE. Cover image, Sunburst over Martindale © Richard Gravil The reading texts of Wordsworth’s poems used in this volume are from the Cornell Wordsworth series, published by Cornell University Press, Sage House, 512 East State Street, Ithaca, NY 14850. -
The Wordsworthian Inheritance of Melville's
THE WORDSWORTHIAN INHERITANCE OF MELVILLE’S POETICS by Cory R. Goehring B.A., Washington and Jefferson College, 2000 M.A., University of Massachusetts-Amherst, 2004 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2010 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Cory R. Goehring It was defended on May 19, 2010 and approved by Nancy Glazener, Associate Professor, English Marah Gubar, Associate Professor, English Fred Evans, Professor, Philosophy Jonathan Arac, Andrew W. Mellon Professor, English ii Copyright © by Cory R. Goehring 2010 iii THE WORDSWORTHIAN INHERITANCE OF MELVILLE’S POETICS Cory R. Goehring, Ph.D. University of Pittsburgh, 2010 It has become commonplace among both Melville and Wordsworth critics to recognize a basic ambiguity or contradictoriness in each artist’s writing. In this project, I find the roots of that tension in each artist’s concept of the imagination and the process of poetic creation. More importantly, I find that Melville’s concept of art, as reflected in his magnum opus Moby-Dick and substantiated in his poetry, reveals a basic affinity with Wordsworth’s Imagination. Specifically, my project traces the lingering elements of Wordsworth’s concept of the poetic process in Melville’s writing, particularly focusing on two important and complex relationships in that creative process: 1) the implicit paradox of activity and passivity in a poetics that assumes at its heart inspiration, and Wordsworth’s particular devotion to preserving rather than reconciling that paradox; and 2) the role of society in a creative process that seeks to privilege individual genius while ensuring the social efficacy of the workings of that genius. -
The Road to Nether Stowey
From The Coleridge Bulletin The Journal of the Friends of Coleridge New Series 23 (NS) Spring 2004 © 2004 Contributor all rights reserved http://www.friendsofcoleridge.com/Coleridge-Bulletin.htm The Road to Nether Stowey Duncan Wu ____________________________________________________________________________________________ y First Acquaintance with Poets’ is our principal witness for events ‘M during Hazlitt’s visit to Nether Stowey and Alfoxden in late May 1798. Its popularity derives not just from what it reveals of Wordsworth and Coleridge at a vitally important moment in their creative lives, but from its ingeniously constructed myth of initiation into their work. For those reasons, we should be wary of accepting it as the final word on the events it describes. Take, for instance, the time-scale of Hazlitt’s stay: in the essay it seems to span only a few days, when in fact he was there for three weeks. And it is inconceivable that he failed to make the acquaintance of Berkeley Coleridge, born ten days prior to his arrival. Berkeley was described as possessing a ‘noble and lovely style of beauty, his large, soft eyes, of a “London-smoke” colour, exquisite complexion, regular features and goodly size’. His father was reported to have been ‘very proud of him’, showing him off to admirers,1 one of whom must have included Hazlitt. Nor can Hazlitt have failed to make friends with Hartley Coleridge, four months from his second birthday; in 1803 he would paint his portrait.2 By all accounts, he got on with both of them, such that Coleridge -
Global Spaces and Travel in the Literature of William Wordsworth
Boundless Explorations: Global Spaces and Travel in the Literature of William Wordsworth, Percy Shelley, and Mary Shelley by Alexander J. Willis A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Alexander J. Willis 2011 ii Boundless Explorations: Global Spaces and Travel in the Literature of William Wordsworth, Percy Shelley, and Mary Shelley Alexander J. Willis, Doctor of Philosophy Graduate Department of English, University of Toronto, 2011 Abstract This dissertation focuses on a Romanticism that was profoundly global in scope, and examines the boundary-crossing literary techniques of William Wordsworth, Percy Shelley and Mary Shelley. These authors saw identity as delimited by artificial borders, and we witness in their work competitions between local and global, immediate and infinite, home and away – all formulated in spatial terms. This thesis argues that by using motifs and philosophies associated with “borderless” global travel, these authors radically destabilized definitions of nature, history, and the home. Wordsworth and the Shelleys saw the act of travel as essentially cosmopolitan, and frequently depicted spaces outside of familiar boundaries as being rich in imaginative vitality. Their fiction and poetry abounds with examples of North American primitivism, radical modes of transportation, and unknown territories sought by passionate explorers. Importantly, they often used such examples of foreignness to rejuvenate familiar spaces and knowledge – these were individuals determined to retain a certain amount of local integrity, or connection with the reluctant minds who feared alien contexts. As such, they were each aware of the fragility of embedded minds, and the connection of these minds to bordered historical contexts. -
Literature, Religion, and Postsecular Studies Lori Branch, Series Editor Joanna Southcott (1812)
Literature, Religion, and Postsecular Studies Lori Branch, Series Editor Joanna Southcott (1812). Engraving by William Sharp © Trustees of the British Museum AKE L ETHODISM Polite LiteratureM and Popular Religion in England, 1780–1830 JASPER CRAGWALL THE OHIO STATE UNIVERSITY PRESS • COLUMBUS Copyright © 2013 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Cragwall, Jasper Albert, 1977– Lake Methodism : polite literature and popular religion in England, 1780–1830 / Jasper Cragwall. p. cm. (Literature, religion, and postsecular studies) Includes bibliographical references and index. ISBN-13: 978-0-8142-1227-1 (cloth : alk. paper) ISBN-10: 0-8142-1227-1 (cloth : alk. paper) ISBN-13: 978-0-8142-9329-4 (cd) 1. English literature—19th century—History and criticism. 2. Religion and literature—Great Britain—History—19th century. 3. English literature—18th century—History and criticism. 4. Religion and literature—Great Britain—History—18th century. 5. Romanticism—Great Britain. 6. Methodism in literature. 7. Methodism—History. 8. Methodism—Influence. 9. Great Brit- ain—Intellectual life—19th century. 10. Great Britain—Intellectual life—18th century. I. Title. II. Series: Literature, religion, and postsecular studies. PR468.R44C73 2013 820.9'382—dc23 2013004710 Cover design by Juliet Williams Text design by Juliet Williams Type set in Sabon Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence -
William Wordsworth - Poems
Classic Poetry Series William Wordsworth - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive William Wordsworth(1770-1850) Wordsworth, born in his beloved Lake District, was the son of an attorney. He went to school first at Penrith and then at Hawkshead Grammar school before studying, from 1787, at St John's College, Cambridge - all of which periods were later to be described vividly in The Prelude. In 1790 he went with friends on a walking tour to France, the Alps and Italy, before arriving in France where Wordsworth was to spend the next year. Whilst in France he fell in love twice over: once with a young French woman, Annette Vallon, who subsequently bore him a daughter, and then, once more, with the French Revolution. Returning to England he wrote, and left unpublished, his Letter to the Bishop of Llandaff - a tract in support of the French Revolutionary cause. In 1795, after receiving a legacy, Wordsworth lived with his sister Dorothy first in Dorset and then at Alfoxden, Dorset, close to Coleridge. In these years he wrote many of his greatest poems and also travelled with Coleridge and Dorothy, in the winter of 1798-79, to Germany. Two years later the second and enlarged edition of the Lyrical Ballads appeared in 1801, just one year before Wordsworth married Mary Hutchinson. This was followed, in 1807, by the publication of Poems in Two Volumes, which included the poems 'Resolution and Independence' and 'Intimations of Immortality from Recollections of Early Childhood'. During this period he also made new friendships with Walter Scott, Sir G.