The Road to Nether Stowey
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The River Duddon (End Underline)
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2007-11-29 Wordsworth's Evolving Project: Nature, the Satanic School, and (underline) The River Duddon (end underline) Kimberly Jones May Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the English Language and Literature Commons BYU ScholarsArchive Citation May, Kimberly Jones, "Wordsworth's Evolving Project: Nature, the Satanic School, and (underline) The River Duddon (end underline)" (2007). Theses and Dissertations. 1247. https://scholarsarchive.byu.edu/etd/1247 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. WORDSWORTH’S EVOLVING PROJECT: NATURE, THE “SATANIC SCHOOL,” AND THE RIVER DUDDON by Kimberly Jones May A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of English Brigham Young University December 2007 BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Kimberly Jones May This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. November 16, 2007 Date Nicholas Mason, Chair November 16, 2007 Date Dan Muhlestein, Reader November 16, 2007 Date Matthew Wickman, Reader -
Wordsworth's Moonlight-Poetry and the Sense of Thecc Uncanny"
Wordsworth's Moonlight-Poetry and the Sense of thecc Uncanny" BRIAN COSGROVE I c V_voNSPicuous AMONG THOSE who have emphasized in Words• worth the tension between Nature and Imagination is Geoffrey Hartman, who has argued that one habitual Wordsworthian response is to shy away from "an 'apocalyptic' position" since "he does not want to find imagination in violation of man or nature." Wordsworth's hope, then, is "that the imagination can be domes• ticated, that nature can satisfy a mind which seeks, or used to seek, the supernatural."1 The attraction of Wordsworth to the supernatural is, nonethe• less, potent in an early phase of his career; and there are a number of texts from the Alfoxden period (1798) which reveal not simply this attraction, but the ambivalence of feeling aroused by it. Since, however, Wordsworth's supernatural is deliberately muted by his strong grasp of the actual, we need a more accept• able term to describe a poetry which mediates between the extremes of natural and supernatural. I would propose, for con• venience, that we speak of Wordsworth's poetry of the preter• natural ; and I would argue further that this preternatural quality is most frequently evidenced in a consistent imagery of moon• light.2 Nathaniel Hawthorne, in a famous passage in The Scarlet Letter, may help us further to define the quality of this poetry of the preternatural which exists in an intermediary moonlit world. In the preamble of "The Custom-House," Hawthorne presents himself seated in a moonlit parlour, "striving to picture imagi• nary scenes. ..." He continues: 20 BRIAN COSGROVE If the imaginative faculty refused to act at such an hour, it might well be deemed a hopeless case. -
William Wordsworth (7 A;뼈 1770 - 23 Ap벼 1850)
William Wordsworth (7 A;뼈 1770 - 23 Ap벼 1850) Judith W. Page Millsaps College BOOKS: AnEv’e1’↑따r Peter Bell, A Tale in Verse (London: Printed by dressed to a young Lady, [rom the Lakes o[ the Strahan & Spottiswoode for Longman, North o[ Englaηd (London: Printed for J. Hurst, Rees, Orme & Brown, 1819); johnson, 1793); The Waggoner, A Poem. To Which are added, Sonnets Descriptive Sketches. ln Verse. Take'ft 4t띠ng a Pedes (London: Printed by Strahan & Spot trian Tour in the ltalian, G:매:son, Swi:ss, and Sa tiswoode for Longman, Hurst, Rees, Orme voyard Aφ's (London: Printed for J. johnson, & Brown, 1819); 1793); M강cellaη eous Poems o[ William Word:sworth, 4 vol Lyrical Ballad:s, with a [ew other Poems (Bristol: umes (London: Printed for Longman, Printed by Biggs & Cottle for T. N. Long Hurst, Rees, Orme & Brown, 1820); man, London, 1798; London: Printed for J. The River Dμddoη, A se얘es o[ Sonnets: Vaudracmιr & A. Arch 1798; enlarged edition 2 vol , , q,nd Jμ lia: and Other Poems. To which 강 aη umes, London: Printed for T. N. Longman nexed, A Topographical Desc얘 tioη o[ the Coun & Rees by Biggs &. Co., Bristol, 1800; Phil o. tη, o[ the Lakes, in the North o[ Eη.glaηd (Lon adelphia: Printed & s이d by james Hum don: Printed for Longman, Hursì:, Rees, phreys, 1802); Orme & Brown, 1820); Poems, in two Volumes (London: Printed for Long ADαcπÖ:þ tioη o[ the Sceη ery o[ the Lakes in The N orth man, Hurst, Rees & Orm~ , 1807); o[ Eη.glaηd. Third Editioη, (Now [irst publi:shed Concerning the Convention o[ Cintra (London: separately) (London: Printed for Longman, Printed for Longman, Hurst, Rees & Orme Hurst, Rees, Orme & Brown, 1822; revised 1809); and enlarged, 1823); revised and enlarged TheEχ:cursion, being a portion o[ The Recluse, a Poem again as A Gμide through the Di:strict o[ the (London: Printed for Longman, Hurst, Lakes in The N orth o[ Eηgland (Kendal: Pub Rees, Orme & Brown, 1814; New York: C. -
Descending Caves: Descent Narratives and the Subterranean Science and Literature of the Long Eighteenth Century 1680 - 1830
Descending Caves: Descent Narratives and the Subterranean Science and Literature of the Long Eighteenth Century 1680 - 1830 Damian Frank Pearson Thesis submitted in fulfilment for the degree of Doctor of Philosophy in Literature Department of English and Creative Writing Lancaster University June 2018 Frank Pearson Table of Contents Acknowledgements iii Abstract vi Introduction: The Underworld and the Underground 1 Structure 6 Cave Context 9 The Origin of Cave Science 13 Descent Narratives and the Hidden Recesses of Nature 21 Subterranean Aesthetics 35 The Space and Place of the Underground 40 Travel, Curiosity and the Descent Narrative 44 Cave Representations 49 Chapter One: Establishing Cave Science Introduction: Natural Philosophy and Literary Science 51 The Royal Society, Fieldwork and the Concept of Nature 58 Biblical Theories of Cave Geomorphology 66 Caves and the Origin of Subterraneous Water 69 Cave Geomorphology and Erosion 75 Caves and Deep Time 79 Joseph Black, Fixed Air, Carbon Dioxide and Limestone Solution 85 James Hutton and Limestone Solution 95 Adam Walker and the Exploration of caves 100 Charles Lyell and the Formation of Caves 108 Conclusion 112 Chapter Two: Cave Myth and Literature Introduction: The Descent Narrative, Underworld and Hell 114 Thomas Burnet and the Sublime Underworld 122 The Subterranean Sublime in Descent Poetry 125 The Descent Narrative as Parody 132 The Descent Narrative as a State of Mind 134 Caves and the Poetry of Place 140 Descent Narratives and the Novel 147 Conclusion 156 Chapter Three: Caves -
1 Essay Title: Romantic Poetry and Victorian
Essay title: Romantic Poetry and Victorian Nonsense Poetry: Some Directions of Travel Name: Peter Swaab Email: [email protected] Postal address: Dept of English, UCL, Gower Street, London WC1E 6BT Abstract: This essay explores links between Victorian nonsense poetry and poetry of the Romantic period, with a focus on narratives of quest, voyaging and escape. It discusses brief instances from various writers of the two periods and moves on to a more developed comparison between Wordsworth and Edward Lear, centring on ‘The Blind Highland Boy’. The comparison between periods leads to an argument that self- critique and scepticism were quite robustly in place from the start in the romantic period, and that obstacles to sense could at times be experienced not just as perplexity but as enjoyment shared with an audience. It also points to a further appreciation of some of the less canonical works by the most canonical writers, and suggests a tradition in which romantic aspiration was often coolly linked to a sense of absurdity. Keywords: romanticism, nonsense poetry, quests, voyages, romantic Victorianism 1 Romantic Poetry and Victorian Nonsense Poetry: Some Directions of Travel Peter Swaab We are used to asking what was Victorian about nonsense writing, but this essay takes the slightly different approach of asking what was Romantic about it. Various thematic and generic links suggest themselves as possible approaches. First, we might say that nonsense brings a cooling comic self-consciousness to many of the dramas of romanticism – for instance those involving childhood, isolation, utopian dreams, travel and imperialism. In exploring sublimity, nonsense always grounds it in absurdity, chiefly the absurdity of love in Edward Lear, and of meaning in Lewis Carroll. -
Cambridge University Press 978-1-108-83761-3 — William Wordsworth, Second-Generation Romantic Jeffrey Cox Index More Information
Cambridge University Press 978-1-108-83761-3 — William Wordsworth, Second-Generation Romantic Jeffrey Cox Index More Information Index Abrams, M. H., 99, 203 and Coleridge, 16 Adelman, Richard, 140 and Haydon, 11 Ainsworth’s Magazine, 200, 251 and Hazlitt, 17 Allen, Jessie, 172 and Keats, 11, 51 Allot, Miriam, 51 and Landor, 188 Annals of the Fine Arts, 144, 226 and Wordsworth, 14–15, 76, 130, 131, 134, 162 Anti-Jacobin Review, 231 Cockney School attacks, 14–15, 18, 20, 22, 138, Armstrong, John, 136, 151 144, 190 Arnold, Matthew, 24, 201 “Essays on the Lake School of Poetry,” 144, 230 Arnold, Samuel (“Address, In honour of the review of Ecclesiastical Sketches, 162, 167 unconquered Wellington”), 82 review of Hazlitt’s Lectures on the English Astley’s Royal Amphitheatre, 82 Poets, 144 Athenaeum, 250 review of Peter Bell, 120 Aytoun, William Edmondstoune (“Lament for review of Six Weeks’ Tour, 144 Shelley”), 184 review of White Doe of Rylstone, 144 Blake, William, 41, 201 Baillie, Joanna, 3, 251 Bloom, Harold, 2, 21, 151 Bainbridge, Simon, 82, 97, 108 Bobinet the Bandit, 83 Bajetta, Carlo, 116, 119 Boccaccio, Giovanni, 21, 184 Baker, John Haydn, 168 Bowles, William Lisle, 19, 135, 136 Barbauld, Anna Laetitia, 159, 197 Bradley, A. C., 203 Barker, Mary, Lines Addressed to A Noble Lord, Brandreth, Jeremiah, 116 114–15 British Critic, 16, 48, 51, 78, 112, 130, 131, 231 Barnes, Thomas, 12 British Quarterly Review, 250 Barnett, Suzanne, 220 British Review, 116, 130 Barton, Bernard, 230 Brougham, Henry, 8 Bate, Brian, 129 Brown, Charles, 188 Bate, -
Global Spaces and Travel in the Literature of William Wordsworth
Boundless Explorations: Global Spaces and Travel in the Literature of William Wordsworth, Percy Shelley, and Mary Shelley by Alexander J. Willis A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Alexander J. Willis 2011 ii Boundless Explorations: Global Spaces and Travel in the Literature of William Wordsworth, Percy Shelley, and Mary Shelley Alexander J. Willis, Doctor of Philosophy Graduate Department of English, University of Toronto, 2011 Abstract This dissertation focuses on a Romanticism that was profoundly global in scope, and examines the boundary-crossing literary techniques of William Wordsworth, Percy Shelley and Mary Shelley. These authors saw identity as delimited by artificial borders, and we witness in their work competitions between local and global, immediate and infinite, home and away – all formulated in spatial terms. This thesis argues that by using motifs and philosophies associated with “borderless” global travel, these authors radically destabilized definitions of nature, history, and the home. Wordsworth and the Shelleys saw the act of travel as essentially cosmopolitan, and frequently depicted spaces outside of familiar boundaries as being rich in imaginative vitality. Their fiction and poetry abounds with examples of North American primitivism, radical modes of transportation, and unknown territories sought by passionate explorers. Importantly, they often used such examples of foreignness to rejuvenate familiar spaces and knowledge – these were individuals determined to retain a certain amount of local integrity, or connection with the reluctant minds who feared alien contexts. As such, they were each aware of the fragility of embedded minds, and the connection of these minds to bordered historical contexts. -
Literature, Religion, and Postsecular Studies Lori Branch, Series Editor Joanna Southcott (1812)
Literature, Religion, and Postsecular Studies Lori Branch, Series Editor Joanna Southcott (1812). Engraving by William Sharp © Trustees of the British Museum AKE L ETHODISM Polite LiteratureM and Popular Religion in England, 1780–1830 JASPER CRAGWALL THE OHIO STATE UNIVERSITY PRESS • COLUMBUS Copyright © 2013 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Cragwall, Jasper Albert, 1977– Lake Methodism : polite literature and popular religion in England, 1780–1830 / Jasper Cragwall. p. cm. (Literature, religion, and postsecular studies) Includes bibliographical references and index. ISBN-13: 978-0-8142-1227-1 (cloth : alk. paper) ISBN-10: 0-8142-1227-1 (cloth : alk. paper) ISBN-13: 978-0-8142-9329-4 (cd) 1. English literature—19th century—History and criticism. 2. Religion and literature—Great Britain—History—19th century. 3. English literature—18th century—History and criticism. 4. Religion and literature—Great Britain—History—18th century. 5. Romanticism—Great Britain. 6. Methodism in literature. 7. Methodism—History. 8. Methodism—Influence. 9. Great Brit- ain—Intellectual life—19th century. 10. Great Britain—Intellectual life—18th century. I. Title. II. Series: Literature, religion, and postsecular studies. PR468.R44C73 2013 820.9'382—dc23 2013004710 Cover design by Juliet Williams Text design by Juliet Williams Type set in Sabon Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence -
Critical Responses to the Works of William Wordsworth
CRITICAL RESPONSES TO THE WORKS OF WILLIAM WORDSWORTH 1794-1850 c·_~ C1~ I ,'" -, i ( A THESIS SUBMITTED TO THE DEPARTMENT OF ENGLISH AND THE GRADUATE COUNCIL OF THE EMPORIA KANSAS STATE COLLEGE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS By CAROL ANN DANKS August, 1974 Approved for the Major Department ~.~ Approved for the Graduate Council L:)kJ"N<1. .f S,)\l,uk: 352296~ , PREFACE This thesis is a report on a study of critical responses to the works of William Wordsworth. Specifically, it reviews the responses made by critics writing for periodicals to the works of William Wordsworth from 1793, the year of his first publication, through 1850, the year of his death. The object of the study was to ascertain the response of Wordsworth's contemporaries to works which have since come to represent a revolution in literary thought and practice. The questions to be answered were these: (1) What were initial critical responses to Wordsworth's published works? (2) What changes in criticism occurred during his lifetime, at what periods did they occur, and what reasons for the changes can be assigned? (3) Did Wordsworth attain general critical acceptance and approval during his lifetime? The plan of the study was quite simple. I chose five magazines contemporary with Wordsworth which often reviewed poetry in their columns, which had circulations large enough to indicate that they exerted some influence on the thought of the period, and which were in existence most ii or all of Wordsworth's adult lifetime. Using the indexes and tables of contents provided from time to time by the magazines themselves and scanning all issues during the period 1972-1850, I copied each review of a Wordsworth publication and summarized it. -
Tintern Abbey” and Shelley’S “Mont Blanc”
The Discourse of Radicalism in Wordsworth’s “Tintern Abbey” and Shelley’s “Mont Blanc” The Discourse of Radicalism in Wordsworth’s “Tintern Abbey” and Shelley’s “Mont Blanc” Hiroshi Takubo William Wordsworth is said to have forsaken his republicanism and political radicalism before he and Coleridge projected Lyrical Ballads.(1) The published volumes, however, still contained considerable democratic implications, which Francis Jeffrey readily recognized so that he conducted sustained attacks on Wordsworth as the most conspicuous member of the Lake School, vilifying him with all the terms associated with Jacobinism. The “theory” expounded in the Preface was the special target of attack, since it maintained that the language and feelings of the common people were the standard for all human experiences, directly contradicting Jeffrey who was against dissolving the British class structure for a stronger British state.(2) Jeffrey insisted that “The love, or grief, or indignation of an enlightened and refined character, is not only expressed in a different language, but is in itself a different emotion from the love, or grief, or anger, of a clown, a tradesman, or a market-wench.” (3) Jeffrey goes even so far as comparing Wordsworth to Thomas Paine: while Paine brought “disaffection and infidelity within the comprehension of the common people,” Wordsworth endeavored “to accommodate them with an appropriate vein of poetry.” (4) Shelley, meanwhile, was busy excavating all the “forbidden mines of lore,” - 19 - Paine, Godwin, and philosophes like Holbach, La Mettri, and Helvetius, studying the radical implications of those authors during the repressive years of the Napoleonic wars. The Wordsworth of the Lyrical Ballads, lauded by Shelley “as a lone star, whose light did shine/ On some frail bark in winter's midnight roar,” whose voice wove “Songs consecrate to truth and liberty” (“To Wordsworth”), qualified as a revolutionary hero for the young Shelley.(5) He was regarded as a “lone star” that shined amid the darkness in the milieu of the Repression. -
The River Duddon and the 1820 Miscellaneous Poems
Stony Brook University Academic Commons Department of English Faculty Publications Department of English Winter 2020 Wordsworth Shapes Himself And Is Reshaped: The River Duddon And The 1820 Miscellaneous Poems Peter J. Manning SUNY Stony Brook, [email protected] Follow this and additional works at: https://commons.library.stonybrook.edu/eng-articles Part of the English Language and Literature Commons Recommended Citation Peter J. Manning, "Wordsworth Reshapes Himself and Is Reshaped: The River Duddon and the 1820 Miscellaneous Poems," The Wordsworth Circle, 51,1 (Winter, 2020), 35-53. This Article is brought to you for free and open access by the Department of English at Academic Commons. It has been accepted for inclusion in Department of English Faculty Publications by an authorized administrator of Academic Commons. For more information, please contact [email protected], [email protected]. WORDSWORTH RESHAPES HIMSELF AND IS RESHAPED: THE RIVER DUDDON AND THE 1820 MISCELLANEOUS POEMS peter j. manning, Stony Brook University, New York The four-volume collection of Miscellaneous Poems has attracted signifi- cant attention from several critics.1 Yet located between the self-canonizing Poems, Including Lyrical Ballads of 18152 and the more inclusive and fur- ther revised six-volume 1836–37 edition of The Poetical Works with the frontispiece portrait by H. W. Pickersgill, reprinted in stereotype in 1840, 1841,and1843, it would be easy to look past the competing strains in Words- worth’s efforts to consolidate anew his reputation in 1820. In what follows I shall be concerned chiefly to parse the tensions arising between three im- pulses in that project: to establish himself as a national poet, to record his awareness of passing time, and to posit the stability of art beyond time. -
Wordsworth's Lucy Poems
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1958 Wordsworth's Lucy Poems John K. Locke Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Locke, John K., "Wordsworth's Lucy Poems " (1958). Master's Theses. 1416. https://ecommons.luc.edu/luc_theses/1416 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1958 John K. Locke WORDSWORTH'S LUCY pOEtm bJ John K. Locke, S.J. A Thesis Submitted to the Faculty or the Graduate School or Loyola University in Partial Pulrillment ot the Requirements for the Degree of Master of Arts J~e 19>8 LIF~ John Kerr Locke was born in Chicago, Illinois, January 18, 1933. He was graduated from Dowling High School, Des Moines, Iowa, JUne, 1950. He attended Loyola University, Chicago for the school year 1950-51. In 1951 he entered the Society of Jesus, and continued his college work at Xavier University, Cincinnati, trom which he was graduated, June, 1955 with the degree of Bachelor of Literature. In September, 1955, he began his grad uate studies tor Loyola University at west Baden College, West Baden Springs, Indiana. 11 TABLE OF CONTENTS Chapter Page I. INTRODUCTION • • • • • • • • • • • • • • • • • • • 1 Purpose of the thes1s--The 1mportant problems which must be cons1dered--Prooedure to be follow ed In seeking a solutlon--Inconslstenoe of Wordsworth's ph1losophy--order of procedure 1n the thesis.