Université De Montréal Building Blocks: Children's Literature And

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Université De Montréal Building Blocks: Children's Literature And Université de Montréal Building Blocks: Children’s Literature and the Formation of a Nation, 1750-1825 par Elvina Koay Département d’études anglaises Faculté des arts et des sciences Thèse présentée à la Faculté des études supérieures en vue de l'obtention du grade de Philosophiae Doctor (Ph.D.) en études anglaises décembre 2012 © Elvina Koay, 2012 Résumé « Building Blocks: Children’s Literature and the Formation of a Nation, 1750-1825 » examine la façon dont la littérature pour enfants imprègne les jeunes lecteurs avec un sens de nationalisme et d'identité nationale à travers la compréhension des espaces et des relations spatiales. La thèse étudie les œuvres d’enfants par Thomas Day, Sarah Fielding, Mary Wollstonecraft, Richard Lovell et Maria Edgeworth, Charles et Mary Lamb, Sarah Trimmer, Lucy Peacock, Priscilla Wakefield, John Aikin, et Anna Laetitia Barbauld. Les différents sujets thématiques reflètent la façon dont les frontières entre les dimensions extérieures et intérieures, entre le monde physique et le domaine psychologique, sont floues. En s'appuyant sur les travaux de penseurs éducatifs, John Locke et Jean-Jacques Rousseau, les écritures pour les enfants soulignent l'importance des expériences sensorielles qui informent l’évolution interne des individus. En retour, la projection de l'imagination et l'investissement des sentiments aident à former la manière dont les gens interagissent avec le monde matériel et les uns envers les autres afin de former une nation. En utilisant une approche Foucaldienne, cette thèse montre comment la discipline est inculquée chez les enfants et les transforme en sujets réglementés. Grâce à des confessions et des discours, les enfants souscrivent à la notion de surveillance et de transparence tandis que l'appréciation de l'opinion publique encourage la pratique de la maîtrise de soi. Les enfants deviennent non seulement des ébauches, sensibles à des impressions, mais des corps d'écriture lisibles. Les valeurs et les normes de la société sont internalisées pendant que les enfants deviennent une partie intégrale du système qu'ils adoptent. L'importance de la visibilité est également soulignée dans la popularité du système de Linné qui met l'accent sur l'observation et la catégorisation. L'histoire naturelle dans la littérature enfantine renforce la structure hiérarchique de la société, ce qui souligne la nécessité de respecter les limites de classes et de ii jouer des rôles individuels pour le bien-être de la collectivité. Les connotations religieuses dans l'histoire naturelle peuvent sembler justifier l'inégalité des classes, mais elles diffusent aussi des messages de charité, de bienveillance et d'empathie, offrant une alternative ou une forme d’identité nationale «féminine» qui est en contraste avec le militarisme et le nationalisme patricien. La seconde moitié de la thèse examine comment la théorie des « communautés imaginées » de Benedict Anderson devient une possibilité à travers le développement du goût national et une compréhension de l'interconnexion entre les individus. Le personnage du barde pointe à la centralité de l'esprit communautaire dans l'identité nationale. Parallèlement à la commercialisation croissante de produits culturels et nationaux durant cette période, on retrouve l’augmentation de l’attachement affectif envers les objets et la nécessité de découvrir l'authentique dans la pratique de la réflexion critique. La propriété est redéfinie à travers la question des «vrais» droits de propriété et devient partagée dans l'imaginaire commun. Des cartes disséquées enseignent aux enfants comment visualiser des espaces et des frontières et conceptualisent la place de l’individu dans la société. Les enfants apprennent que des actions disparates effectuées dans la sphère domestique ont des répercussions plus importantes dans le domaine public de la nation. Mots-clés: littérature pour enfants, dix-huitième siècle, dix-neuvième siècle, le nationalisme, l'identité nationale, la discipline, l'histoire naturelle, barde, cartes disséquées, des espaces iii Abstract “Building Blocks: Children’s Literature and the Formation of a Nation, 1750-1825” examines how children’s literature imbues young readers with a sense of nationalism and national identity through the understanding of spaces and spatial relationships. The thesis studies various children’s works by Thomas Day, Sarah Fielding, Mary Wollstonecraft, Richard Lovell and Maria Edgeworth, Charles and Mary Lamb, Sarah Trimmer, Lucy Peacock, Priscilla Wakefield, John Aikin, and Anna Laetitia Barbauld. The various thematic subjects utilised reflect how boundaries between the exterior and interior dimensions, between the physical world and the psychological realm, are blurred. Drawing from the works of educational thinkers, John Locke and Jean-Jacques Rousseau, writings for children highlight the importance of sensory experiences, which inform the internal developments of individuals. In return, the projection of imagination and the investment of feelings help shape the way people interact with the material world and with one another to form a nation. Using a Foucauldian approach, this thesis shows how discipline is instilled in children, turning them into regulated subjects. Through confessions and discourse, children subscribe to the notion of surveillance and transparency while an appreciation of public opinion further encourages the practice of self-control. Children become not only blank slates, susceptible to impressions, but readable bodies of writing. The values and norms of society are internalised, as children become part of the system that they adopt. The significance of visibility is also underscored in the popularity of the Linnaean system, which emphasises close observation and categorisation. Natural history in children’s literature reinforces the hierarchical structure of society, underscoring the need to respect class boundaries and perform individual roles for the wellbeing of the collective. The religious connotations in natural history may seem to justify class inequality; however, they also disseminate messages of charity, benevolence, and v empathy, offering an alternative or “feminine” form of national identity that stands in contrast with militarism and patricianism. The second half of the thesis looks at how Benedict Anderson’s “imagined communities” becomes a possibility through the development of national taste and an understanding of the interconnection between individuals. The figure of the bard points to the centrality of communal spirit in national identity. Alongside the growing commercialisation of cultural and national products in the period were increasing emotional attachments to objects and the necessity in discovering the authentic in the practise of critical reflection. Property is redefined in the question of “true” ownership and becomes shared in the communal imagination. Dissected maps teach children how to visualise spaces and boundaries and conceptualise one’s place within society. Children learn that disparate actions performed in the domestic sphere have larger implications in the public realm of the nation. Keywords: Children’s literature, eighteenth century, nineteenth century, nationalism, national identity, discipline, natural history, bard, dissected maps, spaces vi Table of Contents Résumé ………………………………………………………………………………………….i Abstract ………………………………………………………………………………………..iv Table of Contents ……………………………………………………………………………..vii List of Abbreviations ………………………………………………………………………….ix Acknowledgments ……………………………………………………………………………xii Introduction: The Growth of Children’s Literature and the Emergence of Nationalism ……………………..1 Chapter 1: Disciplining the Subject: Shameful Confessions in Day, Fielding, and Wollstonecraft……...19 Chapter 2: Part of the Natural System: Sympathetic Imagination in Children’s Literature………………53 Chapter 3: Bardic Voices: Refining Tastes, Redefining Property……………………………………….102 vii Chapter 4: Piecing the Nation Together: Dissected Maps and the Visualisation of Spaces……………..146 Conclusion: From Nation to Empire: Into the Future of Children’s Literature…………………………...175 Works Cited………………………………………………………………………………….182 viii List of Abbreviations DA Edgeworth, Maria. Dumb Andy. Little Plays for Children. The Parent’s Assistant. Vol. 7. London, UK: R. Hunter, 1827. Print. DP Foucault, Michel. Discipline and Punish: The Birth of the Prison. Trans. Alan Sheridan. New York, USA: Vintage Books, 1995. Print. EC Lynch, Deidre Shauna. The Economy of Character: Novels, Market Culture, and the Business of Inner Meaning. Chicago; London, UK: The University of Chicago Press, 1998. Print. EL Edgeworth, Maria, and Richard Lovell Edgeworth. Early Lessons. 6th ed. Vol. 1. 2 vols. London, UK: R. Hunter, 1818. Print. Edgeworth, Maria, and Richard Lovell Edgeworth. Early Lessons. 5th ed. Vol. 2-4. 4 vols. London, UK: R. Hunter; Baldwin, Cradock, and Joy; Simpkin and Marshall; and Hamilton and Adams, 1824. Print. GO Edgeworth, Maria. The Grinding Organ. Little Plays for Children. The Parent’s Assistant. Vol. 7. London, UK: R. Hunter, 1827. Print. IB Wakefield, Priscilla. An Introduction to Botany, in a Series of Familiar Letters, with Illustrative Engravings. Boston, USA: J. Belcher and J. W. Burditt and Co., 1811. Print. “IG” Myers, Mitzi. “Impeccable Governesses, Rational Dames, and Moral Mothers: Mary Wollstonecraft and the Female Tradition in Georgian Children’s Books.” Children’s Literature 14 (1986): 31-59. Web. 29 June 2010. INH Wakefield, Priscilla. An Introduction to the Natural
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