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Download the List of History Films and Videos (PDF)
Video List in Alphabetical Order Department of History # Title of Video Description Producer/Dir Year 532 1984 Who controls the past controls the future Istanb ul Int. 1984 Film 540 12 Years a Slave In 1841, Northup an accomplished, free citizen of New Dolby 2013 York, is kidnapped and sold into slavery. Stripped of his identity and deprived of dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps and must find the strength to survive. Approx. 134 mins., color. 460 4 Months, 3 Weeks and Two college roommates have 24 hours to make the IFC Films 2 Days 235 500 Nations Story of America’s original inhabitants; filmed at actual TIG 2004 locations from jungles of Central American to the Productions Canadian Artic. Color; 372 mins. 166 Abraham Lincoln (2 This intimate portrait of Lincoln, using authentic stills of Simitar 1994 tapes) the time, will help in understanding the complexities of our Entertainment 16th President of the United States. (94 min.) 402 Abe Lincoln in Illinois “Handsome, dignified, human and moving. WB 2009 (DVD) 430 Afghan Star This timely and moving film follows the dramatic stories Zeitgest video 2009 of your young finalists—two men and two very brave women—as they hazard everything to become the nation’s favorite performer. By observing the Afghani people’s relationship to their pop culture. Afghan Star is the perfect window into a country’s tenuous, ongoing struggle for modernity. What Americans consider frivolous entertainment is downright revolutionary in this embattled part of the world. Approx. 88 min. Color with English subtitles 369 Africa 4 DVDs This epic series presents Africa through the eyes of its National 2001 Episode 1 Episode people, conveying the diversity and beauty of the land and Geographic 5 the compelling personal stories of the people who shape Episode 2 Episode its future. -
Day Fighters in Defence of the Reich : a War Diary, 1942-45 Pdf, Epub, Ebook
DAY FIGHTERS IN DEFENCE OF THE REICH : A WAR DIARY, 1942-45 PDF, EPUB, EBOOK Donald L. Caldwell | 424 pages | 29 Feb 2012 | Pen & Sword Books Ltd | 9781848325258 | English | Barnsley, United Kingdom Day Fighters in Defence of the Reich : A War Diary, 1942-45 PDF Book Just a moment while we sign you in to your Goodreads account. A summary of every 8th and 15th US Army Air Force strategic mission over this area in which the Luftwaffe was encountered. You must have JavaScript enabled in your browser to utilize the functionality of this website. The American Provisional Tank Group had been in the Philippines only three weeks when the Japanese attacked the islands hours after the raid on Pearl Harbor. World history: from c -. Captured at Kut, Prisoner of the Turks: The. Loses a star for its format, the 'log entries' get a little dry but the pictures and information is excellent. New copy picked straight from printer's box. Add to Basket. Check XE. Following separation from the Navy, Caldwell returned to Texas to begin a career in the chemical industry. Anthony Barne started his diary in August as a young, recently married captain in His first book, JG Top Guns of the Luftwaffe, has been followed by four others on the Luftwaffe: all have won critical and popular acclaim for their accuracy, objectivity, and readability. W J Mott rated it it was amazing Dec 17, Available in the following formats: Hardback ePub Kindle. The previous volume in this series, The Luftwaffe over Germany: Defence of the Reich is an award-winning narrative history published by Greenhill Books. -
British Identity, the Masculine Ideal, and the Romanticization of the Royal Flying Corps Image
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 4-2019 A Return to Camelot?: British Identity, The Masculine Ideal, and the Romanticization of the Royal Flying Corps Image Abby S. Whitlock College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the European History Commons Recommended Citation Whitlock, Abby S., "A Return to Camelot?: British Identity, The Masculine Ideal, and the Romanticization of the Royal Flying Corps Image" (2019). Undergraduate Honors Theses. Paper 1276. https://scholarworks.wm.edu/honorstheses/1276 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. A Return to Camelot?: British Identity, The Masculine Ideal, and the Romanticization of the Royal Flying Corps Image Abby Stapleton Whitlock Undergraduate Honors Thesis College of William and Mary Lyon G. Tyler Department of History 24 April 2019 Whitlock !2 Whitlock !3 Table of Contents Acknowledgements ……………………………………………………………….. 4 Introduction …………………………………….………………………………… 5 Chapter I: British Aviation and the Future of War: The Emergence of the Royal Flying Corps …………………………………….……………………………….. 13 Wartime Developments: Organization, Training, and Duties Uniting the Air Services: Wartime Exigencies and the Formation of the Royal Air Force Chapter II: The Cultural Image of the Royal Flying Corps .……….………… 25 Early Roots of the RFC Image: Public Imagination and Pre-War Attraction to Aviation Marketing the “Cult of the Air Fighter”: The Dissemination of the RFC Image in Government Sponsored Media Why the Fighter Pilot? Media Perceptions and Portrayals of the Fighter Ace Chapter III: Shaping the Ideal: The Early Years of Aviation Psychology .…. -
The BBC and the Shaping of British Identity from 1922 to 1945 Mallory Huard Gettysburg College Class of 2013
Volume 11 Article 3 2012 The BBC and the Shaping of British Identity from 1922 to 1945 Mallory Huard Gettysburg College Class of 2013 Follow this and additional works at: https://cupola.gettysburg.edu/ghj Part of the Cultural History Commons, and the European History Commons Share feedback about the accessibility of this item. Huard, Mallory (2012) "The BBC and the Shaping of British Identity from 1922 to 1945," The Gettysburg Historical Journal: Vol. 11 , Article 3. Available at: https://cupola.gettysburg.edu/ghj/vol11/iss1/3 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. The BBC and the Shaping of British Identity from 1922 to 1945 Abstract There are few institutions in British history that have had such a massive role in shaping the daily lives of British citizens as the British Broadcasting Corporation (BBC). Although the BBC is only about eighty years old, an infant compared to an institution like the British monarchy, its contributions to national identity are practically unparalleled in the twentieth century. The cs ope of the Corporation in terms of its influence on British life is hard to imagine in a United States with multiple competing and politically-aimed networks. Robin Aitkin, a former BBC reporter and journalist says, “For many it is an ever-present companion: from breakfast-time to bedtime, from childhood through to old age, there it is telling us about ourselves and the wider world, amusing and entertaining us.” Aitkin captures the dual nature of the BBC in that it both reflects the conditions and needs of the time while also exercising influence over the future of British society. -
Visual Media Use and Intermediality in Shakespeare Productions
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository STRANGE BEDFELLOWS? VISUAL MEDIA USE AND INTERMEDIALITY IN SHAKESPEARE PRODUCTIONS By SHARI LYNN FOSTER A thesis submitted to the University of Birmingham for the degree of Masters of Literature College of Arts and Law School of Humanities Shakespeare Institute University of Birmingham October 2013 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Drawing on archive material, reviews and personal observation, this thesis examines the use of visual media in stage productions of Shakespeare’s plays. Utilizing examples from the period between 1905 and 2007, the thesis focuses on intermedial productions, explores the media use in Shakespeare productions, and asks why certain Shakespeare plays seem to be more adaptable to the inclusion of visual media. Chapter one considers the technology and societal shifts affecting the theatre art and the audience and Klaus Bruhn Jensen’s three level definition of intermediality which provides a framework for the categorizing the media usage within Shakespeare productions. -
The American Stravinsky
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE THE AMERICAN STRAVINSKY THE AMERICAN STRAVINSKY The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 Gayle Murchison THE UNIVERSITY OF MICHIGAN PRESS :: ANN ARBOR TO THE MEMORY OF MY MOTHERS :: Beulah McQueen Murchison and Earnestine Arnette Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ϱ Printed on acid-free paper 2015 2014 2013 2012 4321 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-09984-9 Publication of this book was supported by a grant from the H. Earle Johnson Fund of the Society for American Music. “Excellence in all endeavors” “Smile in the face of adversity . and never give up!” Acknowledgments Hoc opus, hic labor est. I stand on the shoulders of those who have come before. Over the past forty years family, friends, professors, teachers, colleagues, eminent scholars, students, and just plain folk have taught me much of what you read in these pages. And the Creator has given me the wherewithal to ex- ecute what is now before you. First, I could not have completed research without the assistance of the staff at various libraries. -
Stalingrad 1942 Pdf, Epub, Ebook
STALINGRAD 1942 PDF, EPUB, EBOOK Peter D. Antill,Peter Dennis | 96 pages | 19 Jun 2007 | Bloomsbury Publishing PLC | 9781846030284 | English | Oxford, England, United Kingdom Stalingrad 1942 PDF Book The Germans failed to achieve victory over the Soviet Union because of its vast manpower and industrial resources as well as its ability to force the Germans into fighting an attritional battle over a particular objective, first at Moscow and then at Stalingrad. The Second World War and its Aftermath. Namespaces Article Talk. Note: this reference still does not directly support the claim that there were 40, Hiwi. In the early parts of the operation, fuel was shipped at a higher priority than food and ammunition because of a belief that there would be a breakout from the city. The Red Army gradually adopted a strategy to hold for as long as possible all the ground in the city. Scholars have produced different estimates depending on their definition of the scope of the battle. Prelude Africa Asia Europe. Pen and Sword Books Ltd. Major battle of World War II. Retrieved 23 August Nobody knows exactly how many people died at Stalingrad. Fighting raged inside the Barrikady Factory until the end of October. Shirer, William L. Uranus Little Saturn Koltso. Sign In or Create an Account. Translated by Tony Le Tissier. Marines stormed the beaches of the strategically significant Japanese island of Saipan, with a goal of gaining a crucial air base from which the U. Pennington, Reina These forces had played a key role in manning quieter sections of the front and released German units to undertake offensive operations. -
The Gift of Freedom War, Debt, and Other Refugee Passages the Gift of Freedom
MIMI THI NGUYEN The Gift of Freedom WAR, DEBT, And OTHER REFUGEE PASSAGES The Gift of Freedom NEXT WAVE: NEW DIRECTIONS IN WOMEN’S STUDIES A series edited by Inderpal Grewal, Caren Kaplan, and Robyn Wiegman MIMI THI NGUYEN The Gift of Freedom WAR, DEBT, AND OTHER REFUGEE PASSAGES Duke University Press Durham and London 2012 ∫ 2012 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ! Designed by C. H. Westmoreland Typeset in Minion with Stone Sans display by Keystone Typesetting, Inc. Library of Congress Cataloging-in- Publication Data appear on the last printed page of this book. FOR MY PARENTS, HIEP AND LIEN, AND MY BROTHER, GEORGE CONTENTS Preface ix Acknowledgments xiii Introduction. The Empire of Freedom 1 1. The Refugee Condition 33 2. Grace, the Gift of the Girl in the Photograph 83 3. Race Wars, Patriot Acts 133 Epilogue. Refugee Returns 179 Notes 191 Bibliography 239 Index 267 PREFACE Rebuilding Iraq will require a sustained commitment from many nations, in- cluding our own: we will remain in Iraq as long as necessary, and not a day more. America has made and kept this kind of commitment before—in the peace that followed a world war. After defeating enemies, we did not leave behind occupy- ing armies, we left constitutions and parliaments. We established an atmosphere of safety, in which responsible, reform-minded local leaders could build lasting institutions of freedom. In societies that once bred fascism and militarism, liberty found a permanent home. —GEORGE W. BUSH, February ≤∏, ≤≠≠≥ And there we are, ready to run the great Yankee risk. -
Souvenirs of Paris
A cozy cabaret . At the tables, French is being spoken. By the piano, la chanteuse is drawing her young audience into the latest hit by Edith Piaf or maybe a SCHOOL NOTES tune by one of the Americans who come by like Cole Porter or Duke Ellington. Is Subject: SOUVENIRS OF PARIS this really 20 th -century Paris? No, it’s a classroom, USA, in the next century, and the cabaret and workshop programs performer in front of us is Paris-born Claudia Hommel. (multidisciplinary artsarts----inininin----education)education) By: Claudia Hommel SOUVENIRS OF PARIS Date: School year 2012018888 and beyond cabaret & workshop programs for junior and senior high school and college audiences: Paris in the Jazz Age, 1900-1940 With Bob at the piano and Claudia Hommel sometimes on top of it, they pay homage to the cakewalk, ragtime, the Charleston, Josephine Baker, Ada “Bricktop” Smith, Mistinguett, Maurice Chevalier, Cole Porter, Duke Ellington, Darius Milhaud, and the “crazy years” between World Wars. Souvenirs de Paris, 1950 The most widely-performed of Claudia's cabaret theatre programs, Souvenirs of Paris, 1950 introduces Marcelle, a Parisian cabaret owner who recounts through song and spoken word the events of her life in France before and after World War II. The musical revue features songs made famous by Edith Piaf, Juliette Gréco and Yves Montand and songs celebrating the Paree of American composers Cole Porter, Duke Ellington, Vernon Duke. for K through 6 th graders, age-specific variations of: That’s What Makes Paris, Paree Choice of Programs ............................................................. page 2 Drawn from Claudia’s own upbringing as the child of American parents in Paris, there are songs to dance to, to laugh with, to take you on a spin around Field Trips .......................................................................... -
Syncretic Souvenirs: an Investigation of Two Modern Indian Manuscripts Madeline Helland
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2018 Syncretic Souvenirs: An Investigation of Two Modern Indian Manuscripts Madeline Helland Recommended Citation Helland, Madeline, "Syncretic Souvenirs: An Investigation of Two Modern Indian Manuscripts" (2018). Scripps Senior Theses. 1185. http://scholarship.claremont.edu/scripps_theses/1185 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. SYNCRETIC SOUVENIRS: AN INVESTIGATION OF TWO MODERN INDIAN MANUSCRIPTS by MADELINE HELLAND SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS BRUCE COATS, SCRIPPS COLLEGE DANIEL MICHON, CLAREMONT McKENNA COLLEGE APRIL 20, 2018 Helland 1 TABLE OF CONTENTS Acknowledgements……………………………………………………………2 Introduction……………………………………………………………………3 Chapter 1. Cross Cultural Context of Indian Manuscripts…………………….7 The History and Syncretism of Hindu, Islamic, and Western Traditions Appendix 1……………………………………………………………………21 Manuscript Construction Chapter 2. The Scripps Texts…………………………………………………24 An Analysis of Construction, Iconography, and Style Appendix 2……………………………………………………………………41 Miniature Paintings Chapter 3. Conservation of Indian Manuscripts………………………………45 Collecting, Ethics, and Treatment Proposal Conclusion……………………………………………………………………..55 Bibliography…………………………………………………………………..56 Helland 2 ACKNOWLEDGEMENTS I would like to begin by thanking my readers for offering up their support on this project. Thank you to Professor Coats for bringing clarity and structure to this project in your role as my first reader. In spite of the fact that India and art conservation fall outside your area of expertise, you took on this endeavor anyway and for that you have my gratitude. -
The Perfume of Garbage: Modernity and the Archaeological
SHANKS, PLATT, RATHJE / modernity and the archaeological 61 The Perfume of Garbage: Modernity and the Archaeological Michael Shanks, David Platt, William L. Rathje The World Trade Center and the Paradox of Garbage MODERNISM / modernity VOLUME ELEVEN, NUMBER There is something profoundly archaeological about the ex- ONE, PP 61–83. perience of 9/11 and its aftermath. Less than a month after the © 2004 THE JOHNS attack a meeting of representatives of thirty-three museums, HOPKINS UNIVERSITY PRESS headed by the Smithsonian and New York’s City Museum, con- sidered how they might document the event, asking what things should be collected and preserved for display and for posterity. A year later an exhibition opened at the Smithsonian; it con- tinues its tour into 2004. “Bearing Witness to History” displays artifacts and associated stories, photographs and documents from the events of 9/11: a battered wallet, a melted computer screen from the Pentagon, torn clothing, a structural joint from the World Trade Center, a window washer’s squeegee handle, a stair- well sign, as well as artifacts associated with the aftermath (com- Michael Shanks, David Platt, and memorative coins, artwork, patriotic ribbons, rescue equipment). William L. Rathje are Other exhibitions have run at the Museum of the City of New affiliated with the York and the New York State Museum in Albany. Stanford Archaeology The project was explicitly one of documenting history in the Center. Shanks is making. Some of this was done with the notion of finding evi- Professor of Classics at dence. Actually, and more accurately, the museum curators and Stanford University; archaeologists sought material icons. -
Representation of 1980S Cold War Culture and Politics in Popular Music in the West Alex Robbins
University of Portland Pilot Scholars History Undergraduate Publications and History Presentations 12-2017 Time Will Crawl: Representation of 1980s Cold War Culture and Politics in Popular Music in the West Alex Robbins Follow this and additional works at: https://pilotscholars.up.edu/hst_studpubs Part of the European History Commons, Music Commons, Political History Commons, and the United States History Commons Citation: Pilot Scholars Version (Modified MLA Style) Robbins, Alex, "Time Will Crawl: Representation of 1980s Cold War Culture and Politics in Popular Music in the West" (2017). History Undergraduate Publications and Presentations. 7. https://pilotscholars.up.edu/hst_studpubs/7 This Thesis is brought to you for free and open access by the History at Pilot Scholars. It has been accepted for inclusion in History Undergraduate Publications and Presentations by an authorized administrator of Pilot Scholars. For more information, please contact [email protected]. Time Will Crawl: Representation of 1980s Cold War Culture and Politics in Popular Music in the West By Alex Robbins Submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts in History University of Portland December 2017 Robbins 1 The Cold War represented more than a power struggle between East and West and the fear of mutually assured destruction. Not only did people fear the loss of life and limb but the very nature of their existence came into question. While deemed the “cold” war due to the lack of a direct military conflict, battle is not all that constitutes a war. A war of ideas took place. Despite the attempt to eliminate outside influence, both East and West felt the impact of each other’s cultural movements.