The Perfume of Garbage: Modernity and the Archaeological
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Download the List of History Films and Videos (PDF)
Video List in Alphabetical Order Department of History # Title of Video Description Producer/Dir Year 532 1984 Who controls the past controls the future Istanb ul Int. 1984 Film 540 12 Years a Slave In 1841, Northup an accomplished, free citizen of New Dolby 2013 York, is kidnapped and sold into slavery. Stripped of his identity and deprived of dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps and must find the strength to survive. Approx. 134 mins., color. 460 4 Months, 3 Weeks and Two college roommates have 24 hours to make the IFC Films 2 Days 235 500 Nations Story of America’s original inhabitants; filmed at actual TIG 2004 locations from jungles of Central American to the Productions Canadian Artic. Color; 372 mins. 166 Abraham Lincoln (2 This intimate portrait of Lincoln, using authentic stills of Simitar 1994 tapes) the time, will help in understanding the complexities of our Entertainment 16th President of the United States. (94 min.) 402 Abe Lincoln in Illinois “Handsome, dignified, human and moving. WB 2009 (DVD) 430 Afghan Star This timely and moving film follows the dramatic stories Zeitgest video 2009 of your young finalists—two men and two very brave women—as they hazard everything to become the nation’s favorite performer. By observing the Afghani people’s relationship to their pop culture. Afghan Star is the perfect window into a country’s tenuous, ongoing struggle for modernity. What Americans consider frivolous entertainment is downright revolutionary in this embattled part of the world. Approx. 88 min. Color with English subtitles 369 Africa 4 DVDs This epic series presents Africa through the eyes of its National 2001 Episode 1 Episode people, conveying the diversity and beauty of the land and Geographic 5 the compelling personal stories of the people who shape Episode 2 Episode its future. -
The BBC and the Shaping of British Identity from 1922 to 1945 Mallory Huard Gettysburg College Class of 2013
Volume 11 Article 3 2012 The BBC and the Shaping of British Identity from 1922 to 1945 Mallory Huard Gettysburg College Class of 2013 Follow this and additional works at: https://cupola.gettysburg.edu/ghj Part of the Cultural History Commons, and the European History Commons Share feedback about the accessibility of this item. Huard, Mallory (2012) "The BBC and the Shaping of British Identity from 1922 to 1945," The Gettysburg Historical Journal: Vol. 11 , Article 3. Available at: https://cupola.gettysburg.edu/ghj/vol11/iss1/3 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. The BBC and the Shaping of British Identity from 1922 to 1945 Abstract There are few institutions in British history that have had such a massive role in shaping the daily lives of British citizens as the British Broadcasting Corporation (BBC). Although the BBC is only about eighty years old, an infant compared to an institution like the British monarchy, its contributions to national identity are practically unparalleled in the twentieth century. The cs ope of the Corporation in terms of its influence on British life is hard to imagine in a United States with multiple competing and politically-aimed networks. Robin Aitkin, a former BBC reporter and journalist says, “For many it is an ever-present companion: from breakfast-time to bedtime, from childhood through to old age, there it is telling us about ourselves and the wider world, amusing and entertaining us.” Aitkin captures the dual nature of the BBC in that it both reflects the conditions and needs of the time while also exercising influence over the future of British society. -
Visual Media Use and Intermediality in Shakespeare Productions
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository STRANGE BEDFELLOWS? VISUAL MEDIA USE AND INTERMEDIALITY IN SHAKESPEARE PRODUCTIONS By SHARI LYNN FOSTER A thesis submitted to the University of Birmingham for the degree of Masters of Literature College of Arts and Law School of Humanities Shakespeare Institute University of Birmingham October 2013 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Drawing on archive material, reviews and personal observation, this thesis examines the use of visual media in stage productions of Shakespeare’s plays. Utilizing examples from the period between 1905 and 2007, the thesis focuses on intermedial productions, explores the media use in Shakespeare productions, and asks why certain Shakespeare plays seem to be more adaptable to the inclusion of visual media. Chapter one considers the technology and societal shifts affecting the theatre art and the audience and Klaus Bruhn Jensen’s three level definition of intermediality which provides a framework for the categorizing the media usage within Shakespeare productions. -
The American Stravinsky
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE THE AMERICAN STRAVINSKY THE AMERICAN STRAVINSKY The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 Gayle Murchison THE UNIVERSITY OF MICHIGAN PRESS :: ANN ARBOR TO THE MEMORY OF MY MOTHERS :: Beulah McQueen Murchison and Earnestine Arnette Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ϱ Printed on acid-free paper 2015 2014 2013 2012 4321 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-09984-9 Publication of this book was supported by a grant from the H. Earle Johnson Fund of the Society for American Music. “Excellence in all endeavors” “Smile in the face of adversity . and never give up!” Acknowledgments Hoc opus, hic labor est. I stand on the shoulders of those who have come before. Over the past forty years family, friends, professors, teachers, colleagues, eminent scholars, students, and just plain folk have taught me much of what you read in these pages. And the Creator has given me the wherewithal to ex- ecute what is now before you. First, I could not have completed research without the assistance of the staff at various libraries. -
The Gift of Freedom War, Debt, and Other Refugee Passages the Gift of Freedom
MIMI THI NGUYEN The Gift of Freedom WAR, DEBT, And OTHER REFUGEE PASSAGES The Gift of Freedom NEXT WAVE: NEW DIRECTIONS IN WOMEN’S STUDIES A series edited by Inderpal Grewal, Caren Kaplan, and Robyn Wiegman MIMI THI NGUYEN The Gift of Freedom WAR, DEBT, AND OTHER REFUGEE PASSAGES Duke University Press Durham and London 2012 ∫ 2012 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ! Designed by C. H. Westmoreland Typeset in Minion with Stone Sans display by Keystone Typesetting, Inc. Library of Congress Cataloging-in- Publication Data appear on the last printed page of this book. FOR MY PARENTS, HIEP AND LIEN, AND MY BROTHER, GEORGE CONTENTS Preface ix Acknowledgments xiii Introduction. The Empire of Freedom 1 1. The Refugee Condition 33 2. Grace, the Gift of the Girl in the Photograph 83 3. Race Wars, Patriot Acts 133 Epilogue. Refugee Returns 179 Notes 191 Bibliography 239 Index 267 PREFACE Rebuilding Iraq will require a sustained commitment from many nations, in- cluding our own: we will remain in Iraq as long as necessary, and not a day more. America has made and kept this kind of commitment before—in the peace that followed a world war. After defeating enemies, we did not leave behind occupy- ing armies, we left constitutions and parliaments. We established an atmosphere of safety, in which responsible, reform-minded local leaders could build lasting institutions of freedom. In societies that once bred fascism and militarism, liberty found a permanent home. —GEORGE W. BUSH, February ≤∏, ≤≠≠≥ And there we are, ready to run the great Yankee risk. -
Souvenirs of Paris
A cozy cabaret . At the tables, French is being spoken. By the piano, la chanteuse is drawing her young audience into the latest hit by Edith Piaf or maybe a SCHOOL NOTES tune by one of the Americans who come by like Cole Porter or Duke Ellington. Is Subject: SOUVENIRS OF PARIS this really 20 th -century Paris? No, it’s a classroom, USA, in the next century, and the cabaret and workshop programs performer in front of us is Paris-born Claudia Hommel. (multidisciplinary artsarts----inininin----education)education) By: Claudia Hommel SOUVENIRS OF PARIS Date: School year 2012018888 and beyond cabaret & workshop programs for junior and senior high school and college audiences: Paris in the Jazz Age, 1900-1940 With Bob at the piano and Claudia Hommel sometimes on top of it, they pay homage to the cakewalk, ragtime, the Charleston, Josephine Baker, Ada “Bricktop” Smith, Mistinguett, Maurice Chevalier, Cole Porter, Duke Ellington, Darius Milhaud, and the “crazy years” between World Wars. Souvenirs de Paris, 1950 The most widely-performed of Claudia's cabaret theatre programs, Souvenirs of Paris, 1950 introduces Marcelle, a Parisian cabaret owner who recounts through song and spoken word the events of her life in France before and after World War II. The musical revue features songs made famous by Edith Piaf, Juliette Gréco and Yves Montand and songs celebrating the Paree of American composers Cole Porter, Duke Ellington, Vernon Duke. for K through 6 th graders, age-specific variations of: That’s What Makes Paris, Paree Choice of Programs ............................................................. page 2 Drawn from Claudia’s own upbringing as the child of American parents in Paris, there are songs to dance to, to laugh with, to take you on a spin around Field Trips .......................................................................... -
Syncretic Souvenirs: an Investigation of Two Modern Indian Manuscripts Madeline Helland
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2018 Syncretic Souvenirs: An Investigation of Two Modern Indian Manuscripts Madeline Helland Recommended Citation Helland, Madeline, "Syncretic Souvenirs: An Investigation of Two Modern Indian Manuscripts" (2018). Scripps Senior Theses. 1185. http://scholarship.claremont.edu/scripps_theses/1185 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. SYNCRETIC SOUVENIRS: AN INVESTIGATION OF TWO MODERN INDIAN MANUSCRIPTS by MADELINE HELLAND SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS BRUCE COATS, SCRIPPS COLLEGE DANIEL MICHON, CLAREMONT McKENNA COLLEGE APRIL 20, 2018 Helland 1 TABLE OF CONTENTS Acknowledgements……………………………………………………………2 Introduction……………………………………………………………………3 Chapter 1. Cross Cultural Context of Indian Manuscripts…………………….7 The History and Syncretism of Hindu, Islamic, and Western Traditions Appendix 1……………………………………………………………………21 Manuscript Construction Chapter 2. The Scripps Texts…………………………………………………24 An Analysis of Construction, Iconography, and Style Appendix 2……………………………………………………………………41 Miniature Paintings Chapter 3. Conservation of Indian Manuscripts………………………………45 Collecting, Ethics, and Treatment Proposal Conclusion……………………………………………………………………..55 Bibliography…………………………………………………………………..56 Helland 2 ACKNOWLEDGEMENTS I would like to begin by thanking my readers for offering up their support on this project. Thank you to Professor Coats for bringing clarity and structure to this project in your role as my first reader. In spite of the fact that India and art conservation fall outside your area of expertise, you took on this endeavor anyway and for that you have my gratitude. -
Representation of 1980S Cold War Culture and Politics in Popular Music in the West Alex Robbins
University of Portland Pilot Scholars History Undergraduate Publications and History Presentations 12-2017 Time Will Crawl: Representation of 1980s Cold War Culture and Politics in Popular Music in the West Alex Robbins Follow this and additional works at: https://pilotscholars.up.edu/hst_studpubs Part of the European History Commons, Music Commons, Political History Commons, and the United States History Commons Citation: Pilot Scholars Version (Modified MLA Style) Robbins, Alex, "Time Will Crawl: Representation of 1980s Cold War Culture and Politics in Popular Music in the West" (2017). History Undergraduate Publications and Presentations. 7. https://pilotscholars.up.edu/hst_studpubs/7 This Thesis is brought to you for free and open access by the History at Pilot Scholars. It has been accepted for inclusion in History Undergraduate Publications and Presentations by an authorized administrator of Pilot Scholars. For more information, please contact [email protected]. Time Will Crawl: Representation of 1980s Cold War Culture and Politics in Popular Music in the West By Alex Robbins Submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts in History University of Portland December 2017 Robbins 1 The Cold War represented more than a power struggle between East and West and the fear of mutually assured destruction. Not only did people fear the loss of life and limb but the very nature of their existence came into question. While deemed the “cold” war due to the lack of a direct military conflict, battle is not all that constitutes a war. A war of ideas took place. Despite the attempt to eliminate outside influence, both East and West felt the impact of each other’s cultural movements. -
JUNE 2021 January – June 2021
NEW TITLES JANUARY – JUNE 2021 January – June 2021 4 Original Fiction 18 Raven Books – Crime, Thriller & Mystery 28 Original Non-Fiction 54 Cookery 62 Paperback Fiction 76 Paperback Non-Fiction 92 Bloomsbury Business 98 Sigma – Popular Science 106 Nature & Outdoors 114 Green Tree – Wellbeing 122 Bloomsbury Sport & Wisden 131 Bloomsbury Contact List & International Sales 133 Social Media Contacts 134 Index TPB Trade Paperback PAPERBACK B format paperback (dimensions 198 mm x 129 mm) ORIGINAL FICTION 4 ORIGINAL FICTION A Court of Silver Flames Sarah J. Maas The war is finally over, and Feyre’s sister Nesta shines in this stunning, sexy new book in the Court of Thorns and Roses series by global #1 bestselling author Sarah J. Maas ‘Thrilling’Hello on A Court of Thorns and Roses Sarah J. Maas is a global publishing phenomenon, with over nine million copies of her books sold and her works translated into over thirty-seven languages. Now the author HuffPost calls ‘a master of fantasy’ is back with an eagerly awaited new chapter in her epic New York Times bestselling A Court of Thorns and Roses series. 26 JANUARY 2021 IMPRINT: BLOOMSBURY PUBLISHING HARDBACK / 9781526602312 / £16.99 EBOOK / 9781526602305 / £11.89 TERRITORY: WORLD ALL LANGUAGES TRANSLATION RIGHTS: BLOOMSBURY PUBLISHING PLC SERIES: A COURT OF THORNS AND ROSES EXPORT TPB / 9781526620644 / £14.99 ANZ PUB DATE 26 JANUARY 2021 TRADE PAPERBACK / AUS $29.99 / NZ $32.99 Sarah J. Maas is the global #1 bestselling author of the Throne of Glass, A Court of Thorns and Roses and Crescent City series. A New York native, Sarah lives near Philadelphia with her husband, son and dog. -
Covering Music for the Masses by Depeche Mode
China-USA Business Review, Oct. 2017, Vol. 16, No. 10, 484-490 doi: 10.17265/1537-1514/2017.10.003 D DAVID PUBLISHING Achieving Unity Through Contrasts: Covering Music for the Masses by Depeche Mode Cinla Seker Dokuz Eylul University, İzmir, Turkey Music as an art form based on sound and silence is recorded as actual sounds since the second half of the 19th century and developed in time according to the technical improvements. Covers both protecting and labeling recording mediums are graphic design spaces to organize. The pre-production design of two dimensional printed surfaces called the graphic design. Like every design field graphic design has its own elements and principles as guides. The aim of this paper is to analyze contrasts concluded in unity on the covers of the Depeche Mode’s album Music for the Masses. Depeche Mode is a synth-pop, new wave, electronic and dance rock and alternative rock band established in 1980 and still active. Depeche Mode has 31 times nominated and 10 times won the highly prestigious worldwide prizes during those years, it is the most popular electronic band the world has ever known and in the list of the 50 bands that changed the world. The front cover of the album is a booklet with 6 pages/12 faces designed and a back side combined. This paper has 12 faces of the booklet and the backside analyzed according to the six main principles of graphic design and finds out that unity is achieved through contrasting elements. Keywords: graphic design, album cover, unity, contrast, Depeche Mode Introduction Music as an art form based on sound and silence is recorded as actual sounds since the second half of the 19th century and developed in time according to the technical improvements (Frith, 2004, p. -
I SIGFRIED GIEDION‟S “SPACE, TIME and ARCHITECTURE”: AN
SIGFRIED GIEDION‟S “SPACE, TIME AND ARCHITECTURE”: AN ANALYSIS OF MODERN ARCHITECTURAL HISTORIOGRAPHY A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY ZEYNEP CEYLANLI IN PARTIAL FULLFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HISTORY OF ARCHITECTURE SEPTEMBER, 2008 i Approval of the Graduate School of Social Sciences Prof. Dr. Sencer AYATA Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Arts. Assoc. Prof. Dr. Güven Arif SARGIN Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Arts. Assoc. Prof. Dr. Belgin TURAN ÖZKAYA Supervisor Examining Committee Members Assoc. Prof. Dr. Belgin TURAN ÖZKAYA (METU, AH) Asst. Prof. Dr. Elvan ALTAN ERGUT (METU, AH) Instructor, Dr. Haluk Zelef (METU, ARCH) ii I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name: Zeynep CEYLANLI Signature: iii ABSTRACT SIGFRIED GIEDION‟S “SPACE, TIME AND ARCHITECTURE”: AN ANALYSIS OF MODERN ARCHITECTURAL HISTORIOGRAPHY CEYLANLI, Zeynep M. A., Department of History of Architecture Supervisor: Assoc. Prof. Dr. Belgin TURAN ÖZKAYA September 2008, 172 pages This thesis investigates the key aspects of modern architecture in the first half of the twentieth century by an extensive reading of Sigfried Giedion‟s book on modern architecture: Space, Time and Architecture – The Growth of A New Tradition. -
Copy of Excluded Works
Publisher Title ISN RecentAdditions Accelerated Learning Systems Limited HEALTH DEFENCE 9780905553634 HEALTH DEFENCE COOK BOOK, THE 9780905553658 ACT (Administration) Limited FOREIGN EXCHANGE MANAGEMENT 9781869819064 RE ENGINEERING CORPORATE TREASURY 9781869819118 TREASURER'S HANDBOOK, THE 9781869819040 Advisory Unit Computers In Education Success with Aegis: Basic Kit Student Book 9781874164029 Success with Aegis: Basic Kit Teachers Book & CD‐ROM 9781874164012 Allen & Unwin Pty Limited t/a Murdoch Books SUGAR DECORATING 9780948075759 TABLE STYLE BOOK, THE 9780948075940 Association for Science Education RACE, EQUALITY & SCIENCE TEACHING 9780863572043 TEACHING SCIENCE 02636107 BBC Audiobooks Limited CATCHER IN THE RYE 9780745118444 CATCHER IN THE RYE 9780850466195 CATCHER IN THE RYE, THE 9780745118345 Blackbird Digital Books The Road To Donetsk 9780993092244 Bloodaxe Books Limited ABOVE THE RIVER: COMPLETE POEMS 9781852241575 BELFAST CONFETTI 9781852241407 Bloodaxe Book of Modern Australian Poetry********** 9781852243159 BLUE COFFEE: POEMS, 1985‐95 9781852243623 BREATHING THE WATER 9781852240516 COLD COMING, A 9781852241865 COMMON CARNAGE 9781852243906 DESERT ROUTE: SELECTED POEMS 9781852241759 DOOR IN THE HIVE 9781852241599 GREENING OF THE SNOW BEACH 9781852240622 HEART ON THE LEFT: POEMS, 1953‐84 9781852244255 LONG PALE CORRIDOR 9781852243173 MARINA TSVETAEVA: A CRITICAL BIOGRAPHY 9781852240455 MOUNT EAGLE 9781852240905 MOUNT EAGLE 9781852240912 NEW SELECTED POEMS 9781852241131 NEW SELECTED POEMS 9781852241148 OPERA ET CETERA 9781852243968