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1896. 1896. R_o9al Cambrian l\cddem~ of l\rt, PL.AS MAWR, CONWAY.
PRICES OF PICTURES.
No. £ ~.
Int.ending Purchasers must negotiate- t,brough the Curator, MR. J. R. F u&NESS. UNDER THE PATRONAGE OF H.R.H. THE PRINCE OF WALES AND OF H.R.H. THE PRINCESS OF WALES.
ROYAL CAMBRIAN ACADEMY OF ART, PLAS MAWR, CONWAY.
FOURTEENTH ANNUAL EXHIBITION.
WORKS UY IION. )JE.)tBlmS, )IE)fBERS, ANO ASSOCIATES O>:LY.
1896. The Royal Cambrian Academy of Art, UNDER THE hlMF.OIATF. PATRONAGE 01' H.R. H. TIIE PRINCE OF WALES ANO OF H.R.H. T HE PRINCESS Ofi' W ALES.
Honornry Members: S1R J. E. MittArS, Bart. , P.R.A. I L . ALMA TAIH!MA, R./\., R. w.s. SrR Jomi Grtse1n. R.A .. P.R. W.S. Srn E. Bt•R>11! Joxes. Bart., R.W.S. II. STACY )faRKS, R.A., R. W.S. PROF. H. H~RK03'1£R, R.• \., R.W.S., G. F. WATTS. R.A. f R.E. President: Vice-Presidc11 /: H. CL.\RENCf; WHAITP., R. \V.S. CUTHBERT C. GRl:ND\', (President :\lanchcster Acadcm)' o( Fine ,\ rls, &c.) Hon. Sec.: Treasure,: \V. J. SLATER. G. SWINFORO \VOOD. Honornry A rchitec/: ARTII UR BAKER, F. R. I. B . A. Trustees: }I. C LAR ENCE WHAJTrt, EDW IN A. N ORBURY. CUTHB KRT c. G RUNDY, G . SWINFORD \Voou. C1'rator and Assis/an/ Secretary : j. R. FlFRN l!SS. - Academicians. Associates.
Ayling, A. W. Knowles, G. Sheridan, (R. T. ) Allen, S. W. (C. E .) Kinsley, Albert (R.B.A.) Baker, Arthur (F. R. I. B. A.) Longshaw, F. V.l. Aspinwall, Re,Kd , Marr, Hamiilon Booth, S. Lawson (F. R. G.S.) Loud, A. Bertram Baker, Oliver Neale, G. Hall Clarke, L. J. Graham Lysaght, A. Boydell, C. Netherwood, A. Cockram, Geo. McDougall J. Cole, Chisolm Parke,·, John (R.W.S.) Crozier, G. Marks, B. S. Finnemore, J. ( R. B. A.) Prescot.1-Davies, N . (R.B.A.) Davis, J. Pain Measham, Henry Hayes, F. W . Smith, Reginald Davi('S, J . Hey Norbury. E. A. Hoyles, B. Stephenson, W. Douglas, J. (F.R.I.B.A. ) Perrin, A. F. Hughes, Harold (A.R~l:B.A.) Swanwick, Harold Finnie, John Potter, Charles Humphreys, G. A. (M.S.A.) Towers, Jas. Fisher, B. Salmon, J. C. Jones, S. Maurice Wood, Albert S. Fowler, B. Severn, \Va lter (President of Fowler, Robert (R.I.) Dudley Gallery) Hanging Committee for 1896. Ghent, Peter Sewa rd, E. (F.R.I.B.A.) Grundy, Cuthbert C. Short, Rel. J. Hare L. Hughes Grundy, J. R. G. Sibley, F. T. G. Harrison J. C. Jones Hagarty, Parker Sidley. S. (R.B.A.) Hague, Anderson (R. l.) Slater, W. J. Auditors. Hare, J nlius Slocombe, A . Harrison, Geo. Paul Knighl F. W. Longsha w Sullivan, W. H. Hodson, S. J. (R.W.S.) ======Thomas, T . H. Holte, A. Brandi~h , Abreviations. \ Valls, Jas. T. H ngbes, Leonard R.A. - Roya l Academician. Wbaile, H. Clarence( P. R.C. A., Johnson, J. R.\V.S.), Presiden1Ma,1ches- H.R.C.A.- Honornry Royal Cambrian Academicia n. Jones, J. Clinton 1er Academy of Fine Arts. l~. W.S.- Roy,d ~ociety of Painters in Water Colours. 1'.I.- Royal Institute of Painters in Wale,· Colours. Knight, Joseph ( R. I.) 'Williams, R. LI. (F.R.I.B.A.) R.B.A.- Royal Society of Brilis h Artists. Knight, Paul R. Wood, G. Swinford ~- R. I. B.A.- Fellow of !he Roya! Institute of Briti~h Architects. 1'.P. E.-The Royal Society of Painter Etchers. Founders.
£ s. d. 'P!Ias ~U awr, Cuthbert C. Grundy, R.C.A.... 50 0 0 HIGH STREET, CONWAY. J. R. G. Grundy, R.C.A. 50 0 0 This " Great Mansion" was built three centuries ago, by Robert Wynne, son of John Wynne ap Meredith, of Gwydir, near Llanrwst, of whom the Royal Cambrian Academy Art Schools. well-known historian, Sir John \11/ynne, Bart., was nephew. The approach in High Street is through The Elementary and Advanced Classes for the a portico ornamented with the arms of England study of Oil and Water Colours will meet during Over the doorway and within the portico is the Greek the Winter, also the Class for the Study of draped inscription "anexou, apexou," with the Latin "sus models. tine, abs tine" (bear, forbear). On the house will also be found the initials I. H . S ; X. P. S., with the Application to be made to date, 1585. Ascending from the courtyard is a MH. r R. FURNESS, Curator, flight of steps to a terrace which leads through a Plas Mawr, Conway. doorway to a spacious Banqueting Hall, wainscotted and with fixed seats. From the Tower staircase out of this roon) is a passage leading to the Kitchen with a fine old arched fire-place. Leaving this room is an entrance from Crown Lane, giving access to the 9 Court Yard, and by crossing this passage the apartments are reached, in the fu rthest of which are several initial letters and the date, 1577, worked in bas-relief. In a room above, will be found another date, somewhat later than those found on other parts of the house. Above the fire-place are the initials "E. R ." (Elizabeth Regina). The apartments on the upper storey_are reached by spiral staircases, by which the visitor may also ascend the Tower, from which he will obtain a magnificent view of the town and all the surrounding country. The ceilings in a ll t he departments are fancifully decorated with a fretwork in relief, which is interspersed with Crests, Coats of Arms, and other ornaments. These were origina lly g il t and painted in . proper heraldic colours. The woodwork throug hout is . massive and durable, being of hard dark-coloured oak, in keeping with t he general design of t he building. The Palace is now in the possession of T HE ROYAL CAMBRIAN ACADEMY 01' ART, having been leased to them by LORD MOSTYN, the present owner. An Art reference library has been established in connection with Plas Mawr. The Hon. Sec. will be gfad to receive contributions of ancient PLAS{MAWR.-· ROYAL CAMBRIAN ACADEMY. IO BANQUETING HALL. II
Welsh literature, books on Art, Art magazines, &c. The Banqueting Hall. Also Casts, Models, Antique or other Welsh relics. The Banqueting Hall is a large old fashioned wainscotted room, thirty feet by twenty, by thirteen in height; along one side and end are black oak Books, Casts, Old Engravings, &c., have been fixed seats, with scroll work rail and turned supports. The magnificent fretwork ceiling with central received from- Tudor roses, and the elaborate mouldings and B AK ER, A., Esg., F. R.l.B.A. crests over the capacious fire-place, impress the BANKS, W. L., Esg., R.C.A. visitor on first entering the room, and at once strike DUTTON, MISS him that he is in no ordinary building. At the further DUTTON, H., Esg. end, in the recessed wall is a large stone mullioned HARRISON, GEO., Esg., R.C.A. window with diamond pane lattices of various hue, acccrdiug to age ; on the opposite side of the fire HAYES, GEO., Esg. • R.C.A. place are two other windows of the same fascinatino LETHERBROW, T., Esg. description. A border runs round the room, th~ McEWEN, MRS., A.C. oak leaf being the chief ornamentation of the frieze ; NORBURY, E. A., EsQ., R.C.A. in the centre, over the fire-place on a .shield is the PERRIN, A. F., Esg., R.C.A. coat of arms of the Wynne family (by whom this SLOCOMBE, A., Esg., R.C.A. mans ion was built) together with the date 1580. On T HOMAS, T . H., Esg., R.C.A. the quaint figures which are intended as supports WOOD, ALBERT, ESQ., J.P. are the initials R . W. (Robert Wynne). It is curious WOOD, G. SWINFORD, Esg., R.C.A. to note the manner in which the large blocks of HOARE, MRS. stone which form the chimney breast are dove tailed together, the side supports being additionally strengthened by large blocks being built into the wall, the exposed ends being shaped and carved. -
BANQUETING HALL 13
The broken hearthstone is bound round by the original unpretentious fender, which is also of oak. At some period, ages ago, five or s..ix feet was taken off this room for the requirements of the late tenants, and the original solid oak screen, whose massive frame-work, rudely moulded, stands firm .and strong as it did three centuries ago, is partly hid by a lighter-constructed oak-pannelled screen which is supposed to have formed the wainscot of Queen Elizabeth's sitting room. The original screen may be seen by stepping into the recess leading to the Secretary's room. The floor, also of oak, is now sunken and uneven. At the further end of the room is the large banqueting table, on six massive legs, and framework of great strength; it is still capableofdoinggreatthingsinthe way of a banquet should opportunity present itself. We may here note that the ceiling of the grand Hall and staircase of the Victoria House at the vVorld's Fair, Chicago, was copied from the ceiling of this room. Passing through the doorway leading to the stair case and turning to the right we enter the small kitchen. SMALL KITCHEN. QUEEN ELIZABETH'S ROOM. --- - ~~------~~------~ ---~~------~ Small Kitchen. Still Room.
The most characteristic feature of the small No. 3 room would be formerly used by the kitchen is the fine stone arch of the huge fire-place, retainers in attendance at the side gate leading at one end of which, in the thickness of the outer through the passage we have just crossed to the wall, is built a stone oven, which is in excellent pre inner Court Yard, which is a beautiful and perfect servation. The usual kitchen requisites have long specimen of the Architecture of the T udor period since disappeared with the exception of the spit a most interesting reminiscence of by-gone days. irons, which may be seen in the west kitchen, or in Continuing along the passage and ascending one a room at the further end of the building. It will step and turning to the right we enter be noticed that a small portion of the arch at the right hand corner has been worn away with the Queen Elizabeth's Sitting Room. sharpening of knives. Two stout black oak beams cross the ceiling, from which is suspended an old fashioned bread safe. . On turning to the right after leaving No. 3 room, a:t the end of the passage on the right hand is J n some isolated farm houses at the present day , found Queen Elizabeth's sitting-room ; the ceiling these old safes are still in use. and walls above the wainscot (which was originally No. 3 room is reached by passing through the oak panelled) are rich in decorative plaster work, doorway opposite the one we entered. But Coats of Arms, Crests, &c., connected with the " . . . . . Stoop boys ! Stoop I ! this gate Wynne and other families, through them, associa In~tn1cts yoh how to adore the heavens; and bows you ted with Plas Mawr. Above the fire-place are the To a morning's holy office; the gates of monarchs Are arched so high that giants may get through Royal Arms of England as used in the reign of And keep their impious turbans on, without Queen Elizabeth ; the Griffin or Dragon being the Good morrow to the sun- supporter of the Lion in the place of the Unicorn as Stoop boys,-S(oop ! " now used, which came in with the Stuart line. SHAKESPEARE. The letters E R (Elizabeth Regina) being on either QUEEN ELIZABETH'S ROOM. 17
rO side of the Royal Arms, which is surrounded by C: other Crests and decorative embellishments ; the trl portcullis of Henry VIII. being conspicuous. trl On either side of the windows, the Arms of the
l):l z Wynne family occupy the central positions, above ,,"' which are the letters R. \V. (Robert Wynne) in trl dift~ rent designs, whilst below are the figures :::3 i' Is on one s ide and 77 on the other side, supposed to ra· N ::: -> be the date when the room was originally decorated ; !; 0::, all the ornamental plaster work being picked out :::: trl in correct heraldic colours. Our very great grand !" .., father, time, bas made sad havoc with the wall '!' ~ opposite the fire-place, where will be noticed ~ g. cii amongst other enrichments, the remains of the letters D G and @ .(]) W, meaning probably "! :;,:, ., 0 Dorothy Griffith. and John _Wynne. g_ 0 On looking at these walls we are forcibly '.F reminded how true-is the beautiful line ij-' J: ~ --0 "Chang-e and decay, i11 all around I see." .?- i' Q > There are small recessed windows in two corners ~ Cl) of the room, which, during the palmy days when the ~ ~ family occupied the house would look into the > garden with \vhich the house was at the time sur ~ rounded. The massive oak partition or screen ;,:, opposite the window is of immense strength, the centre, both horizontal and upright timbers being QUEEN ELIZABET HS ROOM. THE WEST KITCHEN.
carved. Above the door a re carved the Tudor rose The W est Kitchen. and leaves very finely cut. The old oak pannelled door is worth attention, being made with mitre joints ; all the mouldings being worked in the solid ; The ·west Kitchen fi re-place is about 9ft. 6in. it wiJl be observed that the orig inal latch, which still wide by 5ft. deep, and near 6ft. to the underside remains on the doors, is made entirely of wood. of the fine arch; built into the walls at either end are what were originally stone ovens. Leaving this quaint room we proceed to the The heavy timbers crossing the ceiling, black one opposite, viz., No. 4. The West Kitchen. with age, are still perfectly sound. Judging from the style of the window mullions and other structural features it may be fairly assumed that this end of Plas Mawr is the oldest portion of the building,-though it is difficult to determine the date of either portion. Experts in Architecture are however agreed that the mansion was built in the fifteenth and sixteenth centuries. It may just be pointed out that the window mul lions at this end of the building are roughly squared on the inside, whilst on the outside they are rounded, and fixed slightly within the breast of the external wall, with projecting moulded window heads outside. Contrast these with the mullions and window heads at the other end of the building, where they are found moulded on both sides, and projecting outside the breast of the wall, whilst the window-heads are flush with the wall, and are constructed with mitre ends to prevent the stone giving way above the wi ndows. WYNNE ROOM. 21
The door by the Kitchen window opens out into the inner Court Yard, referred to earlier on. The door in the oak screen, adjoining the one by which we entered the Kitchen, opens into a small pantry about 12ft. square, by 10ft. in height- a peep into it may be obtained through the doorway on the left, just outside the Kitchen. It may be noticed that the framework of the pantry windows, instead of the usual stone mullion is made of four inch oak, placed cornerways. On stepping out of the Kitchen, turn to the right and up the first flight of the fine spiral staircase, through the doorway, and turn to the left into No. 5, the Wynne Room.
Wynne Room.
It is interesting to trace the history of decorative or modelled plaster work with which Plas Mawr is so rich : at the present day there is no other such perfct specimen existing in Great Britain. The British Museum shows us that the ancients understood plaster-modelling. There are still a few ruinous specimens left to show that the Art was practised in Ancient Greece, and the excavations at WYNNE ROOM. THE TEMPORARY GALLERY. ~-22 ------~ ~ Pompeii re,·eal that there were adepts at this class the date 1577 being on the corners by the shield of work in the days of its splendour, viz., one over the fire-place in this room. thousand eight hundred years ago. From this room we enter With the fall of the Roman Empire, this Art became nearly extinct. In the sixteenth century it The Temporary Gallery. was introduced into France by Francis I., and about the same period by Henry VIII. into England ; the half-timbered houses of that period being especially adapted to display this class of raised plaster-work. A shor~ passage on the right hand side of the The King employed the most skilful Art-workmen fire-place m the Wynne Room leads to the temporary during the last ten years of his reign in embellish galle1·y, erected by the Royal Cambrian Academy in ing "Nonsuch," of which no relic now remains; 1895. being dismantled during the Parliamentary vVars. Pepys alluding to Nonsuch in 1665, says, "All the 0!1 the 11th of February, 1896, this Gallery was house filled with figures of stories " ; and Spencer offic1all_Y opened ?Y the Hon. Mrs. H . Lloyd Mostyn, on which occasion a g rand fancy dress ball was in his lines- he_l~, the whole of the rooms of Plas Mawr being "Gold was the' Parget," and the ceiling- bric ht utilised on the occasion. Did shine all ~caly with greal plates of gold. " 1:he group of statuary is the original model, designed by the late Mr. John Bell for the American refers to the "illuminated " plaster-work, or par corner of the Albert Memorial, H yde Park. This getry. model was presented to the R.C.A. by Mrs. Hoare. It was du'ring the troublous times of the Com monwealth that this class of work fell into disuse. (The following details of this interestino- and The Wynne Room is supposed to have been the celebrated group are taken from Tlte T£1~es of bedroom occupied by the Earl of Leicester. Por ]~ly 2nd, 1872, on the o~casion of Her Majesty's tions of bis crest, viz., the Boar, and the Bear and v1s1t to the Albert Memonal on the previous day). Rag~ed Stave, appearing on the walls and ceiling ; "Mr. Bell's 'America,' on the pedestal of the THE TEMPORARY GALLERY. QUEEN ELIZABETH'S BEDROOM. north-west angle is undoubtedly the finest com buffalo, the fine outlook into the future, the position of the four groups, and the boldest and confidence in her destiny beaming from the calm most vigorous in every way. Seated upon a and noble face of the woman borne onward on the buffalo, charging through the long prairie grass, bison's back, the consciousness of supremacy in the is a female, typifying the New World. To the rear, countenance and gesture of the figure with the two male figures, seated, as less progressive, sceptre, the sense of action and progress and denote South and Central America, while in front power which radiates from the whole group, make two erect female figures signify Canada and the us aware that we are in the presence of a really United States. The last figure is the principal of g reat work." the four, and, sceptre in hand, controls and directs the headlong onward course of the buffalo. The figure seated on the bison is Colossal, and her left arm bears a shield emblazoned with the eagle, the Queen Elizabeth's Bedroom. beaver, the volcanos, the Lone star, the alpaca, and the southern cross, emblems of the United States, Canada, Mexico, Chili, Peru, and Brazil. This room is supposed to have been used by In her right hand is a stone pointed feathered lance. Queen Elizabeth. It is not known what has become The male figure of South America is a half-breed, of the original furniture of Plas Mawr ; but the wearing sombero and poncho ; that of Central bedstead said to be used by the Queen is now at America wears a Mexican head-dress. Habited in Gloddaeth, near Llandudno. This room, same as the furs, Canada presses the rose of England to her others, has been stri pped of the oak-pannelled wain bosom, tho~gh her face is turned towards the scot. Above the fire-place are the Arms of Robert United States, who wears in her hair a star, and Wynne, with the initials R G, most probably over her shoulders a starred baldri ck. There are Robert of Gwydir, as the Gwydir family resided at also other emblems connected with the various Gwydir Castle, near Llanrwst, before Plas Mawr figures, yet the group is not in the least crowded or was built. The letters R G and J G are also on complicated. The young and vigorous life of the each side of the centre windows, which can be read as before Robert and John ofGwydir. 26 R ECEPTION ROOM. THE LANTERN ROOM. 27
It will be noticed that each ceiling in Plas Mawr described. I t will be noticed that all the fine fire is different in design, each one being very beautiful. places in the house are different in design. Amongst the animals and birds on t his ceiling and The fine geometrical ceiling of this room must walls are the griffin, t he owl, the stork, lions, and have had an imposing appearance in the palmy lion's faces, the heads of deer with antlers, eaglets, days of Plas Mawr. stags, Fleur-de-lys, Saracen's heads, boars, unicorn, It was in this room that the Q ueen of Roumania dragons, swans, a dove just about to settle on a took af~ernoo_n tea on t he r rth of September, r8go. branch ; also Tudor roses and other ornaments. Leavmg this room by the door opposite to the T he oak screen is almost a repitition of t he one one we enter, we pass underneath a secret chamber already described in the Queen's Sitting Room. or hiding place, built in the thickness of the wall Leaving Lhis room, turn to the left and you at adjoining the breast of the chimney which mns up once enter the Drawing or Reception Room. from the small kitchen ; this was used during the turbulous times of the Reformatian for the conceal ment of proscribed persons. Passing underneath this place of concealment The Reception Room. and_ascending the five steps to the left, and keeping agam to the left we come to No. 8,the Lantern Room.
The Reception Room is nearly 40ft. by 20ft. by I xft. in height, with a recess in the wall opposite the fire-place about 8ft. square; there are indica The Lantern Room. tions that this recess was an addition after the house was built. A new floor had to be laid in this room in r888, but the old fixed seats remain, and The Lantern Room is so called because of the are in the same charming style as described in the old lantern in the far. right hand corner, as you Banqueting H all. Two of the original tables are enter . the room. It JS formed by an openino also in this room. The initials on the walls and throug:h the wall tapering inwards at the sides and ceiling arc repetitions of what has been previously top, with a small angular window projecting out- T HE HAUNTED ROOM. 29 wards from the face of the external wall. In olden The following is an extract from local papers of times a candle would be set so as to throw a light September, 1893 :- outwards and on to the Terrace and Court Yard below. This room was never embellished with A HAUNTED ROOM AT PLAS MAWR. decorative plaster-work as is the case with t he more important rooms of the house. (FROM A CORRESPONDENT.] This room is the reputed " haunted room "of Plas Mawr. In addition to its intt~nsic charm as one of the most After leaving this room go past the st~ps by perfectly pr,,served ~pecimens of Elizabethan Manoi· House::a now existing in this country, Pla5 Mawr, the Home of the which these apartments were reached and mspect fl ourishing and very useful Royal Cambrian Academy of Arl, the Council Room of the Royal Cambrian Academy has il'> numerous low, oak-pannellcd. and oak-floored rooms where there are fine casts, models, and a series of filled with an excellent collection of Oils and \Yater-colours. beautiful etchings on the walls. of which the c.-itics speak ,·cry highly. Botb of these attrac tions are by this time pretty widely k t1 own, and what I wish Above the door will be noticed a specimen of the to make publi c-for the first t im e, I believe,-is the existence original watling work, showing clearly ho~v the of an attraction of an entirely different character; an attrac parlition walls were formerly constructed ; 1t has tion that one almost instinctively looks for in connection with such an old building as Plas ~lawr, and that is a haunted been protected with glass: . room. De ·cending the five stairs, and ascendmg the o!d There can be no doubt about it, for I have the story from spiral staircase opposite, t~1e lo.ok-out tower 1s one who is both an ca,· and ey,i-witness of the fact that one of reached, from which charrrnng views of the sur the rooms in Plas Mawr is haunted. rounding country may be obtained, then, by follo,:· Th<' story was told to me by one of the genial officials of the R.C.A., on the occasion of the recent visit of Sir Stuart ing the staircase to the bottom, No. 1 room 1s Knill, Lord Mayor of London, to Conway. again reached. The official referred-to, al that time ,·emarked to me and my two companions, whom he found in the room in question, "Ah, you are studyit1g the haunted room, arc you?" \Ve laughed, and said that we did not know that it was hauated, or even that it was said to be haunted. In Plas l\lawr there are 365 windows, 52 doors, and "Very few pco1>le know it," he said, "but it is a fact, 52 st<'p!> up the Tower. and it is supposed to have som.! connection with the Priest's THE HAUNTED ROOM. 31 30 THE HAU rTED ROOM. by chance, pursuers discovered this recess, and managed to Hiding-place, which is just here," he a [FROM ANOTHER Co1mESPONDENT.] The details about the Plas Mawr Spiritual Visitant, as given by a c·onfrere, are substantially correct except in one or two minor matters of detail, into which I do not think it wo1·th while entering, on the principle de minimus ,um cura/ le:r:. However, there seems no doubt that a mysterious Something has been seen, by two credible witnesses, in broad daylight, and, unlcs!:> the usual rules of evidence are to be accounted of no " orth, we have no option but to accept the theory that something '• uncann)'" has several times made it,; p1·esence ,·isible or audible at Plas Mawr. Occasionally, visitors have said that they arc sure that t here is a haunted room in Plas Mawr. "Indeed! Why?" they are asked. "Oh! because I feel it; 1 am a medium," they say, or words to Jike effect. "Which room is it?·· they arc next asked, and invariably they have indicated what my ,·onfrere bas now termed the "Haunted Room. "' The matter needs investig:tting, for perhaps the Something h~s somewhat to communicate. NOTICE. A Deposit of Twenty per Cent. is required to be paid on all works directed to be marked as sold-no work can be removed before the close of the Exhibition unde1· any circum- CATALOGUE. stances. The whole of the Purc-hase Money must be paid to the For Prices of Pictures refer to List given with each Catalogue, Treasurer before any Picture is removed, and his ,·eceipt or to Mr. ]. R. Furness, Curator. produced to the Curator as authority fgr its removal. _ _ _ _ Intending purchasers must negotiate through the No. I ROOM (The Banqueting Hall.) Curator. The Red Stat· on the Picture denotes that it is sold. (For description of room see page 11 ) . Unless specially stipulated the copyright of all Pictures is rese,·ved to the Artist. ]. CLINTON JONES N .B.-This Exhibition will close at the end of October, I Conway when a ll works will be at liberty for removal. The Art U11ion Drawing will take place on the 31st of ANDERSON HAGUE, R.I. October. Tickets One Shilling each. 2 The Marl Pond ]. PAIN DA\.IS 3 Over the Hills and Far Away No. 1 ROOM. S. LAWSON BOOTH, F.R.G.S. 4 Sunrise on the ~I atterhorn A. \V. AYLING No. 2 ROOM (T he Small Kitchen) . 5 Old ~I ill tFor description of room see page Ii), ANDERSON H AGUE, R.l. ANDERSOK HAGUE, R.I. 6 The Village Brook 8 A Bit of Sea B. FO\\'LER F. W. HAYES 7 Mountain Stream and Mead 9 Attingham o n Severn J. CLINTON JONES io Autumn on a Welsh hill s ide HAi\lILTON MARR 11 Fading Light Rl!:G l NALD SMITH 12 By the Avon J. CLINT ON JONES 13 After the Shower _ 38___ N_ o. _2 R_ OO_ M_. ----ll- No. 2 ROOM. 39 N. PRESCOTT-DAVIES, RB.A. SIRE. BURNE-JONES, BART., R.W.S. 14 "The Child Christ"- " On Earth, Peace " 2 r The Wheel of Fortune (The property of Albert Wood, Esq., J.P.. D.L.,~kindly lent from his collection at Bodlondeb) ALBERT KINSLEY, R. B.A. "THE WHEEL OF FORTUNE," that noble picture of the 15 Ar: Old Street- Constantine, Algeria Goddes slowly turning the wheel to which the helpless victims of fate are bound; from the slave enjoying his brief hour of triumph and tramplin g on N. PRESCOTT-DAVIES, R.B.A. the crowned monarch at his feet, lo the poet, who, from the lowest run~ of the ladder, looks up with r6 "The Child Christ"-" Goodwill toward Men " a light in his eye and the hope of a better day in his heart. The sombre greys and purples of CHISOLM COLE Fortune's robes, her calm, sad, but immovable face, and the huge size of the wheel, all help to 17 Snowdon, from Penrhyn convey the impression of irresistable might and fixed unchangeable destiny. G. HALL NEALE 18 An Idyll ANDERSON HAGUE, R.I. 22 Beneath the Firs S. LAWSON BOOTH, F.R.G.S. F. W. HAYES 19 Llanberis Lake-Dol1Jadarn Castle 23 Sweet Seventeen ANDERSON HAGUE, R.I. F. W. HAYES 20 On the Conway 24 Lady Betty -, No. 3 ROOM. F. T. SIBLEY 30 \Vhen the Sun is Low W. J. SLATER No. 3 ROOM (The Still Room). 31 The Mouth of the Conway (Fc>r description of room sec pagl! 15). G. SWINFORD WOOD E. A. NORRURY 32 Rough Pasture 25 Boat Landing and Chine!:>e Bridges. Klong Kupl PAUL KNIGHT Mai, Lower Siam 33 Little Miss l\foffet CHISOLM COLE HAMILTON .MARR 26 A Grey Day 34 A Choppy Sea PAUL !(NIGHT J. CLINTON JONES 27 Fairy Tales 35 On the way to Dulyn E!A. NORBURY K. PRESCOTT-DAVIES, R. B.A. 2 8 Native Houses, Samsen-E ANDERSO:S: HAGl·E, R.I. ALBERT S. WOOD 29 Swollen Stream 37 The River Conway 42 No. 3 ROOM. No. 3 ROOM. 43 ------N. PRESCOTT-DAVIES, R.B.A. CHARLES POTTER 38 Chaff 46 A Chat by the Way W . J. SLATER S. LAWSON BOOTH, F.R.G.S . 39 Old Cottage-Llandudno Warren 47 Snowdon from Llyn Llyda w PAUL KNIGHT F. F. SIBLEY 40 The Daily Chapter 48 Windsor Castle J. C. SALMON GEORGE HARRISON 4 1 Evening 49 Old Church, Cefnllys, near Llandrindod HAMILTON MARR 42 Above the Dee HAMILTON MARR 43 Among the Woodlands Aj..BERT S. WOOD 44 On the Conway Marsh GEORGE HARRISON 45 Cottage Interior HAROLD HUGHES 57 Sta Maria dei Miracoli, Venice 1-1. CLARENCE WHAITE, P.R.C.A., R .W.S., &c. No. 5 ROOM (The Wynne Room). 58 Snowdon (For description llf this room see page 21 ). S. MAURlCE JONES G. A. HUMPHREYS, M.S.i\. 59 A Cottage near Caernarvon :i- I S. J. HODSON, R.W.S. HAROLD HUGHES, A.R.1.13.A. 6o The Steps of St. Marks, Venice 52 Plas Berw, Anglesey J FINNEMORE, R.B.A. G. A. HUMPHREYS, M.S.A. 61 The Grandmother 53 New Terrace, The Parade, Llandudno JOSEPH KNIGHT, R.I. HAMILTON MARR 62 Cliff on the Coast of Done G. A. HUMPHREYS, M.S.A. A. F. PERRIN 56 The Westmin5ter, Llandudno 64 On Pen Sychnant No. 5 ROOM. No. 5 ROOM. 47 ALBERT KINSLEY, R.B.A. A. W. AYLING 65 An Autumnal Evening 73 Llugwy River, Capel Curig F. W. LONGSHAW F. W. LONGSHAW 66 Pont Newydd 74 January, 1896 J. FINNEMORE, R.B.A. A. W. AYLING 67 Idle Moments 75 Llugwy River JAMES TOWERS J.C. SALMON 68 The Mersey, with Yacht Club 76 The Cloud A. W. AYLING "Over earth and ocean With gentle motion "- Shelley 69. Misty Evening-Sussex ]. C. SALMON GEORGE CROZIER 77 Ogwen Lake 70 A Relic of Past Ages- Girgenti, Sicily GEORGE COCKRAM ' S. MAURICE JONES 73 An Anglesey Landscape 71 Caernarvon Harbour GEORGE CROZIER OLIVER BAKER, R.P.E. 72 Sea Gulls by the Shallows 79 The Towers of Conway No. 5 ROOM. A. W. AYLING 80 Trefan, North \~ales J. McDOUGAL 81 A Freshening Breeze THE GALLERY. ALBERT KINSLEY, R.B.A. B. FISHER. 87 Feeding Time -82 Early Spring B. FOWLER JOSEPH KNIGHT, R.I. 88 An Upland Pasture 83 Wanderers N. PRESCOTT-DAV.lES, R.B.A. A. W. AYLING 89 Nerreda -84 Old Bridge, Capel Curig JAMES T. WATTS . i JOSEPH KNIGHT. R.l. 90 Through the Spring Larches 85 Clearing after rain \ A. F. PERRIN S. J. HODSON, R. W.S. gr Spring· Time 26 The Porta Romano, Sienna GEORGE HARRISON 92 The Beaver Bridge on the River Conway THE GALLERY. THE GALLERY. sr PAUL KNIGHT LEONARD HUGHES 100 Portrait 93 Never too Late to .Mend S. LAWSON BOOTH, F.R.G.S. PAUL KNIGHT 101 Llanberis Pass 94 J. G. Lyon, Esq. H Ai\1JLTOj>; :\!ARR W. J. SLATER 102 The Dying Day 95 A Welsh Pastoral E. A. F\"ORBURY E. A. NORBURY 103 A Siamese Farmhouse - Rice and Betel Nut 96 Under the Trees by \Vat Chang-Evening, Palms Meinam River, Siam J. CLINTON JONES J. FINNIE ro4 Evening in the Vale of Conway 97 Runswick Bay JOSEPH KNIGHT, R.I. CHISOLM COLE 105 On the Welsh Coast <)8 Summer E. A. NORBURY 10 6 Flame of the Forest. in hloom, Lower Siam E. A. NORBURY g9 Brick Boats, Native H ouse, and Banana Palm, 8 . FISHER Meinam River, Siam 107 A Trout Stream THE GALLERY. 52 THE GALLERY. 53 N. PRESCOTT-DAVIES, R.B.A. ]. T. WATTS 108 '' Serve the Lord with gladness, and come 1 1 S A Woodland Road before His presence with a song" A Children's' Flower Service GEORGE HARRISON 116 A Woodland Path in Spring PAUL KNIGHT 109 Mrs. J. G. Lyon B. FOWLER 117 In Summer Time J AMES TO\,VERS A. F. PERRIN 110 Glen Chasse, Port St. Mary, I.O. lVJ. 118 The H ome Farm, Benarth ALBERT S. WOOD r r, Ebbing Tide S. LAWSON BOOTH, F.R.G.S. ll9 Falls near Bridge, Bettws-y-coed HAMILTON MA RR r 12 The Incoming Tide J. T. WATTS r20 Winter Evening in a Beech vVood B. FOWLER I 13 On the Con~vay HAMILTON MARR 121 " * * * * At Set of Sun PARKER HAGARTY The farmer drives the lazy cattle home 1 14 Solitude From the high moorl and and flowery brae" THE GALLERY. 54 T HE GALLERY. 55 J. CLINTON JONES A. NETHERWOOD 122 Dr. Llugwy Owen, M.A., Ph.D., &c. 130 The Old Swan Inn, ~l ochdre G. SHERIDAN KNOWLES, R.I. ANDERSON HAGUE, R.I. 131 On the Banks of the Conway 1 2 3 Happy l\ loments REGNALD S:\HTH A. \\'. AYLJ:-;G 124 Early Summer 132 A Trout Stream JOH:-.: FJX.'.'\IE PROFE=,SOR H. HERKOi\IER, R.A., R.\V.S., &c. 125 Evening at Bidston 133 Our Village F. T. SlBLEY S. SIDLEY, R.B.A. 134 The Signal 1 26 Trees on Arthog ~Joor J. I !. COLE CHISOUI COLE 127 A Welsh Trout Stream 135 Evening, Beddgelert I HM,IILTO.'.'\ :\!ARR H. CLAREl\'CE \\'Hr\lTE , P.R.C.A., R. \V.S., &c. 128 Marshy Land, !Vl erioneth 136 Early Snow F. T. SIBLEY ALBERT S. \\'000 129 On the Moors, Barmouth 137 A Portrait THE GALLERY. THE GALLERY. 57 HAMILTON MARR PARKER HAGARTY 138 Wheo Day is Ending 146 A Fair Spring Day A. NETHERWOOD S. LAWSON BOOTH, F.R.G.S. 139 Gathering Seaweed on the Conway Shore 147 Wetterhorn, Grinderwold J.C. SALMON JOSEPH KNIGHT, R.I. 140 The Trivan-Evening 148 The Clouded Moon G. SWINFORD vVOOD LEONARD HUGHES 141 Autumn Tints on the Conway Mountain 149 Portrait CHISOLM COLE F. W. HAYES 1 42 Mystic ,vood 150 Pen y gent, from Ribble Head J.C. SALMON A. NETHERWOOD 143 Conway 151 Tl1e Blackbird Sings .J'. PAIN DAVIS JOSEPH KNIGHT, R.I. 144 Unhallowed Ground 152 Evening A. NETHERWOOD G. SWINFORD WOOD 145 A Strolling Harpist 153 On the Shores of the Conway THE GALLERY. THE GALLERY. 59 HAMILTON MARR G. SWii\FORD WOOD 154 A Glimpse Across the Valley, .Mawddach T62 A Breeze off the Morvan Hills G. HALL NEALE CHISOLM COLE 163 A Glimpse of the Conway Valley . 1 55 The Letter JOSEPH KNIGHT, R.I. N. PRESCOTT-DAVIES, R.B.A. 164 The Sentinal of the Morn 1 56 A Love Song ROBERT FOWLER, R.L B. S. l\IARKS 165 A Sea Shell 157 Friar Tuck CRESWICK BOYDELL JOHN FINNIE 166 Woodcutting, Sheer, Surrey 158 Evening HAM ILTON MARR S. LAWSON BOOTH, F.R.G.S. 1 59 "Across the loch's still waters creep 167 "Through Pleasant Paths" F leeting lights and shadows deep" SCE'lle: Near Bettws-y-coed. PARKER HAGARTY S. LAWSON BOOTH, F.R.G.S. 168 Langdale Pikes 160 ln the Birch Woods G. HALL NF.ALE ANDERSON HAGUE, R.I. 161 Melody 169 Come Along 60 THE GALLERY. ____T_ H_ E__:G:..:_ALLER.Y. 6r H. CLARENCE WHAITE, P.R.C.A., R.\V.S., &c. PARKER HAGARTY 170 A Stronghold of Edward I. 178 Overlooking Derwentwater "It stands four square to all the winds that blow." CUTHBERTC. GRUNDY ANDERSON HAGUE, R.I. 179 Low Water 171 Barley Field on the Conway J. R. G. GRUi\'DY A. NETHERWOOD 180 Musslers Waiting for the Cart 172 "The Evening Light on the Old Home Glow" B. S. i\IARKS S. SIDLEY, R.B.A. 181 Portrait, "Morien ,, 173 Melody GEORGE HARRISON 17-1- Pass of Aberglaslyn PARKER HAGARTY 175 By the Elm Tree Pool \ S. LA\VSOK BOOTH, F.R.G.S. 176 Old Mill, Beddgelert F. \V. HAYES 177 A ·wreck on the Anglesey Coast No. 6 ROOM. JOSEPH KNIG-HT, R. r. 188 Cerrigon Head, Coast of Donegal! J. FINNEMORE, R.B.A. No. 6 ROOM (The Queen's Bedroom). 189 Memories (For description of room see page 25). JOSEPH Kl'\IGHT, R.I. A. v,;. AYLING 190 On Arthog Moss 182 Melog Lake GEORGE CROZIER W. STEPHENSOl'\ 191 Moulh of the Conway 183 Midsummer OLIVER BAKER, R.P.E. REGINALD SMITH 192 Breakers at Towan Head, Cornwall 184 Street, Eckington J. C. SALMON JOHN PARKER, R.W.S. 193 Dry Weather 185 Glydir Fawr from Ogwen A'. W. AYLING S. MAURICE JONES 1 186 Rhos Neigr, Anglesey 94 Sunlight and Shadow F. T. SIBLEY GEORGE CROZIER 187 Llyn cwm Ffynnon 195 Dawn on the Estuarv No. 6 ROOM. No. 6 ROOM . •'\. W. AYLING GEORGE COCKRAM 204 Evening 196 Pont y garth- Evening P. GIIENT OLIVER BAKER, R.P.E. 197 A Tranquil Pool 205 A Worcestershire Farmstead S. J. HODSON, R.W.S. A. W. AYLING 206 Strayed 198 Dinan, Brittany- Market Day GEORGE C ROZIER ALFRED SLOCOMBE 207 Sunshine and Rain- Nr. Aylesbury 199 The Tidal Conway A. F. PERRIN OLIVER BAKER, R.P.E. 208 A Lane at Pentrefelin 200 A \,Vorcestershire Fold Yard JOHN PARKER R J. McDOUGAL , ,.\V,S. 209 The George Inn, Dorchester 201 Harvest Time \ B. FO\\"LER S. i\IAU R!CE JONES 210 Conway Castle 202 Menai Straits J. FIN:--IEMORE 203 " \,Vhen the King shall enjoy his own again " No. 7 ROOM. GEORGE COCKRAM 217 On the Ang-lesey Coast GEORGE CROZIER No. 7 ROOM (The Reception Room). :218 A Tranquil Shore (For description of room see page 26). J. McDOUGAL B. HOYLES 2 21 I An Old Corner in a Devonshire Village 19 The Sweet Spring-Time J. McDOUGAL F'. W . LONGSHA W 212 A Tranquil Sea 220 An Autum Day JAMES T. WATTS JOSEPH KNIGHT, R.I. 213 Heswall Church 221 Near Deganwy G. SHERlD ..\N KNOWLES, R. I. \V. J. SLATER 214 Confidences 222 A Midsummer Day 'F. ·w. LO NGSHAW JOSEPH K:\'lGI-IT, R.I. 215 Fallen Timber 223 Solitude A. KINSLEY, R.B.A. CRESWICK !30YDELL 216 "Where the burn winds bis moorland course" 224 A Vill..tgo Corner 68 No. 7 ROOM. No. 7 ROOM. 69 B. FISHER J. CLll:\TON JONES 233 Dinkley Ferry 225 A Bit of Conway HAROLD SWANWICK GEORGE CROZIER 234 Rydal Water 226 Evening S. MAURICE JONES S. J. HODSON. R.W.S. 235 Street in Innsbruck 227 The Conway at Trefriw GEORGE HARRISON W. STEPHENSON 228 The Old Churchyard- Bettws y Coed 236 A Grey Morning B. FISHER J. C. SALMON 237 Primroses 229 Spring H.- MEASHAM A. F. PERRIN 230 Spring Morning at Ty'n y groes 238 Marl Farm-Winter Afternoon B. FISHER CUTHBERT C. GRUNDY 231 Anglesey Coast 239 A \i\T oodland Stream Hi\ROLD SWANW[CK GEORGE COCKRAM 232 "The Ploughman homeward plods his weary war., 240 Within Sound of the Sea And leaves the world to darkness, and lo me. No. 7 ROOM. No. 7 ROOM. ,---~~~~~~~~...:.:__71 ------JAMES TOWERS JOSEPH KNIGHT, R.I. 249 Fir Trees and Bracken 24 1 An October Day j. FINNEMORE, R.B.A, ANDERSON HAGUE, JU. 250 Showery Weather 242 For God and my right \V. STEPll EKSON J. C. SAL.\tON I 25 T Primrose Gatherers 243 On the Warren ~. FISHER GEORGE COCKRAM 252 Autumn in the Glen 2 44 Tai y Cafn OLIVER BAKER, R.P.E. 1--IAROLI) SWAN\VICK 253 Milking Time Pembridge, Herefordshire 245 OLIVER BAKER, R.P.E, B. FISHER 254 Cemaes, Anglesey 2 6 Plas Mawr from Crown Lane 4 I ' 8. FOWLER J. Fl1'NE:\IORE, R.B.,\. I 255 The Firsl Born 247 In the Lledr Valley JOIIN FL\':'\IE A. F. PERRIN 256 The Orphan 24s A Spring Melody L..J No. 7 ROOM. 72 No. 7 ROOM. 73 ~~~~~~~~- HAROLD S\VANWICK J. C. SALi\ION 265 Scene near Llandudno, Penmaenma .vr and Pen 257 Going to vVork maenbach in the distance ]. McDOUGAL CUTHBERT C. GRUNDY 25s A Summer Sea 266 On the Lune J. T. \\·ATTS W. STEPHENSON 259 Cheshire Fir Trees 267 In Bodysgallen Woods F. \\I. L01'GSHA\V JOSEPH KNIGHT, R.I. 260 A Sunny Day 268 The Rain Cloud JOHN PARKER, R.W.S. W. STEPHENSON 2 6 1 The Last Chapter 269 Belated Travellers A. NETHERWOOD A. KINSLEY, R.B]A. 62 The Nunn's Walk-Marie : 270:A Calm before a Storm 2 ~] 11,:: F. \V•. LO:\GSHA\V JOSEPH KNIGHT R.I. 27 1t Lowtide 2 63 The Foot Bridge \V. H. SULLIVAN 264 Disclosing a Plot- The Traitor l'\o. 8 ROOM. 75 285 vVoods in December 287 Winter 288 View from D eganwy 2 89 H aym a king No. 8 ROOM (The Lantern Room). 290 Midsummer, Rhosneigr (FN de:.cription of roc,m see pairc 27.) 2 9 1 A Summer Evening TllE LATE J. 1-1. COLE 2 9 2 The Trout Stream 27 2 Low Tide 293 In the Conway Valley 2 273 In the Glen 94 An Upland Pasture 274 On the Sandhills, Rhosneigr z95 Spring Time, Llanbedr 275 The Foot Bridge 276 A Moorland Stream 277 On the Common, Rho~neigr 278 Rhosneigr, Anglesey 27 9 A Moorland Farm, Carnedd Llewelyn 280 Afternoon Rhosneigr Fii\IS. 281 \\'inter Slumbering in the open air 282 vn the Beach, Deganwy 283 Oi<;tress 284 A Sunny Afternoon 285 Waterfall on the Oulyn INDEX TO EXHIBITORS. 77 Booth, S. Lawson, (F.R.G.S.), 721 Roe Lane, Southport, 4, 19, 47, 101, I 19, 147, 167, 168, 176. Boyd ell, C., Studio, 48, Castle Street, Liverpool, Names and Addresses of Members 166, 224. Clarke, L. J. Graham, Glanrhos, Rhayader, ANO Radnurshire. List oi Exhibitors. Cockram, Geo., Rhos Neigr, Ty Crots, R.S.O., ,\nglesey, 781 204, 217, 240. 252. Cole, The late,]. H., 127 1 272, 273, 274, 275, 276, 277, 278, 279, 280, 28 r, 282 , 283, 284, 285, Alma Tadema, L., (R.A.), R.W.S. 286, 287) 288, 289, 290, 291, 292, 293, 294. 2 Allen, S . \,v.," (C· E • ) , Cardiff Exchan!?"e,~ Hute 95· Docks, Cardiff. Cole, Chisholm, Church House, Llanbedr, Conway, Aspinwall. Regd. , c/o Messrs. Milne and Co., 17, 26, 98, 135, 142, 163. Lancaster. Crozier, G., Bolton-le-San els, near Carn forth, 70, Ayling, A. W., Deganwy, Llandudno, 5, 69, 72, 183, 195, 199, 218, 234. 73, 75, 80, 84, 1132, 182, 186, 196, 2o6. Davis, J. Pain, Roulayn, Trefriw, North \,Vales, Baker, Arthur, (F. R. I. B.A\ Ellingham House, 3, 144. Arundel St., Strand, W.C. Davies, J. Uey, 26, Brazenose Screet, Manchester. Baker, Oliver, 101, Gough Road, Edgbaston, Birmingham, 79, 184, 2.JO, 205, 245, 246. Douglas, J., (Architect), Abbey Square, Chester. INDEX TO EXHIBITORS. INDEX TO EXHIBITORS. - 79 Finnie, John, 20, Huskisson Street, Liverpool, 97; Harrison, Geo., Minafon, Bettws-y-coed, North ', 1~5, 158, 256. Wales, 45. 49, 92, 116, 174, 228. Finnemore, J., c/o N. Prescott Davies, Cambria, Hayes, F. W., 12, Westcroft Square, Hammer , 113, Haverstock Hill, N. vV., 61, 67, 189, 203. smith, W., 9, 23, 24, 150, 177. 242, 255. Herkomer, Prof. H, R.A., R.W.S., RE., Fisher, B., Bodafon, Roe Wen, Conway, 87, 107. I 33• 225, 229, 231' 244, 254. Hodson, S. J., (R. W.S.), 7, Hillmartin Road, Fowler, B., Glandwr, Trefriw, R.S.O., 7, 83, 113, Camden Road, London, N., 60, 86, 198, 235. II7, 210, 247. a ·olte, A. Brandish, The Cape, Warwick. Fowler, R., (R.I.), 10, S. Castle Street, Liverpool. Hoyles, B., Castell , Talybont, Conway, 219. 165. Hugh es, Leonard, Greenfield, Holywell, North Gilbert, Sir Jphn, R.A., (P.R.W.S.) vVales, 100, 149. Ghent, Peter, Llanbedr, Conway, 197. Hughes, Harold, (!\.R.I.B.A.), Arvonia Buildings, Bangor, 52, 57. Grundy, Cuthbert C., 1, Craig y Don Parade, Llandudno, 179, 239, 266. Humphreys, G. A. (M.S.A.), Llandudno, 51, 53, 56. Grundy, T. R. G., South Shore, Blackpool, 180. Jones, Sir E. Burne, Bart., (R,W.S.), 21. Hagarty, P., 26, Cistle Street, Cardiff, t 14, 1461. Johnson, J. 160, 175, 178. Jones, J. Clinton, Llanbedr, Conway, 1, IO, 13, 35, 2, Hague, Anderson, (R. I.), Tywyn, Conway, 6, 8, I04, I 221 233. 20, 22, 29, 131, 169, 171, 250. Jones, S. M,wrice, 18, Segontium Terrace, Carnar Hare, Julius, Tunction, near, Conway. von, 59, 71, 194, 202, 227. INDEX TO EXHIBITORS. 81 8o INDEX TO EXHIBITORS. ------Kinsley, Albert, (R.B.A.), 2, Corinne Road, Tufnel Measham, Henry, 26, King Street, Manchester, 230. Park, London, N., 15 1 65, 82, 216, 270. Knight, Joseph, (R.I.), Minafon, Tywyn, Llan Neale, G. Hall, 2, South- John Street, Liverpool, dudno, 62, 85, 88, !05, 148, 152, 164, 188, 18, 155, 161. 190, 221, 223, 241, 268, 271. Netherwood, A., Tywyn, Llandudno, 130, 139, 145, 151, 172, 262. Knight, Paul R., Tywyn, Llandudno, 27, 33, 40, 93, 94, 109. Norbury, E. A., c/o Messrs. H. S. King & Co., 45, Knowles, G. .Sheridan, (R. l. ), 5, Park Road Pall MaJJ, S. W., 2;;, 28, 96, 99, 103, 106. Studios, Haverstock HiJJ, N. W., 123, 2T4. Parker, ] . , R. W. S., 5, Melina Place, Grove End Road, ·st. John's Wood, 193, 209, 26r. Longshaw, F. Vv., Deganwy, Llandudno, 66, 74. 2 I 5, 220 260, 263. Perrin, A. F., Marl View, Llandudno Junction 64 1 " ' Loud, A. Bertram, 7, Ryder Street, St. James', 91, l 18, 208, 238, 248. London, W. Potter, Chas., Llanbedr Lodge, Conway, 46. Millais, Sir J. E., Bart, P. R.A. Prescott-Davies, N. (R.B.A.), Cambria, 113 Haverstock Hill, N. W., 14, 16, 36, 38, 89~ Marks, H. Stacy,