Incommensurate Russia
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On the Competition Programme of the 31St Moscow IFF
On the Competition Programme of the 31st Moscow IFF By Christina Stojanova Fall 2009 Issue of KINEMA CHARACTERS AND CIRCUMSTANCES: NOTES ON THE COMPETITION PRO- GRAMME OF THE 31st MOSCOW IFF If a common aesthetic denominator of the competition films, presented at the 31st Moscow International Film Festival (June 19-28, 2009) is to be found, it would be the predominance of mythos (plot) over ethos (character). While most of the characters were ordinary people - that is, ”responding to our sense of common humanity” and like us not distinguished by ”superior power of action and intelligence” - the extraordinary circumstances were removed either in time, space or in degree from ”the cannons of probability that we would find in our own daily experience” (See Frye). In other words, the Moscow competition filmswere,as Aristotle would have it, about the predominance of the plot, the soul of the play, and stood or fell upon its intricacies, overshadowing the particular psychological and moral make-up of its dramatis personae. Whether good or bad, they suffered more as a consequence of an act or happenstance outside of them: usually defined as destiny or fate in ancient Greek plays and romantic (melo) drama, and in modern times as historical inevitability or social determinism. The sense of entrapment in these films was additionally enhanced by the prevalent arrangement ofthe incidents as a guest of sorts, usually leading nowhere and leaving the protagonists either dead or much worse off. As is to be expected in this line of thought, the most intriguing films in competition were Russian (Aleksandr Proshkin’s Miracle/ Chudo; Nikolai Dostal’s Petya On The Way to Heaven/ Petya po doroge v tsarstvie nebesnoe ), or in Russian (Kira Muratova’s FIPRESCI winner Melody for a Barrel-Organ (Melodiya dlya sharmanki), made in Ukraine. -
Problems of the Post-Soviet World Syllabus, Spring Semester 2017/2018 (Kpe/Pps)
Univerzita Palackého v Olomouci Filozofická fakulta Katedra politologie a evropských studií http://kpes.upol.cz PROBLEMS OF THE POST-SOVIET WORLD SYLLABUS, SPRING SEMESTER 2017/2018 (KPE/PPS) Lecturer and course garant: Markéta Žídková E-mail contact: [email protected] and/or [email protected] Office hours (office 3.11): Wednesdays 16:00-17:15; Thursdays 11:00-11:30. Course e-mail (at gmail.com): [email protected] password: Medvedev I. Course goals The main aim of this course is to introduce main problems and issues of the post-Soviet world in a period of 1991-2018. The course should provide students with basic understanding of politics of the post-communist states, including Russia, Ukraine, Belarus, South Caucasus, and Central Asian countries. Lectures should guide students through political systems and highlight specifics of particular regimes as well as geopolitical context. Affairs with important impact on the whole region will be discussed. II. Teaching methods Lectures and seminars: weekly, Thursdays 11:30-13:00 (please, note exceptions); Room: 2.31 For a list of lecture topics, see below. Seminars should focus in detail on issues arising from lectures. Seminars require preparation in advance. All students are expected to have completed allocated readings and/or assignments before the seminar. Any changes (time, dates, topics, presentations, room) will be announced via Departmental e- board. Students are required to check it before each session. Get used to checking the e- board every Wednesday night! III. Assessment Final grade is a combination of the following items: Preparation for seminars/discussions; participation in seminars: 20% Leading one discussion: 20% Final Exam: 60 % 1 IV. -
Russian Nationalism and Pamiat
University of Northern Iowa UNI ScholarWorks Presidential Scholars Theses (1990 – 2006) Honors Program 1991 Russian nationalism and Pamiat Brian Granger University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©1991 Brian Granger Follow this and additional works at: https://scholarworks.uni.edu/pst Part of the Other Political Science Commons Recommended Citation Granger, Brian, "Russian nationalism and Pamiat" (1991). Presidential Scholars Theses (1990 – 2006). 73. https://scholarworks.uni.edu/pst/73 This Open Access Presidential Scholars Thesis is brought to you for free and open access by the Honors Program at UNI ScholarWorks. It has been accepted for inclusion in Presidential Scholars Theses (1990 – 2006) by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. l Br.i.an Granqe:r: Preside ntial Scholars Thesis 1991 University of Northern Iowa I?"u.s ~:;.i.an Nat :i.onal:i s m and. Pam:i._ at_' _ More than seventy years after the October Re volution a crisis in the Sov.i.et Union haE:; cnusr:)d its c itiz.1:,•nf., to ffu.:[ f e r a lof;f; of: f::a1 th. This disillusionment s e e mingly stems from the lack of suc cess in economic reform and. the chnos of the democratization policy imple mented since the rise to power of M. S. Gorbache v in March 1985 . The following reaction has not merely c ondemne d. Gorbachev'r.;; "exper.i.mentat:i.on" with the Pand.orn' ~,; box of pereutroi)<<::1 ancl.gl<::isnout. -
Mainstream Russian Nationalism and the “State-Civilization” Identity: Perspectives from Below
Nationalities Papers (2021), 49: 1, 89–107 doi:10.1017/nps.2020.8 ARTICLE Mainstream Russian Nationalism and the “State-Civilization” Identity: Perspectives from Below Matthew Blackburn* The Institute of Russian and Eurasian Studies, Uppsala University, Sweden *Corresponding author. Email: [email protected], [email protected] Abstract Based on more than 100 interviews in European Russia, this article sheds light on the bottom-up dynamics of Russian nationalism. After offering a characterization of the post-2012 “state-civilization” discourse from above, I examine how ordinary people imagine Russia as a “state-civilization.” Interview narratives of inclusion into the nation are found to overlap with state discourse on three main lines: (1) ethno-nationalism is rejected, and Russia is imagined to be a unique, harmonious multi-ethnic space in which the Russians (russkie) lead without repressing the others; (2) Russia’s multinationalism is remembered in myths of peaceful interactions between Russians (russkie) and indigenous ethnic groups (korennyye narodi) across the imperial and Soviet past; (3) Russian culture and language are perceived as the glue that holds together a unified category of nationhood. Interview narratives on exclusion deviate from state discourse in two key areas: attitudes to the North Caucasus reveal the geopolitical-security, post-imperial aspect of the “state- civilization” identity, while stances toward non-Slavic migrants in city spaces reveal a degree of “cultural nationalism” that, while -
A Century of 1917S: Ideas, Representations, and Interpretations of the October Revolution, 1917–2017 * Andrea Graziosi
Harvard Ukrainian Studiesa 36, century no. 1–2 (2019):of 1917s 9–44. 9 ONE HUNDRED YEARS AFTER THE REVOLUTION A Century of 1917s: Ideas, Representations, and Interpretations of the October Revolution, 1917–2017 * Andrea Graziosi Introduction he celebrations of the 1917 centenary were striking for both their diversity and the diminishment of the event they commemorated, Tfrom Moscow’s low-key celebrations,1 to the missing or halfhearted remembrances organized in the former Soviet and socialist countries, to the West’s many platitudes—all of them stridently contradicting the initial energy of 1917. Embarrassment and hollowness were the key words in Russia, where, in 2017, 1917 was presented either as a “world historical event” illustrating the country’s greatness and importance by the very fact that it had taken place there, or it was buried under occasional studies of local events, with very little room left over for ideas. In the remain- ing post-Soviet states, as well as in the former socialist countries, silence often fell on what was until recently a hot terrain of polemics * This essay is based on a lecture that I delivered at the Harvard Ukrainian Research Institute on 6 November 2017, “Rethinking the 1917 Revolution,” as well as on a presentation that I gave at the 100th Anniversary Roundtable “The Bolshevik Revolution and Its Legacy in the USSR, Post-Soviet Russia, and the West,” organized by the Davis Center on the following day. The idea for this essay came from the way I reconstructed the interpretations of the Soviet experience in the chapter “What is the Soviet Union?” in my Histoire de l’URSS (Paris: PUF, 2010; Moscow: ROSSPEN, 2016). -
Understanding Violence for Post-Conflict Reconstruction in Chechnya
Cluster of Competence The rehabilitation of war-torn societies A Project coordinated by the Centre for Applied Studies in International Negotiations (CASIN) UNDERSTANDING VIOLENCE FOR POST-CONFLICT RECONSTRUCTION IN CHECHNYA Valery Tishkov 2 Understanding Violence for Post-Conflict Reconstruction in Chechnya Geneva, January 2001 Valery Tishkov, professor of History and Anthropology, is the Director of the Institute of Ethnology and Anthropology at the Russian Academy of Sciences in Moscow. He is also a former Minister for Nationalities of the Russian Federation. The Cluster of competence Rehabilitation of war-torn societies is a project of the Swiss Inter- departmental Coordination Committee for Partnership for Peace which is part of the activities of Switzerland in the Partnership for Peace. This Cluster is coordinated by Jean F. Freymond, Director of the Centre for Applied Studies in International Negotiations (CASIN). Centre for Applied Studies in International Negotiations (CASIN), Avenue de la Paix 7 bis Boite postale 1340 1211 Geneva 1 Switzerland, Telephone: +41 (0) 22 730 86 60 Telefax: + 44 (0) 22 730 86 90 e.mail: [email protected] This report – translated from Russian - was prepared for the 4th International Security Forum “Coping with the New Security Challenges of Europe”, 15-17 November 2000, Geneva. It is based on the monograph study, by Valery Tishkov, “Anthropology of War-torn Society: The Case of Chechnya” done with the support of the Harry Frank Guggenheim Foundation. This monograph will be published by the University of California Press in 2001. The opinions expressed in this paper only reflect those of the author and not of the institutions to which he is or was affiliated. -
The Ethnic Roots of Class Universalism
Edinburgh Research Explorer The Ethnic Roots of Class Universalism Citation for published version: Riga, L 2008, 'The Ethnic Roots of Class Universalism: Rethinking the “Russian” Revolutionary Elite', American Journal of Sociology, vol. 114, no. 3, pp. 649-705. https://doi.org/10.1086/592862 Digital Object Identifier (DOI): 10.1086/592862 Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: American Journal of Sociology Publisher Rights Statement: © Riga, L. (2008). The Ethnic Roots of Class Universalism: Rethinking the “Russian” Revolutionary Elite. American Journal of Sociology, 114(3), 649-705 doi: 10.1086/592862. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 The Ethnic Roots of Class Universalism: Rethinking the “Russian” Revolutionary Elite Author(s): Liliana Riga Source: American Journal of Sociology, Vol. 114, No. 3 (November 2008), pp. 649-705 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/592862 . Accessed: 22/01/2014 06:01 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . -
State Building and Nation Making: the Evolution of Ethnonationalism
TITLE : STATE-BUILDING AND NATION MAKING : THE EVOLUTION OF ETHNONATIONALISM UNDE R SOVIET RULE AUTHOR: Ronald G . Suny University of Michigan THE NATIONAL COUNCIL FOR SOVIET AND EAST EUROPEAN RESEARCH 1755 Massachusetts Avenue, N .W . Washington . D .C. 20036 PROJECT INFORMATION :* CONTRACTOR : University of Michigan PRINCIPAL INVESTIGATOR : Ronald G . Suny COUNCIL CONTRACT NUMBER : 806-12 DATE : October 13, 199 2 Copyright Information Individual researchers retain the copyright on work products derived from research funded b y Council Contract. The Council and the U.S. Government have the right to duplicate writte n reports and other materials submitted under Council Contract and to distribute such copie s within the Council and U.S. Government for their own use, and to draw upon such reports an d materials for their own studies; but the Council and the U.S. Government do not have the righ t to distribute, or make such reports and materials available, outside the Council or U.S . Government without the written consent of the authors, except as may be required under th e provisions of the Freedom of Information Act 5 U .S. C. 552, or other applicable law . The Work leading to this project was supported by contract funds provided by the Nationa l Council for Soviet and East European Research . The analysis and interpretations contained i n the report are those of the author . Contents Summary 1. Nationality Policy and Communist Internationalism 1 2. Nations and States 1 8 3. "Making of Nations," Soviet Style 2 1 4. Navitization 25 5. Economic and Social Transformation 30 6. -
Alexander Sokurov Poeta Visual CDD: 791.430947
Afeição da Virgem Ícone de Novgorod (sec. XII) Coleç ã o do Kremlin, Moscou III Albrecht Dürer Melancolia (1514) Metropolitan Museum of Art, Nova York V Pieter Bruegel Torre de Babel (1563) Kunsthistorisches Museum, Viena VII El Greco (Doménikos Theotokópoulos) Os apóstolos Pedro e Paulo (1592) Museu Hermitage, São Petersburgo IX Rembrandt Van Rijn Boi esquartejado (1655) Museu do Louvre, Paris XI Pieter Saenredam Praça de Santa Maria e Igreja de Santa Maria em Utrecht (1662) Museu Boymans Van Beuningen, Rotterdam XII Hubert Robert Pintores (década de 1790) Museu Hermitage, São Petersburgo XIII Caspar David Friedrich Andarilho sobre o mar de neblina (1818) Kunsthalle Hamburgo XV Alexander Sokurov poeta visual CDD: 791.430947 A 378 Alexander Sokurov: poeta visual / organização Fábio Savino e Pedro França. Rio de Janeiro: Banco do Brasil, Ministério da Cultura, Zipper Produções, 2013. 302p. il. ISBN: 978-85-64723-01-6 Catálogo da mostra de cinema realizada no Centro Cultural do Banco do Brasil no Rio de Janeiro, de 7 a 26 de maio, Centro Cultural do Banco do Brasil em São Paulo, de 22 de maio a 16 de junho e Centro Cultural do Banco do Brasil em Brasília, de 11 a 30 de junho. 1. Sokurov, Alexander, 1951- . 2. Cinema russo – Brasil – mostra de cinema. I. Savino, Fábio. II. França, Pedro. III. Centro Cultural do Banco do Brasil. Brasil. Ministério da Cultura. Ministério da Cultura apresenta Banco do Brasil apresenta e patrocina Alexander Sokurov poeta visual Organização Fábio Savino e Pedro França CCBB Rio de Janeiro 7 a 26 de maio CCBB São Paulo 22 de maio a 16 de junho CCBB Brasília 11 a 30 de junho 2013 Banco do Brasil e Ministério da Cultura apresentam Alexander Sokurov – poeta visual, mostra de cinema que traça um panorama da obra do premiado cineasta russo, reconhecido pela European Film Academy como um dos maiores diretores do cinema mundial. -
Exploring the Erosion of the Post-Soviet Space
FEBRUARY 2019 58 WHAT HAS REMAINED OF THE USSR EXPLORING THE EROSION OF THE POST-SOVIET SPACE Arkady Moshes, András Rácz ( eds.) FEBRUARY 2019 58 WHAT HAS REMAINED OF THE USSR EXPLORING THE EROSION OF THE POST-SOVIET SPACE Arkady Moshes, András Rácz (eds.) FEBRUARY 2019 58 This publication is the final report of a research project conducted by the Finnish Institute of International Affairs with the participation of a group of European and Russian experts on the post-Soviet space. The project was co-funded by FIIA and Konrad Adenauer Foundation. Reports can be ordered from the Finnish Institute of International Affairs. +358 9 432 7707 [email protected] All FIIA reports and other publications are also available on our website at www.fiia.fi Language editing: Joan Nordlund and Lynn Nikkanen Graphic design: Mainostoimisto SST Oy Layout: Kaarina Tammisto Printed by Punamusta Oy, 2019 ISBN (print) 978-951-769-592-3 ISBN (web) 978-951-769-593-0 ISSN 2323-5454 The Finnish Institute of International Affairs is an independent research institute that produces high-level research to support political decisionmaking and public debate both nationally and in- ternationally. All manuscripts are reviewed by at least two other experts in the field to ensure the high quality of the publications. In addition, publications undergo professional language checking and editing. The responsibility for the views expressed ultimately rests with the authors. CONTENTS List of abbreviations 8 Introduction 11 Arkady Moshes, András Rácz PART ONE 17 1. The law and politics of post-Soviet constitutionalism 21 Peter Van Elsuwege 2. -
Aleksandr Sokurov's Days of Eclipse Vs the Strugatskii Brothers
Loyalty by obfuscation: Aleksandr Sokurov’s Days of eclipse vs the Strugatskii brothers’ A billion years before the end of the world1 Andrei Rogatchevski Abstract. This article seeks to rectify two misconceptions that have been following Aleksandr Sokurov’s award-winning sf film Days of Eclipse (Dni zatmeniia; USSR 1988) almost since its release. The first is reflected in the claim that the film – with its odd mix of enigmatic fictional scenes and documentary footage that would not look out of place on a visual anthropology course – is not only difficult to fathom but downright ‘anti-explicatif’ (Ostria 59).2 The second has been expressed in a statement that Days of Eclipse ‘has altered everything but the names of the principal characters’ (Moskvina 45) in the Strugatskii brothers’ story it has adapted, A Billion Years Before the End of the World (Za milliard let do kontsa sveta, 1976-77; see Strugatskie 1988: 3-148).3 Even Boris Strugatskii himself said of the film that, ‘significant, powerful and sui generis exceptional’ as it may be, it is ‘far removed from both the original book and the last version of the authors’ script’ (Strugatskie 2001: 648). I will argue that there is enough left of the source material in the film to help the viewer make sense of it – especially if the viewer has a prior knowledge of the source material. I will also try to explain why Sokurov has opted for obscuring the Strugatskiis’ message as his book adaptation strategy. Finally, I will attempt to categorise Sokurov’s approach to film adaptation in the context of some of his other films, as well as some Strugatskii-related films by other directors. -
Modern Russian Mass Consciousness: the New Wave of Patriotism
Journal of Siberian Federal University. Humanities & Social Sciences 1 (2016 9) 91-106 ~ ~ ~ УДК 304.444 Modern Russian Mass Consciousness: the New Wave of Patriotism Larisa S. Nabokova* Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia Received 20.09.2015, received in revised form 09.10.2015, accepted 14.11.2015 The present condition of modern Russian patriotism is studied as a system of representations for the archetypical structures of Russian collective unconscious. Currently this system is being interpreted and actualized in the modern Russian mass consciousness, covering new formats and suggesting new formulas. In the article this tendency of the modern Russian public consciousness is presented as an organic synthesis of generic, traditional fixed archetypes of Russian mentality, belonging to various historical epochs. The article offers a brief historical and comparative analysis of the mythological images fixed in Russian consciousness that allows us to suggest that the modern Russian mass consciousness in its patriotic meaning is a completely unique phenomenon representing an enormous spectrum of traditional Russian peculiarities and refracting a great number of historical images and archetypical structures. Keywords: mass consciousness, patriotism, Russian national idea, mythological image, archetype, mental image. DOI: 10.17516/1997-1370-2016-9-1-91-106. Research area: culture studies. Introduction religious structures, whereas the imperial The substantial essence of patriotism patriotism strove to bring people together under directly depends on the historical conditions, the power of Rome. It led to the formation of political ideology, objectives and tasks set by the known all-imperial cults, and the Emperor the state. In the Antiquity the word patria (“the was idolized.