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Annual American Exhibition [Of] Water Colors and Drawings

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Annual American Exhibition [Of] Water Colors and Drawings This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com AnnualAmericanExhibition[of]WaterColorsandDrawings ArtInstituteofChicago HE ART INSTITUTE OF CHICAGO T THE NEW YORK) PUBLIC LIBRARY CATALOGUE OF THE NINETEENTH ANNUAL TIL»EN ' "' OATIONS EXHIBITION OF I907 WATER-COLORS, PASTELS AND MINIATURES BY AMERICAN ARTISTS MAY 7 TO JUNE 16 THCMTimiTIVIC1 1907 . or-crueflQQ PRINTED FOR THE aKt institute CHICAGO, 1907 V yHE ART INSTITUTE OF CHICAGO CATALOGUE OF THE NINETEENTH ANNUAL EXHIBITION OF WATER-COLORS, PASTELS AND MINIATURES BY AMERICAN ARTISTS MAY 7 TO JUNE 16 TtlC-AHTINSTITVTE- 1907 PRINTED FOR THE ART INSTITUTE CHICAGO, 1907 I HE N i_ VOKK fuel:-; lil^ary Trustees of t^i6Art,|j|8tilutJe of Chicago ~T9o6:t EDWARD R. AYHR CHARLES L. HUTCHINSON SAMUEL E. BARRETT BRYAN LATHROP ADOLPHUS C. BARTLETT PRANK G. LOGAN JOHN C. BLACK R. HALL MCCORMICK CHADNCEY J. BLAIR STANLEY MCCORMICK CLARENCE BUCKINGHAM JOHN J. MITCHELL DANIEL H. BURNHAM SAMUEL M. NICKERSON CHARLES DEE RING MARTIN A. RYERSON HENRY H. GETTY HOWARD VAN D. SHAW JOHN J. GI.ESSNKR ALBERT A. SPRAGUE Ex Officio FRED A. BUSSE, EDWIN G. FOREMAN, Mayor President South Park Commissioner! WALTER H. WILSON, WILLIAM BEST, Comptroller Auditor South Park Commissioners Officers CHARLBS L. HUTCHINSON, MARTIN A. RYERSON, President Vice-President BRNBST A. HAMILL, WILLIAM A. ANGELL, Treasurer Auditor WILLIAM M. R. FRENCH, NEWTON H. CARPENTER, Director Secretary Executive Committee CHARLES L. HUTCHINSON JOHN C. BLACK ALBERT A. SPRAGUE MARTIN A. RYERSON FRANK G. LOGAN HOWARD VAN D. SHAW CLARENCE BUCKINGHAM Art Committee CHARLES L. HUTCHINSON bryan lathrop MARTIN A. RYERSON r. hall Mccormick HOWARD VAN D. SHAW prederic c. bartlett THE ART INSTITUTE OF CHICAGO was incorporated May 24, 1879, for the "founding and maintenance of schools of art and design, the formation and exhibition of collections of objects of art, and the cultivation and extension of the arts of design by any appropriate means." The Museum building upon the Lake Front, first occupied in 1893, is open to the public every week day from 9 to 5, Sundays from I to 5. Admission is free to members and their families at all times, and free to all upon Wednesdays, Saturdays, and Sundays. The Art School, in the same building, includes departments of Drawing, Painting, Sculpture, Illustration, Decorative Designing, Normal instruction, and Architecture. All friends of the Art Institute are invited to become members. Annual Members pay a fee of ten dollars a year. Life Members pay one hundred dollars and are thenceforth exempt from dues. Governing Members pay one hundred dollars upon election and twenty-five dollars a year thereafter. Upon the payment of four hundred dollars Governing Members become Governing Life Mem bers and are thenceforth exempt from dues. All receipts from life memberships are invested and the income only expended. All members are entitled, with their families and visiting friends, to admission to all exhibitions, receptions, public lectures, and en tertainments given by the Art Institute, and to the use of the Ryerson reference library upon art. DESIGNATION OF GALLERIES MAIN FLOOR SEE FLAW Rooms i, 2, 3, 4, 5, 8, 10, 12, 14, Elbridge G. Hall Collection of Casts of Sculptures. Room i, Egyptian, Assyrian, Babylonian, Syrian, Asia Minor. Room 2, (Corridor) . Asia Minor and Early Greek. Room 3, Greek of V. and IV. Centuries B. C., including the Pheidian period and that of Praxiteles and Skopas. Room 4, . Later Greek and Graeco-Romau. Room 5, . Sculpture, Roman. Room 6, (Corridor) Higinbotham Collection of Naples Bronzes. Room 7, Office of the Director. Room 8, (Hall) . Sculpture, Modern. Room 9, . Office of the Secretary. Room 10, . Sculpture, Renaissance Room ii, (Corridor) Historical Collection of French Sculpture. Room 12, . Sculpture, Modern. Room 13, (Corridor) Getty Collection of Musical Instruments. Room 14, .... Sculpture, Modern. Room 15, . Egyptian and Classical Antiquities. Room 16, . Oil Paintings. Room 18, . Fullerton Memorial Hall, Lecture Room. Room 20, . Blackstone Collection of Architectural Casts. Room 24, . Ryerson Library. DESIGNATION OF GALLERIES SECOND FLOOR III TLAH Room 25, Room 26, Nineteenth Annual Exhibition of Water Colors, Room 27, Pastels and Miniatures, by Room 28, Contemporary American Artists. Room 30, Room 29, (Corridor) . Century Drawings. Room 31, Oil Paintings, Room 32, Paintings: Old Masters. Room 33, (Corridor) Arundel Reproductions and Metal Work. Room 34, Trustees' Room. Room 35, (Hall) Sculpture and Paintings. Room 36, . Committee Room. Room 37, (Corridor) . Sculpture and Drawings. Room 38, Oil Paintings : Henry Field Memorial Collection. Room 39, The Elizabeth Hammond Stickney Room: Oil Paintings. Room 40, . Oil Paintings : A. A. Munger Collection. Room 41, Nickerson Collection : Japanese Bronzes, Porcelain, etc. Room 42, Nickerson Collection : Jades, Crystals, etc., and Oil. Paintings. Room 44, Nickerson Collection: Water Colors and Engravings. Room 43, l Collection of the Antiquarians: Textiles, Embroideries, Room 45, f etc. Rooms 46, 47, 48, Miscellaneous Collections. Room 49, Store Room. Room 50, Print Room. ;Ur- --"-.'..T.CMt, JURIES OF SELECTION. For Nezv York. For Philadelphia. Colin Campbell Cooper, Charles Morris Young, F. Luis Mora, Miss Violet Oakley, Edward II. Potthast, Henry McCarter. For Boston. Ross Turner, Theodore Wendel, William P. Burpee. For Chicago. ART COMMITTEE OF THE ART INSTITUTE. Charles L. Hutchinson, Bryan Lathrop, Frederic C. Bartlett, Martin A. Ryerson, R. Hall McCormick, Howard Van D. Shaw. COMMITTEE OF ARTISTS. Charles A. Smith, Frederick W. Freer, Mrs. Anna. L. Stacey, Alfred Juergens, Mrs. A. Van C. Dodgshun. FOR INFORMATION REGARDING EX- HIBITS FOR SALE APPLY TO MISS WILLARD. AT DESK IN ROOM 30. ALL PAYMENTS FOR EXHIBITS PUR CHASED MUST BE MADE TO THE SECRETARY OF THE ART INSTITUTE. CATALOGUE OF THE NINETEENTH ANNUAL EXHIBITION OF WATER-COLORS, PASTELS AND MINIATURES BY AMERICAN ARTISTS. PICTURES NOT OTHERWISE DESIGNATED ARE WATER COLORS ALBRIGHT, Adam Emory— Edison Park, H1. Born in WisconsIn, 1862. Studied at tbe Art Institute, Chicago; Pennsylvania Academy of the Pine Arta, Philadelphia, in Munich, and in Paris, Member, Chicago Society of Artists, Chicago Academy of Design; Fel lowship, Pennsylvania Academy of the Fine Arts, Philadelphia. 1. The sisters. 2. The snare. ALEXANDER, Johanna S.— 4858 Langley Avenue, Chi cago, 1ll. Born in Strasburg, Germany. Studied at tbe Art Institute of Chicago. Member Art Students' League of tbe Art Institute. 3. Hollyhocks. ANNAN, AMCE H.— 156 Carnegie Hall, New York, N. Y. Born in New York City. Studied at tbe Art Students' League, and with Benjamin Foster, Henry B. Snell, New York. 4. The close of day. 5. Coming storm. 12 The Art Institute of Chicago. ANSHUTZ, Thomas P.— Fort Washington, Pa. Born in Newport, Ky., 1851. Studied at the Academy of Design, New York ; at the Pennsylvania Academy of Pine Arts ; and with Doucet and Bouguereau, Paris. Member of the Faculty of Pennsylvania Academy of the Fine Arts, Philadelphia. Represented in the Pennsylvania Academy of the Fine Arts. Philadelphia. 6. Portrait. ARMS, Jessie — 2327 Lakewood Avenue, Chicago, 1ll. Born in Chicago, 1883. Studied at the Art Institute, Chicago. 7. Orange grove. 8. California. 9. Mission house. 10. Eucalyptus trees. 11. Blackberry hedge. ARNOLD, Harry — 6700 Parnell Avenue, Chicago, H1. Born In England, 1834. Studied with Colarossi, Paris. 12. The coming of dawn. BALL, L. Clarence — South Bend, Indiana. Born in Mt. Vernon, Ohio. 13. After the shower. Water Colors, Pastels and Miniatures. 13 BARNITZ, Henry Wilson — Glenview Park, Glenview, 1ll. Born in Berwick. Pa. Studied with Thomas Eakins and Thomas Hovenden in Pennsylvania Academy of the Fine Arts, and in the Stu dio of Leon Delechaux. Fellowship P. A. P. A., Philadelphia, and Member Chicago Society of Artists, Associate Member, Society of Western Artists. 14. The nasturtium. Pastel. BIGELOW, Daniel Folger— 5032 Prairie Avenue, Chicago, 1ll. Born in Peru, New York, 1823. Charter Member Academy of De sign, Chicago. Member, Chicago Society of Artists. 15. Mount Discovery, Adirondacks, N. Y. BLESSUM, Ben— 889 North Talman Avenue, Chicago, 1ll. Born in Norway, 1877. 16. A Norwegian glacier. Pastel. BLOODGOOD, Morris Seymour— 1947 Broadway, New York, N. Y. Born in New York, IMS. Studied at the National Acad emy of Design and at the Art Stadents' League, New York ; with Blanc and Courtois in Paris. Member, American Art Association, Paris. 17. In the Adirondack woods. BOURNE, Gertrude B.— 130 Mount Vernon Street, Bos ton, Maaa. 18. Villa d'Este. 19. On the bank of the Artichoke. BOUTWOOD, Charles Edward— Hinsdale, 1ll. Born in England. Studied at Royal Academy, London, and in Paris. 20. A grey day. 14 The Art Institute of Chicago. BRECKENRIDGE, Hugh H.— Phloxdale, Fort Washing ton, Pa. Born in Leesburg, Va., 1870. Studied in the School of the Penn. Academy of the Fine Arts; with Bouguereau, Ferrier and Doucet, Paris. Member, Jury for Pan-American Exposition, Buffalo; New York Water Club; PhiladelphiaWaterColorClubs; Penn. Academy Fellowship; Secretary of the Faculty and Instructor in the P. A. F. A., Philadelphia. Represented in Art Club of Philadelphia; St. Louis Club, St. Louis; in the University Club, Indianapolis, and in Collec tions in New York, Pittsburgh, Chicago, Cleveland. First Class Top- pan Prize, Penn. Academy of the Fine Arts; European Scholarship, Penn. Academy of the Fine Arts. Honorable mention, Paris Expo sition, 1900. Medals, Pan-American Exposition, Buffalo, 1901; Atlanta Exposition. Corcoran Prize, Washington, 1903. Member, Interna tional Jury of Awards, World's Fair, St. Louis, 1904. Gold Medal, Philadelphia Art Club, 1907. 21 . Tall trees of the meadow. 22. The creek — autumn. 23. The nut gatherer. 24. Green and gold. 25. Sunlight and shadow. 26. Autumn hillside. 27. Purple and gold. 28. Evening. 29. Autumn flowers. 30. Meadow and stream 31. The valley. 32. Phlox in sunlight. 33. The nautilus. Water Colors, Pastels and Miniatures.
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  • Highlights from the Mcclung Museum's European & American Art Collections
    Highlights from the McClung Museum’s European & American Art Collections Introduction Like many university museums, the University and broader community to inter- McClung Museum has been gifted a wide act with them in their teaching and learn- variety of art since it opened its doors fifty ing. years ago. Among those gifts is a signifi- cant grouping of American and European In that sense, we are grateful for the long art that forms the backbone of the Mu- history of generous donations to the seum’s Western Art collections. McClung Museum, which not only benefit the museum itself, but University of Tennes- From nineteenth century society portraits see faculty, students, and researchers, as to twentieth century abstract art, these well as the East Tennessee community. paintings, sculptures, and works on paper reflect a handful of collectors’ tastes. While Collections like this one allow for the kind not focused in any particular area, the col- of intimate and eye-opening, and I think ex- lection is wonderful in its breadth and qual- traordinary important, interactions with art ity. that can only happen in the museum space. I organized this show the Summer of 2014 in order to highlight some of the gems in our collections, many of which had not been displayed in decades. Its chronologi- cal display not only roughly follows the col- Catherine Shteynberg lecting patterns of each of the donors pro- Curator filed throughout the exhibit, but also of course the chronology of major art move- ments. As we are a University museum, we not only have the opportunity to temporarily display these works of art, but to allow the ii The Collectors iii The Audigiers were Knoxvillians and strong patrons of the arts who made one of the first large donations of art to the Uni- versity of Tennessee.
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